From cdr Mon Nov 25 11:52:21 1991 Return-Path: Received: by stolaf.edu (4.1/SMI-4.1) id AA23291; Mon, 25 Nov 91 11:52:21 CST Date: Mon, 25 Nov 91 11:52:21 CST From: cdr (Craig D. Rice, St. Olaf College) Message-Id: <9111251752.AA23291@stolaf.edu> To: mutex@stolaf.edu Subject: Welcome This is the first posting to MuTeX@stolaf.edu Craig From cdr@stolaf.edu Wed Nov 27 10:13:56 1991 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA06223; Wed, 27 Nov 91 10:13:56 CST Received: by sachiko.acc.stolaf.edu; Wed, 27 Nov 91 10:13:34 CST Message-Id: <9111271613.AA02020@sachiko.acc.stolaf.edu> To: mutex@stolaf.edu Subject: [forwarded] multiple staves with MuTeX Date: Wed, 27 Nov 91 10:13:33 CST From: cdr@stolaf.edu ------- Forwarded Message Date: Tue, 26 Nov 91 21:11:06 -0800 From: William Vera Please add me to your mailing list. I just installed MuTeX here today and produced the 2 demo pieces which look fine. My eventual goal here is to write an X-window front end for composing multi-part scores which will output with MuTeX on a laser printer or previewer. I hear someone is already working on extensions to increase the number of allowable staves. I'm trying to track down who that is at the moment. Please pass along any other interesting development info you might hear about. Thanks, - - William Vera vera@locus.com ------- End of Forwarded Message From hudson@radar.eecs.wsu.edu Wed Nov 27 11:00:24 1991 Return-Path: Received: from radar.eecs.wsu.edu by stolaf.edu (4.1/SMI-4.1) id AA06725; Wed, 27 Nov 91 11:00:24 CST Received: by radar.eecs.wsu.edu (AIX 1.3/4.03) id AA11108; Wed, 27 Nov 91 02:55:59 -0800 Date: Wed, 27 Nov 91 02:55:59 -0800 From: hudson@radar.eecs.wsu.edu Message-Id: <9111271055.AA11108@radar.eecs.wsu.edu> To: mutex@stolaf.edu Subject: where to get it Can someone email me the most up-to-date anonymous ftp site in the US for mutex and/or musictex? I'd appreciate it very much. Scott From cdr Wed Nov 27 11:07:05 1991 Return-Path: Received: by stolaf.edu (4.1/SMI-4.1) id AA06968; Wed, 27 Nov 91 11:07:05 CST Date: Wed, 27 Nov 91 11:07:05 CST From: cdr (Craig D. Rice, St. Olaf College) Message-Id: <9111271707.AA06968@stolaf.edu> To: mutex Subject: FAQ - Frequently Asked Questions Looks like now is a good time for the initial version of FAQ. FAQ 911126: Frequently Asked Questions pertaining to MusicTeX and MuTeX ------------------------------------------------------------------------------- NOTE: This is a bare bones beginning of what will constitute a more substantial "Frequently Asked Questions" for MuTeX and MusicTeX. Please mail your contributions to this to "mutex@stolaf.edu" ------------------------------------------------------------------------------- TABLE OF CONTENTS ------------------------------------------------------------------------------- 01 What is MuTeX? 02 Where can I get MuTeX and MusicTeX? 03 Where are the archives of MuTeX mailing list? ------------------------------------------------------------------------------- 01 What is MuTeX? The MuTeX package is a set of macros allowing TeX to typeset beautiful music. It is the outcome of a Master's thesis at the Rheinische Friedrich-Wilhelms University. 01 What is MusicTeX? Here are the tools to write music with MusicTeX under TeX. The useful macros are MUSIC*.TEX. ------------------------------------------------------------------------------- 02 Where can I get MuTeX and MusicTeX? MuTeX and MusicTeX are available from many sites, including: ftp.stolaf.edu:/pub/TeX/MuTeX.tar.Z ftp.stolaf.edu:/pub/TeX/MuTeX_doc.tar.Z ftp.stolaf.edu:/pub/TeX/MusicTeX.tar.Z ccadfa.cc.adfa.oz.au:/pub/tex/MuTeX.tar.Z clouso.crim.ca:/pub/MuTeX.tar.Z alfred.ccs.carleton.ca:/pub/tex/MusicTeX.tar.Z ------------------------------------------------------------------------------- 03 Where are the archives of the MuTeX mailing list? Archives for the MuTeX mailing list are available via anonymous FTP from: ftp.stolaf.edu:/pub/mutex/archive ------------------------------------------------------------------------------- Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 663-3631 1520 St. Olaf Avenue +1 507 663-3549 FAX Northfield, MN 55057-1098 USA From MAKO@UIHEPA.HEP.UIUC.EDU Wed Nov 27 12:22:29 1991 Return-Path: Received: from uihepa.hep.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA07715; Wed, 27 Nov 91 12:22:29 CST Received: from UIHEPA.HEP.UIUC.EDU by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDFZ4AJ0M8BNJ2LH@UIHEPA.HEP.UIUC.EDU>; Wed, 27 Nov 1991 12:23 CST Date: Wed, 27 Nov 1991 12:23 CST From: "Makoto Shimojima, Univ of Tsukuba/CDF" Subject: Re: FAQ - Frequently Asked Questions To: mutex@stolaf.edu Message-Id: <01GDFZ4AJ0M8BNJ2LH@UIHEPA.HEP.UIUC.EDU> X-Organization: High Energy Physics, University of Illinois, Urbana-Champaign X-Vms-To: IN%"mutex@stolaf.edu" X-Vms-Cc: MAKO I have the following info regarding the ftp sites: mako -- Makoto Shimojima Location DECnet/ESnet Bitnet Internet UoTsukuba: UTKBP::MAKO -N/A- mako%utkbp.dnet@kekux.kek.jp KEK: KEKVAX::MAKO MAKO@JPNKEKVX mako@kekvax.kek.jp >UoIllinois: UIHEP::MAKO MAKO@UIUCHEPG mako@uihepa.hep.uiuc.edu Fermilab: FNAL::MAKO MAKO@FNAL mako@fnal.fnal.gov From: jmcn@castle.ed.ac.uk (J McNicol) Date: 15 Aug 91 16:07:24 GMT aix370.rrz.uni-koeln.de (134.95.80.1) /tex/musictex.tar.Z arisia.xerox.com (13.1.100.206) /pub/musictexdemo.PS athene.uni-paderborn.de (131.234.2.32) /pcsoft/amiga/tex/fonts/musictex.lzh bach.cs.umb.edu (192.12.26.23) /pub/tex/musictex.tar.Z cs.dal.ca (129.173.4.5) /pub/comp.archives/musictex emx.utexas.edu (128.83.1.33) /pub/mnt/source/tex/musictex.tar.Z forwiss.uni-passau.de (132.231.20.10) /pub/tex/macros/musictex.tar.Z iraun1.ira.uka.de (129.13.10.90) /tex/musictex.tar.Z kth.se (130.237.72.201)/tex/umb/musictex.tar.Z nz20.rz.uni-karlsruhe.de(129.13.96.2) /pub/pctex/texutl/macros/musictex.lzh qed.rice.edu (128.42.4.38) /pub/musictex.tar.Z sol.cs.ruu.nl (131.211.80.5) /TEX/musictex.tar.Z srawgw.sra.co.jp (133.137.4.3) /.a/sranha/arch/arch/comp.archives/musictex /.a/sranha/arch/arch/comp.archives/music/notation/musictex wraith.cs.uow.edu.au (130.130.64.1) /cache/ftp.cs.umb.edu/pub/tex/musictex.tar.Z Also, the author of MusicTeX recommends this site (presumably his home site, and most up to date): rsovax.circe.fr Username musictex, Password From: TAUPIN@FRUPS51.BITNET Date: 23 Sep 91 20:50:55 GMT Music composers/typesetters/lovers could find interesting Music macroes at ip address 130.84.128.100, user anonymous, cwd musictex. Questions and comments welcome... From: schoepf@sc.ZIB-Berlin.DE (Rainer Schoepf) Date: 19 Aug 91 13:07:50 GMT The most recent version of MuTeX (directly obtained from Bonn, the original source) is located on rusinfo.rus.uni-stuttgart.de, in directory soft/tex/mtex. From ORLANDINI@JANE.GSFC.NASA.GOV Wed Nov 27 12:53:05 1991 Return-Path: Received: from JANE.GSFC.NASA.GOV by stolaf.edu (4.1/SMI-4.1) id AA08017; Wed, 27 Nov 91 12:53:05 CST Date: Wed, 27 Nov 1991 13:54:42 EST From: ORLANDINI@JANE.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Message-Id: <911127135442.20a0015f@JANE.GSFC.NASA.GOV> Subject: Site for Mutex and MusicTex To: mutex@stolaf.edu X-Vmsmail-To: SMTP%"mutex@stolaf.edu" From the FAQ of the comp.text.tex newsgroup > A package called MuTeX, written by Andrea Steinbach and Angelika Schofer, > aids in doing this [typeset music]. It is available via anonymous ftp from > sol.cs.ruu.nl (131.211.80.5) in pub/TEX/mtex.tar.Z and from > ymir.claremont.edu (134.173.4.23) in [anonymous.tex.music.mtex]. This > package allows you to typeset single-staff music and lyrics. > A more powerful package which allows the typesetting of orchestral and > polifonic music is MusicTeX, written by Daniel Taupin. It is also available > from ymir.claremont.edu in [anonymous.tex.music.musictex]. ---Mauro From HOLZWARTH@DHDSPRI6.BITNET Thu Nov 28 00:03:46 1991 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA11829; Thu, 28 Nov 91 00:03:46 CST Received: from DHDSPRI6.bitnet by vx.acs.umn.edu; Thu, 28 Nov 91 00:05 CST Date: Thu, 28 Nov 91 07:03 N From: Frank Holzwarth Subject: Wanted: PS demofile for MuTeX/MusicTeX To: mutex@stolaf.edu Message-Id: X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Hello all you musical TeXers, Some time ago I saw an output of the archie facility mentioning a file like MUSICTEX_DEMO.PS Unfortunately the FTP site was dead and that interesting file was not available elsewhere. Can anybody point me to an archive where to obtain this PostScript file. As I have not yet installed MuTeX or MusicTeX the file should contain all the fonts needed in PS form. Thank you very much in advance Frank Holzwarth e-mail: HOLZWARTH@DHDSPRI6.bitnet Springer-Verlag Dept. New Technologies/Product Development Tiergartenstrasse 17 W-6900 Heidelberg FRG From icking@gmdzi.gmd.de Thu Nov 28 04:26:04 1991 Return-Path: Received: from unido.informatik.uni-dortmund.de by stolaf.edu (4.1/SMI-4.1) id AA12322; Thu, 28 Nov 91 04:26:04 CST Received: from gmdzi.gmd.de by unido.informatik.uni-dortmund.de with SMTP (5.65+/UNIDO-2.0.4.f) via EUnet for stolaf.edu id AA13131; Thu, 28 Nov 91 11:21:25 +0100 Received: by gmdzi.gmd.de id AA27826; Thu, 28 Nov 91 11:26:21 -0100 Date: Thu, 28 Nov 91 11:26:21 -0100 From: Werner Icking Message-Id: <9111281026.AA27826@gmdzi.gmd.de> To: ORLANDINI@JANE.GSFC.NASA.GOV, mutex@stolaf.edu Subject: MusicTeX vs. MuTeX >>From the FAQ of the comp.text.tex newsgroup > >> A package called MuTeX, written by Andrea Steinbach and Angelika Schofer, >> aids in doing this [typeset music]. It is available via anonymous ftp from >> sol.cs.ruu.nl (131.211.80.5) in pub/TEX/mtex.tar.Z and from >> ymir.claremont.edu (134.173.4.23) in [anonymous.tex.music.mtex]. This >> package allows you to typeset single-staff music and lyrics. >> A more powerful package which allows the typesetting of orchestral and >> polifonic music is MusicTeX, written by Daniel Taupin. It is also available >> from ymir.claremont.edu in [anonymous.tex.music.musictex]. I think that it is not correct to say that MusicTeX is more powerful. The main difference between MuTeX and MusicTeX is that - MusicTeX deals with multiple staves (staffs?) - MuTeX produces a nicer output. The reason that MuteX produces nicer output seems to be that it can handle only single-staff music and therefore can easier put glue between the notes. A second reason is that it makes "real" slurs and not some sort of rotated brackets (braces, ...). Both packages have in common, that the input language is a horrorific. Both packages show some errors which are nearly impossible to trace down or to find a circumvention (e.g. MuTeX typesets sometimes not-available characters instead of slurs; MusicTeX sometimes makes a break in the middle of a slur.). Both packages are very big and required a lot of CPU-power and a big TeX-installation. Some days (or month?) ago a new MusicTeX-version came out. And when I looked at various archives most of them had (different) outdated versions. Therefor it may be a good advice to update the archived versions (or to get MusicTeX from rsovax.circe.fr (userid: musictex password: any)) near to the author. Werner -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 Gesellschaft fuer Mathematik und Datenverarbeitung mbH (GMD) Schloss Birlinghoven, P.O.Box 1240, D-5205 Sankt Augustin 1, FRGermany "Der Dativ ist dem Genitiv sein Tod." From icking@gmdzi.gmd.de Thu Nov 28 11:59:52 1991 Return-Path: Received: from unido.informatik.uni-dortmund.de by stolaf.edu (4.1/SMI-4.1) id AA12757; Thu, 28 Nov 91 11:59:52 CST Received: from gmdzi.gmd.de by unido.informatik.uni-dortmund.de with SMTP (5.65+/UNIDO-2.0.4.f) via EUnet for stolaf.edu id AA24604; Thu, 28 Nov 91 18:55:18 +0100 Received: by gmdzi.gmd.de id AA20629; Thu, 28 Nov 91 19:00:14 -0100 Date: Thu, 28 Nov 91 19:00:14 -0100 From: Werner Icking Message-Id: <9111281800.AA20629@gmdzi.gmd.de> To: mutex@stolaf.edu Subject: MuTeX documentation - MuTeX users guide Cc: jalbert@cs.ucb.ca A lot of MuTeX users complain about the poor documentation. A reason for this may be that they DO NOT have GUIDE.TEX which was written by Francois Jalbert, because the original short users guide MTEXINFO.TEX is written in German (no problem for Francois :-) - hello Frankie, how are you?) and is very poor. GUIDE.TEX is contained in MUTEX.ARC which can be found on SIMTEL (and its mirror sites) in the directory PD1:. Another source of information about MuTeX is the master thesis (Diplomarbeit) of the MuTeX authors which can be found on most TEX-server. It is written in German. It CANNOT serve as a users guide; it tells something about music typesetting and how the principles of "Notenstich" (engraving) can be transferred to a text-processor like TeX. The basic knowledge about "Notenstich" is cited from "the" famous small book by Harder. Werner From MAKO@UIHEPA.HEP.UIUC.EDU Thu Nov 28 17:11:52 1991 Return-Path: Received: from uihepa.hep.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA13101; Thu, 28 Nov 91 17:11:52 CST Received: from UIHEPA.HEP.UIUC.EDU by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDHNIFHJTCBNJ3KJ@UIHEPA.HEP.UIUC.EDU>; Thu, 28 Nov 1991 17:12 CST Date: Thu, 28 Nov 1991 17:12 CST From: "Makoto Shimojima, Univ of Tsukuba/CDF" Subject: New MusicTeX available at rsovax.circe.fr To: mutex@stolaf.edu Message-Id: <01GDHNIFHJTCBNJ3KJ@UIHEPA.HEP.UIUC.EDU> X-Organization: High Energy Physics, University of Illinois, Urbana-Champaign X-Vms-To: IN%"mutex@stolaf.edu" From: IN%"TAUPIN@FRUPS51.BITNET" 28-NOV-1991 13:29:40.04 To: IN%"MAKO@UIHEPA.HEP.UIUC.EDU" CC: Subj: RE: Re: MusicTeX Received: from Jnet-DAEMON by UIHEPA.HEP.UIUC.EDU (PMDF #12392) id <01GDHFPURPQCBNIY8L@UIHEPA.HEP.UIUC.EDU>; Thu, 28 Nov 1991 13:29 CST Received: From FRUPS51(TAUPIN) by UIUCHEPA with Jnet id 0079 for MAKO@UIUCHEPG; Thu, 28 Nov 1991 13:29 CST Date: 28 NOV 91 19:27:33.65-GMT From: TAUPIN@FRUPS51.BITNET Subject: RE: Re: MusicTeX To: MAKO@UIHEPA.HEP.UIUC.EDU Message-id: <01GDHFPURPQCBNIY8L@UIHEPA.HEP.UIUC.EDU> New version of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.circe.fr) Enhancements: fonts corrected according to K. Neuwirth's suggestions (except some difficult things) -- ties and slurs work better. -- repeats seem to work correctly now -- some other small defects removed -- the notice has been seriously enhanced. -- better flexibility with modes in *.mf Further projects: automatic transposition, including accidentals, small notes, nicer ties. -- latex style according to N. Brouard's suggestions. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Tue Dec 3 09:27:47 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA16509; Tue, 3 Dec 91 09:27:47 CST Message-Id: <9112031527.AA16509@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 2841; Tue, 03 Dec 91 10:26:39 EST Date: 3 DEC 91 16:23:31.78-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: Musictex version 4.31 To: MUTEX@stolaf.edu New version 4.31 of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.circe.fr) New: you can now write transposable music, including the transposition of accidentals. Read the notice.tex. Bugs removed in signature changes from 4.3 (november 1991) Enhancements since summer 1991: fonts corrected according to K. Neuwirth's suggestions (except some difficult things) -- ties and slurs work better. -- repeats seem to work correctly now -- some other small defects removed -- the notice has been seriously enhanced. -- better flexibility with modes in *.mf Further projects: small notes, nicer ties. -- latex style according to N. Brouard's suggestions. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Tue Dec 3 11:57:58 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA17892; Tue, 3 Dec 91 11:57:58 CST Message-Id: <9112031757.AA17892@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6493; Tue, 03 Dec 91 12:56:53 EST Date: 3 DEC 91 18:59:44.88-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: French MusicTeX examples To: MUTEX@stolaf.edu If you have troubles with 8bit french characters, the musicsty.tex contrain their definitions (starting from 2 minutes ago). If you have only a 7bit TeX, then look at this file and perform the replacement with your editor... From bobb@agora.rain.com Tue Dec 3 22:06:26 1991 Return-Path: Received: from percy.rain.com by stolaf.edu (4.1/SMI-4.1) id AA23554; Tue, 3 Dec 91 22:06:26 CST Received: by percy.rain.com (/\==/\ Smail3.1.24.1 #24.2) id ; Tue, 3 Dec 91 20:07 WET Received: by agora.rain.com (/\==/\ Smail3.1.21.1 #21.6) id ; Tue, 3 Dec 91 20:04 PST Message-Id: Date: Tue, 3 Dec 91 20:04 PST From: bobb@agora.rain.com (Bob Beauchemin) To: mutex@stolaf.edu Subject: Music and book publishing A friend of mine is looking to typeset a textbook that is mostly text, but interspersed with staffs of music (ie. music included in the text like figures). Does anyone have any experiences doing this sort of thing with any combination of Plain TeX, LaTeX, MuTeX and/or MusicTeX? It appears, after a brief glance, that MuTeX and MusicTeX are mostly for typesetting musical scores (with possible title and composer information). It was mentioned (in the MusicTeX docs, I think) that you lose the TeX '&' character (used for columns) because it use to separate music staffs (staves?). Also, that there may be problems using MusicTeX with LaTeX. But the MusicTeX docs contain "music figures" in the text... Any music & TeX gurus out there? I'm a TeX beginner looking for recommendations. Bob Beauchemin 6503 SW 46th Place Portland OR, 97221 (503)-244-5029 bobb@agora.rain.com From robin.fairbairns@lsl.co.uk Wed Dec 4 04:33:48 1991 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA25259; Wed, 4 Dec 91 04:33:48 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <23685-0@eros.uknet.ac.uk>; Wed, 4 Dec 1991 10:08:31 +0000 Received: by lsl.co.uk (MX V2.3-1) id 2833; Wed, 04 Dec 1991 10:08:21 +0100 Date: Wed, 04 Dec 1991 10:08:21 +0100 From: Robin Fairbairns To: mutex@stolaf.edu Message-Id: <009529A9.DA74FE80.2833@lsl.co.uk> Subject: Re: Musictex version 4.31 In article <9112031527.AA16509@stolaf.edu>, TAUPIN writes: > New version 4.31 of MusicTeX available by ftp anonymous > at 130.84.128.100 (rsovax.circe.fr) > New: you can now write transposable music, including > the transposition of accidentals. Read the notice.tex. I had slight problems with the positioning of `notice' on my printer (a DEC LPS 20 postcript machine). > Bugs removed in signature changes from 4.3 (november 1991) > > Enhancements since summer 1991: fonts corrected according to > K. Neuwirth's suggestions (except some > difficult things) > -- ties and slurs work better. Much better (though admittedly still not perfect!). I'm setting (mostly) late classical or romantic music, with widely variable bar lengths. The ties and slurs now (occasionally) break up; previously they had ghastly tails to the left, which are now entirely absent. I can _cope_ with gaps... ;-) > -- repeats seem to work correctly now > -- some other small defects removed > -- the notice has been seriously enhanced. > -- better flexibility with modes in *.mf Very useful - every previous version I had to patch the MF files. > Further projects: > small notes, nicer ties. Go to it, Daniel! All in all, I strongly recommend that people acquire this latest version. In addition, given that the connection to rsovax.circe.fr is (by Daniel's own admission) rather flaky, I suggest that someone on the far side of the Atlantic (at least) should set up a copy on anon ftp for general consumption. (I shall suggest the same to Aston, at least.) -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From icking@gmdzi.gmd.de Wed Dec 4 05:56:12 1991 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA25417; Wed, 4 Dec 91 05:56:12 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.a) via EUnet for stolaf.edu id AA09164; Wed, 4 Dec 91 12:51:19 +0100 Received: by gmdzi.gmd.de id AA24681; Wed, 4 Dec 91 12:56:22 -0100 Date: Wed, 4 Dec 91 12:56:22 -0100 From: Werner Icking Message-Id: <9112041156.AA24681@gmdzi.gmd.de> To: mutex@stolaf.edu, robin.fairbairns@lsl.co.uk, taupin@gmdzi.gmd.de Subject: MusicTeX version 4.31 availabe on gmdzi.gmd.de Cc: jc@gmdzi.gmd.de Robin Fairbairns complaint has found an open ear: > >In addition, given that the connection to rsovax.circe.fr is (by >Daniel's own admission) rather flaky, I suggest that someone on the far >side of the Atlantic (at least) should set up a copy on anon ftp for >general consumption. (I shall suggest the same to Aston, at least.) > gmdzi.gmd.de (129.26.8.90) has version 4.31 of musictex.zip in /ftp/tmp: -rw-r--r-- 1 icking 406528 Dec 2 04:31 musictex.zip Standard ftp-processing is available (user: anonymous password: Hope this hilft -- Werner PS: If you cannot connect to gmdzi.gmd.de try 129.26.8.90 which is new since yesterday. -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 Gesellschaft fuer Mathematik und Datenverarbeitung mbH (GMD) Schloss Birlinghoven, P.O.Box 1240, D-5205 Sankt Augustin 1, FRGermany "Der Dativ ist dem Genitiv sein Tod." From piet@cs.ruu.nl Wed Dec 4 07:32:56 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA25627; Wed, 4 Dec 91 07:32:56 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA06580; Wed, 4 Dec 91 14:26:47 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA25246; Wed, 4 Dec 91 14:32:03 -0100 Date: Wed, 4 Dec 91 14:32:03 -0100 From: Piet van Oostrum Message-Id: <9112041332.AA25246@alchemy.cs.ruu.nl> To: MUTEX@stolaf.edu Subject: Re: Musictex version 4.31 References: <9112031527.AA16509@stolaf.edu> I do have a compressed tar file in our archive. This is easier for most Unix folx. It is also accessible by a mail-server. How to get musictex.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @hp4nl.nluug.nl:erikjan@icce.rug.nl Wed Dec 4 07:47:05 1991 Return-Path: <@hp4nl.nluug.nl:erikjan@icce.rug.nl> Received: from hp4nl.nluug.nl by stolaf.edu (4.1/SMI-4.1) id AA25677; Wed, 4 Dec 91 07:47:05 CST Received: from rug4 (rug4.cs.rug.nl; [129.125.5.4]) by hp4nl.nluug.nl with SMTP id AA13613 (1.15/2.14); Wed, 4 Dec 91 14:48:07 +0100 Received: from icce.rug.nl by rug4 (4.1/SMI-4.1/CSRUG-1.0) id AA11432; Wed, 4 Dec 91 14:47:24 +0100 Received: by guicce.icce.rug.nl (AIX-RT 2.2.1/4.03/91A07) id AA07861; Wed, 4 Dec 91 12:32:56 +0100 From: Erik-Jan Vens Message-Id: <9112041132.AA07861@guicce.icce.rug.nl> Subject: Re: Musictex version 4.31 To: mutex@stolaf.edu Date: Wed, 4 Dec 91 12:32:55 MET In-Reply-To: <009529A9.DA74FE80.2833@lsl.co.uk>; from "Robin Fairbairns" at Dec 4, 91 10:08 am Reply-To: E.J.Vens@icce.rug.nl X-Organization: The ICCE Experience X-Mailer: ELM [version 2.3 PL11] Robin Fairbairns dixit: > In article <9112031527.AA16509@stolaf.edu>, TAUPIN writes: > > New version 4.31 of MusicTeX available by ftp anonymous > > at 130.84.128.100 (rsovax.circe.fr) > > Enhancements since summer 1991: fonts corrected according to > > K. Neuwirth's suggestions (except some > > difficult things) Well, actually, there are still problems with the musicd16 en musicd20 MetaFont files. There are two lines: input modes input local which do not belong there. The which comes with the musictex package not only is an old (?) file, it also is a wrong file. Karl Berry has compiled a file (currently version 0.8) which contains mode definitions for a lot of printers. You or your systemmanager should compile these into your MetaFont <.base> file. Then you can select the right printer on the commandline. The setup now forces you select to a HP LaserJet. If you have correctly made a <.base> file, you can dyke these two lines out. > Go to it, Daniel! > > All in all, I strongly recommend that people acquire this latest > version. Yes, it is a much better version than the old one. I met Daniel Taupin in Eindhoven two weeks ago and the examples he showed promised a lot. So, a year after giving up on musictex, I gave it another try. And it is *good*. > In addition, given that the connection to rsovax.circe.fr is (by > Daniel's own admission) rather flaky, I suggest that someone on the far > side of the Atlantic (at least) should set up a copy on anon ftp for > general consumption. (I shall suggest the same to Aston, at least.) I will pass this on to Piet van Oostrum, keeper of the Utrecht Archives (sol.cs.ruu.nl). EJee. -- Erik-Jan Vens. E.J.Vens@icce.rug.nl From acadia!yale!CS.YALE.EDU!malcolm@harvard.harvard.edu Wed Dec 4 10:19:13 1991 Return-Path: Received: from harvard.harvard.edu by stolaf.edu (4.1/SMI-4.1) id AA26876; Wed, 4 Dec 91 10:19:13 CST Received: by harvard.harvard.edu (5.54/a0.25) (for mutex@stolaf.edu) id AA01426; Wed, 4 Dec 91 11:19:13 EST Received: from acadia""UUCP by bulldog.CS.YALE.EDU via UUCP; Wed, 4 Dec 1991 11:18:17 -0500 Received: by acadia (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA00697; Wed, 4 Dec 91 09:19:09 EST Date: Wed, 4 Dec 91 09:19:09 EST From: malcolm%acadia.UUCP@CS.YALE.EDU (Malcolm Sanders) Message-Id: <9112041419.AA00697@ acadia > Reply-To: Malcolm M. Sanders <@CS.YALE.EDU:malcolm%acadia.uucp%acadia.UUCP@cs.yale.edu> Received: by NeXT Mailer (1.63) To: mutex@stolaf.edu Subject: Re: MusicTeX version 4.31 availabe on gmdzi.gmd.de Werner Icking writes: >gmdzi.gmd.de (129.26.8.90) has version 4.31 of musictex.zip in /ftp/tmp: ^^^^ > -rw-r--r-- 1 icking 406528 Dec 2 04:31 musictex.zip ^^^^ Incredible. -Malcolm Sanders malcolm%acadia.uucp@cs.yale.edu Telephone: (203) 458-2939 From cdr@stolaf.edu Wed Dec 4 10:22:17 1991 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA26908; Wed, 4 Dec 91 10:22:17 CST Received: by sachiko.acc.stolaf.edu; Wed, 4 Dec 91 10:21:44 CST Message-Id: <9112041621.AA03106@sachiko.acc.stolaf.edu> To: mutex@stolaf.edu Subject: MusicTeX archive in US Date: Wed, 04 Dec 91 10:21:43 CST From: cdr@stolaf.edu From the land of snow and ice, anonymous FTP from ftp.stolaf.edu:/pub/mutex now contains -rw-rw-r-- 1 root 347451 Apr 12 1990 MuTeX.tar.Z -rw-rw-r-- 1 root 37155 Apr 12 1990 MuTeX_doc.tar.Z -rw-rw-r-- 1 cdr 29540 Dec 4 10:19 archive -rw-r--r-- 1 root 3206 Dec 3 09:01 faq -rw-r--r-- 1 root 508169 Dec 4 10:16 musictex.tar.Z "archive" is an archive of the mutex@stolaf.edu mailing list; "faq" is a currently small but developing mutex Frequently Asked Questions Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 663-3631 1520 St. Olaf Avenue +1 507 663-3549 FAX Northfield, MN 55057-1098 USA From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Wed Dec 4 11:03:18 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA27342; Wed, 4 Dec 91 11:03:18 CST Message-Id: <9112041703.AA27342@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 7359; Wed, 04 Dec 91 12:02:12 EST Date: 4 DEC 91 18:02:25.57-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: Re: Music and book publishing To: MUTEX@stolaf.edu It seems possible to use musictex and latex. I designed a musictex.sty (which is probably in latest version) by simply concatenating the files used by D. Taupin and commenting some lines concerning font loading (which is already done by latex). I also built a new environment named \begin¤music‡ which temporarly sets the catcodes of & and |. So one can write a latex book and insert some music using this environment. An example is also given. Problems concern width of page, as music needs generally a whole page without margin to avoid rotation of sheets. This is partly done with an option named bigmusic (\documentstyle[musictex,bigmusic]¤article‡) which gives the biggest dimensions of an A4 page to LaTeX. It has to be improved so that this feature could be done in the environment itself, i.e. \begin¤music‡[15cm] page width being set to 15cm. LaTeX hackers can think about it. Nicolas Brouard From acadia!yale!CS.YALE.EDU!malcolm@harvard.harvard.edu Wed Dec 4 13:17:11 1991 Return-Path: Received: from harvard.harvard.edu by stolaf.edu (4.1/SMI-4.1) id AA01180; Wed, 4 Dec 91 13:17:11 CST Received: by harvard.harvard.edu (5.54/a0.25) (for mutex@stolaf.edu) id AA06751; Wed, 4 Dec 91 14:17:11 EST Received: from acadia""UUCP by bulldog.CS.YALE.EDU via UUCP; Wed, 4 Dec 1991 14:16:10 -0500 Received: by acadia (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA00917; Wed, 4 Dec 91 13:27:51 EST Date: Wed, 4 Dec 91 13:27:51 EST From: malcolm%acadia.UUCP@CS.YALE.EDU (Malcolm Sanders) Message-Id: <9112041827.AA00917@ acadia > Reply-To: Malcolm M. Sanders <@CS.YALE.EDU:malcolm%acadia.uucp%acadia.UUCP@cs.yale.edu> Received: by NeXT Mailer (1.63) To: mutex@stolaf.edu Subject: arrgh... I should know better than to try to be cute. My last message was slightly mangled in transit. The placement of the carets (^^^^) was critical. I was amused that Werner Icking (or someone) had created the archive for version 4.31 of musictex on gmdzi.gmd.de at precisely 04:31 local time, in case anyone was wondering what the heck I was talking about. Sheepishly, Malcolm. -Malcolm Sanders malcolm%acadia.uucp@cs.yale.edu Telephone: (203) 458-2939 From piet@cs.ruu.nl Thu Dec 5 02:28:28 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA07648; Thu, 5 Dec 91 02:28:28 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA15944; Thu, 5 Dec 91 09:27:37 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA10082; Thu, 5 Dec 91 09:27:31 -0100 Date: Thu, 5 Dec 91 09:27:31 -0100 From: Piet van Oostrum Message-Id: <9112050827.AA10082@alchemy.cs.ruu.nl> To: karl@cs.umb.edu Cc: info-tex@shsu.BITNET, tex-archive@math.utah.edu, MUTEX@stolaf.edu Subject: Re: modified musictex available References: <9112042248.AA00693@claude.cs.umb.edu> The copy in our archive includes the newest version of Daniels files and Karl Berrys modifications in a separate subdirectory (together in a compressed tar archive). Karls files have as date aug 19 (that's the date I got them). I don't know if that is his latest version. I haven't tried if Karls modifications will work with the new version of musictex. Our archive is reachable by mail and ftp. How to get musictex.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Thu Dec 5 02:56:01 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA07726; Thu, 5 Dec 91 02:56:01 CST Message-Id: <9112050856.AA07726@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 2203; Thu, 05 Dec 91 03:54:32 EST Date: 5 DEC 91 09:53:43.19-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: Generating mutex pk's for 100 118 240 300 dpi. To: MUTEX@stolaf.edu Please find enclosed the script file I used for the generation of music fonts at 100, 118, 240, 300 dpi, using latest modes.mf form Karl Berry. I put all the pks on the GUTenberg distribution. Some changes in .mf have been send to Daniel. Most important concern length which has been replaced by the french word longueur. Other changes concern the codes for hplaserjet which have be commented. I am trying to get last version 4.31 tar files to see if the modifications are enclosed or not (with the latex style), but I don't have access to ftp and use bitftp or mail-server. A nice idea could be to give the version number in the tar or zip file musictex4.31.tar.Z. Nicolas Brouard #!/bin/sh set -x; MF="beamn16 beamn20 musicn16 musicn20 slur16 slurdd16 slurdu16 slurn16 \ slurn20 slurud16 sluruu16" MODE="NeXTscreen bitgraph EpsonMXFX localfont" #MODE=NeXTscreen #DPI=100 for mode in $MODE do for name in $MF do /usr/local/lbin/mf "\mode:=$mode ;scrollmode;input $name"; case $mode in localfont) DPI=300;; NeXTscreen) DPI=100;; bitgraph) DPI=118;; EpsonMXFX) DPI=240;; esac GFNAME=$name."$DPI"gf ; PKNAME=$name."$DPI"pk ; /usr/local/lbin/gftopk ./$GFNAME ../pk/dpi"$DPI"/$PKNAME ; done; done From @CUNYVM.CUNY.EDU:TJEAN@CSEARN.BITNET Thu Dec 5 08:33:01 1991 Return-Path: <@CUNYVM.CUNY.EDU:TJEAN@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA08617; Thu, 5 Dec 91 08:33:01 CST Message-Id: <9112051433.AA08617@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6082; Thu, 05 Dec 91 09:31:58 EST Received: from CSEARN (TJEAN) by earn.puni.cs (Mailer R2.07) with BSMTP id 1488; Thu, 05 Dec 91 15:30:52 MDT Date: Thu, 05 Dec 91 15:29:01 MDT From: Antonin Novotny Subject: Archives To: MuTeX discussion list I've read about archives accesible with FTP. But how can I get files from archive (for example I've received file musictex.tar.Z but I'm not able to extract files from it). Thank You. Petr Novotny TJEAN@CSEARN.BITNET Czechoslovakia From @CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET Tue Dec 10 11:16:25 1991 Return-Path: <@CUNYVM.CUNY.EDU:BROUARD@FRINED51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA23322; Tue, 10 Dec 91 11:16:25 CST Message-Id: <9112101716.AA23322@stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6114; Tue, 10 Dec 91 12:12:53 EST Date: 10 DEC 91 18:12:51.99-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 2/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:16.77 To: barsac::brouard CC: Subj: Mail 2 bigmusic.sty and latex-mu.tex (example) Nicolas Brouard ======bigmusic.sty========= %-% bigmusic.sty to be used %-% \documentstyle[bigmusic,musictex]¤article‡ %-% with environment \begin¤music‡ %-% It enlarges LaTeX to its near maximum page size for %-% large music array. %-% Theses lines can be changed just before \begin¤document‡ \hoffset -1in % This should theoretically not be changed but if equal to 0 % tex put a value of 1 inch. So we set it to -1 inch. \voffset -1in \evensidemargin 5mm \oddsidemargin 5mm \topmargin 1mm \textwidth 190mm \textheight 260mm ========end of bigmusic.sty======= ====latex-mu.tex========= %-% Choose of one these two following lines (depending of the fonts you have) \documentstyle[bigmusic,musictex]¤article‡ % \documentstyle[bigmusic,musicpln]¤article‡ \title¤Is Musictex compatible with \LaTeX¤‡?‡ \author¤First attempt to make it compatible\thanks¤Nicolas Brouard (Unit\'e ``D\'emographie et \'epidemiologie''. Institut national d'\'etudes d\'emographiques. Paris.‡‡ \date¤Novembre 1991‡ \begin¤document‡ \maketitle \section*¤Testing musictex.sty v0.0‡ If music fonts are not available you can use \verb|musicpln.sty| which use LaTeX fonts. Carefull as \verb|circle10.tfm| have been changed in new latex to \verb|lcircle10.tfm| abbreviated to the first 8 characters on a PC as \verb|lcircle1.tfm| and \verb|\lcirclew[10].tfm|. We enlarged LaTeX at its maximum size and it could be reduced for normal layout without music\footnote¤Using small pages reduces the memory need by the compiler.‡. It could probably be done within the music environment. But for the moment we defined an option style named \verb|bigmusic.sty|. Here are the parameters changed by bigmusic.sty: \begin¤verbatim‡ \hoffset -1in % This should theoretically not be changed but if equal to 0 % tex put a value of 1 inch. So we set it to -1 inch. \voffset -1in \evensidemargin 5mm \oddsidemargin 5mm \topmargin 1mm \textwidth 190mm \textheight 260mm \end¤verbatim‡ \begin¤music‡ \def\nbinstruments¤1‡\relax \nbporteesi=2\relax \generalmeter¤\meterfrac¤4‡¤4‡‡\relax \debutmorceau \normal \zglu\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\hl j\enotes \temps\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\ql l\sk\ql n\enotes \barre \Notes\ibu0f0\qh0¤dgf‡|\qlp i\enotes \notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes \temps\Notes\ibu0f0\qh0¤cge‡\tbu0\qh0g|\hu j\enotes \suspmorceau \end¤music‡ \begin¤center‡ \begin¤tabular‡¤|ccc|‡ \hline Are &Musictex \& \LaTeX¤‡ & able \\ to & live & together? \\ \hline \end¤tabular‡ \end¤center‡ \begin¤music‡ \def\nbinstruments¤1‡\relax \generalmeter¤\meterfrac¤4‡¤4‡‡\relax \debutmorceau \normal \zglu\Notes\rlap¤\hu j‡\ql h\enotes \temps\Notes\hl g\enotes \temps\Notes\hu k\enotes \temps\Notes\ql f\enotes \suspmorceau \end¤music‡ \clearpage \begin¤center‡ ¤\Huge\bf Aria No. 24‡\\ ¤\Large\bf(La Cr\'eation)‡\\ ¤\large Joseph HAYDN‡\\ ¤Transcription pour Orgue et T\'enor, D. Taupin (1990)‡ \end¤center‡ \begin¤music‡ \def\nbinstruments¤2‡% \generalmeter¤\meterfrac¤4‡¤4‡‡% \signaturegenerale¤0‡% \nbporteesii=2\relax \def\qbl#1#2#3¤\ibl¤#1‡¤#2‡¤#3‡\qb¤#1‡¤#2‡‡% \def\qbu#1#2#3¤\ibu¤#1‡¤#2‡¤#3‡\qh¤#1‡¤#2‡‡% \etroit \def\DS¤\hbox¤\ds‡‡\def\FS¤\hbox¤\kern 0.3\noteskip\soupir‡\kern -0.3\noteskip‡ \cleftoksi=¤¤6‡¤0‡¤0‡¤0‡‡ \cleftoksii=¤¤6‡¤0‡¤0‡¤0‡‡ \debutmorceau \NOTes\soupir\relax &\rlap¤\rmidtwotext¤\bf II‡‡\relax \soupir\relax |\relax \qu g\relax \enotes % mesure 1 \advance\barno by -1\relax \barre\NOtes \itenu2J\relax \wh J\relax &\relax \zw N\relax \ibl0c0\relax \qb0e\relax |\relax \itenl0j\relax \ibu1l0\relax \qh1j\relax \enotes \notes&\qbl0c0|\nbbu1\nbbbu1\tten0\qh1¤jkj‡\tbu1\qh1i\enotes \Notes&\qb0e\tbl0\qb0c|\qu j\enotes \temps\Notes&\ibl0c0\qb0¤ece‡\tbl0\qb0c|\ql l\sk\ql j\enotes % mesure 2 \barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap¤\qu g‡\qbl1e0\relax \zq c\qb1e\zq c\qb1e\relax \zq c\tbl1\rlap¤\qb1e‡\ \ \ccu h\enotes \temps\Notes&\ql N\sk\pt L\ibl0L¤-4‡\qb0L|\ibl1e0\zq c\rlap¤\qb1e‡\cu g\relax \zq c\rlap¤\qb1e‡\raise\Interligne\DS \rlap¤\qu g‡\qb1g\enotes \notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes % mesure 3 \barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds |\rlap¤\cl f‡\itenl0k\ibu1m0\qh1k\enotes \notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1¤klk‡\tbu1\qh1¤^j‡\enotes \Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes \temps\Notes&\ibl0d0\zq d\qb0¤fb‡\zq d\qb0f|\qu m\sk\pt k\qbu1k¤-4‡\enotes \notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes % mesure 4 \alaligne\Notes\tten2\wh G&\ql G\sk\ql I|\rlap¤\qupp g‡\ibl1c0\qb1g\relax \zq¤bd‡\qb1f\zq¤bd‡\qb1f\relax \zq¤bd‡\tbl1\rlap¤\qb1f‡\ \ \ccu h\enotes \temps\Notes&\ql K\sk\pt I\qbl0I¤-4‡|\ibl1d0\rlap¤\qb1b‡\cu g\relax \zq¤bd‡\rlap¤\qb1f‡\raise\Interligne\DS \rlap¤\qu g‡\qb1g\enotes \notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq¤bd‡\qb1f\enotes % mesure 5 \barre\Notes\hu J&\rlap¤\lhu J‡\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax |\rlap¤\hl e‡\qu j\sk\qbu1l¤-4‡\tbu1\qh1j\enotes \temps\Notes\hu K&\rlap¤\lhu K‡\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax |\rlap¤\hl f‡\ibu1k0\qh1¤ikm‡\tbu1\qh1k\enotes %\check % mesure 6 \barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax |\rlap¤\hl g‡\ppt j\qu j\enotes \notes&\tbl0\qb0c|\sk\ccu l\enotes \temps\Notes&\ibl0c0\qb0¤ece‡|\rlap¤\hl g‡\qu n\sk\raise 2\Interligne\DS\enotes \notes&\tbl0\qb0c|\ibbu1m¤-3‡\qh1m\tbu1\qh1l\enotes %\check % mesure 7 \barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax |\rlap¤\hlp h‡\qu k\sk\qu m\enotes \temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o¤-3‡\enotes \notes&\zq d\qb0f\sk \zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax \ibbu1m¤-3‡\rlap¤\raise -\Interligne\qp‡\qh1¤mlk‡\tbu1\qh1j\enotes %\check % mesure 8 \alaligne\Notes\hu G&\lcharnote c¤\bf I‡\relax \pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap¤\uptext¤\bf I‡‡\sk\ds\ppz p\zq¤km‡\cl p\enotes \temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax |\zq¤jl‡\ql q\sk\ds\ppz l\zq¤gj‡\cl l\enotes %\check % mesure 9 \barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq¤gi‡\ql k\enotes \notes&\nbbl0\qb0b\tqb0c\enotes \zglu\Notes&\pz f\ibl0d¤-4‡\qb0d\pz d\tqb0b|\ds\ppz p\zq¤km‡\cl p\enotes \temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes \notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes \temps\notes&\pz g\ibl0e¤-4‡\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1¤qpq‡\tqb1s\enotes %\check % mesure 10 \barre\Notes\hu G&\zq¤Nb‡\ql d|\pz t\ibl1o¤-3‡\qb1r\enotes \notes&|\nbbl1\qb1n\tqb1¤^m‡\enotes \zglu\notes&\soupir|\ibbl1m0\qb1¤nmn‡\tqb1m\enotes \temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes \notes&\nbbl0\qb0N\tqb0¤^M‡|\ibbu1g¤-3‡\qh1g\tqh1¤^f‡\enotes \notes&\ibbl0N0\qb0¤NMN‡\tqb0M|\ibbu1g0\qh1¤gfg‡\tqh1f\enotes %\check \suspmorceau \def\nbinstruments¤4‡% \nbporteesiii=0\relax % mesure 11 \reprmorceau \NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes \zglu\NOtes\soupir&\rlap¤\rmidtwotext¤\bf II‡‡\soupir|\zq d\qu¤=f‡&&\enotes \temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes \zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes % mesure 12 \barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes \Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes \temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes \Notes&\zcharnote C¤\bf I‡|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes % mesure 13 \barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes \Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes \temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes \Notes&\ibu1E¤-3‡\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes \notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes % mesure 14 \barre\Notes&\qu G|\zw N\ibu0e0\zq¤bd‡\qh0f\zq¤bd‡\qh0f\relax &Sch\"on-&\ql k\enotes \Notes&\soupir|\zq¤bd‡\qh0f\zq¤bd‡\tqh0f&heit,~&\ql k\enotes \temps\Notes\pause&\hpause|\zq¤bd‡\qh0f\zq¤bd‡\qh0f&St\"ark~&\ql m\enotes \Notes&|\zq¤bd‡\qh0f\zq¤bd‡\tqh0f&und~&\ibu2k¤-4‡\qh2k\tqh2i\enotes \suspmorceau \removelastskip\flushright¤\sl\today‡ \end¤music‡ \end¤document‡ ===end of latex-mu.tex===== From BROUARD%FRINED51.BITNET@CUNYVM.CUNY.EDU Tue Dec 10 11:20:19 1991 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23369; Tue, 10 Dec 91 11:20:19 CST Received: from cunyvm.cuny.edu by thor.acc.stolaf.edu; Tue, 10 Dec 91 11:19:19 -0600 Message-Id: <9112101719.AA26014@thor.acc.stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6115; Tue, 10 Dec 91 12:13:01 EST Date: 10 DEC 91 18:12:32.85-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 1/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:39.91 To: barsac::brouard CC: Subj: First mail Please find here enclosed musictex.sty Nicolas Brouard ==============musictex.sty=========== %-% Musictex.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. \def\fonthdg$c % prefix to cmxxx fonts. change to "a" for amxxx fonts \font\cmmi=\fonthdg mmi10 scaled \magstep1 \font\cmbx=\fonthdg mbx10 scaled \magstep1 \font\moyen=\fonthdg mbx10 scaled \magstep1 \font\cmex=\fonthdg mex10 \font\cmsy=\fonthdg msy10 scaled \magstep1 \font\cmr=\fonthdg mr10 scaled \magstep1 \font\ttyeight=\fonthdg mtt8 \catcode`\@=11 % \let\@plainwlog=\wlog \def\wlog#1$% % \font\musictwenty=musicn20 \font\musicsixteen=musicn16 \font\beamsixteen=beamn16 \font\beamtwenty=beamn20 % \def\q@u$\musicxx\char"21\hss\def\qu@raise$\z@% \def\h@a$\musicxx\char"22\hss\def\ha@raise$\z@% \def\w@h$\musicxx\char"23\hss\def\wh@raise$\z@% \def\w@hq$\musicxx\char 125\hss\def\wh@raise$\z@% \def\s@bv$\musicxx\char"24\hss\def\wh@raise$\z@% \def\b@rv$\musicxx\char"20\hss\def\wh@raise$\z@% \def\zwq#1$\getn@i$#1\def\n@fon$\zwq\def\n@sym$\w@hq\g@zw% \def\zsb#1$\getn@i$#1\def\n@fon$\zws\def\n@sym$\s@bv\g@zsb% semi-breve \def\zbv#1$\getn@i$#1\def\n@fon$\zbv\def\n@sym$\b@rv\g@zbv% breve \def\g@zbv$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\bv@width\def\s@tem$\resetstem\plap@symss\fi% \def\g@zsb$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\sb@width\def\s@tem$\resetstem\plap@symss\fi% % \newbox\ch@box \newdimen\lthick \global\lthick=0.4pt \newdimen\qn@width \newdimen\hn@width \newdimen\wn@width \newdimen\sb@width \newdimen\bv@width \newdimen\qd@skip \newdimen\hd@skip \newdimen\wd@skip % \newcount\musicsize \def\computespecifics$\ifnum\musicsize=0\relax\musicsize=20\relax\fi \ifnum\musicsize=20\relax \def\musicxx$\musictwenty\else\def\musicxx$\musicsixteen\fi \ifnum\musicsize=20\relax \def\beamnxx$\beamtwenty\else\def\beamnxx$\beamsixteen\fi \ifnum\musicsize=20\relax\def\meterfont$\moyen\else\def\meterfont$\cmbx\fi \Interligne=\musicsize pt\divide\Interligne by 4\relax \wn@width=1.4\Interligne \sb@width=2.2\Interligne \bv@width=1.4\Interligne \hn@width=1.2\Interligne \qn@width=1.2\Interligne \qd@skip=\qn@width\advance\qd@skip by -0.5\lthick \hd@skip=\hn@width\advance\hd@skip by -0.5\lthick \wd@skip=\wn@width\advance\wd@skip by -0.5\lthick \setbox\ch@box=\hbox$\c@rochu\c@height=\ht\ch@box % % %\check % \def\s@oupir$$\musicxx\char"3E% % \def\c@rochu$$\musicxx \char"28% \def\c@rochl$$\musicxx \char"2D% \newdimen\c@height\newcount\c@mult %\check \def\d@cr#1$\c@mult=#1\relax % queue de #1 croche(s) vers le haut \advance\c@mult by 39\relax \setbox\ch@box=\rlap$\musicxx\char\c@mult\c@height=\ht\ch@box \global\advance\st@top by \c@height \global\advance\st@top by \internote \global\advance\st@top by -\st@bot \ifdim\st@top>1pt \global\advance\st@bot by -\altportee \raise\st@bot\rlap$\kern\stem@skip\vrule height\st@top width \lthick \advance\st@top by -\c@height\raise\st@top\box\ch@box\fi \resetstem% %\check \def\p@cr#1$\c@mult=#1\relax % queue de #1 croche(s) vers le bas \advance\c@mult by 44\relax \setbox\ch@box=\rlap$\kern 0.5\lthick\musicxx\char\c@mult\c@height=\ht\ch@box \global\advance\st@bot by -\internote \global\advance\st@bot by -\c@height \global\advance\st@top by -\st@bot \ifdim\st@top>1pt \global\advance\st@bot by -\altportee \raise\st@bot\rlap$\box\ch@box\vrule height\st@top width \lthick% \fi \resetstem% %\check \def\s@harp$\musicxx\char"34\def\sh@raise$\z@% \def\f@lat$\musicxx\char"32\def\fl@raise$\z@% \def\n@at$\musicxx\char"36\def\na@raise$\z@% \def\ds@harp$\musicxx\char"35% \def\df@lat$\musicxx\char"33\kern -0.8\Interligne% % \def\smalln@at$\musicxx\char"7C% \def\smallf@lat$\musicxx\char"78% \def\smalls@harp$\musicxx\char"7A% \def\smallds@harp$\musicxx\char"7B% \def\smalldf@lat$\musicxx\char"79\kern -0.7\Interligne% % \def\bigsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\s@harp% \def\smallsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\smalls@harp% \def\uppersh#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smalls@harp\hss% % \def\bigdsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\ds@harp% \def\smalldsh#1$\getn@i$#1\global\n@raise=\sh@raise\pl@llap$\smallds@harp% % \def\bigna#1$\getn@i$#1\global\n@raise=\na@raise\pl@llap$\n@at% \def\smallna#1$\getn@i$#1\global\n@raise=\na@raise\pl@llap$\smalln@at% \def\upperna#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smalln@at\hss% % \def\bigfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\f@lat% \def\smallfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\smallf@lat% \def\upperfl#1$\zcharnote$#1$\raise3\internote \hbox to \qn@width$\hss\smallf@lat\hss% % \def\bigdfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\df@lat% \def\smalldfl#1$\getn@i$#1\global\n@raise=\fl@raise\pl@llap$\smalldf@lat% % \def\na#1$\ifdim\small@test\bigna$#1\else\smallna$#1\fi% \def\fl#1$\ifdim\small@test\bigfl$#1\else\smallfl$#1\fi% \def\sh#1$\ifdim\small@test\bigsh$#1\else\smallsh$#1\fi% \def\dfl#1$\ifdim\small@test\bigdfl$#1\else\smalldfl$#1\fi% \def\dsh#1$\ifdim\small@test\bigdsh$#1\else\smalldsh$#1\fi% % %\check \def\b@adjust$\ifdim\y@ii>2.1\q@antum \multiply\q@antum by 2\relax\advance\b@char by 1\relax\fi % \newcount\b@char \def\b@alkdefs$\b@char=0\relax \ifnum \b@p>0\relax\b@char=\b@p\relax\multiply\b@char by 6\relax \advance\b@char by -6\relax\ifnum\b@char>54\relax\b@char=54\relax\fi\fi \ifnum \b@p<0\relax\b@char=-\b@p\relax\multiply\b@char by 6\relax \advance\b@char by 58\relax\ifnum\b@char>118\relax\b@char=118\relax\fi\fi \q@antum=60pt\divide\q@antum by 32\relax\b@adjust \b@adjust \b@adjust \b@adjust \b@adjust \chardef\b@alk=\b@char% %\check \def\s@lopdefs$\q@antum=60pt\divide\q@antum by 32\relax \def\s@lope$0.0\relax \ifnum \b@p=1\relax\def\s@lope$0.05\fi \ifnum \b@p>1\relax\b@char=\b@p\relax\multiply\b@char by 5\relax \ifnum\b@char>50\relax\b@char=50\relax\fi \edef\s@lope$0.\the\b@char\fi \ifnum \b@p=-1\relax\def\s@lope$-0.05\fi \ifnum \b@p<-1\relax\b@char=-\b@p\relax\multiply\b@char by 5\relax \ifnum\b@char>50\relax\b@char=50\relax\fi \edef\s@lope$-0.\the\b@char\fi % %\check \def\p@outre$% \y@ii : longueur, \b@p : pente, \y@i : altitude \ifnum \b@p=0\relax \raise \y@i\hbox$\vrule height 0.24\Interligne depth 0.24\Interligne width \y@ii\else\b@alkdefs\beamnxx \global\y@iv=0pt \loop\ifdim\y@iv<\y@ii $\y@v=\y@ii\advance\y@v by -\y@iv \advance\y@v by -\q@antum \y@iii=\y@i \advance\y@iii by \s@lope\y@iv \ifdim\y@v<\z@\advance\y@iii by \s@lope\y@v\hskip\y@v\fi \raise\y@iii\hbox to \q@antum$\b@alk\hss\global\advance\y@iv by \q@antum \repeat \fi % %\check \def\clefdefa$\hbox to 3.2\Interligne$\musicxx\kern -0.4\Interligne\char"49\hss % \def\smallclefdefa$\hbox to 2.8\Interligne$\musicxx\kern -0.32\Interligne \char"4A\hss% %\check \def\clefdesol$\hbox to 3.2\Interligne$\musicxx\kern -0.6\Interligne \char"47\hss% \def\smallclefdesol$\hbox to 2.8\Interligne$\musicxx\kern -0.48\Interligne \char"48\hss% %\check \def\clefdut$\hbox to 3.2\Interligne$\musicxx\kern -0.4\Interligne\char"4B\hss % \def\smallclefdut$\hbox to 2.8\Interligne$\musicxx\kern -0.32\Interligne \char"4C\hss% % \def\allabreve$$\kern 0.5\Interligne\musicxx\char"52% \def\meterC$$\kern 0.5\Interligne\musicxx\char"53% % \def\d@soup$\musicxx\char"3F% \def\q@soup$\musicxx\char"40% \def\p@orgue$\hbox$\kern -0.5\hn@width\musicxx\char"50% \def\p@urgue$\hbox$\kern -0.5\hn@width\musicxx\char"51% \def\trille#1$\hbox to #1$\leaders\hbox$\musicxx\char"64\hfill% \def\Trille#1$\hbox to #1$\it tr\leaders\hbox$\musicxx\char"64\hfill% % % % arpeges % \def\arpegesym#1$\hbox to \Interligne$\kern -1.2\Interligne \vbox to #1$\parindent=\z@ \offinterlineskip\ifdim #1>4\Interligne\Arp@elem\fi\hrule \cleaders\arp@elem\vfill\kern -\interligne\hss% \def\arp@elem$\vbox to \Interligne$\vss\musicxx\char"5A% \def\Arp@elem$\vbox to 4\Interligne$\vss\musicxx\char"5D% % \def\arpeggio#1#2$\zcharnote$#1$\n@iii=#2\relax\advance\n@iii by 89\relax \musicxx\chardef\arp@el=\n@iii\relax\arp@el\qsk% \def\larpeggio#1#2$\lcharnote$#1$\n@iii=#2\relax\advance\n@iii by 89\relax \musicxx\chardef\arp@el=\n@iii\relax\arp@el\kern -0.3\qn@width\qsk% % \def\mordant#1$\zcharnote$#1$\musicxx\char 89% \def\pince#1$\zcharnote$#1$\musicxx\char 87% \def\Pince#1$\zcharnote$#1$\musicxx\char 88% \def\sf#1$$\advance\transpose by -2\usf$#1% \def\pz#1$$\advance\transpose by -2\upz$#1% \def\ppz#1$\uppz$#1% \def\st#1$$\advance\transpose by -2\ust$#1% % \def\usf#1$\zcharnote$#1$\musicxx\char 30% \def\lsf#1$\zcharnote$#1$\musicxx\char 31% \def\ust#1$\zcharnote$#1$\musicxx\char 26% \def\lst#1$\zcharnote$#1$\musicxx\char 27% \def\upz#1$\zcharnote$#1$\musicxx\char 24% \def\lpz#1$\zcharnote$#1$\musicxx\char 25% \def\uppz#1$\zcharnote$#1$\musicxx\char 28% \def\lppz#1$\zcharnote$#1$\musicxx\char 29% % % placement des accents au-dessus de poutres et non de tetes de notes \def\acc@balk$\global\stem@skip=\z@ % \y@ii=\b@z % a augmenter avec la pente \y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x \advance\y@ii by \s@lope\y@v \advance\y@ii by -\altportee \raise\y@ii\rlap$\kern\stem@skip\balk@accent% %\check \def\busf#1$\def\balk@accent$\musicxx\char 30\selectpoutre$#1\acc@balk% \def\blsf#1$\def\balk@accent$\musicxx\char 31\selectpoutre$#1\acc@balk% \def\bust#1$\def\balk@accent$\musicxx\char 26\selectpoutre$#1\acc@balk% \def\blst#1$\def\balk@accent$\musicxx\char 27\selectpoutre$#1\acc@balk% \def\bupz#1$\def\balk@accent$\musicxx\char 24\selectpoutre$#1\acc@balk% \def\blpz#1$\def\balk@accent$\musicxx\char 25\selectpoutre$#1\acc@balk% \def\buppz#1$\def\balk@accent$\musicxx\char 28\selectpoutre$#1\acc@balk% \def\blppz#1$\def\balk@accent$\musicxx\char 29\selectpoutre$#1\acc@balk% % % soufflets crescendo et decrescendo % \def\dimin$$\musicxx\char"10% \def\Dimin$$\musicxx\char"11% \def\DImin$$\musicxx\char"12% \def\DIMin$$\musicxx\char"13% \def\cresc$$\musicxx\char"14% \def\Cresc$$\musicxx\char"15% \def\CResc$$\musicxx\char"16% \def\CREsc$$\musicxx\char"17% % % colons for repeats (:| |: :||:) % %\check \def\w@coli#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \y@i=\altitude \advance\y@i by \noportee\interportee \n@portee \raise\y@i\hbox to \z@$\hss\musicxx\char 126\hss\repeat% % \let\wlog=\@plainwlog % % This is MusicTeX - Version 4.3 -- November 1991 % \catcode`\@=11 % PARAMETERS DIFFERENT THAN IN PLAIN % \normallineskiplimit=1pt \parindent 10mm % % EXTRA FONTS NEEDED % \font\enorme=\fonthdg mbx10 scaled \magstep5 \font\moyen=\fonthdg mbx10 scaled \magstep2 \font\tentt=\fonthdg mtt10 \font\ppff=\fonthdg mbxti10 scaled \magstep 1 % \tolerance=10000\relax % procedures speciales D. taupin \hsize 16cm \vsize 24cm % \let\@plainwlog=\wlog \def\wlog#1$% % %\check \catcode`\&=13 \catcode`\|=13 % \raggedbottom \def\p@t$\kern 1.5pt\cmbx\char"2E% \def\P@t$\pt@raise\hbox$\p@t% \def\PP@t$\pt@raise\hbox$\p@t\char"2E% \def\PPP@t$\pt@raise\hbox$\p@t\char"2E\char"2E% % %\check % \def\f@tok#1#2\af@tok$#1% \def\s@tok#1#2\af@tok$#2% % \def\gl@au#1$\ifnum #1<0\relax\global\advance #1 by -1\relax\fi \ifnum #1>0\relax\global\advance #1 by 1\relax\fi% \def\gl@de#1$\ifnum #1<0\relax\global\advance #1 by 1\relax\fi \ifnum #1>0\relax\global\advance #1 by -1\relax\fi% % % \newdimen\brace@w \newdimen\afterruleskip \newdimen\pt@up % offset point de notes pointees \newdimen\noteskip \newdimen\elemskip \newdimen\q@antum \newdimen\n@raise \newdimen\n@width \newdimen\stem@skip \newdimen\interligne % entre les lignes \newdimen\nullthick % pour les parties sans portees (paroles) \newdimen\bottommargin % marge au-dessous des portees \newdimen\topmargin % au-dessus des portees \newdimen\total@margin % bottom+top margins \newdimen\internote % la moitie de \Interligne \newdimen\interbeam % distance entre poutres \newdimen\Interligne % de la base d'une ligne a l'autre \newdimen\interportee \newdimen\systemheight % \newdimen\k@ii \newdimen\k@iii \newdimen\k@iiii \newdimen\k@iiv \newdimen\k@iv \newdimen\k@ivi \newdimen\altplancher \newdimen\altportee \newdimen\systemheight % ensemble des n portees \newdimen\line@width \newdimen\x@skip \newdimen\locx@skip \newdimen\st@bot % note stem bottom \newdimen\st@top % note stem top % % positions x et z de debut des tenues \newdimen\t@xi\newdimen\t@zi \newdimen\t@xii\newdimen\t@zii \newdimen\t@xiii\newdimen\t@ziii \newdimen\t@xiv\newdimen\t@ziv \newdimen\t@xv\newdimen\t@zv \newdimen\t@xvi\newdimen\t@zvi % % signes des tenues ( \t@p: entier de -1 a +1 ) % etat des tenues ( \t@s: 0= inactive, 1= actif, 2= continuation ) % \newcount\t@pi\newcount\t@si \newcount\t@pii\newcount\t@sii \newcount\t@piii\newcount\t@siii \newcount\t@piv\newcount\t@siv \newcount\t@pv\newcount\t@sv \newcount\t@pvi\newcount\t@svi % % positions x et z de debut des poutres \newdimen\b@xi\newdimen\b@zi \newdimen\b@xii\newdimen\b@zii \newdimen\b@xiii\newdimen\b@ziii \newdimen\b@xiv\newdimen\b@ziv \newdimen\b@xv\newdimen\b@zv \newdimen\b@xvi\newdimen\b@zvi % \newdimen\bb@xi\newdimen\bb@zi \newdimen\bb@xii\newdimen\bb@zii \newdimen\bb@xiii\newdimen\bb@ziii \newdimen\bb@xiv\newdimen\bb@ziv \newdimen\bb@xv\newdimen\bb@zv \newdimen\bb@xvi\newdimen\bb@zvi % \newdimen\bbb@xi\newdimen\bbb@zi \newdimen\bbb@xii\newdimen\bbb@zii \newdimen\bbb@xiii\newdimen\bbb@ziii \newdimen\bbb@xiv\newdimen\bbb@ziv \newdimen\bbb@xv\newdimen\bbb@zv \newdimen\bbb@xvi\newdimen\bbb@zvi % \newdimen\bbbb@xi\newdimen\bbbb@zi \newdimen\bbbb@xii\newdimen\bbbb@zii \newdimen\bbbb@xiii\newdimen\bbbb@ziii \newdimen\bbbb@xiv\newdimen\bbbb@ziv \newdimen\bbbb@xv\newdimen\bbbb@zv \newdimen\bbbb@xvi\newdimen\bbbb@zvi % % pentes des poutres ( entier de -3 a +3 ) % multiplicite des poutres ( de -4 a +4 . 0= inactive ) % \newcount\b@pi\newcount\b@ni \newcount\b@pii\newcount\b@nii \newcount\b@piii\newcount\b@niii \newcount\b@piv\newcount\b@niv \newcount\b@pv\newcount\b@nv \newcount\b@pvi\newcount\b@nvi % \newif\ifraggedlines % \newcount\barno \newcount\notes@open \def\check@nopen$\ifnum\notes@open>0\relax\enotes\message$ missing \noexpand\enotes\ mesure \the\barno\fi% % % altitudes des portees de chaque instrument % \newcount\ut@ref \newcount\noportee \newcount\noinstrum % \newcount\nbporteesi \newcount\nbporteesii \newcount\nbporteesiii \newcount\nbporteesiv \newcount\nbporteesv \newcount\nbporteesvi % \newcount\signi \newcount\signii \newcount\signiii \newcount\signiv \newcount\signv \newcount\signvi % \newif\ifadvance\advancetrue \newcount\transpose \newcount\normaltranspose \newcount\o@signi \newcount\o@signii \newcount\o@signiii \newcount\o@signiv \newcount\o@signv \newcount\o@signvi % \newtoks\cleftoksi \newtoks\cleftoksii \newtoks\cleftoksiii \newtoks\cleftoksiv \newtoks\cleftoksv \newtoks\cleftoksvi % \newtoks\o@cksi \newtoks\o@cksii \newtoks\o@cksiii \newtoks\o@cksiv \newtoks\o@cksv \newtoks\o@cksvi % \newtoks\metertoksi \newtoks\metertoksii \newtoks\metertoksiii \newtoks\metertoksiv \newtoks\metertoksv \newtoks\metertoksvi % \global\nbporteesi=1% \global\nbporteesii=1% \global\nbporteesiii=1% \global\nbporteesiv=1% \global\nbporteesv=1% \global\nbporteesvi=1% \global\cleftoksi=$$0$0$0$0% \global\cleftoksii=$$0$0$0$0% \global\cleftoksiii=$$0$0$0$0% \global\cleftoksiv=$$0$0$0$0% \global\cleftoksv=$$0$0$0$0% \global\cleftoksvi=$$0$0$0$0% % %\check \newcount\n@ \def\n@advance$\global\advance\n@ by 1\relax% \def\savemeters$\savemeter% \def\savemeter$\global\n@=0\relax\s@vetempi% \def\s@vetempi$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\global\metertoks=$$$$$\s@vetempi\fi% %\check \def\maxinstruments$6% % \def\selectinstr#1$\global\noinstrum=#1\relax \ifnum\noinstrum<1\relax\global\noinstrum=30\relax\fi \xdef\altitude$\csname k@i\romannumeral\noinstrum\endcsname% \xdef\nbportees$\csname nbportees\romannumeral\noinstrum\endcsname% \xdef\sign$\csname sign\romannumeral\noinstrum\endcsname% \xdef\o@sign$\csname o@sign\romannumeral\noinstrum\endcsname% \xdef\cleftoks$\csname cleftoks\romannumeral\noinstrum\endcsname% \xdef\metertoks$\csname metertoks\romannumeral\noinstrum\endcsname% \xdef\o@cks$\csname o@cks\romannumeral\noinstrum\endcsname%  %\check \def\nbinstruments$\maxinstruments\savemeter \def\nbinstruments$\undefined% % % compteurs de travail % \newcount\n@i \newcount\n@ii \newcount\n@iii % % registres de travail % \newbox\toks@box \newbox\workbox \newbox\n@otebox % \newdimen\clef@skip \newdimen\sign@skip % \newdimen\y@ \newdimen\y@i \newdimen\y@ii \newdimen\y@iii \newdimen\y@iv \newdimen\y@v % \newtoks\arg@suite % % fabrique un jeu complet (ou systeme complet de portees) % en fonction de \nbinstruments \def\null@portee$\global\advance\y@ by \nullthick \ifdim\systemheight>0.1pt\global\advance\systemheight by \nullthick \else \global\advance\altplancher by \nullthick \fi % % %\check % \def\mult@portee$\y@ii=\nbportees\interportee \advance\y@ii by -\interportee\advance\y@ii by 4\Interligne \advance\y@ii by \nbportees\lthick \advance\y@ii by -\lthick \raise\y@\llap$\cmex\raise 8pt\rlap$\char'072\raise\y@ii\rlap$\char '070\divide\y@ii by 2\relax$\advance\y@ii by 8pt\raise\y@ii\rlap$\char '074\y@v=\y@ii\relax\advance\y@v by -12pt \raise 7pt\rlap$\kern 4pt\vrule height \y@v width 1.2pt\advance\y@ii by 7pt \raise \y@ii\rlap$\kern 4pt\vrule height \y@v width 1.2pt\kern 7.5pt% % %\check % \def\n@portee$\global\advance\noportee by 1\relax% \def\alt@comp$\altportee=\altitude \advance\altportee by \noportee\interportee% % \def\portees$\interportee=\interfacteur\Interligne \rlap$\global\n@=0\relax \global\y@=\bottommargin \total@margin=\bottommargin \advance\total@margin by \topmargin % \global\systemheight=\z@ \global\altplancher=\y@ \loop\n@advance\selectinstr$\n@% \global\noportee=0\relax \global\altitude=\y@ % \ifnum\nbportees=0\relax \null@portee \else \ifnum\nbportees>1\relax \mult@portee \fi $\loop \raise\y@\portee \n@portee \global\advance\y@ by \interportee \global\advance\systemheight by \interportee \ifnum\noportee<\nbportees \repeat\fi % fin du \else pour 0 portees=chant \ifnum\n@<\nbinstruments \repeat \global\advance\systemheight by -\interportee \global\advance\systemheight by 4\Interligne \global\advance\systemheight by 0.5\lthick % \raise\altplancher\rlap$\vrule height \systemheight depth 0.5\lthick% \raise \total@margin\hbox$\vrule height \systemheight width \z@ depth 0.5\lthick% fin de la \hbox % % %\check % portee simple \def\staffline$\hrule width \line@width height 0.5\lthick depth 0.5\lthick \def\portee$\rlap$\vbox to \z@ $\vss\staffline \kern\interligne\staffline \kern\interligne\staffline \kern\interligne\staffline \kern\interligne\staffline\kern -0.5\lthick % %\check % % initialisations des dimensions etc... % %*************** definition des titres des instruments % *********************** % \def\instrumenti$% \def\instrumentii$% \def\instrumentiii$% \def\instrumentiv$% \def\instrumentv$% \def\instrumentvi$% %\check % \def\maxlegatenuti$6% % \def\resettens$\resetlegs% \newcount\n@l \def\resetlegs$\global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\t@p=0\relax\t@s=0\relax \global\advance\n@l by 1\relax \repeat% % %\check \def\debutmorceau$\barno=1\relax\global\barsinline=0\relax \frenchspacing\def\barvrule$\thinvrule\leavevmode \resetlegs % \computewidths \advance\line@width by -\parindent \portees \advance\line@width by \parindent \instrumentnames \writeclefs \writesignatures \writemeters \setnormalhyphen \saveclefs \savesignature \savemeters \currenthyphenpenalty% %\check % % saving penalties to be able to restore them at the end of music % \def\savepenalties$\edef\restorepenalties$% \noexpand\linepenalty=\the\linepenalty\noexpand\relax \noexpand\interlinepenalty=\the\interlinepenalty\noexpand\relax \noexpand\hyphenpenalty=\the\hyphenpenalty\noexpand\relax \noexpand\exhyphenpenalty=\the\exhyphenpenalty\noexpand\relax \noexpand\finalhyphendemerits=\the\finalhyphendemerits\noexpand\relax \noexpand\doublehyphendemerits=\the\doublehyphendemerits\noexpand\relax \noexpand\adjdemerits=\the\adjdemerits\noexpand\relax \noexpand\pretolerance=\the\pretolerance\noexpand\relax % %\check \def\computewidths$\computespecifics \ifdim\topmargin<1pt \topmargin=\topfacteur\Interligne\fi \ifdim\bottommargin<1pt \bottommargin=\bottomfacteur\Interligne\fi \global\interligne=\Interligne \global\internote=0.5\Interligne \global\interbeam=1.5\internote \ifdim\nullthick<1pt \global\nullthick=4\Interligne\fi \global\advance\interligne by -\lthick % \zglueskip=\z@ plus \gluemaxskip \afterruleskip=4\internote \global\line@width=\hsize% %\check % \def\n@alaligne$\suspmorceau\lreprmorceau% \def\n@zalaligne$\zsuspmorceau\lreprmorceau% \def\lreprmorceau$\reprmorceau% \def\suspmorceau$\check@nopen\gluebrule\newbar\z@suspend% \def\zsuspmorceau$\check@nopen\termskip\rtenuti\z@suspend% \def\z@suspend$\ifraggedlines\hfil\fi \break\adv@bottom\par\removelastskip \vskip -\baselineskip% \def\alapage$\suspmorceau\preprmorceau% \def\zalapage$\zsuspmorceau\preprmorceau% \def\preprmorceau$\eject\global\linesinpage=0\relax\reprmorceau% \def\reprmorceau$\computewidths\noindent\leavevmode \global\barsinline=0\relax$\advance\linesinpage by 1\relax\message$Line \the \linesinpage:\relax \adv@bottom\portees\writeclefs\writesignatures\writemeters\zgluearule \savesignature\saveclefs\savemeters\currenthyphenpenalty% %\check % \def\resetsignatures$\generalsignature$0\savesignature% % \def\savesignature$\global\n@=0\loop\ifnum\n@<\nbinstruments\relax \n@advance\selectinstr$\n@\o@sign=\sign\repeat% %\check \def\saveclefs$\global\n@=0\loop\ifnum\n@<\nbinstruments\relax \n@advance\selectinstr$\n@\global\o@cks=\cleftoks\repeat %\check % % definitions en fonction du numero de l'instriment % \newskip\zglueskip % \def\meterfrac#1#2$\setbox\workbox=\vbox$\hbox$\ \meterfont #1\hbox$\ \meterfont #2% \vbox to 4\Interligne$\offinterlineskip\vss\hbox to \wd\workbox$\hss \meterfont #1\hss\vss \vss\hbox to \wd\workbox$\hss\meterfont #2\hss\vss% %\check \newtoks\t@gene \def\generalmeter#1$\global\n@=0\relax\t@gene=$$#1$#1$#1$#1\m@eterspe% \def\m@eterspe$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\global\metertoks=\t@gene\m@eterspe\fi% %\check \def\signaturegenerale$\generalsignature% \def\generalsignature#1$\global\n@=0\relax\s@ignagen$#1% \def\s@ignagen#1$\ifnum\n@<\nbinstruments\relax\n@advance \selectinstr$\n@\sign=#1\relax\s@ignagen$#1\fi% % % compteurs de travail % % a completer pour fermer les poutres \def\zglu$\zglue% \def\zglue$\nobreak\hskip \zglueskip \nobreak% % \def\temps$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\nobreak\zglu% \def\z@barre$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\-\hskip\zglueskip\nobreak% \def\xz@barre$\nobreak\global\advance\n@skip by -\brace@w\termskip\nobreak \skip@b\hskip\zglueskip\nobreak% % \def\newbar$\barvrule\def\barvrule$\thinvrule\global\advance\barno by 1\relax \message$bar \the\barno% \def\w@barno$$\y@i=\altplancher\advance\y@i by \systemheight \advance\y@i by \internote\raise\y@i\llap$\it \number\barno\kern -6pt% \def\wbarno$\w@barno% % % discretionary line breaking % \def\noautolines$\def\barre$\n@barre\def\zbarre$\z@barre% \def\alaligne$\c@ountline\n@alaligne\def\zalaligne$\n@zalaligne% \def\currenthyphenpenalty$\setnohyphenpenalty% \def\updatecontext$\n@updatecon% \def\leftrepeat$\n@leftrepeat% \def\leftrightrepeat$\n@leftrightrepeat% \setnohyphenpenalty% % \def\setnohyphenpenalty$\linepenalty=500\pretolerance=-1% \finalhyphendemerits=-10\hyphenpenalty=-10% \exhyphenpenalty=0\doublehyphendemerits=0% \adjdemerits=0\interlinepenalty=0% % \def\sethyphenpenalty$\linepenalty=500\pretolerance=-1% \finalhyphendemerits=1000\hyphenpenalty=1000% \exhyphenpenalty=0\doublehyphendemerits=0% \adjdemerits=0\interlinepenalty=1000% % \newcount\barsinline \newcount\linesinpage \newcount\maxbarsinline \newcount\maxlinesinpage \def\c@ountbar$\global\advance\barsinline by 1\relax% \def\c@ountline$\global\advance\linesinpage by 1\relax% % \def\autolines#1#2#3$% #1 nombre d'elemskip par mesure, % #2 nombre de mesures par ligne, % #3 nb lignes par page \global\maxbarsinline=#2\relax \global\maxlinesinpage=#3\relax \global\elemskip=\line@width\global\advance\elemskip by -5\Interligne \global\divide\elemskip by \maxbarsinline\relax \global\advance\elemskip by -3\Interligne\global\divide\elemskip by #1\relax \def\barre$\t@barre\def\updatecontext$\t@updatecon\def\zbarre$\t@zbarre% \def\alaligne$\t@alaligne\def\zalaligne$\t@zalaligne% \def\leftrepeat$\t@leftrepeat% \def\leftrightrepeat$\t@leftrightrepeat% \def\currenthyphpenalsty$\sethyphenpenalty\sethyphenpenalty% % \def\t@barre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\x@barre \else\t@alaligne \fi% \def\t@zbarre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\xz@barre \else\t@zalaligne \fi% % \def\t@alaligne$\c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\n@alaligne \else\alapage \fi% \def\t@zalaligne$\c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\n@zalaligne \else\zalapage \fi% % \def\Suspmorceau$\finmorceau \ifnum\linesinpage<\maxlinesinpage\relax\else\eject \global\linesinpage=0\relax\fi% % % \def\tz@barre$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\z@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\relax\zalaligne \global\advance\linesinpage by -1\relax % car \alaligne aura aussi augmente \message$ ligne: \the\linesinpage % \else\zalapage \fi\fi% % \def\t@updatecon$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\n@updatecon \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@updatecon \message$ ligne: \the\linesinpage % \else\p@updatecon \fi\fi% %\check % \noautolines % \def\n@barre$\gluebrule\newbar\gluearule% barre de mesure \def\xbarre$\c@ountbar\x@barre \def\x@barre$\gluebrule\newbar\zgluearule% barre de mesure % sans possibilite de saut % \def\d@oubleBAR$\thinvrule\nobreak\hskip 0.3\Interligne \nobreak\thickvrule% % \def\d@oublebar$\thinvrule\nobreak\hskip 0.4\Interligne \nobreak\thinvrule% % \def\r@ightrepeat$\hbox$\w@colons\d@oubleBAR \def\l@eftrepeat$\hbox$\thickvrule\kern 0.3\Interligne\thinvrule\w@colons \def\l@eftrightrepeat$\hbox$\w@colons\thickvrule \kern 0.3\Interligne\thickvrule\w@colons % %\check % \def\leftrightrepeatsymbol$\gluebrule\l@eftrightrepeat\glueaftersymbol \def\glueaftersymbol$$\def\wbarno$\afterruleskip=\internote\zgluearule% \def\leftrepeatsymbol$\gluebrule\l@eftrepeat\glueaftersymbol% \def\rightrepeatsymbol$\gluebrule\r@ightrepeat\glueaftersymbol% % %\check % \def\doublebarre$\setdoublebar\barre% double barre de mesure \def\setdoublebar$\def\barvrule$\d@oublebar% \def\setdoubleBAR$\def\barvrule$\d@oubleBAR% \def\rightrepeat$\setrightrepeat\barre% \def\finrigthrepeat$\setrightrepeat\suspmorceau% % \def\setrightrepeat$\def\barvrule$\r@ightrepeat% \def\setleftrepeat$\def\barvrule$\l@eftrepeat% \def\setleftrightrepeat$\def\barvrule$\l@eftrightrepeat% % \def\think@vrule#1$\raise\altplancher\hbox$\vrule height\systemheight width #1 depth 0.5\lthick% % \def\thinvrule$\think@vrule$\lthick% \def\thickvrule$\think@vrule$0.6\Interligne% % \def\finmorceau$\setdoubleBAR\suspmorceau% %\check % \def\gluearule$\-\zgluearule% \def\zgluearule$\nobreak\wbarno\nobreak\kern \afterruleskip\nobreak \kern -\brace@w\rtenuti\kern\brace@w\nobreak \global\x@skip=\z@\global\n@skip=\z@% \def\termskip$\upd@sk\ctenuti\nobreak \global\n@skip=\z@\global\x@skip=\z@% % \def\gluebrule$\nobreak\global\advance\x@skip by 0.4\Interligne\termskip \hskip\zglueskip\rtenuti\nobreak% % \def\writesignatures$\global\sign@skip=\z@ \global\n@=0\relax\w@ritesigns \global\advance\sign@skip by 0.2\Interligne \nobreak\hskip\sign@skip % \def\Writesignatures$\global\sign@skip=\z@ \global\n@=0\relax\w@ritesigns \nobreak\advance\sign@skip by 0.6\Interligne\kern\sign@skip\nobreak% % \def\w@ritesigns$\loop\ifnum\nbinstruments >\n@\relax \n@advance\writesigni$\n@\repeat% % %\check \def\instrumentnames$\global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writeinsname$\n@\repeat% % %\check \def\writenewsignatures$\global\sign@skip=\z@ \global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writenewsigni$\n@\repeat \nobreak\ifdim\sign@skip>0.1pt\global\advance\sign@skip by 0.6\Interligne \nobreak\global\n@skip=\sign@skip\termskip \fi \nobreak% % %\check % % normal hyphenation process when \noautolines % \def\setnormalhyphen$\edef\-$\noexpand\discretionary$% %\check 2 $\noexpand\hbox$\noexpand\portees\noexpand\hbox$\noexpand\writeclefs% \noexpand\hbox$\noexpand\writesignatures% % %\check 2 $% fin du def \setnormalhyphen %\check % ecrire toutes les indications de mesure sur toutes les portees \def\writemeters$\global\n@skip=\z@ \global\n@=0\relax \loop\ifnum\nbinstruments >\n@\relax\n@advance \writemeteri$\n@\repeat\nobreak \ifdim\n@skip>\z@\advance\n@skip by 0.6\Interligne \global\n@skip=\n@skip\termskip \fi\nobreak% % %\check \def\writemeteri#1$\nobreak\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writemeterp$\noexpand\noportee\the\metertoks\relax \setbox\toks@box=\hbox$\w@call$$$$\relax \ifdim\n@skip<\wd\toks@box\global\n@skip=\wd\toks@box\fi \raise\altportee\rlap $\box\toks@box\n@portee \repeat% %\check \def\writeclefs$% ecrire toutes les clefs sur toutes les portees \global\clef@skip=\z@ \global\n@=0\relax\w@riteclefs \kern\clef@skip% % \def\w@riteclefs$\ifnum\nbinstruments >\n@\relax\n@advance \writeclefi$\n@\w@riteclefs\fi% % %\check \def\writenewclefs$% ecrire toutes les nouvelles clefs sur toutes les % portees \global\clef@skip=\z@ \global\n@=0\relax\w@ritenewclefi \kern\clef@skip\nobreak% % \def\w@ritenewclefi$\ifnum\nbinstruments >\n@\relax\n@advance \writenewclefi$\n@\w@ritenewclefi\fi% % %\check \def\writesigni#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \n@portee \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$% \setbox\toks@box=\hbox$\get@ref\compnwsign\kern 0.2\Interligne% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box% \repeat% % %\check \def\writeinsname#1$\selectinstr$#1% \xdef\instrument$\csname instrument\romannumeral\noinstrum\endcsname% \altportee=\altitude \ifnum\nbportees>0\relax\advance\altportee by \nbportees\interportee \advance\altportee by -\interportee\advance\altportee by 4\Interligne \advance\altportee by \altitude\divide\altportee by 2\relax \fi \setbox\n@otebox=\llap$\vbox$\hsize=\parindent\advance\hsize by -0.4\Interligne \centerline$\instrument\ \kern 2pt\advance\altportee by -0.5\ht\n@otebox \raise\altportee\box\n@otebox % %\check \def\get@refs#1#2#3#4$% #1-#4: cle correspondante 0=sol, 6=fa, 1-4=ut . \ifcase\noportee\relax\global\ut@ref=0\relax \or\global\ut@ref=#1\relax \or\global\ut@ref=#2\relax \or\global\ut@ref=#3\relax \or\global\ut@ref=#4\relax \fi \def\compnwsign$\ifnum\o@sign=0\relax \else\ifnum\sign=0\relax \else\kern 0.2\Interligne \fi \fi \ifnum\o@sign<0\relax\w@flats\w@sharps \else\w@sharps\w@flats \fi% % %\check \def\w@flats$% \ifnum\sign<0\relax\s@bemol$6\else\ifnum\o@sign<0\relax\s@becarre$6\fi\fi \ifnum\sign<-1\relax\s@bemol$9\else\ifnum\o@sign<-1\relax\s@becarre$9\fi \fi \ifnum\sign<-2\relax\s@bemol$5\else\ifnum\o@sign<-2\relax\s@becarre$5\fi \fi \ifnum\sign<-3\relax\s@bemol$8\else\ifnum\o@sign<-3\relax\s@becarre$8\fi \fi \ifnum\sign<-4\relax\s@bemol$4\else\ifnum\o@sign<-4\relax\s@becarre$4\fi \fi \ifnum\sign<-5\relax\s@bemol$7\else\ifnum\o@sign<-5\relax\s@becarre$7\fi \fi \ifnum\sign<-6\relax\s@bemol$3\else\ifnum\o@sign<-6\relax\s@becarre$3\fi \fi % %\check \def\w@sharps$% \ifnum\sign>0\relax\s@dieze$10\else\ifnum\o@sign>0\relax\s@becarre$10\fi \fi \ifnum\sign>1\relax\s@dieze$7\else\ifnum\o@sign>1\relax\s@becarre$7\fi\fi \ifnum\sign>2\relax\s@dieze$11\else\ifnum\o@sign>2\relax\s@becarre$11\fi \fi \ifnum\sign>3\relax\s@dieze$8\else\ifnum\o@sign>3\relax\s@becarre$8\fi\fi \ifnum\sign>4\relax\s@dieze$5\else\ifnum\o@sign>4\relax\s@becarre$5\fi\fi \ifnum\sign>5\relax\s@dieze$9\else\ifnum\o@sign>5\relax\s@becarre$9\fi\fi \ifnum\sign>6\relax\s@dieze$6\else\ifnum\o@sign>6\relax\s@becarre$6\fi\fi % %\check \def\s@bemol#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \fl@raise\raise\y@iii\hbox to 1.04\Interligne$\hss\f@lat\hss% % \def\s@becarre#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \na@raise\raise\y@iii\hbox to 1.04\Interligne$\hss\n@at\hss% % \def\s@dieze#1$\global\n@iii=#1\relax \p@bedieze\advance\y@iii by \sh@raise\raise\y@iii\hbox to 1.08\Interligne$\hss\s@harp\hss% % % \def\p@bedieze$\global\advance\n@iii by \ut@ref\relax \global\advance\n@iii by \ut@ref\relax % cas de la cle de fa \ifnum\ut@ref=6\global\advance\n@iii by -14\relax\else \ifnum\ut@ref>0\global\advance\n@iii by -7\relax\fi\fi \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi \y@iii=\n@iii\internote \advance\y@iii by -\Interligne  %\check % \def\writenewsigni#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp $\ifnum\o@sign=\sign\relax\else \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$% \setbox\toks@box=\hbox$\get@ref\compnwsign\hskip 0.4\Interligne% \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box% \fi\n@portee \repeat% % %\check % \def\writeclefp#1#2#3#4#5$% \n@i=#1\relax \ifcase\n@i\singleclef$#2% \or\singleclef$#3\or\singleclef$#4\or\singleclef$#5\fi % % %\check \def\writemeterp#1#2#3#4#5$% \n@i=#1\relax \ifcase\n@i\hbox$#2\or\hbox$#3\or\hbox$#4\or\hbox$#5\fi % % %\check \def\writenewclefp#1#2#3#4#5#6#7#8#9$% \n@i=#1\relax \ifcase\n@i\newsingleclef$#2$#6% \or\newsingleclef$#3$#7\or\newsingleclef$#4$#8\or \newsingleclef$#5$#9\fi % %\check % \def\singleclef#1$% \global\n@iii=#1\relax \charclef % %\check % \def\Clefdut$\global\advance\n@iii by -3\relax\raise\n@iii\Interligne\clefdut% \def\Clefdefa$\global\advance\n@iii by -6\relax\raise\n@iii\Interligne\clefdefa % \def\charclef$% \ifdim\clef@skip<2.4\Interligne\global\clef@skip=2.4\Interligne\fi \ifcase\n@iii\relax\clefdesol\relax \or$\Clefdut% \or$\Clefdut% \or$\Clefdut% \or$\Clefdut% \or$\Clefdefa% \or$\Clefdefa% \fi% %\check % \def\smallClefdut$\global\advance\n@iii by -3\relax\raise\n@iii \Interligne\smallclefdut% \def\smallClefdefa$\global\advance\n@iii by -6\relax\raise\n@iii \Interligne\smallclefdefa% \def\smallcharclef$% \ifdim\clef@skip<2.4\Interligne\global\clef@skip=2.4\Interligne\fi \ifcase\n@iii\relax\smallclefdesol\relax \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdut% \or$\smallClefdefa% \or$\smallClefdefa% \fi% %\check \def\newsingleclef#1#2$% \global\n@iii=#1\relax \n@ii=#2\relax \ifnum\n@ii=\n@iii\relax\else\smallcharclef \fi% %\check \def\writeclefi#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writeclefp$\noexpand\noportee\the\cleftoks% \setbox\toks@box=\hbox$\w@call$$$$% \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box\n@portee \repeat% % %\check \def\writenewclefi#1$\selectinstr$#1% \global\noportee=0\relax $\loop\ifnum\noportee<\nbportees\relax \alt@comp \edef\w@call$\noexpand\writenewclefp$\noexpand\noportee\the\cleftoks\the \o@cks% \setbox\toks@box=\hbox$\w@call$$$$% \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi \raise\altportee\rlap$\box\toks@box\n@portee\repeat% % %\check % minuscule: une seule barre % majuscule: double barre \def\changecontexte$\changecontext% \def\Changecontexte$\Changecontext% % \def\changecontext$\gluebrule\newbar\nobreak\updatecontext% \def\pchangecontext$\gluebrule\newbar\nobreak\p@updatecon% %\check \def\Changecontext$\setdoublebar\changecontext% \def\pChangecontext$\setdoublebar\pchangecontext% % % write colons on all staffs (a part of [left][right]repeat symbols % \def\wrcolons$\w@colons% \def\w@colons$\nobreak\hskip 0.4\Interligne\nobreak \global\n@i=0\relax \loop\ifnum\nbinstruments >\n@i\relax\global\advance\n@i by 1\relax \w@coli$\n@i\repeat \nobreak\hskip 0.4\Interligne\nobreak% % %\check % \def\n@updatecon$% imprime tout ce qui est nouveau \nobreak\writenewclefs \nobreak\writenewsignatures\nobreak\setnormalhyphen\-\writemeters\zgluearule \savesignature\savemeters\saveclefs% % \def\l@updatecon$\nobreak\writenewclefs\nobreak\writenewsignatures \z@suspend\reprmorceau% % \def\p@updatecon$\nobreak\writenewclefs\nobreak\writenewsignatures \z@suspend\preprmorceau% % %\check % \def\n@leftrepeat$\gluebrule \nobreak\writenewclefs \discretionary$\newbar% %\check 1 $\hbox$\portees\hbox$\writeclefs% \hbox$\Writesignatures% \l@eftrepeat\hbox$\writemeters% %\check 1 $\l@eftrepeat\nobreak\writemeters\zgluearule \savesignature\savemeters\saveclefs\setnormalhyphen% % %\check % \def\n@leftrightrepeat$\gluebrule \nobreak\writenewclefs % \discretionary$\setrightrepeat\newbar% %\check 1 $\hbox$\portees\hbox$\writeclefs% \hbox$\Writesignatures% \l@eftrepeat\hbox$\writemeters% %\check 1 $\l@eftrightrepeat\nobreak\writemeters\zgluearule \savesignature\savemeters\saveclefs\setnormalhyphen% % \def\t@leftrepeat$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\setleftrepeat\x@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@leftrepeat \message$ ligne: \the\linesinpage % \else\p@leftrepeat \fi\fi% % %\check % \def\t@leftrightrepeat$\c@ountbar \ifnum\barsinline<\maxbarsinline\relax\setleftrightrepeat\x@barre \else \c@ountline \ifnum\linesinpage<\maxlinesinpage\l@leftrightrepeat \message$ ligne: \the\linesinpage % \else\p@leftrightrepeat \fi\fi% % %\check % \def\l@leftrepeat$\suspmorceau \reprmorceau\l@eftrepeat% % \def\p@leftrepeat$\suspmorceau \preprmorceau\l@eftrepeat% % %\check % \def\l@leftrightrepeat$\setrightrepeat\suspmorceau \reprmorceau\l@eftrepeat% % \def\p@leftrightrepeat$\setrightrepeat\suspmorceau \preprmorceau\l@eftrepeat% % \def\Changeclef$\Changeclefs\def\Changeclefs$% \gluebrule\thinvrule\nobreak\hskip 0.6\Interligne\nobreak\newbar \nobreak\writenewclefs\saveclefs% %\check \def\changeclef$\changeclefs\def\changeclefs$\termskip \writenewclefs\saveclefs% %\check %************************************************************************** % les notes proprement dites %************************************************************************** \def\vnotes#1\elemskip$\noteskip=#1\elemskip \n@otes% % %\check % \def\enotes$\e@notes% % \newdimen\n@skip \def\skip@n$\hskip \n@skip% \def\skip@b$\hskip \brace@w \global\advance\x@skip by\n@skip\nobreak%**** % \def\upd@sk$\nobreak\skip@n\global\advance\x@skip by\n@skip\nobreak% % \newcount\n@instrum % \def\n@otes$\def|$\finportee\nextportee\def&$\fininstrument \nextinstrument\normaltranspose=\transpose \check@nopen\global\advance\notes@open by 1\relax\upd@sk \locx@skip=\x@skip \global\n@skip=\noteskip \global\n@instrum=0\relax \nextinstrument% % %\check \def\nextinstrument$\global\advance\n@instrum by 1\relax \selectinstr$\n@instrum\resetstem \global\noportee=0\relax\nextportee % %\check % \def\fininstrument$\finportee% %\check % \def\nextportee$\alt@comp \n@portee \edef\get@ref$\noexpand\get@refs\the\cleftoks$$$$\relax\get@ref \setbox\n@otebox=\hbox\bgroup\locx@skip=\x@skip % %\check % \def\finportee$\egroup \ifdim\n@skip<\wd\n@otebox \global\n@skip=\wd\n@otebox \fi \nobreak\raise\altportee\rlap$\unhbox\n@otebox\nobreak% % %\check % \def\e@notes$\global\notes@open=0\relax\fininstrument \ifdim\n@skip<\noteskip \showthe\noteskip\showthe\n@skip \global\n@skip=\noteskip \fi% % %\check % % queue de note vers le bas \def\p@tail$\global\advance\st@bot by -3\Interligne\global\stem@skip=\z@ \pd@tail% %\check % queue de note vers le haut \def\d@tail$\global\advance\st@top by 3\Interligne\pd@tail% % \def\pd@tail$\global\advance\st@top by -\st@bot \ifdim\st@top>1pt\global\advance\st@bot by -\altportee \raise\st@bot\rlap$\kern\stem@skip\vrule height\st@top width \lthick\fi \resetstem% %\check \def\resetstem$\global\st@bot=99cm\global\st@top=-\st@bot% % \def\setstem$$\advance\y@i by -\n@raise \advance\y@i by \altportee \ifdim\st@bot>\y@i\global\st@bot=\y@i\fi \ifdim\st@top<\y@i\global\st@top=\y@i\fi% % %\check % % sequence de placement d'un caractere a une position dans la portee \def\pl@note$\pl@base \advance\y@i by \n@raise% \def\pl@base$\y@i=\n@i\internote% % % lignes supplementaires pour \n@i (position) % \newcount\h@lnlv \newdimen\hlp@width \def\h@lines#1$\hlp@width=#1\h@lnlv=0\relax\lh@lines\h@lnlv=8\relax \uh@lines% \def\lh@lines$\loop\advance\h@lnlv by -1\relax \ifnum\n@i<\h@lnlv\relax\advance\h@lnlv by -1\relax \ifnum\h@lnlv<-20\relax\showthe\h@lnlv\fi \raise\h@lnlv\internote\llap$\vrule width 1.6\hlp@width height 0.5\lthick depth 0.5\lthick\kern -1.3\hlp@width\repeat% %\check \def\uh@lines$\loop\advance\h@lnlv by 1\relax \ifnum\n@i>\h@lnlv\relax\advance\h@lnlv by 1\relax \ifnum\h@lnlv>30\relax\showthe\h@lnlv\fi \raise\h@lnlv\internote\llap$\vrule width 1.6\hlp@width height 0.5\lthick depth 0.5\lthick\kern -1.3\hlp@width\repeat% %\check % *********** les symboles de notes ou assimiles **************** % % placement % \newcount\inh@alt \def\getn@i$\global\inh@alt=0\relax\xgetn@i% % \def\inhgetn@i$\global\inh@alt=1\relax\xgetn@i% % \def\xgetn@i#1$\n@i=9999\relax % par defaut \edef\t@ruc$\f@tok #1\noexpand\relax\af@tok\ifcat a\t@ruc\relax \getn@iletter$#1% \else\getn@inonlet$#1% \ifcat pas lettre \fi\global\n@raise=\z@% % \def\getn@inonlet#1$\edef\ss@uite$\edef\s@uite$\s@tok #1$\af@tok% \edef\alt@suite$\ifcat 1\t@ruc\relax \t@rucfig$#1% cas active character dont chiffre \else\t@rucexpcar$#1% \fi\alt@suite% fi du \ifcat 1 %\check % analysis of accidentals within collective note coding \def\t@rucexpcar#1$\if ^\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\sh$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if _\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\fl$\s@uite\fi \noexpand\getn@i$\s@uite\fi% %\check \def\t@rucfig#1$\if=\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\na$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if*\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\sk$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if.\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\pt$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if>\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\dsh$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if<\t@ruc\relax \edef\alt@suite$\ifnum \inh@alt=0\relax\noexpand\dfl$\s@uite\fi \noexpand\getn@i$\s@uite\fi \if!\t@ruc\relax \transpose=\normaltranspose\relax \edef\alt@suite$\noexpand\getn@i$\s@uite\fi \if'\t@ruc\relax \advance\transpose by 7\relax \edef\alt@suite$\noexpand\getn@i$\s@uite\fi \if`\t@ruc\relax \advance\transpose by -7\relax \edef\alt@suite$\noexpand\getn@i$\s@uite% \else \if -\t@ruc\relax\n@i=#1\relax\fi \if 1\t@ruc\relax\n@i=#1\relax\fi \if 2\t@ruc\relax\n@i=#1\relax\fi \if 3\t@ruc\relax\n@i=#1\relax\fi \if 4\t@ruc\relax\n@i=#1\relax\fi \if 5\t@ruc\relax\n@i=#1\relax\fi \if 6\t@ruc\relax\n@i=#1\relax\fi \if 7\t@ruc\relax\n@i=#1\relax\fi \if 8\t@ruc\relax\n@i=#1\relax\fi \if 9\t@ruc\relax\n@i=#1\relax\fi \if 0\t@ruc\relax\n@i=#1\relax\fi \fi% %\check % \def\getn@iletter#1$\n@i=\expandafter`\t@ruc\relax \ifnum\n@i >96\relax \advance\n@i by -101\relax % ramener au E (position % zero en clef de sol, ut@ref=0) \else\advance\n@i by -83\relax % ramener au S= E + 14 \fi \advance\n@i by \ut@ref\relax \advance\n@i by \ut@ref\relax \advance\n@i by \transpose\relax \edef\s@uite$\s@tok #1$\af@tok\edef\ss@uite$\noexpand\n@fon$\s@uite% %\check % \def\pt@raise$\ifodd\n@i\relax\pt@up=-0.1\Interligne\else\pt@up =0.3\Interligne\fi \advance\pt@up by -\n@raise\raise\pt@up% % % \def\lcharnote#1#2$\getn@i$#1\pl@llap$#2% % \def\bigaccid$\def\small@test$\noteskip>-1pt% \def\smallaccid$\def\small@test$\noteskip>9999pt% \def\varaccid$\def\small@test$\noteskip>1.9\qn@width% % \varaccid % accidents de taille variable %\check \def\lfl#1$\getn@i$#1\global\n@raise=\fl@raise \pl@llap$\f@lat\kern 0.8\qd@skip% % %\check \def\ldfl#1$\getn@i$#1\global\n@raise=\fl@raise \pl@llap$\df@lat\hskip 0.8\qd@skip% % %\check \def\lsh#1$\getn@i$#1\global\n@raise=\sh@raise \pl@llap$\s@harp\hskip 0.8\qd@skip% % \def\ldsh#1$\getn@i$#1\global\n@raise=\z@ \pl@llap$\ds@harp\hskip 0.8\qd@skip% %\check \def\lna#1$\getn@i$#1\global\n@raise=\na@raise \pl@llap$\n@at\hskip 0.8\qd@skip% %\check \def\pl@llap$\pl@note\raise\y@i\llap% %**************** notes (sans queue) ******************* % \def\xcharnote#1#2#3$\getn@i$#2\pl@base\raise\y@i\hbox to #1$#3\hss% %\check % \def\raise@note$\advance\locx@skip by\noteskip\raise\y@i\hbox to \noteskip% % % rondes sous diverses formes % % ronde decalee a gauche (sans avance) \def\lw#1$\kern -\wd@skip\zw$#1\kern \wd@skip% % % ronde decalee a droite (sans avance) \def\rw#1$\kern \wd@skip\zw$#1\kern -\wd@skip% %\check % ronde sans avance \def\zw#1$\getn@i$#1\def\n@fon$\zw\def\n@sym$\w@h\g@zw% \def\zwp#1$\getn@i$#1\def\n@fon$\zwp\def\n@sym$\w@hp\g@zw% \def\zwpp#1$\getn@i$#1\def\n@fon$\zwpp\def\n@sym$\w@hpp\g@zw% \def\zwppp#1$\getn@i$#1\def\n@fon$\zwppp\def\n@sym$\w@hppp\g@zw% \def\g@zw$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\wn@width\def\s@tem$\resetstem\plap@symss\fi% %\check % \def\phpause$\hbox to \noteskip$\vrule width 1.2\qn@width height \internote\hss% \def\pause$\hbox$\raise 5\internote\phpause% \def\hpause$\hbox$\raise 4\internote\phpause% \def\demisoupir$\ds% \def\ds$\hbox to \noteskip$\d@soup\hss% \advance\locx@skip by \noteskip% \def\qp$\hbox to \noteskip$\s@oupir\hss\advance\locx@skip by \noteskip% \def\soupir$\qp% \def\dsoupir$\ds% \def\qsoupir$\qs% \def\quartsoupir$\qs% % quat de soupir \def\qs$\hbox to \noteskip$\q@soup\hss% \advance\locx@skip by \noteskip% \def\demisoupir$\ds% %\check \def\pl@noteq$\pl@note \setstem \ifdim\noteskip>\z@ \ifdim\st@bot<29cm \s@tem \fi \fi % % \def\Ped$$\cmsy P\kern -1pt\it ed.% \def\PED$\rlap$\zcharnote$-5$\kern -2pt\Ped% \def\DEP$\rlap$\zcharnote$-7$\kern 0.5\noteskip\kern -4pt\moyen *% %\check \def\pl#1$\zcharnote$#1$\raise 2pt \rlap$\ttyeight +% \def\pointdorgue#1$\zcharnote$#1$\raise \Interligne\p@orgue% \def\pointdurgue#1$\zcharnote$#1$\raise-\Interligne\p@urgue% \def\ntrille#1#2$\zcharnote$#1$\trille$#2\elemskip% \def\nTrille#1#2$\zcharnote$#1$\Trille$#2\elemskip% \def\xtrille#1#2$\zcharnote$#1$\trille$#2% \def\xTrille#1#2$\zcharnote$#1$\Trille$#2% % \def\pt#1$\inhgetn@i$#1\def\n@fon$\pt\def\n@sym$\z@p\g@pt \def\ppt#1$\inhgetn@i$#1\def\n@fon$\ppt\def\n@sym$\z@pp\g@pt \def\pppt#1$\inhgetn@i$#1\def\n@fon$\pppt\def\n@sym$\z@ppp\g@pt \def\g@pt$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \pl@note\raise\y@i \rlap$\n@sym\fi% % %\check % % blanche sans queue decalee a gauche % blanche pointee sans queue % blanche decalee a gauche \def\lh#1$\kern -\hd@skip\zh$#1\kern \hd@skip% % blanche decalee a droite sans queue \def\rh#1$\kern \hd@skip\zh$#1\kern -\hd@skip% % blanche sans queue ni avance \def\zh#1$\getn@i$#1\def\n@fon$\zh\def\n@sym$\h@a\g@zh \def\zhp#1$\getn@i$#1\def\n@fon$\zhp\def\n@sym$\h@ap\g@zh \def\zhpp#1$\getn@i$#1\def\n@fon$\zhpp\def\n@sym$\h@app\g@zh \def\zhppp#1$\getn@i$#1\def\n@fon$\zhppp\def\n@sym$\h@appp\g@zh \def\g@zh$\global\n@raise=\ha@raise\global\n@width=\hn@width\g@z% \def\g@z$\ifnum\n@i<100\relax \h@lines$\n@width\pl@note\setstem\rlap@symss\fi% % % noires sans queues % \def\zq#1$\getn@i$#1\def\n@fon$\zq\def\n@sym$\q@u\g@zq \def\zqp#1$\getn@i$#1\def\n@fon$\zqp\def\n@sym$\q@up\g@zq \def\zqpp#1$\getn@i$#1\def\n@fon$\zqpp\def\n@sym$\q@upp\g@zq \def\zqppp#1$\getn@i$#1\def\n@fon$\zqppp\def\n@sym$\q@uppp\g@zq \def\g@zq$\global\n@raise=\qu@raise\global\n@width=\qn@width\g@z% % %\check \def\rq#1$\kern \qd@skip\zq$#1\kern -\qd@skip% \def\lq#1$\kern -\qd@skip\zq$#1\kern \qd@skip% % *********************** notes avec queue ********************** % %\check \def\qu#1$\getn@i$#1\def\n@fon$\qu\def\n@sym$\q@u\g@qu% \def\qup#1$\getn@i$#1\def\n@fon$\qup\def\n@sym$\q@up\g@qu% \def\qupp#1$\getn@i$#1\def\n@fon$\qupp\def\n@sym$\q@upp\g@qu% \def\quppp#1$\getn@i$#1\def\n@fon$\quppp\def\n@sym$\q@uppp\g@qu% %\check \def\g@qu$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\qd@skip\def\s@tem$\d@tail\g@qbh@\fi% % \def\q@up$\hbox to \qn@width$\q@u\hss\P@t% \def\q@upp$\hbox to \qn@width$\q@u\hss\PP@t% \def\q@uppp$\hbox to \qn@width$\q@u\hss\PPP@t% \def\h@ap$\hbox to \hn@width$\h@a\hss\P@t% \def\h@app$\hbox to \hn@width$\h@a\hss\PP@t% \def\h@appp$\hbox to \hn@width$\h@a\hss\PPP@t% \def\w@hp$\hbox to \wn@width$\w@h\hss\P@t% \def\w@hpp$\hbox to \wn@width$\w@h\hss\PP@t% \def\w@hpp$\hbox to \wn@width$\w@h\hss\PPP@t% % \def\z@p$\kern \qn@width\P@t\def\z@pp$\kern \qn@width\PP@t\def \z@ppp$\kern \qn@width \PPP@t% %\check \def\rqu#1$\getn@i$#1\def\n@fon$\qu\global\n@raise=\qu@raise \def\n@sym$\kern \qd@skip\q@u% \ifnum\n@i<100\relax \kern \qd@skip \h@lines$\qn@width\kern -\qd@skip \global\stem@skip=\qd@skip\def\s@tem$\d@tail\pl@symss\fi% %\check % noire queue en haut sans avance \def\zqu#1$\getn@i$#1\def\n@fon$\qu\def\n@sym$\q@u\rlap$\g@qu% % % espace vide d'une note \def\off#1$\advance\locx@skip by #1\kern #1% \def\sk$\off\noteskip% \def\qsk$\off\qn@width% \def\hsk$\off\hn@width% %\check \def\lqu#1$\kern -\qd@skip\zqu$#1\kern \qd@skip% %\check % noires queue en base \def\ql#1$\getn@i$#1\def\n@fon$\ql\def\n@sym$\q@u\g@ql% \def\qlp#1$\getn@i$#1\def\n@fon$\qlp\def\n@sym$\q@up\g@ql% \def\qlpp#1$\getn@i$#1\def\n@fon$\qlpp\def\n@sym$\q@upp\g@ql% \def\qlppp#1$\getn@i$#1\def\n@fon$\qlppp\def\n@sym$\q@uppp\g@ql% \def\g@ql$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \def\s@tem$\p@tail\g@qbh@\fi% % % la meme sans avance \def\zql#1$\getn@i$#1\def\n@fon$\ql\def\n@sym$\q@u\rlap$\g@ql% %\check % decalees a gauche et a droite \def\lql#1$\kern -\qd@skip\zql$#1\kern \qd@skip% \def\rql#1$\kern \qd@skip\zql$#1\kern -\qd@skip% % % croches, doubles croches, triples croches, quadruple croches queue en % haut et en bas % \def\clp#1$\pt$#1\cl$#1\def\cup#1$\pt$#1\cu$#1% \def\cu$\mcu1\def\ccu$\mcu2\def\cccu$\mcu3\def\ccccu$\mcu4% \def\cl$\mcl1\def\ccl$\mcl2\def\cccl$\mcl3\def\ccccl$\mcl4% \def\zcu$\advancefalse\mcu1\def\zccu$\advancefalse\mcu2% \def\zcccu$\advancefalse\mcu3\def\zccccu$\advancefalse\mcu4% \def\zcl$\advancefalse\mcl1\def\zccl$\advancefalse\mcl2% \def\zcccl$\advancefalse\mcl3\def\zccccl$\advancefalse\mcl4% % \def\mcu#1#2$\getn@i$#2\global\n@raise=\qu@raise \def\n@sym$\q@u\edef\n@fon$\noexpand\mcu #1% \ifnum\n@i<100\relax \h@lines$\qn@width\global\stem@skip=\qd@skip \def\s@tem$\d@cr#1\pl@symssq\fi% \def\mcl#1#2$\getn@i$#2\global\n@raise=\qu@raise \def\n@sym$\q@u\edef\n@fon$\noexpand\mcl #1% \ifnum\n@i<100\relax \h@lines$\qn@width\def\s@tem$\p@cr#1\pl@symssq\fi% % % ronde \def\wh#1$\getn@i$#1\def\n@fon$\wh\def\n@sym$\w@h\g@wh% \def\whp#1$\getn@i$#1\def\n@fon$\whp\def\n@sym$\w@hp\g@wh% \def\whpp#1$\getn@i$#1\def\n@fon$\whpp\def\n@sym$\w@hpp\g@wh% \def\whppp#1$\getn@i$#1\def\n@fon$\whppp\def\n@sym$\w@hppp\g@wh% \def\g@wh$\global\n@raise=\wh@raise\ifnum\n@i<100\relax \h@lines$\wn@width\def\s@tem$\resetstem\pl@symss\fi% %\check % blanche avec queue \def\ha$\hu% \def\hu#1$\getn@i$#1\def\n@fon$\hu\def\n@sym$\h@a\g@hu% \def\hup#1$\getn@i$#1\def\n@fon$\hup\def\n@sym$\h@ap\g@hu% \def\hupp#1$\getn@i$#1\def\n@fon$\hupp\def\n@sym$\h@app\g@hu% \def\huppp#1$\getn@i$#1\def\n@fon$\huppp\def\n@sym$\h@appp\g@hu% \def\g@hu$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\global\stem@skip=\hd@skip\def\s@tem$\d@tail\pl@symss\fi% % %\check \def\rhu#1$\getn@i$#1\def\n@fon$\hu\global\n@raise=\ha@raise \def\n@sym$\kern \hd@skip\h@a% \ifnum\n@i<100\relax \kern \hd@skip \h@lines$\hn@width\kern -\hd@skip \global\stem@skip=\hd@skip\def\s@tem$\d@tail\pl@symss\fi% %\check % blanche avec queue sans avance \def\zhu#1$\getn@i$#1\def\n@fon$\hu\def\n@sym$\h@a\g@zhu% \def\zhup#1$\getn@i$#1\def\n@fon$\hup\def\n@sym$\h@ap\g@zhu% \def\zhupp#1$\getn@i$#1\def\n@fon$\hupp\def\n@sym$\h@app\g@zhu% \def\zhuppp#1$\getn@i$#1\def\n@fon$\huppp\def\n@sym$\h@appp\g@zhu% \def\g@zhu$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\global\stem@skip=\hd@skip \def\s@tem$\d@tail\plap@symss\fi% %\check \def\lhu#1$\kern -\hn@width\zhu$#1\kern \hn@width% % % % blanches queue en bas \def\hl#1$\getn@i$#1\def\n@fon$\hl\def\n@sym$\h@a\g@hl% \def\hlp#1$\getn@i$#1\def\n@fon$\hlp\def\n@sym$\h@ap\g@hl% \def\hlpp#1$\getn@i$#1\def\n@fon$\hlpp\def\n@sym$\h@app\g@hl% \def\hlppp#1$\getn@i$#1\def\n@fon$\hlppp\def\n@sym$\h@appp\g@hl% \def\g@hl$\global\n@raise=\ha@raise\ifnum\n@i<100\relax \h@lines$\hn@width\def\s@tem$\p@tail\pl@symss\fi% %\check \def\zhl#1$\getn@i$#1\def\n@fon$\hl\def\n@sym$\h@a\rlap$\g@hl% \def\rhl#1$\kern \hd@skip\zhl$#1\kern -\hd@skip% \def\lhl#1$\kern -\hn@width\zhl$#1\kern \hn@width% %\check %**************** initialisation de poutres ****************** % \ibu$0-2\relax\ifnum\b@n<2\relax\n@bbu\fi \fi% \def\nbbl#1$\selectpoutre$#1\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbl\fi \fi% \def\n@bbu$\gl@au$\b@n\global\bb@x=\locx@skip \global\advance\bb@x by \qd@skip \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam \else \global\advance\bb@z by \interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bb@z by \s@lope\locx@skip % % \def\n@bbl$\gl@au$\b@n\global\bb@x=\locx@skip \global\advance\bb@x by \lthick \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam \else \global\advance\bb@z by \interbeam \fi $\advance\locx@skip by -\b@x \global\advance\bb@z by \s@lope\locx@skip % %\check \def\ibbbu#1$\selectpoutre$#1\i@bbbu% \def\ibbbl#1$\selectpoutre$#1\i@bbbl% \def\i@bbbu#1#2$\ifnum\b@n=0\relax\i@bbu$#1$#2% \global\advance\b@z by \internote \global\advance\bb@z by \internote \fi\n@bbbu% \def\i@bbbl#1#2$\ifnum\b@n=0\relax\i@bbl$#1$#2% \global\advance\b@z by -\internote \global\advance\bb@z by -\internote \fi\n@bbbl% \def\nbbbu#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n =1\relax\n@bbu\fi \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi % \def\nbbbl#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n =1\relax\n@bbl\fi \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi % \def\n@bbbu$\gl@au$\b@n\global\bbb@x=\locx@skip \global\advance\bbb@x by \qd@skip \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam \else \global\advance\bbb@z by 2\interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bbb@z by \s@lope \locx@skip % % \def\n@bbbl$\gl@au$\b@n\global\bbb@x=\locx@skip \global\advance\bbb@x by \lthick \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam \else \global\advance\bbb@z by 2\interbeam \fi $\advance\locx@skip by -\b@x\global\advance\bbb@z by \s@lope \locx@skip % %\check % \def\ibbbbu#1$\selectpoutre$#1\i@bbbbu% \def\ibbbbl#1$\selectpoutre$#1\i@bbbbl% \def\i@bbbbu#1#2$\ifnum\b@n=0\relax\i@bbbu$#1$#2% \global\advance\b@z by \interbeam \global\advance\bb@z by \interbeam \global\advance\bbb@z by \interbeam \fi\n@bbbbu% \def\i@bbbbl#1#2$\ifnum\b@n=0\relax\i@bbbl$#1$#2% \global\advance\b@z by -\interbeam \global\advance\bb@z by -\interbeam \global\advance\bbb@z by -\interbeam \fi\n@bbbbl% \def\nbbbbu#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n =1\relax\n@bbu\fi \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi % \def\nbbbbl#1$\selectpoutre$#1\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n =1\relax\n@bbl\fi \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbl\fi % \def\n@bbbbu$\gl@au$\b@n\global\bbbb@x=\locx@skip \global\advance\bbbb@x by \qd@skip \global\bbbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam \else \global\advance\bbbb@z by 3\interbeam \fi $\advance\locx@skip by \qd@skip \advance\locx@skip by -\b@x \global\advance\bbbb@z by \s@lope \locx@skip % % \def\n@bbbbl$\gl@au$\b@n\global\bbbb@x=\locx@skip \global\advance\bbbb@x by \lthick \global\bbbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam \else \global\advance\bbbb@z by 3\interbeam \fi $\advance\locx@skip by -\b@x\global\advance\bbbb@z by \s@lope \locx@skip % %\check % % terminaison de toutes les poutres en suspens % % %***** terminer une poutre superieure **************** %\check % \def\tbu#1$\selectpoutre$#1\t@bu% \def\tqh#1$\selectpoutre$#1\t@qh% \def\tbbu#1$\selectpoutre$#1\t@bbu% \def\tbbbu#1$\selectpoutre$#1\t@bbbu% \def\tbbbbu#1$\selectpoutre$#1\t@bbbbu% %\check \def\t@qh$\t@bu\qh@% \def\t@bu$\ifnum\b@n<-1\relax\t@bbu\fi \ifnum\b@n>1\relax\t@bbu\fi \y@i=\b@z \advance\y@i by -\altportee \y@ii=\locx@skip \advance\y@ii by \qn@width \advance\y@ii by -\b@x \llap$\p@outre\hskip -\qn@width% \global\b@n=0\relax% % %\check \def\t@bbu$\ifnum\b@n<-2\relax\t@bbbu\fi \ifnum\b@n>2\relax\t@bbbu\fi \ifnum\b@n=1\relax$\advance\locx@skip by -\qn@width\n@bbu\fi \ifnum\b@n=-1\relax$\advance\locx@skip by -\qn@width\n@bbu\fi \y@i=\bb@z\y@ii=-\bb@x\t@xbu% %\check \def\t@xbu$\advance\y@i by -\altportee \advance\y@ii by \locx@skip \advance\y@ii by \qn@width \llap$\p@outre\hskip -\qn@width% \ifnum\b@n>0\relax \advance\y@i by \s@lope\y@ii\raise\y@i\rlap$\kern\qn@width \kern -\lthick\vrule height \z@ depth 1.8\internote width \lthick\fi \gl@de$\b@n% %\check \def\t@bbbu$\ifnum\b@n<-3\relax\t@bbbbu\fi \ifnum\b@n>3\relax\t@bbbbu\fi \ifnum\b@n=2\relax$\advance\locx@skip by -\qn@width\n@bbbu\fi \ifnum\b@n=-2\relax$\advance\locx@skip by -\qn@width\n@bbbu\fi \y@i=\bbb@z\y@ii=-\bbb@x\t@xbu% % %\check \def\t@bbbbu$\ifnum\b@n<-4\relax\showthe\b@n\global\b@n=-4\relax\fi \ifnum\b@n>4\relax\showthe\b@n\global\b@n=4\relax\fi \ifnum\b@n=3\relax$\advance\locx@skip by -\qn@width\n@bbbbu\fi \ifnum\b@n=-3\relax$\advance\locx@skip by -\qn@width\n@bbbbu\fi \y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbu% %***** terminer une poutre inferieure**************** \def\tbl#1$\selectpoutre$#1\t@bl% \def\tqb#1$\selectpoutre$#1\t@qb% \def\tbbl#1$\selectpoutre$#1\t@bbl% \def\tbbbl#1$\selectpoutre$#1\t@bbbl% \def\tbbbbl#1$\selectpoutre$#1\t@bbbbl% % provisoire \def\t@qb$\t@bl\qb@% \def\t@bl$\relax \ifnum\b@n<-1\relax\t@bbl\fi \ifnum\b@n>1\relax\t@bbl\fi \y@i=\b@z \advance\y@i by -\altportee \y@ii=\locx@skip \advance\y@ii by \lthick \advance\y@ii by -\b@x \kern\lthick\llap$\p@outre\kern -\lthick \global\b@n=0\relax% %\check % \def\t@bbl$\relax \ifnum\b@n<-2\relax\t@bbbl\fi \ifnum\b@n>2\relax\t@bbbl\fi \ifnum\b@n=1\relax$\advance\locx@skip by -\qn@width\n@bbl\fi \ifnum\b@n=-1\relax$\advance\locx@skip by -\qn@width\n@bbl\fi \y@i=\bb@z\y@ii=-\bb@x\t@xbl% % \def\t@xbl$\advance\y@i by -\altportee \advance\y@ii by \locx@skip \advance\y@ii by \lthick \kern\lthick\llap$\p@outre\kern-\lthick \ifnum\b@n<0\relax\advance\y@i by \s@lope\y@ii \raise\y@i\rlap$\vrule height \interbeam width \lthick\fi \gl@de$\b@n% %\check \def\t@bbbl$\relax \ifnum\b@n<-3\relax\t@bbbbl\fi \ifnum\b@n>3\relax\t@bbbbl\fi \ifnum\b@n=2\relax$\advance\locx@skip by -\qn@width\n@bbbl\fi \ifnum\b@n=-2\relax$\advance\locx@skip by -\qn@width\n@bbbl\fi \y@i=\bbb@z\y@ii=-\bbb@x\t@xbl% %\check \def\t@bbbbl$\relax \ifnum\b@n<-4\relax\showthe\b@n\global\b@n=-4\relax\fi \ifnum\b@n>4\relax\showthe\b@n\global\b@n=4\relax\fi \ifnum\b@n=3\relax$\advance\locx@skip by -\qn@width\n@bbbbl\fi \ifnum\b@n=-3\relax$\advance\locx@skip by -\qn@width\n@bbbbl\fi \y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbl% %******************** notes accrchees aux poutres % ************************************ % \def\qh#1$\selectpoutre$#1\qh@% \def\hh#1$\selectpoutre$#1\hh@% \def\qhp#1$\selectpoutre$#1\qhp@% \def\qhpp#1$\selectpoutre$#1\qhpp@% \def\qhppp#1$\selectpoutre$#1\qhppp@% \def\qh@#1$\getn@i$#1\def\n@fon$\qh@\def\n@sym$\q@u\g@qh@% % position \def\hh@#1$\getn@i$#1\def\n@fon$\hh@\def\n@sym$\h@u\g@qh@% % position \def\qhp@#1$\getn@i$#1\def\n@fon$\qhp@\def\n@sym$\q@up\g@qh@% % position \def\qhpp@#1$\getn@i$#1\def\n@fon$\qhpp@\def\n@sym$\q@upp\g@qh@% % position \def\qhppp@#1$\getn@i$#1\def\n@fon$\qhppp@\def\n@sym$\q@uppp\g@qh@% % % position \def\qb#1$\selectpoutre$#1\qb@% \def\hb#1$\selectpoutre$#1\hb@% \def\qbp#1$\selectpoutre$#1\qbp@% \def\qbpp#1$\selectpoutre$#1\qbpp@% \def\qbppp#1$\selectpoutre$#1\qbppp@% \def\qb@#1$\getn@i$#1\def\n@fon$\qb@\def\n@sym$\q@u\g@qb@ % #1 position \def\hb@#1$\getn@i$#1\def\n@fon$\hb@\def\n@sym$\h@a\g@qb@ % #1 position \def\qbp@#1$\getn@i$#1\def\n@fon$\qbp@\def\n@sym$\q@up\g@qb@ % #1 position \def\qbpp@#1$\getn@i$#1\def\n@fon$\qbpp@\def\n@sym$\q@upp\g@qb@ % #1 % position \def\qbppp@#1$\getn@i$#1\def\n@fon$\qbppp@\def\n@sym$\q@uppp\g@qb@ % #1 % position \def\g@qb@$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\z@\def\s@tem$\d@balk\g@qbh@\fi% % \def\g@qh@$\global\n@raise=\qu@raise\ifnum\n@i<100\relax \global\stem@skip=\qd@skip\def\s@tem$\d@balk\g@qbh@\fi% % \def\g@qbh@$\h@lines$\qn@width\pl@symss% % \def\pl@symss$\pl@noteq\raise@note$\n@sym\hss\ss@uite% \def\pl@symssq$\ifadvance\pl@symss\else\plap@symss\fi\advancetrue% % \def\rlap@symss$\raise\y@i\rlap$\n@sym\ss@uite% \def\plap@symss$\pl@noteq\rlap@symss% % \def\d@balk$% % queue de note vers une poutre \y@ii=\b@z % a augmenter avec la pente \y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x \advance\y@ii by \s@lope\y@v \ifdim\y@ii>\st@top % la poutre est au-dessus \ifnum\b@n>0\relax\advance\y@ii by \b@n\interbeam \advance\y@ii by -\interbeam \fi\global\st@top=\y@ii % a mettre a jour avec la pente ulterieurement \else \ifdim\y@ii<\st@bot \ifnum\b@n<0\relax\advance\y@ii by \b@n\interbeam \advance\y@ii by \interbeam \fi\global\st@bot=\y@ii \fi\fi\pd@tail% % %*********************************** notes sans avancement (accords) % ******************** \def\zwh#1$$\noteskip=\z@\wh$#1% \def\zha#1$$\noteskip=\z@\ha$#1% % \def\charnote$\xcharnote$\noteskip% \def\zcharnote$\xcharnote$\z@% %\check % %************************* liaisons horizontales ************************** % \def\selecttenue#1$$\n@i=#1\relax \ifnum\n@i<0\relax\n@i=29\fi \advance\n@i by 1\relax \xdef\t@x$\csname t@x\romannumeral\n@i\endcsname% \xdef\t@z$\csname t@z\romannumeral\n@i\endcsname% \xdef\t@p$\csname t@p\romannumeral\n@i\endcsname% \xdef\t@s$\csname t@s\romannumeral\n@i\endcsname% % fin selecttenue % %\check % mise a jour marge inferieure et correction d'altitude de tenues % \newdimen\bottom@adv \def\advancebottom#1$\global\bottom@adv=#1\relax% \def\adv@bottom$\global\advance\bottommargin by \bottom@adv \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\global\advance\t@z by \bottom@adv\relax \global\advance\n@l by 1\relax \repeat \global\bottom@adv=\z@% % %\check % \def\lu@slur$\cmex\char"7A\def\ru@slur$\cmex\char"7B% \def\ll@slur$\cmex\char"7C\def\rl@slur$\cmex\char"7D% \setbox\n@otebox=\hbox$\lu@slur\brace@w=\wd\n@otebox % \def\leg@hrule$\leaders\hrule height 1.2pt\hfill% \def\leg@vrule$\vrule height 1.2pt% % % complete slur of length #1 (up and down) \def\upleg#1$% #1 longueur \hbox to #1$\lu@slur\ifdim #1>2\brace@w\leg@hrule \else\hss\fi\ru@slur% % \def\loleg#1$% #1 longueur \hbox to #1$\ll@slur\ifdim #1>2\brace@w\leg@hrule \else\hss\fi\rl@slur% % % slur termination of length #1 (up and down) \def\uprleg#1$% #1 longueur \hbox to #1$\ifdim #1>\brace@w\leg@hrule \else\hss\fi\ru@slur% % \def\lorleg#1$% #1 longueur \hbox to #1$\ifdim #1>\brace@w\leg@hrule \else\hss\fi\rl@slur% %\check % % slur beginning (left) (up and down) \def\uples#1$% #1 longueur \hbox to #1$\lu@slur\ifdim #1>\brace@w\leg@hrule \else\hss\fi% % \def\loles#1$% #1 longueur \hbox to #1$\ll@slur\ifdim #1>\brace@w\leg@hrule \else\hss\fi% %\check % % continuation des tenues au milieu d'une mesure % \def\ctenuti$% \vrule width 0.4pt height 3cm\kern -0.4pt\relax % **** \locx@skip=\x@skip\advance\locx@skip by \n@skip \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\ifnum\t@s=0\relax \else\c@ten\fi \global\advance\n@l by 1\relax \repeat% % % continuation d'une tenue par dessus une barre: ne doit pas % deborder mais s'arreter juste au point indique % \def\rtenuti$% *** \locx@skip=\x@skip\advance\locx@skip by \n@skip \global\n@l=0\relax \loop\ifnum\n@l<\maxlegatenuti\relax \selecttenue$\n@l\ifnum\t@s=2\relax\r@ten\fi \global\advance\n@l by 1\relax \repeat% % % noter un debut de tenue % \def\itenu#1$\selecttenue$#1\i@tenu% \def\ilegu#1#2$\selecttenue$#1$\advance\locx@skip by -1.5\qn@width \i@tenu$#2% \def\rtenu#1$\selecttenue$#1\ri@tenu% \def\ri@tenu#1$\i@tenu$#1\global\advance\t@x by \wn@width% \def\i@tenu#1$\global\t@p=1\relax % sens=1 \global\t@s=1\relax % etat en cours \global\t@x=\locx@skip \global\advance\t@x by \qd@skip \inhgetn@i$#1\pl@base\global\t@z=\y@i\global\advance\t@z by\altportee \global\advance\t@z by 3.5pt% % \def\itenl#1$\selecttenue$#1\i@tenl% \def\minternote$-\internote% \def\ilegl#1#2$\selecttenue$#1$\advance\locx@skip by -1.5\qn@width \i@tenl$#2% \def\rtenl#1$\selecttenue$#1\ri@tenl% \def\ri@tenl#1$\i@tenl$#1\global\advance\t@x by \wn@width% \def\i@tenl#1$\global\t@p=-1\relax % sens= -1 \global\t@s=1\relax % actif \global\t@x=\locx@skip \global\advance\t@x by \qd@skip \inhgetn@i$#1\pl@base\global\t@z=\y@i\global\advance\t@z by \altportee \global\advance\t@z by -4.5pt % %\check \def\tten#1$\selecttenue$#1\t@ten% \def\tleg#1$\selecttenue$#1$\advance\locx@skip by 1.5\qn@width\kern 1.5\qn@width\t@ten\kern -1.5\qn@width% \def\t@ten$\y@i=\t@z\advance\y@i by -\altportee \y@ii=\locx@skip\advance\y@ii by -\t@x \ifnum\t@p>0\relax \ifnum\t@s=2\relax \raise\y@i\llap$\uprleg$\y@ii% \else \raise\y@i\llap$\upleg$\y@ii% \fi \else \ifnum\t@s=2\relax \raise\y@i\llap$\lorleg$\y@ii% \else \raise\y@i\llap$\loleg$\y@ii% \fi \fi \global\t@s=0\relax% % %\check \def\c@ten$\y@ii=\x@skip\advance\y@ii by -\t@x \ifnum\t@s=1\relax \ifnum\t@p>0\relax \raise\t@z\llap$\uples$\y@ii\else \raise\t@z\llap$\loles$\y@ii\fi \else\ifnum\t@s=2\relax \raise\t@z\llap$\leg@vrule width \y@ii\fi \fi \global\t@x=-\y@ii \global\t@s=2\relax% % %\check \def\r@tenu#1$\selecttenue$#1\r@ten% \def\r@ten$\ifnum\t@s=2\relax \y@ii=-\t@x \global\advance\y@ii by-\brace@w \raise\t@z\llap$\leg@vrule width \y@ii\relax \fi \ifdim\t@x<-4\Interligne\global\t@x=-4\Interligne\fi % % %\check % %********************** ponctuations speciales **************************** % \def\breath$\raise 3\Interligne\hbox$\enorme'% \def\uptext#1$\resetstem\raise 5\Interligne\rlap$#1% \def\Uptext#1$\resetstem\raise 7\Interligne\rlap$#1% \def\text@sp$\vrule width \z@ height 8.5pt depth 3.5pt \def\m@idcomp$\y@v=\interportee\advance\y@v by 4\Interligne\divide\y@v by 2\relax \raise\y@v\vbox to \z@% % \def\midtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\hss\text@sp #1\hss\vss% \def\rmidtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\text@sp #1\hss\vss% \def\zmidtwotext#1$$\m@idcomp $\vss\rlap$\text@sp #1\vss% \def\lmidtwotext#1$$\m@idcomp $\vss\hbox to \noteskip$\hss\text@sp #1\vss% %\check \def\metron#1#2$$\noteskip 10pt #1 1\ = #2% %\check % %************************************************************************** % definition standard, modifiables par l'usager %************************************************************************** % \def\resetfacteurs$\topmargin=\z@\bottommargin=\z@\nullthick=\z@ \def\interfacteur$9% \def\bottomfacteur$3% \def\topfacteur$3% \elemskip=10pt\relax \def\gluemaxskip$0.1\line@width% % \resetfacteurs %\check \def\normal$\ifdim\Interligne<0.1pt\computewidths\fi \elemskip=2\Interligne \def\notes$\vnotes 1.0\elemskip % double croches \def\Notes$\vnotes 1.4\elemskip % croches \def\NOtes$\vnotes 2.0\elemskip % croches pointees \def\NOTes$\vnotes 2.8\elemskip % noires \def\NOTEs$\vnotes 4.0\elemskip % \def\NOTES$\vnotes 5.6\elemskip % % \def\large$\normal\elemskip=2.4\Interligne% \def\etroit$\normal \def\Notes$\vnotes 1.3\elemskip % croches \def\NOtes$\vnotes 1.8\elemskip % croches pointees \def\NOTes$\vnotes 2.6\elemskip % noires \def\NOTEs$\vnotes 3.6\elemskip % \def\NOTES$\vnotes 5.2\elemskip % % %\check \normal \def\testseq$% \def\nspace$\vnotes 0.2\elemskip\sk\enotes% % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \def\barfill$\leaders\hbox$ --\hfill% \def\octsup#1#2$\zcharnote$#1$\hbox to #2\noteskip $\llap$\rm 8\barfill \vrule width \z@ height 3pt depth 3pt% %\check \def\octfin#1#2$\zcharnote$#1$\hbox to #2\noteskip$\llap$\rm 8\barfill --\vrule width \lthick height 3pt depth 3pt% \def\octline#1$\zcharnote$#1$\line$\llap$\rm 8\barfill \vrule width \z@ height 3pt depth 3pt\hskip 20mm% %\check \def\xtuplet#1#2$\global\n@l=#1\relax\global\advance\n@l by -1\relax $\divide\noteskip by \n@l\relax\zcharnote$#2$\kern\n@l\noteskip\hbox to\z@$\hss\it #1\hss% \def\triolet$\xtuplet3% %\check % \let\wlog=\@plainwlog % \def\catcodemusic$ \catcode`\&=13 \catcode`\|=13  \def\nocatcodemusic$ \catcode`\&=4 \catcode`\|=12  \nocatcodemusic \newenvironment$music$\catcodemusic$\nocatcodemusic %-% End of musictex.sty From BROUARD%FRINED51.BITNET@CUNYVM.CUNY.EDU Tue Dec 10 11:20:39 1991 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23375; Tue, 10 Dec 91 11:20:39 CST Received: from cunyvm.cuny.edu by thor.acc.stolaf.edu; Tue, 10 Dec 91 11:19:55 -0600 Message-Id: <9112101719.AA26017@thor.acc.stolaf.edu> Received: from FRINED51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6116; Tue, 10 Dec 91 12:13:06 EST Date: 10 DEC 91 18:13:11.20-GMT From: BROUARD%FRINED51.bitnet@CUNYVM.CUNY.EDU Subject: musictex.sty 3/3 To: MUTEX@stolaf.edu From: BERTI::"root@sauvy" 10-DEC-1991 18:09:29.16 To: barsac::brouard CC: Subj: Mail 3 Makefile and other files to build musictex.sty Makefile premusic.tex posmusic.tex premupln.tex Do make all As musictex 4.31 does no more load fonts already loaded by plain or lplain, musictex.sty can be built by simple concatenation of files. But there is still a problem with musicpln.tex which uses font eightbf (is it really necessary?) not loaded by standard latex, this is the reason for premupln.tex. 1) Having just get the latest version of musictex.tar.Z, I noticed that Daniel made some of my suggestions. In particular for the .mf, but as someone pointed it out on this list, the two lines input local and input modes have to be erased (they were not in the version I sent to Daniel) if your mf.bases is correctly done. I can send you the latest modes.mf if someone wants it. 2) As you probably know there is no more circle10.tfm but lcircle10 abbreviated to lcircle1 on dos. I know that it is a problem, but things going on and we have to update our fmt, pk, tfm, and macros. Sorry. I made the changes in the version I sent to Daniel, but they are still in the old fashion... 3) I think that the directories could be rearranged. I changed tex to inputs (because of latex). But the most important thing consist in the distinction between doc and examples. I also put notice.ps in the root directory. Every one should have ghostscript (gs is available on dos, unix and vms) to preview or print the basic documentation in Postscript. I made a very bad -30 0 translate in notice.ps as the new notice.dvi is right shifted. 4)Most important pks should also be included (100,118 for screen, 240 for epson, and 300 for laser). At the end of this message is my ls -lR as it will be organized on the GUTenberg RS6000 tex tape. Nicolas Brouard ========Makefile========= LIB =/usr/local/lib/tex/inputs LAPARTS = premusic.tex musicnft.tex musictex.tex posmusic.tex LAPLNPARTS= premupln.tex musicpln.tex musictex.tex posmusic.tex TEXPARTS = musicnft.tex musicpln.tex musictex.tex musicvbm.tex musicadd.tex all: musictex.sty musicpln.sty $(TEXPARTS) install: all install -c -m 444 musicnft.tex $(LIB) install -c -m 444 musictex.tex $(LIB) install -c -m 444 musicpln.tex $(LIB) install -c -m 444 musicvbm.tex $(LIB) install -c -m 444 musicadd.tex $(LIB) install -c -m 444 musictex.sty $(LIB) install -c -m 444 musicpln.sty $(LIB) musictex.sty: cat $(LAPARTS) \ | cat -s > musictex.sty musicpln.sty: cat $(LAPLNPARTS) \ | cat -s > musicpln.sty =====end of Makefile========= ======premusic.tex======== %-% Musictex.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. ======end of premusic.tex ======= =====posmusic.tex========== % posmusic.tex Version 0.1 decembre 1991 N. Brouard \def\catcodemusic$ \catcode`\&=13 \catcode`\|=13  \def\nocatcodemusic$ \catcode`\&=4 \catcode`\|=12  \nocatcodemusic \newenvironment$music$\catcodemusic$\nocatcodemusic %-% End of musictex.sty =====end of posmusic.tex======== =====premupln.tex========= %-% Musicpln.sty version 0.1 of December, 10 1991 %-% Updates to version 4.31 November 1991 of plain musictex %-% Musictex.sty version 0.0 of 5, November 1991 %-% It is a first attempt to make musictex running by LaTeX %-% We defined an environment named music to change the catcodes %-% of the vertical bar and the ampersand for musictex. %-% We used TeX command instead of LaTeX command inside of music. %-% It needs a rather big \Tex$, but emTeX compiler on PCs does the trip %-% for small music arrays. It works better on work stations. %-% Nicolas Brouard %-% With this file you need extra fonts. If extrafonts are %-% are not available then use \documenstyle[musicpln]$article %-% %-% In both cas you can add the option file bigmusic.sty which %-% enlarges LaTeX page to a big size (A4). %-% \documentstyle[musicpln,bigmusic]$article %-% %-% Here is an example: %-% \documentstyle[musictex]$article %-% \begin$document %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$music %-% %-% Latex blabla %-% %-% \begin$music %-%\def\nbinstruments$1\relax %-%\generalmeter$\meterfrac$4$4\relax %-%\debutmorceau %-%\normal %-%\zglu\Notes\rlap$\hu j\ql h\enotes %-%\temps\Notes\hl g\enotes %-%\temps\Notes\hu k\enotes %-%\temps\Notes\ql f\enotes %-%\suspmorceau %-% \end$document %-% %-% Building Musictex.sty %-% %-% Two files are required to build musictex.sty from %-% the plain distribution, premusic.tex and posmusic.\TeX$. %-% Then musictex.sty is %-% the concatenation of premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex %-% On unix: %-% cat premusic.tex musicfnt.tex musictex.tex posmusic.tex >musictex.sty %-% On dos: %-% copy premusic.tex+musicfnt.tex+musictex.tex+posmusic.tex musictex.sty %-% If you don't have the fonts use: %-% On unix: %-% cat premusic.tex musicpln.tex musictex.tex posmusic.tex >musicpln.sty %-% On dos: %-% copy premusic.tex+musicpln.tex+musictex.tex+posmusic.tex musicpln.sty %-% You also need the option file bigmusic.sty. %\font\eightbf=\fonthdg mbx8 \font\eightbf=cmbx8 =====end of premupln.tex===== ==== start of ls -lR of musictex =========== total 372 -rw-r--r-- 1 root ined 361 Dec 10 17:10 ALIRE -rw-r--r-- 1 root ined 0 Dec 10 17:09 Version4.31 drwxr-sr-x 2 root ined 1024 Dec 10 17:07 doc drwxr-sr-x 2 root ined 2048 Dec 10 16:44 examples drwxr-sr-x 2 root ined 512 Dec 10 17:25 inputs drwxr-sr-x 2 root ined 512 Dec 10 16:45 karlmusic drwxr-sr-x 2 root ined 2560 Dec 10 15:37 mf -rw-r--r-- 1 root ined 344628 Dec 10 16:59 notice.ps drwxr-sr-x 6 root ined 512 Dec 10 15:33 pk drwxr-sr-x 2 brouard ined 512 Dec 10 15:34 tfm musictex/doc: total 204 -rw-r--r-- 1 root ined 5276 Oct 23 10:25 creation.tex -rw------- 1 root ined 6499 Dec 10 16:40 dblecols.tex -rw-r--r-- 1 root ined 37003 Oct 23 10:25 gutenb90.tex -rw-r--r-- 1 root ined 7367 Dec 10 15:38 latex-mu.tex -rw-r--r-- 1 root ined 11663 Dec 10 16:49 marcellx.tex -rw------- 1 root ined 69203 Dec 10 16:37 notice.tex -rw-r--r-- 1 root ined 52168 Oct 23 10:26 old-notice.tex -rw-r--r-- 1 root ined 5198 Dec 10 16:48 praetorx.tex musictex/examples: total 908 -rw-r--r-- 1 108 110 1988 Nov 29 17:36 accordeo.tex -rw-r--r-- 1 108 110 13264 Nov 29 17:36 accordex.tex -rw-r--r-- 1 108 110 16406 Nov 29 17:36 adagio.tex -rw-r--r-- 1 108 110 1707 Nov 29 17:36 affconc.tex -rw-r--r-- 1 108 110 1739 Nov 29 17:36 amourspe.tex -rw-r--r-- 1 108 110 7733 Nov 29 17:36 amourspx.tex -rw-r--r-- 1 108 110 761 Nov 29 17:36 angescam.tex -rw-r--r-- 1 108 110 755 Nov 29 17:36 angescao.tex -rw-r--r-- 1 108 110 12648 Nov 29 17:36 angescax.tex -rw-r--r-- 1 108 110 1527 Nov 29 17:36 campra.tex -rw-r--r-- 1 108 110 1705 Nov 29 17:36 car_rest.tex -rw-r--r-- 1 108 110 44511 Nov 29 17:36 carillon.tex -rw-r--r-- 1 108 110 159 Nov 29 17:36 chardim.tex -rw-r--r-- 1 108 110 1891 Nov 29 17:36 choral.tex -rw-r--r-- 1 108 110 21011 Nov 29 17:36 chorala.tex -rw-r--r-- 1 108 110 6726 Nov 29 17:36 choralb.tex -rw-r--r-- 1 108 110 11641 Nov 29 17:36 concert.tex -rw-r--r-- 1 108 110 5276 Nov 29 17:36 creation.tex -rw-r--r-- 1 108 110 6499 Nov 29 17:36 dblecols.tex -rw-r--r-- 1 108 110 885 Nov 29 17:36 footnote.tex -rw-r--r-- 1 108 110 27013 Nov 29 17:36 fugue.tex -rw-r--r-- 1 108 110 11867 Apr 12 1991 genpctex.tex -rw-r--r-- 1 108 110 12537 Nov 29 17:36 gloriab.tex -rw-r--r-- 1 108 110 7407 Nov 29 17:36 glorias.tex -rw-r--r-- 1 108 110 17972 Oct 08 13:02 gongs.tex -rw-r--r-- 1 108 110 37390 Nov 29 17:36 gutenb90.tex -rw-r--r-- 1 108 110 17169 Apr 12 1991 gutransp.tex -rw-r--r-- 1 108 110 62 Nov 29 17:36 hadagim.tex -rw-r--r-- 1 108 110 239 Nov 29 17:36 hadagio.tex -rw-r--r-- 1 108 110 80 Nov 29 17:36 hcreatim.tex -rw-r--r-- 1 108 110 80 Nov 29 17:36 hcreatio.tex -rw-r--r-- 1 108 110 269 Nov 29 17:36 hfugue.tex -rw-r--r-- 1 108 110 1180 Nov 29 17:36 howtoget.tex -rw-r--r-- 1 108 110 255 Nov 29 17:36 hprelfug.tex -rw-r--r-- 1 108 110 216 Nov 29 17:36 hreves.tex -rw-r--r-- 1 108 110 292 Nov 29 17:36 hwidor.tex -rw-r--r-- 1 108 110 16468 Nov 29 17:36 hymnepas.tex -rw-r--r-- 1 108 110 3721 Nov 29 17:36 johannus.tex -rw-r--r-- 1 108 110 225 Nov 29 17:36 marcello.tex -rw-r--r-- 1 108 110 11663 Nov 29 17:36 marcellx.tex -rw-r--r-- 1 108 110 1361 Nov 29 17:36 moulinrg.tex -rw-r--r-- 1 108 110 12796 Nov 29 17:37 nlslides.tex -rw-r--r-- 1 108 110 69203 Nov 29 17:37 notice.tex -rw-r--r-- 1 108 110 276 Nov 29 17:37 nwidor.tex -rw-r--r-- 1 108 110 322 Nov 29 17:37 outmorc.tex -rw-r--r-- 1 108 110 795 Nov 29 17:37 outputlj.tex -rw-r--r-- 1 108 110 38433 Nov 29 17:37 pacifiq.tex -rw-r--r-- 1 108 110 38453 Nov 29 17:37 pacifiqb.tex -rw-r--r-- 1 108 110 38902 Nov 29 17:37 pacifiqn.tex -rw-r--r-- 1 108 110 38188 Nov 29 17:37 pacifiqp.tex -rw-r--r-- 1 108 110 736 Nov 29 17:37 praetori.tex -rw-r--r-- 1 108 110 736 Nov 29 17:37 praetorr.tex -rw-r--r-- 1 108 110 5198 Nov 29 17:37 praetorx.tex -rw-r--r-- 1 108 110 26624 Apr 12 1991 prelfug.tex -rw-r--r-- 1 108 110 27702 Nov 29 17:37 prelude.tex -rw-r--r-- 1 108 110 256 Nov 29 17:37 purcell.tex -rw-r--r-- 1 108 110 8244 Nov 29 17:37 purcellx.tex -rw-r--r-- 1 108 110 14096 Nov 29 17:37 recit.tex -rw-r--r-- 1 108 110 3479 Nov 29 17:37 recueil.tex -rw-r--r-- 1 108 110 20033 Nov 29 17:37 reves.tex -rw-r--r-- 1 108 110 248 Nov 29 17:37 sixi.tex -rw-r--r-- 1 108 110 230 Nov 29 17:37 sixrm.tex -rw-r--r-- 1 108 110 2967 Nov 29 17:37 souvenir.tex -rw-r--r-- 1 108 110 14003 Nov 29 17:37 souvenix.tex -rw-r--r-- 1 108 110 822 Nov 29 17:37 testchar.tex -rw-r--r-- 1 108 110 5275 Nov 29 17:37 testenue.tex -rw-r--r-- 1 108 110 14342 Nov 29 17:37 tierce.tex -rw-r--r-- 1 108 110 24451 Nov 29 17:37 tugpaper.tex -rw-r--r-- 1 108 110 16326 Nov 29 17:37 widor.tex musictex/inputs: total 280 -rw-r--r-- 1 root ined 688 Dec 10 15:50 Makefile -rw-r--r-- 1 root ined 499 Dec 10 15:50 bigmusic.sty -rw-r--r-- 1 root ined 7367 Dec 10 15:50 latex-mu.tex -rw-r--r-- 1 root ined 1659 Dec 10 15:50 musicadd.tex -rw-r--r-- 1 root ined 10359 Dec 10 15:50 musicnft.tex -rw-r--r-- 1 root ined 73679 Dec 10 15:50 musicpln.sty -rw-r--r-- 1 root ined 8860 Dec 10 15:50 musicpln.tex -rw-r--r-- 1 root ined 3648 Dec 10 15:50 musicsty.tex -rw-r--r-- 1 root ined 75129 Dec 10 15:50 musictex.sty -rw-r--r-- 1 root ined 62365 Dec 10 15:50 musictex.tex -rw-r--r-- 1 root ined 3225 Dec 10 15:50 musicvbm.tex -rw-r--r-- 1 root ined 250 Dec 10 17:25 posmusic.tex -rw-r--r-- 1 root ined 2256 Dec 10 15:50 premupln.tex -rw-r--r-- 1 root ined 2207 Dec 10 15:50 premusic.tex musictex/karlmusic: total 36 -rw------- 1 108 110 1140 Aug 19 13:32 2a.tex -rw------- 1 108 110 1233 Aug 19 13:32 2b.tex -rw------- 1 108 110 4075 Aug 19 13:32 5.tex -rw------- 1 108 110 3115 Aug 19 13:32 README -rw------- 1 108 110 4065 Aug 19 13:32 karlmusic.tex -rw------- 1 108 110 9782 Aug 19 13:32 mtex.diff -rw------- 1 108 110 3844 Aug 19 13:32 mtexfont.diff musictex/mf: total 184 -rwxr-xr-x 1 root ined 638 Dec 10 15:36 Install.sh -rwxr-xr-x 1 108 110 224 Nov 06 10:34 Makefonts -rwxr-xr-x 1 108 110 220 Nov 06 10:31 Makefonts.~1~ -rw------- 1 108 110 61 Nov 29 17:38 beamd20.mf -rw------- 1 108 110 62 Nov 29 17:38 beamn16.mf -rw------- 1 108 110 91 Nov 29 17:38 beamn20.mf -rw------- 1 108 110 2012 Nov 29 17:38 beamngen.mf -rw------- 1 108 110 61 Nov 29 17:38 beamq20.mf -rw------- 1 108 110 61 Nov 29 17:38 beamt20.mf -rw------- 1 108 110 61 Nov 29 17:38 beamv20.mf -rw------- 1 root 110 833 Dec 10 15:10 musicd16.mf -rw------- 1 108 110 831 Nov 29 17:38 musicd16.mf~ -rw------- 1 root 110 802 Dec 10 15:10 musicd20.mf -rw------- 1 108 110 1495 Nov 29 17:38 musicdef.mf -rw------- 1 108 110 41001 Nov 29 17:38 musicg16.mf -rw------- 1 108 110 37982 Nov 29 17:38 musicgen.mf -rw------- 1 108 110 152 Nov 29 17:38 musicn16.mf -rw------- 1 108 110 152 Nov 29 17:38 musicn20.mf -rw------- 1 108 110 6475 Nov 29 17:38 slur16.mf -rw------- 1 108 110 1366 Nov 29 17:38 slurdd16.mf -rw------- 1 108 110 1366 Nov 29 17:38 slurdu16.mf -rw------- 1 108 110 3511 Nov 29 17:38 slurgen.mf -rw------- 1 108 110 30 Nov 29 17:38 slurn16.mf -rw------- 1 108 110 30 Nov 29 17:38 slurn20.mf -rw------- 1 108 110 1363 Nov 29 17:38 slurud16.mf -rw------- 1 108 110 1265 Nov 29 17:38 sluruu16.mf musictex/pk: total 16 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi100 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi118 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi240 drwxr-sr-x 2 root 110 512 Dec 10 15:33 dpi300 musictex/pk/dpi100: total 60 -rw-r--r-- 1 root 110 3220 Dec 10 15:14 beamn16.100pk -rw-r--r-- 1 root 110 3472 Dec 10 15:14 beamn20.100pk -rw-r--r-- 1 root 110 3124 Dec 10 15:14 musicn16.100pk -rw-r--r-- 1 root 110 3836 Dec 10 15:14 musicn20.100pk -rw-r--r-- 1 root 110 3572 Dec 10 15:15 slur16.100pk -rw-r--r-- 1 root 110 5180 Dec 10 15:15 slurdd16.100pk -rw-r--r-- 1 root 110 5180 Dec 10 15:15 slurdu16.100pk -rw-r--r-- 1 root 110 2704 Dec 10 15:15 slurn16.100pk -rw-r--r-- 1 root 110 3220 Dec 10 15:15 slurn20.100pk -rw-r--r-- 1 root 110 5248 Dec 10 15:15 slurud16.100pk -rw-r--r-- 1 root 110 5200 Dec 10 15:16 sluruu16.100pk musictex/pk/dpi118: total 64 -rw-r--r-- 1 root 110 3788 Dec 10 15:16 beamn16.118pk -rw-r--r-- 1 root 110 3880 Dec 10 15:16 beamn20.118pk -rw-r--r-- 1 root 110 3700 Dec 10 15:16 musicn16.118pk -rw-r--r-- 1 root 110 4348 Dec 10 15:17 musicn20.118pk -rw-r--r-- 1 root 110 3948 Dec 10 15:17 slur16.118pk -rw-r--r-- 1 root 110 6008 Dec 10 15:17 slurdd16.118pk -rw-r--r-- 1 root 110 6008 Dec 10 15:17 slurdu16.118pk -rw-r--r-- 1 root 110 3064 Dec 10 15:17 slurn16.118pk -rw-r--r-- 1 root 110 3628 Dec 10 15:17 slurn20.118pk -rw-r--r-- 1 root 110 6112 Dec 10 15:18 slurud16.118pk -rw-r--r-- 1 root 110 6040 Dec 10 15:18 sluruu16.118pk musictex/pk/dpi240: total 108 -rw-r--r-- 1 root 110 6192 Dec 10 15:18 beamn16.240pk -rw-r--r-- 1 root 110 6440 Dec 10 15:18 beamn20.240pk -rw-r--r-- 1 root 110 6584 Dec 10 15:18 musicn16.240pk -rw-r--r-- 1 root 110 8360 Dec 10 15:19 musicn20.240pk -rw-r--r-- 1 root 110 6980 Dec 10 15:19 slur16.240pk -rw-r--r-- 1 root 110 11732 Dec 10 15:19 slurdd16.240pk -rw-r--r-- 1 root 110 11732 Dec 10 15:19 slurdu16.240pk -rw-r--r-- 1 root 110 5272 Dec 10 15:19 slurn16.240pk -rw-r--r-- 1 root 110 6632 Dec 10 15:19 slurn20.240pk -rw-r--r-- 1 root 110 11676 Dec 10 15:20 slurud16.240pk -rw-r--r-- 1 root 110 11540 Dec 10 15:20 sluruu16.240pk musictex/pk/dpi300: total 156 -rw-r--r-- 1 root 110 8668 Dec 10 15:20 beamn16.300pk -rw-r--r-- 1 root 110 8876 Dec 10 15:20 beamn20.300pk -rw-r--r-- 1 root 110 8888 Dec 10 15:20 musicn16.300pk -rw-r--r-- 1 root 110 11392 Dec 10 15:21 musicn20.300pk -rw-r--r-- 1 root 110 9736 Dec 10 15:21 slur16.300pk -rw-r--r-- 1 root 110 16684 Dec 10 15:21 slurdd16.300pk -rw-r--r-- 1 root 110 16684 Dec 10 15:21 slurdu16.300pk -rw-r--r-- 1 root 110 7116 Dec 10 15:22 slurn16.300pk -rw-r--r-- 1 root 110 9068 Dec 10 15:22 slurn20.300pk -rw-r--r-- 1 root 110 16560 Dec 10 15:22 slurud16.300pk -rw-r--r-- 1 root 110 16280 Dec 10 15:22 sluruu16.300pk musictex/tfm: total 44 -rw-r--r-- 1 root 110 772 Dec 10 15:20 beamn16.tfm -rw-r--r-- 1 root 110 772 Dec 10 15:20 beamn20.tfm -rw-r--r-- 1 root 110 820 Dec 10 15:20 musicn16.tfm -rw-r--r-- 1 root 110 820 Dec 10 15:21 musicn20.tfm -rw-r--r-- 1 root 110 772 Dec 10 15:21 slur16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:21 slurdd16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:21 slurdu16.tfm -rw-r--r-- 1 root 110 708 Dec 10 15:22 slurn16.tfm -rw-r--r-- 1 root 110 708 Dec 10 15:22 slurn20.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:22 slurud16.tfm -rw-r--r-- 1 root 110 724 Dec 10 15:22 sluruu16.tfm From bobb@agora.rain.com Wed Dec 11 01:01:10 1991 Return-Path: Received: from percy.rain.com by stolaf.edu (4.1/SMI-4.1) id AA00336; Wed, 11 Dec 91 01:01:10 CST Received: by percy.rain.com (/\==/\ Smail3.1.24.1 #24.2) id ; Tue, 10 Dec 91 14:56 WET Received: by agora.rain.com (/\==/\ Smail3.1.21.1 #21.6) id ; Tue, 10 Dec 91 22:59 PST Message-Id: Date: Tue, 10 Dec 91 22:59 PST From: bobb@agora.rain.com (Bob Beauchemin) To: mutex@stolaf.edu Subject: Music in books using MusicTeX Thanks for the suggestions on music in books using TeX! Received the letter and Latex macros for MusicTeX. This may be just the thing to convince my friends to typeset their book on Music by using TeX (they don't even have TeX itself yet, and I've only been using it for a few weeks). What they want to do is use music riffs as others use mathematical formulas in their books. For example: -------------------------Sample page --------------------------------------- Some narrative about musical constructs.....and here is an example of a certain musical construct: ------------------------------------------------------------------ ------------------------------------------------------------------ -----------------------Small example of music--------------------- ------------------------------------------------------------------ ------------------------------------------------------------------ as you can see by the above riff....(their point).................Next came the composer called....etc etc.. more narrative. The style files to use MusicTeX with Latex should be a BIG help! Thanks again. Bob Beauchemin S&B Software, Inc 6503 SW 46th Place Portland OR, 97221 (503)-244-5029 bobb@agora.rain.com From icking@gmdzi.gmd.de Thu Dec 12 09:06:23 1991 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA12573; Thu, 12 Dec 91 09:06:23 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.a) via EUnet for stolaf.edu id AA02852; Thu, 12 Dec 91 16:01:38 +0100 Received: by gmdzi.gmd.de id AA06861; Thu, 12 Dec 91 15:46:11 -0100 Date: Thu, 12 Dec 91 15:46:11 -0100 From: Werner Icking Message-Id: <9112121446.AA06861@gmdzi.gmd.de> To: mutex@stolaf.edu Subject: Mu(sic)TeX fonts When I installed the MusicTeX **AND** the MuTeX fonts on a Un*x system I had several problems, but I could solve them. I'm not sure whether my solution is a good solution - it works. There are Metafont sources from MuTeX: acc16.mf musicdef.mf slur16.mf slurud16.mf vio16.mf beam16.mf noten16.mf slurdd16.mf sluruu16.mf music16.mf pause16.mf slurdu16.mf sonder16.mf and from MusicTeX: beamd20.mf beamt20.mf musicd20.mf musicn20.mf slurn16.mf beamn16.mf beamv20.mf musicdef.mf slur16.mf slurn20.mf beamn20.mf local.mf musicg16.mf slurdd16.mf slurud16.mf beamngen.mf modes.mf musicgen.mf slurdu16.mf sluruu16.mf beamq20.mf musicd16.mf musicn16.mf slurgen.mf Some other netter proposed already that it is advisable to comment out the two lines in local.mf (%) and to make the mode-definition outside of these files when calling Metafont. And do not take modes.mf if you already have a "better" one. Otherwise it may be that you have to merge modes.mf of MusicTeX and modes.mf you already have. I had to keep all the sources in the same directory so I had the problem of duplicate names. My solution was to prefer the MusicTeX-definitions. But then music16 of MuTeX was unusable; the flags were too big for the eights and completely black for 16th, ... This disappeared when I changed the MuTeX music16.mf to refer to musicd16.mf instead of musicdef.mf. Now everything works well on the Un*x system (and quick on my MSDOS PC :-) Werner -- Werner Icking icking@gmdzi.gmd.de (+49 2241) 14-2443 GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin 1, Germany "Der Dativ ist dem Genitiv sein Tod." From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Fri Dec 13 08:25:42 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA19908; Fri, 13 Dec 91 08:25:42 CST Message-Id: <9112131425.AA19908@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 5289; Fri, 13 Dec 91 09:22:19 EST Date: 13 DEC 91 15:27:04.22-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MetaFONT et modes To: MUTEX@stolaf.edu (in englis because sent also to MuTeX@stolaf.edu) Everybody tells me that I should use modes.mf to generate musicTeX fonts (and every other new font) but I workd hard to find that I was not able to introduce mode in the MF command. The answer is that you have to run MF /i plain.ini where plain.ini contains "input modes.mf" (mine contained "input local.mf" and then copy into \emtex\mfbases the resuklting file "plain.bas". This is absolutely obvious for anybody, but so obvious that it is not documented in the Metafont book and that nobody told it. Now you know that I know that you did not tell me what I should know... From @UICVM.uic.edu:wagner@dcc.unicamp.ansp.br Fri Dec 13 14:26:50 1991 Return-Path: <@UICVM.uic.edu:wagner@dcc.unicamp.ansp.br> Received: from UICVM.uic.edu by stolaf.edu (4.1/SMI-4.1) id AA24138; Fri, 13 Dec 91 14:26:50 CST Received: from brfapesp.bitnet by UICVM.uic.edu (IBM VM SMTP V2R1) with BSMTP id 9091; Fri, 13 Dec 91 14:26:42 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 13 Dec 1991 18:25 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GE2F289GHO934Q3J@ccvax.unicamp.ansp.br>; Fri, 13 Dec 1991 13:57 GMT-0300 Date: Fri, 13 Dec 91 13:35:47 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Subject: availability of MuTeX and MusicTeX To: mutex@stolaf.edu Message-Id: <01GE2F289GHO934Q3J@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi there! Can anyone tell me if these packages are available thru anon. FTP? Which sites? Or else, how can I get these packs? Thank you Wagner Ikeda wagner@dcc.unicamp.ansp.br From ORLANDINI@HEAVAX.GSFC.NASA.GOV Tue Dec 17 17:45:42 1991 Return-Path: Received: from HEAVAX.GSFC.NASA.GOV by stolaf.edu (4.1/SMI-4.1) id AA27729; Tue, 17 Dec 91 17:45:42 CST Date: Tue, 17 Dec 1991 18:46:51 EST From: ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Message-Id: <911217184651.21001fab@HEAVAX.GSFC.NASA.GOV> Subject: Print of MusicTeX notice.tex on american size paper To: mutex@stolaf.edu X-Vmsmail-To: SMTP%"mutex@stolaf.edu" Is there a simple way to print the notice.tex file of the MusicTeX package on american size paper? The author wrote all the output macros for the european A4 paper, therefore I am not able to print the file. Thank you ---Mauro From vera@prodnet.la.locus.com Tue Dec 17 22:49:56 1991 Return-Path: Received: from relay2.UU.NET by stolaf.edu (4.1/SMI-4.1) id AA29185; Tue, 17 Dec 91 22:49:56 CST Received: from uunet.uu.net (via LOCALHOST.UU.NET) by relay2.UU.NET with SMTP (5.61/UUNET-internet-primary) id AA13367; Tue, 17 Dec 91 23:50:09 -0500 Received: from lcc.UUCP by uunet.uu.net with UUCP/RMAIL (queueing-rmail) id 234920.20209; Tue, 17 Dec 1991 23:49:20 EST Received: by orchard.locus.com (5.61-AIX-1.2/2.29 ) from roulette.la.locus.com with SMTP (from vera@prodnet.la.locus.com/vera@prodnet.la.locus.com) id AA25617 for cs.utexas.edu!ames!heavax.gsfc.nasa.gov!ORLANDINI; Tue, 17 Dec 91 20:44:38 -0800 Received: by prodnet.la.locus.com (5.61-AIX-1.2/0.07d) id AA265280 for mutex@stolaf.edu; Tue, 17 Dec 91 20:43:54 -0800 Date: Tue, 17 Dec 91 20:43:54 -0800 From: William Vera Message-Id: <9112180443.AA265280@prodnet.la.locus.com> To: ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128) Cc: mutex@stolaf.edu Subject: Re: Print of MusicTeX notice.tex on american size paper In-Reply-To: Message of Tue, 17 Dec 1991 18:46:51 EST from "ORLANDINI@HEAVAX.GSFC.NASA.GOV (M.Orlandini - NASA/GSFC. Tel (301) 286 1128)" <911217184651.21001fab@HEAVAX.GSFC.NASA.GOV> Fcc: ------- > Is there a simple way to print the notice.tex file of the MusicTeX package > on american size paper? The author wrote all the output macros for the > european A4 paper, therefore I am not able to print the file. > Thank you > ---Mauro Just produce a "notice.ps" file with 'dvi2ps' and change line #56 from: 310 -3005 translate % move origin to top to: 150 -3250 translate % move origin to (American) top .then just send it to the postscript printer. - William Vera Locus Computing Corp. Inglewood, CA - USA vera@locus.com From deflorio@minsky.csata.it Wed Dec 18 04:41:11 1991 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA00461; Wed, 18 Dec 91 04:41:11 CST Message-Id: <9112181041.AA00461@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA06112; Wed, 18 Dec 91 11:19:04 +0100 From: Enzo De Florio Subject: legati in MusicTeX To: mutex@stolaf.edu Date: Wed, 18 Dec 91 11:19:03 MET Mailer: Elm [revision: 66.25] Dear Sirs, I would like any idea about creating real legati signs for MusicTeX. The macros \itenu, \itenl and \ileg don't seem to me to be enough for this job. I think (and propose to you) the following: we could create some sort of "bezier style curves", (see `the METAFONTbook' for more details), specifying their points by inserting in the source lines like \zcharnote x{\firstpoint} \zcharnote x{\secondpoint} and so on, and then starting the drawing with another macro, say \legato. The main problem is that I'm not able to do that... any volunteer? Thanks for the attenction, - Vincenzo De Florio deflorio@minsky.csata.it From robin.fairbairns@lsl.co.uk Wed Dec 18 06:51:40 1991 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA00613; Wed, 18 Dec 91 06:51:40 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <16041-0@eros.uknet.ac.uk>; Wed, 18 Dec 1991 12:51:40 +0000 Received: by lsl.co.uk (MX V2.3-1) id 4521; Wed, 18 Dec 1991 12:49:35 +0100 Date: Wed, 18 Dec 1991 12:49:35 +0100 From: Robin Fairbairns To: mutex@stolaf.edu Message-Id: <009534C0.B27401C0.4521@lsl.co.uk> Subject: Re: legati in MusicTeX In article <9112181041.AA00461@stolaf.edu>, Enzo De Florio writes: > I would like any idea about creating real legati signs for MusicTeX. > The macros \itenu, \itenl and \ileg don't seem to me to be enough for > this job. I agree. However, Daniel Taupin's announcement of the latest MusicTeX did mention that he was thinking about improving ties and legati. The earlier MuTeX did the job better, but Daniel lost the German work in his development of multi-staff music. > I think (and propose to you) the following: > we could create some sort of "bezier style curves", (see `the METAFONTbook' > for more details), specifying their points by inserting in the source > lines like > \zcharnote x{\firstpoint} > \zcharnote x{\secondpoint} > and so on, and then starting the drawing with another macro, say \legato. > The main problem is that I'm not able to do that... any volunteer? I don't think that one can in fact do the job as simply as you suggest. I can see two possible routes to do the job: 1) Retrieve the MuTeX work. Advantage: known working, general solution; Daniel's already working on it. Disadvantage: there was probably a reason that the MuTeX capability was lost in the first place, so Daniel's work on it will presumably take some time... 2) Using PostScript functions. Advantage: I think I can see how to do it (at least excepting over line breaks... ;-). Disadvantage: yukky way of doing the job (like the languages I used to use in the 60s that enabled you to drop into assembler for anything difficult); not a general solution (only works for those, like me, who print on a PostScript printer). In fact, I proposed a more general PostScript-based crescendo/ decrescendo sign to Daniel some time back. He didn't explicitly respond, but the next version of MusicTeX he released contained the present expanded range of such signs (done in Metafont, which I _still_ don't like, but _still_ haven't got round to replacing...). One presumes, therefore, that he doesn't like PostScript solutions: not unreasonable, since the evidence of his (one-time) device-specific Metafont code was that he didn't have a PostScript printer. -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Wed Dec 18 10:03:36 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA01299; Wed, 18 Dec 91 10:03:36 CST Message-Id: <9112181603.AA01299@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 9130; Wed, 18 Dec 91 10:59:54 EST Date: 18 DEC 91 16:58:36.03-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: Slurs = legati = tenuti = Bogen = ties = tenues To: MUTEX@stolaf.edu Please, don't shoot the pianist, his is doing his best. I'm conscious this is an serious aesthetic problem. But extremely difficult in the general case, because it is impossible to find the horizontal distance between two notes when there is glue interleaved bu TeX inbetween. Ad if I inhibit glue when a slur is pending, then things will get awfully ugly. So, what I shall provide will be a facility of having short range slurs and ties (of the same order as the beam lengths). And, in case of emergency, you can still use zcharnote to set some character where you like: \font\slurx=slurn20 \zcharnote r¤\slurx\char 117‡ D. Taupin .. All the possible is done, the impossible is being done, for miracles I ask for some delay. From @UICVM.uic.edu:wagner@dcc.unicamp.ansp.br Fri Dec 20 08:52:03 1991 Return-Path: <@UICVM.uic.edu:wagner@dcc.unicamp.ansp.br> Received: from UICVM.uic.edu by stolaf.edu (4.1/SMI-4.1) id AA19848; Fri, 20 Dec 91 08:52:03 CST Received: from brfapesp.bitnet by UICVM.uic.edu (IBM VM SMTP V2R1) with BSMTP id 8669; Fri, 20 Dec 91 08:51:50 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 20 Dec 1991 12:50 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br>; Fri, 20 Dec 1991 12:36 GMT-0300 Date: Thu, 19 Dec 91 17:59:44 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Subject: I can't get mutex (help please) To: mutex@stolaf.edu Message-Id: <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Our internet connection always had some problems. Now due to an overload in the line, ftp services are no longer available. I don't know any ftp server (thru mail) that can distribute mutex. Can someone contact me if you do know. And as a last hope (if there's no ftp server supporting mutex), is there anyone who can send me thru mail (tar+compress+uuencode+split). Please are there any volunteers? If you decide to help me, first please ask me if nobody had the job yet, OK? I'm so sorry if I offend someone. Thanks for any help and for reading this, Wagner Ikeda wagner@dcc.unicamp.ansp.br From piet@cs.ruu.nl Fri Dec 20 09:40:18 1991 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA21531; Fri, 20 Dec 91 09:40:18 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA12947; Fri, 20 Dec 91 16:39:50 +0100 Received: by alchemy.cs.ruu.nl (15.11/15.6) id AA19702; Fri, 20 Dec 91 16:40:01 -0100 Date: Fri, 20 Dec 91 16:40:01 -0100 From: Piet van Oostrum Message-Id: <9112201540.AA19702@alchemy.cs.ruu.nl> To: wagner%dcc.unicamp.ansp.br@UICVM.uic.edu (Wagner Ikeda) Cc: mutex@stolaf.edu Subject: Re: I can't get mutex (help please) References: <01GEC4B8RME295N58W@ccvax.unicamp.ansp.br> We have both MuTeX (the German one) and musictex (the French one) available by mail server. Note: musictex.tar.Z and musictex.zip contain about the same info (except that musictex.zip contains gf files that you don't need and musictex.tar.Z contain Karl Berry's macros). Please choose one of them. MuTeXfonts.tar.Z contains pk files that you can generate yourself if you have Metafont. How to get musictex.tar.Z, musictex.zip, MuTeX.tar.Z and MuTeXfonts.tar.Z from the archive at Dept. of Computer Science, Utrecht University: NOTE: In the following I have assumed your mail address is john@highbrow.edu. Of course you must substitute your own address for this. This should be a valid internet or uucp address. For bitnet users name@host.BITNET usually works. by FTP: (please restrict access to weekends or evening/night (i.e. between about 20.00 and 0900 UTC). ftp archive.cs.ruu.nl [131.211.80.5] user name: anonymous or ftp password: your own email address (e.g. john@highbrow.edu) Don't forget to set binary mode if the file is a tar/arc/zoo archive, compressed or in any other way contains binary data. get TEX/musictex.tar.Z get TEX/musictex.zip get TEX/MuTeX.tar.Z get TEX/MuTeXfonts.tar.Z by mail-server: send the following message to mail-server@cs.ruu.nl (or uunet!mcsun!hp4nl!ruuinf!mail-server): begin path john@highbrow.edu (PLEASE SUBSTITUTE *YOUR* ADDRESS) send TEX/musictex.tar.Z send TEX/musictex.zip send TEX/MuTeX.tar.Z send TEX/MuTeXfonts.tar.Z end NOTE: *** PLEASE USE VALID INTERNET ADDRESSES IF POSSIBLE. DO NOT USE ADDRESSES WITH ! and @ MIXED !!!! BITNETTERS USE USER@HOST.BITNET *** The path command can be deleted if we receive a valid from address in your message. If this is the first time you use our mail server, we suggest you first issue the request: send HELP -- Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Sun Dec 22 11:51:11 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA26629; Sun, 22 Dec 91 11:51:11 CST Message-Id: <9112221751.AA26629@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8756; Sun, 22 Dec 91 12:51:12 EST Date: 22 DEC 91 18:52:54.90-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MusicTeX fonts : a little bug To: MUTEX@stolaf.edu The quarter rest (= soupir = Viertelpause) becomes incorrect at little sizes in the musicn20 and musicn16 fonts. This happens in musicn16 and also in musicn20 scaled 800 and probably smaller. This is due to a "strange path" not diagnosed by metafont. So look in musicgen.mf, character 62: the penpos7 shoul have an angle of 45 degrees instead of 10. Corrected fonts will be posted in a few days... From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Mon Dec 23 09:39:20 1991 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA28078; Mon, 23 Dec 91 09:39:20 CST Message-Id: <9112231539.AA28078@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 6583; Mon, 23 Dec 91 10:39:21 EST Date: 23 DEC 91 16:41:01.67-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: MusicTeX fonts corrected To: MUTEX@stolaf.edu Slight corrections in musictex.tex, examples and fonts now posted at rsovax.ups.circe.fr (130.84.128.100) Note the .ups. between "rsovax" and "circe.fr". The old name will work for a while but not in s\ae cula s\ae culorum... (the rest not either...) From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 16:55:30 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA05916; Thu, 26 Dec 91 16:55:30 CST Message-Id: <9112262255.AA05916@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8342; Thu, 26 Dec 91 17:55:21 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0069; Thu, 26 Dec 91 23:14:04 MDT Date: Thu, 26 Dec 91 23:13:26 MDT From: Petr Novotny Subject: Problems with MusicTeX fonts To: MusicTeX discussion list Hello everybody! I was just making fonts for MusicTeX when I got this error message: >This is METAFONT, Version 2.0 [3a] (preloaded base=plain 91.12.23) 26 DEC 1991 >**&plain \mode=lqlores; mag=1; input musicn16 >(\emtex\mfinput\musicn16.mf (\emtex\mfinput\musicd16.mf >(\emtex\mfinput\modes.mf) (\emtex\mfinput\local.mf)) >(\emtex\mfinput\musicgen.mf [16] [17] [18] [19] [20] [21] [22] [23] [24] >[25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] >[40] [41] [42] [43] [44] [45] [46] [47] [48] [49] [50] [51] [52] [53] [54] >[55] [56] [57] [58] [59] [60] [61] [62] [63] [64] [65] [66] [67] [68] [69] >[70] [71] [72] [73] [74] [75] [76] [77] [78] [79] [80] [81] [82] [83] [84] >[85] [86] [87] [88] [89] [90] [91] [92] [93] [94] [95] [96] [97] [98] [99] >[100] [101] [102] [103] [104] [105] [106] [107] [108] [109] > > 0 ESE 1 SSE 2 SSW WSW 4 (WNW NNW NNE) ENE NNE 5 NNW 6 7 (WNW WSW) SSW 0 (SSE >! Strange path (turning number is zero). > > ; >flagshape->...)+2]e{down}..intersectionp); > else:penstrike(counterclock... >cflag->...,flagthick,flagthin,0,0,(EXPR0)) > ; >l.1184 cflag(1) > ; >The path doesn't have a counterclockwise orientation, >so I'll probably have trouble drawing it. >(See Chapter 27 of The METAFONTbook for more help.) > >[110] [111] [112] [113] [114] [115] [116] [117] [118] [119] [120] [121] >[122] [123] [124] [125] [126]) ) >(some charht values had to be adjusted by as much as 0.65002pt) >Font metrics written on musicn16.tfm. >Output written on musicn16.180gf (111 characters, 10964 bytes). What does it mean? I've tried to change the angle 10 to 45 in MUSICGEN.MF, but it didn't help. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 18:51:51 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA06053; Thu, 26 Dec 91 18:51:51 CST Message-Id: <9112270051.AA06053@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8679; Thu, 26 Dec 91 19:51:41 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0449; Fri, 27 Dec 91 01:44:51 MDT Date: Fri, 27 Dec 91 01:44:15 MDT From: Petr Novotny Subject: Problems with MusicTeX fonts To: MusicTeX discussion list Hello everybody! I was just making fonts for MusicTeX when I got this error message: >This is METAFONT, Version 2.0 [3a] (preloaded base=plain 91.12.23) 26 DEC 1991 >**&plain \mode=lqlores; mag=1; input musicn16 >(\emtex\mfinput\musicn16.mf (\emtex\mfinput\musicd16.mf >(\emtex\mfinput\modes.mf) (\emtex\mfinput\local.mf)) >(\emtex\mfinput\musicgen.mf [16] [17] [18] [19] [20] [21] [22] [23] [24] >[25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] >[40] [41] [42] [43] [44] [45] [46] [47] [48] [49] [50] [51] [52] [53] [54] >[55] [56] [57] [58] [59] [60] [61] [62] [63] [64] [65] [66] [67] [68] [69] >[70] [71] [72] [73] [74] [75] [76] [77] [78] [79] [80] [81] [82] [83] [84] >[85] [86] [87] [88] [89] [90] [91] [92] [93] [94] [95] [96] [97] [98] [99] >[100] [101] [102] [103] [104] [105] [106] [107] [108] [109] > > 0 ESE 1 SSE 2 SSW WSW 4 (WNW NNW NNE) ENE NNE 5 NNW 6 7 (WNW WSW) SSW 0 (SSE >! Strange path (turning number is zero). > > ; >flagshape->...)+2]e{down}..intersectionp); > else:penstrike(counterclock... >cflag->...,flagthick,flagthin,0,0,(EXPR0)) > ; >l.1184 cflag(1) > ; >The path doesn't have a counterclockwise orientation, >so I'll probably have trouble drawing it. >(See Chapter 27 of The METAFONTbook for more help.) > >[110] [111] [112] [113] [114] [115] [116] [117] [118] [119] [120] [121] >[122] [123] [124] [125] [126]) ) >(some charht values had to be adjusted by as much as 0.65002pt) >Font metrics written on musicn16.tfm. >Output written on musicn16.180gf (111 characters, 10964 bytes). What does it mean? I've tried to change the angle 10 to 45 in MUSICGEN.MF, but it didn't help. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET Thu Dec 26 18:53:06 1991 Return-Path: <@CUNYVM.CUNY.EDU:KOZUSKO@CSEARN.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA06063; Thu, 26 Dec 91 18:53:06 CST Message-Id: <9112270053.AA06063@stolaf.edu> Received: from earn.puni.cs by CUNYVM.CUNY.EDU (IBM VM SMTP V2R1) with BSMTP id 8693; Thu, 26 Dec 91 19:52:59 EST Received: from CSEARN (KOZUSKO) by earn.puni.cs (Mailer R2.07) with BSMTP id 0459; Fri, 27 Dec 91 01:54:02 MDT Date: Fri, 27 Dec 91 01:51:21 MDT From: Petr Novotny Subject: Sorry To: MusicTeX discussion list It seems that system here got a bit lost and sent my file to the list again instead of receiving it. I'm very sorry. +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ Petr Novotny BITNET: KOZUSKO@CSEARN Prague Tel (voice): (42-2) 8550778 Czechoslovakia "Naur an edraith ammen! Naur dan i ngaurhoth!" +--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--+ From @CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET Thu Jan 2 10:50:14 1992 Return-Path: <@CUNYVM.CUNY.EDU:TAUPIN@FRUPS51.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA28247; Thu, 2 Jan 92 10:50:14 CST Message-Id: <9201021650.AA28247@stolaf.edu> Received: from FRUPS51.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with BSMTP id 7858; Thu, 02 Jan 92 11:50:12 EST Date: 2 JAN 92 17:52:07.46-GMT From: TAUPIN%FRUPS51.bitnet@CUNYVM.CUNY.EDU Subject: rsovax.circe.fr To: MUTEX@stolaf.edu On vient de changer la liaison SNA-link a 9600 morceaux par seconde et de la remplacer par une fibre optique. Ceux qui veulent acceder aux version originales de MusicTeX, de FTAx, etc. sont invites a tester, et me dire si c'est plus rapide... et si ca marche. The SNA-link between rsovax.circe.fr (now rsovax.ups.circe.fr) has been replaced with a brand new optic fiber link. The throughput is thus no more limited to 9600 bits/sec but or the order of 30kbytes/second. Please try it and tell me whether it works, and whether it is faster. Thanks and happy new year... D. Taupin From dgold@basso.actrix.gen.nz Mon Jan 6 21:14:47 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA01555; Mon, 6 Jan 92 21:14:47 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Tue, 7 Jan 1992 16:14:26 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Tue, 7 Jan 92 03:48:55 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005lv; Tue, 7 Jan 92 15:39:52 PST Date: Tue, 7 Jan 92 15:39:52 PST Message-Id: <9201072339.AA005lv@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: MusicTeX beam problems Hi, As you'll see, I've just started using MusicTeX, and I'm having a bit of trouble understanding how to put beams on notes correctly. I need a 16th note attached to a dotted 8th, but after endless experiments, instead of: O O . |_ | |___| I'm getting something like this: | O O . |_ | |_|_| That is, the 16th note beam has got an extra little stem linking it to the 8th note beam, and there's a mysterious little bit of stem (or something) hanging in space above the 1st note head. Here's the code I used to get this: \Notes\ibbu0j0\ibl0j0\tbbu0\qb0j\tbl0\qbp0j\enotes I'm still finding the descriptions of these things in Notice.tex puzzling, and wonder if anyone can tell me where I'm going wrong. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 7 03:38:36 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA03105; Tue, 7 Jan 92 03:38:36 CST Message-Id: <9201070938.AA03105@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8036; Tue, 07 Jan 92 04:37:46 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 9062; Tue, 07 Jan 92 04:37:45 EST Date: 7 JAN 92 10:40:40.33-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: solution to beam problems from new zealand To: MUTEX@stolaf.edu \input musicnft \input musictex \input musicvbm \input musicsty \centerline¤\enorme 16th + pointed 8th notes‡\bigskip \def\nbinstruments¤1‡ \debutextrait \normal \kern 5pt \notes\ibbl0j0\rlap¤\qsk\tbbl0‡\qb0j\enotes \NOTes\tbl0\qbp0j\enotes \temps \notes\ibbu0j0\rlap¤\qsk\tbbu0‡\qh0j\enotes \NOTes\tbu0\qhp0j\enotes \finextrait \bye From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 7 04:17:08 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA03507; Tue, 7 Jan 92 04:17:08 CST Message-Id: <9201071017.AA03507@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8091; Tue, 07 Jan 92 05:16:19 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 9194; Tue, 07 Jan 92 05:16:18 EST Date: 7 JAN 92 11:18:56.38-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: (correction to beam problem from NZ) (again) To: MUTEX@stolaf.edu \input musicnft \input musictex \input musicvbm \input musicsty Note: in this text, I replaced the left and right braces with <(> and <)> since they are damaged by the mutex@stola list server. \centerline<(>\enorme 16th + pointed 8th notes<)>\bigskip \def\nbinstruments<(>1<)> \debutextrait \normal \kern 5pt \notes\ibbl0j0\rlap<(>\qsk\tbbl0<)>\qb0j\enotes \NOTes\tbl0\qbp0j\enotes \temps \notes\ibbu0j0\rlap<(>\qsk\tbbu0<)>\qh0j\enotes \NOTes\tbu0\qhp0j\enotes \finextrait \bye From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Fri Jan 10 14:46:38 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA20028; Fri, 10 Jan 92 14:46:38 CST Message-Id: <9201102046.AA20028@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 2012; Thu, 09 Jan 92 13:00:56 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 6941; Thu, 09 Jan 92 13:00:55 EST Date: 9 JAN 92 19:00:41.95-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: Musictex (with faster Opt. Fiber link...) To: MUTEX@stolaf.edu New version 4.40 of MusicTeX available by ftp anonymous at 130.84.128.100 (rsovax.ups.circe.fr) New: notice.tex more comprehensive and corrected. - for LaTeX users : musictex.sty (thanks to N. Brouard) - better control of vertical space between instruments/staffs Further projects: small notes, nicer ties. Daniel TAUPIN, Bat. 510, 91405 ORSAY (France) From dgold@basso.actrix.gen.nz Fri Jan 10 14:49:33 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA20240; Fri, 10 Jan 92 14:49:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 10 Jan 1992 15:41:51 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Fri, 10 Jan 92 03:27:28 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005s5; Fri, 10 Jan 92 15:18:03 PST Date: Fri, 10 Jan 92 15:18:03 PST Message-Id: <9201102318.AA005s5@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Re: (correction to beam problem from NZ) Thank you Daniel for your clever solution to my 16th & pointed 8th note question. It's something that never would have occured to me. I still haven't quite figured out *why* it works, but I'll use it happily until I do. I think that part of my confusion was due to an error in NOTICE.TEX. The example code for a beamed 8th and 16th in my printed version doesn't actually produce the figure shown in the illustration! (I hope the line number is right - I had to add few lines of my own to get the pages to fit on my HP Deskjet printer) % notice.tex line 968: \\notes\\ibl0p0\\ql0p\\tbbl0\\tbl0\\qb0e\\enotes should be: \\notes\\ibu0e0\\qh0e\\tbbu0\\tbu0\\qh0e\\enotes shouldn't it? Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Sat Jan 11 13:49:42 1992 Return-Path: Received: from thor.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA28738; Sat, 11 Jan 92 13:49:42 CST Received: from MITVMA.MIT.EDU by thor.acc.stolaf.edu; Fri, 10 Jan 92 16:59:10 -0600 Message-Id: <9201102259.AA26407@thor.acc.stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 0262; Fri, 10 Jan 92 17:58:36 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2046; Fri, 10 Jan 92 17:58:34 EST Date: 11 JAN 92 00:01:17.12-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: MUTEX@stolaf.edu Date: see below From: dgold@basso.actrix.gen.nz 10-JAN-1992 23:38:35.58 To: mutex@stolaf.edu CC: Subj: Re: (correction to beam problem from NZ) Message date : Fri, 10 Jan 92 15:18:03 PST HELO CUNYVM.BITNET TICK 5755 MAIL FROM: RCPT TO: DATA Received: from CUNYVM by CUNYVM.BITNET (Mailer R2.08) with BSMTP id 5755; Fri, 10 Jan 92 17:16:09 EST Received: from stolaf.edu by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with TCP; Fri, 10 Jan 92 17:16:08 EST Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA20240; Fri, 10 Jan 92 14:49:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 10 Jan 1992 15:41:51 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Fri, 10 Jan 92 03:27:28 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA005s5; Fri, 10 Jan 92 15:18:03 PST Message-Id: <9201102318.AA005s5@basso.actrix.gen.nz> Thank you Daniel for your clever solution to my 16th & pointed 8th note question. It's something that never would have occured to me. I still haven't quite figured out *why* it works, but I'll use it happily until I do. I think that part of my confusion was due to an error in NOTICE.TEX. The example code for a beamed 8th and 16th in my printed version doesn't actually produce the figure shown in the illustration! (I hope the line number is right - I had to add few lines of my own to get the pages to fit on my HP Deskjet printer) % notice.tex line 968: \\notes\\ibl0p0\\ql0p\\tbbl0\\tbl0\\qb0e\\enotes should be: \\notes\\ibu0e0\\qh0e\\tbbu0\\tbu0\\qh0e\\enotes shouldn't it? Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From deflorio@minsky.csata.it Mon Jan 13 06:17:59 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA07492; Mon, 13 Jan 92 06:17:59 CST Message-Id: <9201131217.AA07492@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA06802; Mon, 13 Jan 92 13:17:24 +0100 From: Vincenzo De Florio Subject: a very naive question. To: mutex@stolaf.edu Date: Mon, 13 Jan 92 13:17:22 MET Mailer: Elm [revision: 66.25] Dear Sirs, I beg your pardon for this naive question about musicTeX. Very often, writing a musical score with musicTeX---that I think is fantastic and powerful---I would like that two or more consecutive mesures don't stretch from each other, because they're logically tied. What I would like is to know how can I specify a "\barre" instruction so that there won't be inserted any glue (am I speaking right? I hope it!) between the two "\notes" instructions in which "\barre" appears. Thanks a lot for your attenction, and again excuse me for silly questions---as you can see, I'm not a TeXpert. - Vincenzo De Florio From @mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET Mon Jan 13 11:48:32 1992 Return-Path: <@mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA09952; Mon, 13 Jan 92 11:48:32 CST Message-Id: <9201131748.AA09952@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 7964; Mon, 13 Jan 92 09:51:04 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 1573; Mon, 13 Jan 92 09:51:03 EST Date: 13 JAN 92 15:54:03.78-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: MUTEX@stolaf.edu Date: see below From: myriam@geocub.greco-prog.fr 13-JAN-1992 15:52:51.77 To: MUTEX@stolaf.edu CC: "TAUPIN%FRUPS51.BITNET@mitvma.mit.edu" Subj: Re: Musictex (with faster Opt. Fiber link...) Message date : Mon, 13 Jan 92 15:31:26 EST HELO MITVMA.MIT.EDU TICK 0967 MAIL FROM: RCPT TO: DATA Received: from MITVMA by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 0967; Mon, 13 Jan 92 09:35:06 EST Received: from corton.inria.fr by mitvma.mit.edu (IBM VM SMTP V2R2) with TCP; Mon, 13 Jan 92 09:34:38 EST Received: from geocub.greco-prog.fr by corton.inria.fr (5.65c8d/91.12.15) via Fnet-EUnet id AA25001; Mon, 13 Jan 1992 15:33:45 +0100 (MET) Received: by geocub.greco-prog.fr, Mon, 13 Jan 92 15:31:26 EST Message-Id: <9201131431.AA00439@geocub.greco-prog.fr> q From cypress!cypress.com!rbv@decwrl.dec.com Mon Jan 13 18:31:58 1992 Return-Path: Received: from uucp-gw-1.pa.dec.com by stolaf.edu (4.1/SMI-4.1) id AA15533; Mon, 13 Jan 92 18:31:58 CST Received: by uucp-gw-1.pa.dec.com; id AA04763; Mon, 13 Jan 92 16:24:56 -0800 Received: from siberia. by cypress.com (4.1/SMI-4.1) id AA12257; Mon, 13 Jan 92 15:16:06 PST Received: by siberia. (4.0/SMI-4.0) id AA22651; Mon, 13 Jan 92 15:12:54 PST Date: Mon, 13 Jan 92 15:12:54 PST From: rbv@cypress.com (Roger Vanderveen) Message-Id: <9201132312.AA22651@siberia.> To: mutex@stolaf.edu Subject: Documentation I have not been able to get any documentation for MusicTeX. I don't have FTP access and obtained the package from cs.ruu.nl, but that package did not contain much instruction. Would someone please mail a manual to me or tell me where I can get it via mail server? And if it's long, please offer to send it first, before I get several copies. Thanks much, Roger From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Tue Jan 14 07:18:54 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA19134; Tue, 14 Jan 92 07:18:54 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 0627; Tue, 14 Jan 92 07:17:46 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Tue, 14 Jan 1992 11:02 -0200(C) Received: from dcc.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFAYD4ATU89BVZG3@ccvax.unicamp.ansp.br>; Tue, 14 Jan 1992 11:04 GMT-0300 Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA21004; Tue, 14 Jan 92 10:43:40 EDT Date: Tue, 14 Jan 92 10:42:54 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: Documentation In-Reply-To: Roger Vanderveen's message of Mon, 13 Jan 92 15:12:54 PST <9201132312.AA22651@siberia.> To: rbv@cypress.com Cc: mutex@stolaf.edu Message-Id: <01GFAYD4ATU89BVZG3@ccvax.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Mr. Vanderveen, I saw you used the dec gateway to send your message. Do you know that there is a ftp server running in decwrl.dec.com that makes ftp in anywhere it can reach and sends you the stuff thru mail, in uuencode + split fashion? If you did not, try send a message to ftpmail@decwrl.dec.com with help as message body. Then you can try, perhaps get the latest version of Musictex which Mr. Taupin announced recently. (I'm sorry I am not sure if host rsovax.ups.circe.fr can be reached from decwrl. I'm not sure also if you can find what you are looking for in the latest version, I did not see yet and my version is also from cs.ruu.nl). Well, I hope this message was useful. ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From cypress!cypress.com!rbv@decwrl.dec.com Sun Jan 19 09:24:03 1992 Return-Path: Received: from uucp-gw-1.pa.dec.com by stolaf.edu (4.1/SMI-4.1) id AA17443; Sun, 19 Jan 92 09:24:03 CST Received: by uucp-gw-1.pa.dec.com; id AA07442; Sun, 19 Jan 92 01:54:58 -0800 Received: from siberia. by cypress.com (4.1/SMI-4.1) id AA13478; Fri, 17 Jan 92 20:30:11 PST Received: by siberia. (4.0/SMI-4.0) id AA08561; Fri, 17 Jan 92 20:26:57 PST Date: Fri, 17 Jan 92 20:26:57 PST From: rbv@cypress.com (Roger Vanderveen) Message-Id: <9201180426.AA08561@siberia.> To: mutex@stolaf.edu Subject: Problem with a beam Can anyone tell me why the first beam in the following file is being shifted to the left relative to its two notes? \nopagenumbers \vsize=6in \input musicnft \input musictex \def\nbinstruments{1} \nbporteesi=2 \cleftoksi={{6}{0}{0}{0}} \generalsignature1 \generalmeter{\meterC} \computewidths\debutmorceau \normal % \leftrepeatsymbol % Wish that I was \Notes \wh G | \clp i \enotes \Notes | \ccl k \enotes \Notes | \ql k \enotes \Notes | \ql k \enotes \barre % \Notes \hu J | \ql l \enotes \Notes | \ql l \enotes \Notes \hu G | \ibl0k{-3} \qb0k \enotes \Notes | \tbl0 \qb0i \enotes \Notes | \qu g \enotes \barre % \Notes \hu E | \qu g \enotes \Notes | \zqu g \ibu0g0 \enotes \Notes | \qh0 g \enotes \Notes \hu D | \qh0 h \enotes \Notes | \tqh0 g \enotes \Notes | \qu h \enotes \barre \end From dgold@basso.actrix.gen.nz Tue Jan 21 19:20:15 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA25691; Tue, 21 Jan 92 19:20:15 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Wed, 22 Jan 1992 14:20:07 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Wed, 22 Jan 92 01:57:24 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006a3; Wed, 22 Jan 92 13:32:18 PST Date: Wed, 22 Jan 92 13:32:18 PST Message-Id: <9201222132.AA006a3@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Re: Problem with a beam rbv@cypress.com (Roger Vanderveen) asked: > Can anyone tell me why the first beam in the following file is being > shifted to the left relative to its two notes? > \Notes \hu G | \ibl0k{-3} \qb0k \enotes > \Notes | \tbl0 \qb0i \enotes > \Notes | \qu g \enotes > \barre I found that taking out a few spaces fixed it: \Notes \hu G | \ibl0k{-3}\qb0k\enotes \Notes | \tbl0\qb0i\enotes But I like the way this code looks with the |'s aligned. It would be much easier to identify the different parts quickly, but can anyone tell me if this style of notation might lead to any other problems? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Fri Jan 24 19:39:24 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA23387; Fri, 24 Jan 92 19:39:24 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 3882; Fri, 24 Jan 92 19:38:22 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Fri, 24 Jan 1992 19:08 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFPEASRS0G91VTTE@ccvax.unicamp.ansp.br>; Fri, 24 Jan 1992 19:11 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA22016; Fri, 24 Jan 92 19:02:22 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA01452; Fri, 24 Jan 92 19:08:45 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02077; Fri, 24 Jan 92 19:08:46 EDT Date: Fri, 24 Jan 92 19:08:45 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: how can I set paper dimensions for musictex? To: mutex@stolaf.edu Message-Id: <9201242108.AA01452@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm sorry I do know that this is not the first time this question is asked. How can I get musictex output that fits OK in my paper (11.5 x 8 inches). The output gets to left and down, losting some information. I remember that there was suggested to use dvi2ps and then print it, but here only teachers can use our postscript printer. Thanks, ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From dgold@basso.actrix.gen.nz Sat Jan 25 18:22:21 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00286; Sat, 25 Jan 92 18:22:21 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 26 Jan 1992 13:22:11 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 26 Jan 92 00:54:18 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006fv; Sun, 26 Jan 92 12:52:26 PST Date: Sun, 26 Jan 92 12:52:26 PST Message-Id: <9201262052.AA006fv@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Complex rhythms and barlines I've just come across a problem in some music I'm arranging. There is a passage where the two staves have different meters for a short time: Treble: 6/8 | 5/8 Bass: 5/8 | 3/4 (the | just indicates the barline) Does anyone know how to do this so that a non-aligned barline can be created which will not be joined between the two staves, with things continuing normally after that? Also, is it possible just to have bar numbers appearing in the first bar of each line?? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From icking@gmdzi.gmd.de Mon Jan 27 04:13:37 1992 Return-Path: Received: from mail.Germany.EU.net (unido.Germany.EU.net) by stolaf.edu (4.1/SMI-4.1) id AA10906; Mon, 27 Jan 92 04:13:37 CST Received: from gmdzi.gmd.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA29207; Mon, 27 Jan 92 09:55:54 +0100 Received: by gmdzi.gmd.de id AA12939; Mon, 27 Jan 92 09:58:08 -0100 Date: Mon, 27 Jan 92 09:58:08 -0100 From: Werner Icking Message-Id: <9201270858.AA12939@gmdzi.gmd.de> To: mutex@stolaf.edu, wagner@dcc.unicamp.ansp.br Subject: Re: how can I set paper dimensions for musictex? Wagner Ikeda writes: >[...] How can I get musictex output that fits OK in my paper (11.5 x >8 inches). The output gets to left and down, losting some information. >I remember that there was suggested to use dvi2ps and then print it, >but here only teachers can use our postscript printer. Comment out following lines (18-19) from musictex.tex - as D. Taupin will do in the next release: % procedures speciales D. taupin \hsize 16cm \vsize 24cm Now you may set \hsize and \vsize as you (and your paper) like it. The same lines can be found in musictex.sty (l. 354)) and should be removed, too. Werner From dgold@basso.actrix.gen.nz Mon Jan 27 06:32:05 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA11536; Mon, 27 Jan 92 06:32:05 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Tue, 28 Jan 1992 01:31:57 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Mon, 27 Jan 92 13:08:02 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006h5; Tue, 28 Jan 92 01:12:12 PST Date: Tue, 28 Jan 92 01:12:12 PST Message-Id: <9201280912.AA006h5@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex@stolaf.edu Subject: Beams across bar lines Is this possible? For instance, the last 8th note (croche) of a bar with a beam connecting it to the first 8th note of the next bar. I always seem to get breaks in the beam especially when the time signature changes between the bars. It would seem to be possible but I can't find a way... Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From piet@cs.ruu.nl Mon Jan 27 08:28:39 1992 Return-Path: Received: from ruuinf.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA12464; Mon, 27 Jan 92 08:28:39 CST Received: from gnu.cs.ruu.nl by ruuinf.cs.ruu.nl with SMTP (5.61+/IDA-1.2.8) id AA20339; Mon, 27 Jan 92 15:26:43 +0100 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA20046; Mon, 27 Jan 92 15:28:35 +0100 Date: Mon, 27 Jan 92 15:28:35 +0100 From: Piet van Oostrum Message-Id: <9201271428.AA20046@alchemy.cs.ruu.nl> To: mutex@stolaf.edu Subject: Real slurs I have been looking into the code for slurs in MuTeX (the original german thing) and I think it should be possible to do something similar in musictex. Their solution is to connect two pieces of the slur from the slurfonts together. If the slur is large the pieces are connected by a rule. The last one should give the opportunity to make the thing stretchable (although I have not been able to get it really streched out, I don't know why). Daniel says in his doc that he prefers the ``ugly'' method becaus it works with glue, but I think the large MuTeX slurs should work the same way. Maybe the user should just have the choice which one to use. I have not enough insight in the musictex internals to try to code this. Has anybody made an attempt? Regards, Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Tue Jan 28 05:53:07 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA01389; Tue, 28 Jan 92 05:53:07 CST Message-Id: <9201281153.AA01389@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 5221; Tue, 28 Jan 92 06:53:32 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2579; Tue, 28 Jan 92 06:53:32 EST Date: 28 JAN 92 12:56:04.15-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: MusicTeX To: MUTEX@stolaf.edu Some remnants of old version have been corrected. No file in MusicTeX invokes a dead file (musicmus) or a local file (genpctex). BUUUUUUUUUUUUUUUUUUUUUUT PAY ATTENTION : Take the version from the genuine server: 130.84.128 100 or make sure that the archies are up to date. (26 jan 92) From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Wed Jan 29 16:14:38 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA27534; Wed, 29 Jan 92 16:14:38 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 3480; Wed, 29 Jan 92 16:14:38 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Wed, 29 Jan 1992 20:10 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFWFRBA6SG8WW0J0@ccvax.unicamp.ansp.br>; Wed, 29 Jan 1992 20:09 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA04037; Wed, 29 Jan 92 19:59:52 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA20588; Wed, 29 Jan 92 20:06:16 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA29398; Wed, 29 Jan 92 20:06:17 EDT Date: Wed, 29 Jan 92 20:06:16 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX / full orchestra score To: mutex Message-Id: <9201292206.AA20588@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, Two questions: 1) Can anyone please name a large TeX implementation, which is cited in musictex's notice? I run musictex with no memory problems on SunOS, but I tried once in MSDOS (with PCTEX) and it aborted due to memory overflow. 2) Is anyone out there trying to use musictex to typeset large scores (I mean more than 10 instruments)? Thanks. ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From deflorio@minsky.csata.it Thu Jan 30 02:47:25 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA05227; Thu, 30 Jan 92 02:47:25 CST Message-Id: <9201300847.AA05227@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA04714; Mon, 27 Jan 92 15:41:43 +0100 From: Vincenzo De Florio Subject: Re: large TeX / full orchestra score To: mutex Date: Mon, 27 Jan 92 15:41:42 MET Cc: mutex@stolaf.edu In-Reply-To: <9201292206.AA20588@dcc.unicamp.ansp.br>; from "Wagner Ikeda" at Jan 29, 92 8:06 pm Mailer: Elm [revision: 66.25] I presently use emTeX, a beautiful implementation of TeX for PC. It is probably the biggest and more complete implementation of TeX for the PC; you can have it freely doing FTP to various sites, for example cs.ruu.nl (in Europe), in the directory TEX/emtex if I remember right. It consists among the other things of two executable code for tex: TEX.EXE and BTEX.EXE. This last is the so-called BigTeX, that performs more slowly than the first, but with a bigger capacity. I've recently ftp'ed the beta test version of TEX386.EXE, again from emTeX. It has the advantages of both previous implementations, and I found it very very good. We, TeX users, owe much to Eberhard Mattes, the german friend who created emTeX. For what concerns the second question, sorry, at present I've used MusicTeX with at most three instruments. Hope this could help, - Vincenzo De Florio deflorio@minsky.csata.it From @CUNYVM.CUNY.EDU:JCF@DGAIPP1S.BITNET Thu Jan 30 02:54:16 1992 Return-Path: <@CUNYVM.CUNY.EDU:JCF@DGAIPP1S.BITNET> Received: from CUNYVM.CUNY.EDU by stolaf.edu (4.1/SMI-4.1) id AA05455; Thu, 30 Jan 92 02:54:16 CST Message-Id: <9201300854.AA05455@stolaf.edu> Received: from DGAIPP1S.BITNET by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with BSMTP id 6807; Thu, 30 Jan 92 03:54:02 EST Received: by DGAIPP1S (Mailer R2.08) id 0024; Thu, 30 Jan 92 07:32:54 EST Date: Thu, 30 Jan 92 07:26:49 EST From: Christoph Fuchs Subject: Re: large TeX To: mutex > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. Some time ago I tried to run musicTeX on a PC (386SX, 1MB RAM) with DR-DOS 5 and emTeX and it worked, but I had to set some line breaks by hand. +--------------------+------------------------------------------------+ |J. Christoph Fuchs | Bitnet: jcf@dgaipp1s | | | Internet: jcf@ibma.ipp-garching.mpg.de | | | Voice: +49 89 3299 1730 | | | Fax: +49 89 3299 2580 | | | Mail: Max-Planck-Institut f. Plasmaphysik| | | Boltzmannstrasse | | | W-8046 Garching b. Muenchen | | | Germany | +--------------------+------------------------------------------------+ Acknowledge-To: From dgold@basso.actrix.gen.nz Thu Jan 30 05:20:28 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA06885; Thu, 30 Jan 92 05:20:28 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 31 Jan 1992 00:20:16 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Thu, 30 Jan 92 11:42:49 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006jl; Thu, 30 Jan 92 23:30:48 PST Date: Thu, 30 Jan 92 23:30:48 PST Message-Id: <9201310730.AA006jl@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Real slurs Piet van Oostrum wrote: > I have been looking into the code for slurs in MuTeX (the original german > thing) and I think it should be possible to do something similar in > musictex. Their solution is to connect two pieces of the slur from the > slurfonts together. If the slur is large the pieces are connected by a > rule. [...] I don't understand how slurs and ties work in relation to glue yet, but I've been meaning to ask about Daniel's statement in notice.tex that he feels that "it is the only way of implementing *in one pass* ties & slurs which run across glue". I've used flavours of TeX which need to do second and third passes to take care of indexes, etc. Does this imply that MusicTeX might one day be able to do a 2nd pass which would make more elaborate slurs possible once all the glue has been set, and the lines and pages established? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 07:12:29 1992 Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA07754; Thu, 30 Jan 92 07:12:29 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6052; Thu, 30 Jan 92 07:12:30 CST Return-Path: Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 11:11 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXB46HA408WW19D@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 11:07 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA14106; Thu, 30 Jan 92 10:56:55 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28229; Thu, 30 Jan 92 11:03:20 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02402; Thu, 30 Jan 92 11:03:19 EDT Date: Thu, 30 Jan 92 10:50:31 -0100 From: Werner Icking Subject: [icking@gmdzi.gmd.de: Re: large TeX / full orchestra score] Subject: Re: large TeX / full orchestra score To: mutex To: mutex Message-Id: <9201301303.AA28229@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm forwarding one answer that I received regarding large bigTeX. Thanks to: Frank Holzwarth (suggested using pctex: >I.e. if you fire up your PCTeX you will not have all the memory it >could manage. To achieve this just add two switches to your call: >/f=xxxxx and /m=yyyyy ) Christoph Fuchs Vincenzo De Florio for replies. --begin included message-- Selber Hi, >Hi, > >Two questions: but only one answer: >1) Can anyone please name a large TeX implementation, which is cited >in musictex's notice? > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. I have no problems with emTeX (Eberhardt Mattes TeX) and the esp. bigTeX. But in the meantime I use the betatest version of emTeX's tex386. emTeX is free and available at most TeX-servers all over the world. > >2) Is anyone out there trying to use musictex to typeset large scores >(I mean more than 10 instruments)? Not me. > >Thanks. Hope this hilft. Feel free to send this info to the list. I didn't do it to avoid multiple postings on the same issue. Werner ---------------------------------------------------------------------------- ============================================================================== README.ENG (emTeX DISTRIBUTION) VERSION: 25.09.1990 ============================================================================== With modifications of 18.03.1991 [...] ------------------------------------------------------------------------------ How do I get emTeX? ------------------------------------------------------------------------------ - You can get emTeX at some University computing centers. - Ask your friends, etc. - Ask your local TeX users group. - Anonymous ftp: rusmv1.rus.uni-stuttgart.de [129.69.1.12] soft/tex/machines/pc/emtex ymir.claremont.edu [134.173.4.23] [anonymous.tex.ibm_pc.emtex] archive.cs.ruu.nl [131.211.80.5] TEX/emtex utsun.s.u-tokyo.ac.jp [133.11.11.11] TeX/emtex ponder.csci.unt.edu [129.120.3.16] pub/TeX/EmTeX - Mail server: mail-server@cs.ruu.nl texserver@uk.ac.tex (UK) texserver@tex.ac.uk (outside UK) - Ask the one from whom you got this text. As this text is distributed by the author only with the complete emTeX, you should be able to trace back this text to a complete emTeX. - If there is no other way to get emTeX (which is impossible, as proved above), you can try to send formatted diskettes in sufficient number (5.25 inch, 1.2 MB, high density or 3.5 inch, 1.44 MB, high density; see above; include a spare diskette), return postage, and a suitable self-addressed package, to the author (see below). Also indicate the fonts desired (i.e. printer type and resolution). You can save the author from unpleasant work by using MFjob (which comes with emTeX) for generating fonts. Shipping at your risk. You also run the risk of having your address given to (a few) other people in your vicinity who want a copy of emTeX. ------------------------------------------------------------------------------ The author ------------------------------------------------------------------------------ Address: Eberhard Mattes Teckstrasse 81 (Teckstra\ss e) D-7141 Moeglingen (M\"oglingen) Federal Republic of Germany Questions only by mail! No telephone calls please! Please inclose a self-addressed return package with postage if you expect a response. Electronic mail (subject to sudden change): Internet: mattes@azu.informatik.uni-stuttgart.de [...] ------------------------------------------------------------------------------ ============================================================================== EMTEX386.DOC [3c-beta3] 11-Jun-1991 ============================================================================== This is the 3rd BETA TEST release of emTeX/386 (using emx 0.7l). Don't expect a perfect package or miracles. There will be enough unexpected miracles. ------------------------------------------------------------------------------ System Requirements ------------------------------------------------------------------------------ - CPU: 80386DX, 80386SX, or i486; *no* coprocessor required - Memory: 512KB minimum, 3MB recommended - Machine: as COMPAQ or IBM compatible as possible - Operating system: MS-DOS / PC-DOS 3.0 or later (OS/2 not supported) - VDISK.SYS supported (version 3.3 and later) - DPMI *not* supported yet (does not run under Windows 3.0) - EMS emulators using VCPI are supported - DESQview-386 is supported, but only with QEMM-386 (see notes) - XMS (himem.sys 2.06 or later) is supported - Hard disk, floppy disk, ... as required for emTeX [... :-] - Due to lazyness and lack of time, this document is available only in English(!) - The newest version of emTeX/386 is available for anonymous ftp on rusmv1.rus.uni-stuttgart.de [129.69.1.12] in the directory /soft/tex/machines/pc/emtex/betatest - Report problems to mattes@azu.informatik.uni-stuttgart.de [...] From @mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET Thu Jan 30 07:36:26 1992 Return-Path: <@mitvma.mit.edu:UPSORSAY@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA08374; Thu, 30 Jan 92 07:36:26 CST Message-Id: <9201301336.AA08374@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 8507; Thu, 30 Jan 92 08:36:49 EST Received: from FRUPS51.BITNET (MAILPOOL) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 8769; Thu, 30 Jan 92 08:36:47 EST Date: 30 JAN 92 14:39:03.95-GMT From: UPSORSAY%FRUPS51.BITNET@mitvma.mit.edu Subject: BITNET mail from UPSORSAY at FRUPS51 To: mutex Date: see below From: icking%gmdzi.gmd.de@UICVM.UIC.EDU 30-JAN-1992 14:38:18.20 To: mutex CC: Subj: [icking@gmdzi.gmd.de: Re: large TeX / full orchestra score] Message date : Thu, 30 Jan 92 10:50:31 -0100 HELO CORNELLC TICK 2807 MAIL FROM: RCPT TO: DATA Received: from CORNELLC by CORNELLC (Mailer R2.08A) with BSMTP id 2807; Thu, 30 Jan 92 08:34:11 EST Received: from stolaf.edu by CORNELLC.cit.cornell.edu (IBM VM SMTP V2R2) with TCP; Thu, 30 Jan 92 08:34:08 EST Received: by stolaf.edu (4.1/SMI-4.1) id AA07906; Thu, 30 Jan 92 07:14:58 CST Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA07754; Thu, 30 Jan 92 07:12:29 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6052; Thu, 30 Jan 92 07:12:30 CST Return-Path: Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 11:11 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXB46HA408WW19D@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 11:07 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA14106; Thu, 30 Jan 92 10:56:55 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28229; Thu, 30 Jan 92 11:03:20 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA02402; Thu, 30 Jan 92 11:03:19 EDT Subject: Re: large TeX / full orchestra score To: mutex Message-Id: <9201301303.AA28229@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, I'm forwarding one answer that I received regarding large bigTeX. Thanks to: Frank Holzwarth (suggested using pctex: >I.e. if you fire up your PCTeX you will not have all the memory it >could manage. To achieve this just add two switches to your call: >/f=xxxxx and /m=yyyyy ) Christoph Fuchs Vincenzo De Florio for replies. --begin included message-- Selber Hi, >Hi, > >Two questions: but only one answer: >1) Can anyone please name a large TeX implementation, which is cited >in musictex's notice? > I run musictex with no memory problems on SunOS, but I tried once > in MSDOS (with PCTEX) and it aborted due to memory overflow. I have no problems with emTeX (Eberhardt Mattes TeX) and the esp. bigTeX. But in the meantime I use the betatest version of emTeX's tex386. emTeX is free and available at most TeX-servers all over the world. > >2) Is anyone out there trying to use musictex to typeset large scores >(I mean more than 10 instruments)? Not me. > >Thanks. Hope this hilft. Feel free to send this info to the list. I didn't do it to avoid multiple postings on the same issue. Werner ---------------------------------------------------------------------------- ============================================================================== README.ENG (emTeX DISTRIBUTION) VERSION: 25.09.1990 ============================================================================== With modifications of 18.03.1991 [...] ------------------------------------------------------------------------------ How do I get emTeX? ------------------------------------------------------------------------------ - You can get emTeX at some University computing centers. - Ask your friends, etc. - Ask your local TeX users group. - Anonymous ftp: rusmv1.rus.uni-stuttgart.de [129.69.1.12] soft/tex/machines/pc/emtex ymir.claremont.edu [134.173.4.23] [anonymous.tex.ibm_pc.emtex] archive.cs.ruu.nl [131.211.80.5] TEX/emtex utsun.s.u-tokyo.ac.jp [133.11.11.11] TeX/emtex ponder.csci.unt.edu [129.120.3.16] pub/TeX/EmTeX - Mail server: mail-server@cs.ruu.nl texserver@uk.ac.tex (UK) texserver@tex.ac.uk (outside UK) - Ask the one from whom you got this text. As this text is distributed by the author only with the complete emTeX, you should be able to trace back this text to a complete emTeX. - If there is no other way to get emTeX (which is impossible, as proved above), you can try to send formatted diskettes in sufficient number (5.25 inch, 1.2 MB, high density or 3.5 inch, 1.44 MB, high density; see above; include a spare diskette), return postage, and a suitable self-addressed package, to the author (see below). Also indicate the fonts desired (i.e. printer type and resolution). You can save the author from unpleasant work by using MFjob (which comes with emTeX) for generating fonts. Shipping at your risk. You also run the risk of having your address given to (a few) other people in your vicinity who want a copy of emTeX. ------------------------------------------------------------------------------ The author ------------------------------------------------------------------------------ Address: Eberhard Mattes Teckstrasse 81 (Teckstra\ss e) D-7141 Moeglingen (M\"oglingen) Federal Republic of Germany Questions only by mail! No telephone calls please! Please inclose a self-addressed return package with postage if you expect a response. Electronic mail (subject to sudden change): Internet: mattes@azu.informatik.uni-stuttgart.de [...] ------------------------------------------------------------------------------ ============================================================================== EMTEX386.DOC [3c-beta3] 11-Jun-1991 ============================================================================== This is the 3rd BETA TEST release of emTeX/386 (using emx 0.7l). Don't expect a perfect package or miracles. There will be enough unexpected miracles. ------------------------------------------------------------------------------ System Requirements ------------------------------------------------------------------------------ - CPU: 80386DX, 80386SX, or i486; *no* coprocessor required - Memory: 512KB minimum, 3MB recommended - Machine: as COMPAQ or IBM compatible as possible - Operating system: MS-DOS / PC-DOS 3.0 or later (OS/2 not supported) - VDISK.SYS supported (version 3.3 and later) - DPMI *not* supported yet (does not run under Windows 3.0) - EMS emulators using VCPI are supported - DESQview-386 is supported, but only with QEMM-386 (see notes) - XMS (himem.sys 2.06 or later) is supported - Hard disk, floppy disk, ... as required for emTeX [... :-] - Due to lazyness and lack of time, this document is available only in English(!) - The newest version of emTeX/386 is available for anonymous ftp on rusmv1.rus.uni-stuttgart.de [129.69.1.12] in the directory /soft/tex/machines/pc/emtex/betatest - Report problems to mattes@azu.informatik.uni-stuttgart.de [...] From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 08:56:27 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA09378; Thu, 30 Jan 92 08:56:27 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6395; Thu, 30 Jan 92 08:56:29 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 12:48 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXAKTCALS8WW1Z7@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 10:51 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA13762; Thu, 30 Jan 92 10:41:15 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28037; Thu, 30 Jan 92 10:47:39 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA01852; Thu, 30 Jan 92 10:47:39 EDT Date: Thu, 30 Jan 92 10:47:39 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX In-Reply-To: Christoph Fuchs's message of Thu, 30 Jan 92 07:26:49 EST <9201300854.AA05455@stolaf.edu> To: mutex Cc: mutex@stolaf.edu Message-Id: <9201301247.AA28037@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Thank you, Wagner Ikeda From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Thu Jan 30 08:56:45 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA09408; Thu, 30 Jan 92 08:56:45 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6396; Thu, 30 Jan 92 08:56:46 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Thu, 30 Jan 1992 12:48 -0200(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GFXAOGSSZ48WW2AM@ccvax.unicamp.ansp.br>; Thu, 30 Jan 1992 10:54 GMT-0200 Received: from dcc.unicamp.ansp.br (dcc1-gw) by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA13861; Thu, 30 Jan 92 10:44:31 EDT Received: from marumbi.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA28113; Thu, 30 Jan 92 10:50:55 EDT Received: by marumbi.unicamp.ansp.br (4.1/SMI-4.1) id AA01891; Thu, 30 Jan 92 10:50:54 EDT Date: Thu, 30 Jan 92 10:50:55 EDT From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: large TeX / full orchestra score In-Reply-To: Vincenzo De Florio's message of Mon, 27 Jan 92 15:41:42 MET <9201300847.AA05227@stolaf.edu> To: mutex Cc: mutex@stolaf.edu, mutex@stolaf.edu Message-Id: <9201301250.AA28113@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Thank you for your advice, Wagner Ikeda From dgold@basso.actrix.gen.nz Fri Jan 31 18:44:43 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00666; Fri, 31 Jan 92 18:44:43 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sat, 1 Feb 1992 13:44:26 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 1 Feb 92 01:11:57 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006m9; Sat, 1 Feb 92 12:52:11 PST Date: Sat, 1 Feb 92 12:52:11 PST Message-Id: <9202012052.AA006m9@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: FAQ file I've been thinking about the FAQ file, and here are some questions that seem useful to me, and maybe the beginning of an answer to another one that seems popular. Questions: 1. Where's the glue? it's not clear to me when to use or not use \temps or just what it really does. 2. When and why do you really need to put \relax at the end of a line? (I guess it prevents the dreaded spaces at the end of lines, and it does seem to allow more readable code with things like: \notes\foo& \foobar& \blah\enotes but I'm not sure why it appears in the demos after lines like: \tracingstats=1\relax 3. What are the advantages or disadvantages of using ^ instead of \sh? Is one more flexible, or is it just a matter of typing style? 4. To my eye, the accidentals are a bit too close to the notes, and the \lsh variations have too much space for general use. Can I define my own spacing for accidentals, or will this cause trouble with the glue and spacing of everything else? A tip: It *is* explained in notice.tex, but it wasn't clear to me at first that running BigTeX is not the 1st thing to try when you get `TeX capacity exceeded' errors in large scores. Using \autolines or specifying line breaks with \alaligne, etc, means that TeX doesn't have to try and keep all the details of the entire piece in memory at once. (or something like that...) Has anyone got any more ideas? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From newton Sun Feb 2 10:15:37 1992 Return-Path: Received: from asgaard.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA09576; Sun, 2 Feb 92 10:15:37 CST Date: Sun, 2 Feb 92 10:15:37 CST From: newton (Dale E. Newton) Message-Id: <9202021615.AA09576@stolaf.edu> Received: by asgaard.acc.stolaf.edu (4.1/SMI-4.1) id AA02216; Sun, 2 Feb 92 10:15:35 CST To: mutex Subject: SMUSTeX? Has anyone heard of the following uility? -- ------------ Article: 3942 of comp.sys.amiga.applications ------------ From: kzyx@vax5.cit.cornell.edu Newsgroups: comp.sys.amiga.applications Subject: Re: MusicTeX Date: 26 Jan 92 17:38:28 GMT Article-I.D.: vax5.1992Jan26.123828.10139 Organization: Cornell University What about SMUS2TeX, did anyone get it to work? The archive I found seems to be missing somes files. This package is nice because one could use DMCS as the front end. Save the file as SMUS, and use this program to convert to MusicTeX format. Regards Edval Santos esantos@macdlab.ee.cornell.edu From GLETTY@vmd.cso.uiuc.edu Wed Feb 5 13:40:06 1992 Return-Path: Received: from vmd.cso.uiuc.edu by stolaf.edu (4.1/SMI-4.1) id AA17641; Wed, 5 Feb 92 13:40:06 CST Message-Id: <9202051940.AA17641@stolaf.edu> Received: from VMD.CSO.UIUC.EDU by vmd.cso.uiuc.edu (IBM VM SMTP V2R1) with BSMTP id 7023; Wed, 05 Feb 92 13:39:09 CST Received: by UIUCVMD (Mailer R2.07) id 3196; Wed, 05 Feb 92 13:39:07 CST Date: 5 Feb 1992 1337 CST From: "Bruce E. Gletty" To: mutex Subject: Lost Mail Here is a piece of mail that consists of two pieces of mail joined together somehow. I am sending it on to all people mentioned in the headers. I am not sending it on to any list servers. Do not reply to this, the mail will come to me. Use forward to send it to the person you wish. Note - I don't know how the mail gets fused together. I just find it stuck in hold on RSCS's reader. I suspect that someone is leaving an smtp connection 'open' and other mail gets tacked onto it that way. All of the fused mail I have seen has had one of two sites as the originator of the first mail - utoronto and uiowa Its likely IBM's implementation of SMTP is doing something odd when it gets this situation. ---<<< Original note follows >>>---------------------- Received: by ugw.utcs.utoronto.ca id <23430>; Sat, 25 Jan 1992 19:58:34 -0500 To: mutex From: The UTCS Post Office Subject: Unresolvable mail address Cc: The Postmaster Message-Id: <92Jan25.195834est.23430@ugw.utcs.utoronto.ca> Date: Sat, 25 Jan 1992 19:24:58 -0500 Your message has been received by the University of Toronto Computing Services Postal System. A copy of it has been returned to you because one or more of the addresses you specified in the following message were not recognized as addresses that can be reached from this gateway. error: unresolvable: LNS@WELL.SF.CA ------- Original Message follows ------- rcvdfrom GRIN1.Bitnet with SMTP from to Date: Sat, 25 Jan 92 18:12:48 cdt From: "Me! (Shaw,Tara A)" To: mutex Subject: hi sorry I didn't write yesterday -- I forgot. things are fine here. There's a rollerskating party tonight in the Harris concert hall. They rented 200 pairs of rollerskates and people will get half hour turns. Julia and I were going to bring our rollerblades but apparently 200 is the largest amount of skates the hall can hold so we'll have to take a turn with everyone else. I went to the doctor yesterday but apparently I only have a cold. Oh ya and today I talked to a rugby player about insurance - because you have to have medical insurance and I wasn't sure Kaiser is good out here. She said she has east coast Kaiser and its fine. It pays for things as long as you contact them first. Is this true for me? If so how would I use it if I need to? Indoor practice for rugby starts Thursday - just to get in shape talk to you later love Tara Return-path: dgold@basso.actrix.gen.nz Received: from stolaf.edu (nic.stolaf.edu) by vx.acs.umn.edu; Sat, 25 Jan 92 19:01 CST Received: by stolaf.edu (4.1/SMI-4.1) id AA00427; Sat, 25 Jan 92 18:23:40 CST Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA00286; Sat, 25 Jan 92 18:22:21 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 26 Jan 1992 13:22:11 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 26 Jan 92 00:54:18 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006fv; Sun, 26 Jan 92 12:52:26 PST Date: Sun, 26 Jan 92 12:52:26 PST From: dgold@basso.actrix.gen.nz Subject: Complex rhythms and barlines To: mutex Message-id: <9201262052.AA006fv@basso.actrix.gen.nz> X-Envelope-to: taupin@FRUPS51.BITNET I've just come across a problem in some music I'm arranging. There is a passage where the two staves have different meters for a short time: Treble: 6/8 | 5/8 Bass: 5/8 | 3/4 (the | just indicates the barline) Does anyone know how to do this so that a non-aligned barline can be created which will not be joined between the two staves, with things continuing normally after that? Also, is it possible just to have bar numbers appearing in the first bar of each line?? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Feb 6 17:01:22 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA10125; Thu, 6 Feb 92 17:01:22 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Fri, 7 Feb 1992 12:01:10 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Thu, 6 Feb 92 23:36:40 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA006x7; Fri, 7 Feb 92 10:35:23 PST Date: Fri, 7 Feb 92 10:35:23 PST Message-Id: <9202071835.AA006x7@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: SMUSTeX? newton@stolaf.edu (Dale Newton) asked: > Has anyone heard of the following uility? -- > >> What about SMUS2TeX, did anyone get it to work? Smus2tex is supposed to convert Amiga SMUS files to MusicTeX format. It was written by Glenn Lewis (glewis@pcocd2.intel.com) on a Unix machine, but he thinks it should compile easily on an Amiga. He became tired of the project, and has placed it in the Public Domain if anyone else would like to continue with it. hadig@cip-s01.informatik.rwth-aachen.de (Thomas Hadig) has just informed me that: > If you are interested in the source code of smus2tex, you can find it via > ftp on amaru.informatik.rwth-aachen.de ( 137.226.112.31) in the directory > pub/amiga/usenet/ (lzh-packed). On the subject of Amigas - my son is writing me a mouse-driven front end for entering MusicTeX code. If there are any Amiga users on the mailing list, we'd be interested in hearing from them in email. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From lingnau@math.uni-frankfurt.de Tue Feb 18 11:34:42 1992 Return-Path: Received: from gauss.math.uni-frankfurt.de ([141.2.90.1]) by stolaf.edu (4.1/SMI-4.1) id AA21370; Tue, 18 Feb 92 11:34:42 CST Received: by gauss.math.uni-frankfurt.de (AIX 3.1/UCB 5.61/Math. V1.04) id AA17997; Tue, 18 Feb 92 18:34:11 +0100 Message-Id: <9202181734.AA17997@gauss.math.uni-frankfurt.de> To: mutex Subject: Triplets, anyone? Date: Tue, 18 Feb 92 18:34:10 +0100 From: Anselm Lingnau I couldn't find anything in the NOTICE on this: how do you do triplets? I suppose I might code up an appropriate slur and position the 3 by hand, but has anybody got code to do this automatically? Thanks a lot, Anselm. -- Anselm Lingnau, Buchenweg 1, 6239 Eppstein| You see things, and you say `Why?' lingnau@math.uni-frankfurt.de Germany| But I dream things that never were, University of Frankfurt, CompSci and Maths| and say `Why not?' --- G. B. Shaw From dgold@basso.actrix.gen.nz Fri Feb 21 18:04:58 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA03476; Fri, 21 Feb 92 18:04:58 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sat, 22 Feb 1992 13:03:39 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 22 Feb 92 00:59:22 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007rl; Sat, 22 Feb 92 12:43:12 PST Date: Sat, 22 Feb 92 12:43:12 PST Message-Id: <9202222043.AA007rl@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Cc: lingnau@math.uni-frankfurt.de Subject: Re: Triplets, anyone? > how do you do triplets? That sounds like a good question for the FAQ list! It's already in musictex.tex, but without the `slur' you wanted. \xtuplet is the routine that puts a number under your beam, and the line: \def\triolet{\xtuplet3}% will provide you with a number under or over your beam and it could be adapted for sextuplets or anything else. This will make you a nice triplet: \Notes\ibl0j0\triolet M\qb0{jk}\tbl0\qb0j\enotes While looking for this, I also noticed a shortcut for terminating beams which I hadn't noticed in notice.tex: \Notes\ibl0j0\triolet M\qb0{jk}\tqb0j\enotes ^^^^^ Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Sat Feb 22 16:40:33 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA17449; Sat, 22 Feb 92 16:40:33 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Sun, 23 Feb 1992 11:40:07 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sat, 22 Feb 92 23:23:24 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007u1; Sun, 23 Feb 92 11:16:53 PST Date: Sun, 23 Feb 92 11:16:53 PST Message-Id: <9202231916.AA007u1@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Adjusting vertical position of rests Hi, I'm working on an orchestral score which has many bars in 6/8 with this pattern: \notes\ibu0c0\qh0c\ds\tbu0\qh0c\enotes (8th note - 8th rest - 8th note, with the 8ths attached by a beam). is there any way I can create a macro that will adjust the rest vertically according to the pitch so that it doesn't conflict with the beam? Thanks, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Feb 24 04:42:27 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA02369; Mon, 24 Feb 92 04:42:27 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Mon, 24 Feb 1992 12:17:33 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Mon, 24 Feb 92 00:01:35 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007vj; Mon, 24 Feb 92 11:57:41 PST Date: Mon, 24 Feb 92 11:57:41 PST Message-Id: <9202241957.AA007vj@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Clef change in middle of bar Daniel, I hope you're not getting tired of all my questions - I do appreciate all the help you've offered! As I understand it, MusicTeX only wants to change clefs at barlines. I often need to change in the middle of a bar, and since I work mostly with string music, I don't have an extra staff handy as keyboard music does. This almost works: \notes\ccl j\kern -2pt\clefdefa\kern 1pt\advance\transpose by -2\relax \ibbl0h4\qb0h\qb0j\tbl0\qb0l\enotes but if I need to change the spacing later via \autolines or \notes...\NOTES, horrible things begin to happen. Using \elemskip in some way to do the \kern seems possible, but beyond my knowledge at this time. Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Feb 24 04:42:38 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA02397; Mon, 24 Feb 92 04:42:38 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Mon, 24 Feb 1992 11:47:38 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Sun, 23 Feb 92 23:37:45 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA007vf; Mon, 24 Feb 92 11:27:25 PST Date: Mon, 24 Feb 92 11:27:25 PST Message-Id: <9202241927.AA007vf@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: Adjusting vertical position of rests > PURPOSEDLY, all rests (some mistakes) are \hboxes. Thus you can write > > \raise -2\internote\ds > > instead of \ds Yes, I see how that works, but wouldn't I have to determine one-by-one how much to \raise every \ds? My goal is to have a macro that will find a value for the \raise command according to the pitches and direction of the beams involved in the group of notes. Something like: % ( ) = { } for purposes of email transmission % 8th, beam up - adjusted \ds - 8th beam up % \def\dsu#1(ibu0(#1)0\qh0(#1)\raise #1\internote\ds\tbu0\qh0(#1)) I've probably omitted some important brackets, but of course, the main problem is that `\raise #1' will not be happy to receive a letter instead of a number for its argument... Notice.tex does mention that "if neccesary, a numeric symbol can be used to place a symbol independently of the active clef", but I don't understand how that might work. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From igor@charles.ucdavis.edu Mon Feb 24 16:34:16 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA18946; Mon, 24 Feb 92 16:34:16 CST Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.03) id AA24923; Mon, 24 Feb 92 14:26:24 -0800 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA11610; Mon, 24 Feb 92 14:27:19 PST From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Mon, 24 Feb 92 14:27:19 PST Message-Id: <9202242227.AA11610@charles.ucdavis.edu> To: mutex Subject: put me on the mutex mail list SUB MUSICTEX-L From @UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br Tue Feb 25 10:49:21 1992 Return-Path: <@UICVM.UIC.EDU:wagner@dcc.unicamp.ansp.br> Received: from UICVM.UIC.EDU by stolaf.edu (4.1/SMI-4.1) id AA06569; Tue, 25 Feb 92 10:49:21 CST Received: from brfapesp.bitnet by UICVM.UIC.EDU (IBM VM SMTP V2R1) with BSMTP id 6199; Tue, 25 Feb 92 10:49:17 CST Received: from ccvax.unicamp.ansp.br by brfapesp.bitnet with PMDF#10108; Tue, 25 Feb 1992 13:48 -0300(C) Received: from ccsun.unicamp.ansp.br by ccvax.unicamp.ansp.br (PMDF #12245) id <01GGXS8Z0KHS8WWE84@ccvax.unicamp.ansp.br>; Tue, 25 Feb 1992 13:46 GMT-0200 Received: from dcc.unicamp.ansp.br by ccsun.unicamp.ansp.br (4.1/SMI-4.0) id AA29261; Tue, 25 Feb 92 13:35:35 EST Received: from s2g.unicamp.ansp.br by dcc.unicamp.ansp.br (4.1/SMI-4.1) id AA19690; Tue, 25 Feb 92 13:42:05 EST Received: by s2g.unicamp.ansp.br (4.1/SMI-4.1) id AA09415; Tue, 25 Feb 92 13:42:33 EST Date: Tue, 25 Feb 92 13:42:05 EST From: wagner%dcc.unicamp.ansp.br@UICVM.UIC.EDU (Wagner Ikeda) Subject: cadenzas? To: mutex Message-Id: <9202251642.AA19690@dcc.unicamp.ansp.br> X-Envelope-To: mutex@stolaf.edu Hi, Does anyone out there have ever the need for very small notes? I don't know how to put a more complex ornament with 2 or more notes (without using mordants, etc.), for example: (small notes 1/8): cde /*ornament*/ (normal note 1/4): d /*main note*/ It becomes even more difficult if the score has a 'cadenza', which occurs on many piano scores, where a great number of small notes is used. There is 2 sizes of notes in musictex. Is it possible to change the size of the notes 'on the fly' (inside a bar), to contour this problem? Thanks! ---------------------------------------------------------------------- Wagner H. Ikeda wagner@dcc.unicamp.ansp.br projeto AHAND ============ |OOOO-O|-OO| Depto. de Ciencia Department of |O-OOOO|O-O| da Computacao Computer Science |OOOO-O|O-O| Universidade University of |O-OOOO|O-O| Estadual de Campinas Campinas ============ From dgold@basso.actrix.gen.nz Tue Feb 25 14:21:08 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA12375; Tue, 25 Feb 92 14:21:08 CST Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.67 for ) with SMTP; Wed, 26 Feb 1992 09:20:37 +1300 Received: from basso.actrix.gen.nz by actrix.gen.nz id ; Tue, 25 Feb 1992 20:47:11 GMT Received: by basso.actrix.gen.nz (V1.15/Amiga) id AA0081n; Wed, 26 Feb 92 08:44:19 PST Date: Wed, 26 Feb 92 08:44:19 PST Message-Id: <9202261644.AA0081n@basso.actrix.gen.nz> From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: Triplets, anyone? > Did you try that? IMHO it doesn't work: Yes Werner, you're right. I jumped to the conclusion that the \divide\noteskip part of the definition of \xtuplet was going to chose the correct place for the number. Still, this will work: \def\nbinstruments{1}\relax \debutextrait\transpose=7\relax \Notes\ibl0c0\qb0{cc}\xtuplet7e\qb0{cccc}\tbl0\qb0c\enotes\relax \Notes\ibl0c0\qb0{cc}{\transpose=-6\xtuplet7e}\qb0{cccc}\tbl0\qb0c\enotes \finextrait \bye Since IMHO, the numbers are better on the beam side, I'd do something like the second example, although it's bound to cause problems with slanted beams and long-stemmed notes. I wonder if there's a way to determine a good value for \transpose from the information in the \ibxxxx macro? Following along from this, I'd be interested to find a way to put the number between `square brackets' as is common with half-note triplets: |__ 3 __| Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Fri Mar 13 13:59:49 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA14064; Fri, 13 Mar 92 13:59:49 CST Message-Id: <9203131959.AA14064@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 3805; Fri, 13 Mar 92 15:01:00 EST Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2113; Fri, 13 Mar 92 15:00:58 EST Date: 13 MAR 92 20:53:10.76-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: MusicTeX 4.5 To: mutex The 4.5 version is beta-available at 130.84.128.100 Novelty: possibility of small and tiny notes (cadenzas) New doc: MUSICDOC.TEX in Latex (with index) New MUSICTEX.STY New fonts for small notes... From icking@gmdzi.gmd.de Tue Mar 17 06:59:41 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA01534; Tue, 17 Mar 92 06:59:41 CST Received: by gmdzi.gmd.de id AA25278 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 17 Mar 1992 13:59:12 +0100 Date: Tue, 17 Mar 1992 13:59:12 +0100 From: Werner Icking Message-Id: <199203171259.AA25278@gmdzi.gmd.de> To: mutex Subject: maximising hp-laserjet II output When typesetting notes I have always the problem that not enough notes fit on one page. Therefor I looked for maximising the logical page, to ensure that nearly every pixel could be used. I process MusicTeX with emTeX and printed the result ona HP-Laserjet II with (german) A4-paper. I developed the following "response-file" for dvihplj - the dvi-to-printer driver of emTeX: ----------------------------------------------------------------------- % hplj.cnf (300x300 DPI using LJ fonts) /pd=%DVIDRVINPUT% /pl=%DVIDRVFONTS%;lj_0;lj_h;lj_1;lj_2;lj_3;lj_4;lj_5a;lj_5b /pf=%DVIDRVFONTS% /pg=%DVIDRVGRAPH% /pt=%TMP%\dviout.dlg /r=300 /rf=300 /h=286.935333333mm %/ta=5.08mm /w=197.950666667mm /la=4.233333333333mm /fs=1 ----------------------------------------------------------------------- The /ta-parameter is not used because dvihplj interprets /ta and /la in a different way. To view a dvi-file on my screen with an EIZO-vga card (Tseng Labs EVA 800x600) I use the following response file which shows exactly what my laserjet may print: ----------------------------------------------------------------------- % eizo.cnf (ensure visibility on HPLJ - 300x300 DPI using LJ fonts) /pd=%DVIDRVINPUT% /pl=%DVIDRVFONTS%;lj_0;lj_h;lj_1;lj_2;lj_3;lj_4;lj_5a;lj_5b /pf=%DVIDRVFONTS% /pg=%DVIDRVGRAPH% /pt=%TMP%\dviout.dlg /h=286.935333333mm /ta=5.08mm /w=197.950666667mm /la=4.233333333333mm /s=2 /fl=-1 /o=3 /oa=8 --------------------------------------------------------------------------- Here /ta has to be specified to see exactly what the laserjet will print. The MusicTeX-input based on the plain-TeX definitions defines the size and position of the locical page with following definitions: \hoffset=-21.16666666mm \hsize=197,9506666666mm \voffset=-20.32mm \vsize=286.9353333333mm If you use the american letter format use the following specification (which I did not test!): /h=269.24mm [%]/ta=5.08mm /w=203.2mm /la=4.233333333333mm \hoffset=-21.16666666mm \hsize=203.2mm \voffset=-20.32mm \vsize=269.24mm Happy Mu(sic)TeX-ing Werner PS: Based on a solution of Martin C. Mueller" for twoup-print of TeX output on a HP-laserjet-II I generated the MusicTeX-fonts for 212 dpi. If anyone is interested in this nice feature I'm willing to tell the details. You can get something like Taschenpartituren (pocket-scores). PPS: This works for the newest MusicTeX version (4.5) (available by ano- nymous ftp from: ftp.gmd.de music/musictex/musictex.zip :-), too. From KUYKENS@AMC.UVA.NL Mon Mar 23 10:06:26 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA21719; Mon, 23 Mar 92 10:06:26 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Mon, 23 Mar 92 10:06 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 23 Mar 92 17:05 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Mon, 23 Mar 92 17:04 MET Date: Mon, 23 Mar 92 16:59 MET From: KUYKENS@AMC.UVA.NL Subject: MIDI 2 MusicTeX translator To: mutex Message-Id: <7FAC826B77450031C3@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Currently I am working on a program which translates standard MIDI type 1 files into MusicTeX source code. An alfa version is ready and available soon. I'' tell more about it soon. Hans Kuykens From Robin.Fairbairns@lsl.co.uk Tue Mar 24 13:31:16 1992 Return-Path: Received: from eros.uknet.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA18994; Tue, 24 Mar 92 13:31:16 CST Received: from lsl.co.uk by eros.uknet.ac.uk via PSS with NIFTP (PP) id <28246-0@eros.uknet.ac.uk>; Tue, 24 Mar 1992 09:43:59 +0000 Received: by lsl.co.uk (MX V3.1) id 16139; Tue, 24 Mar 1992 09:42:22 GMT Sender: "Robin.Fairbairns" Date: Tue, 24 Mar 1992 09:41:11 GMT From: Robin Fairbairns To: mutex Message-Id: <009580DF.726D0F20.16139@lsl.co.uk> Subject: The structure of MusicTeX.sty I've recently started incorporating musical fragments into an autobiographical doodle I'm writing. The effect is good: thanks to all involved. However, I did have a couple of surprises when I first started: 1. The style subverts LaTeX's \sf command, which I was using before I incorporated music. The effect was startling: I had to think quite a number of times before I realised what was going on! I feel that there are two possible solutions to this problem: a) the (undocumented) MusicTeX command should be withdrawn altogether from MusicTeX (or from MusicLaTeX) - my favourite solution, since I abhor these clashes of command usage b) \sf should only be switched on while you're in the \begin{music} environment Unfortunately, I can't discern from the source precisely _how_ \sf differs from \usf or \lsf, so I can't decide how much would be lost if it would be withdrawn. 2. The style sets \parindent! (I noticed this because I was already using a style that subverts \parindent). Surely, no part of MusicTeX need set \parindent? It's set by plain.tex and lplain.tex, which must surely be enough... Fwiw, I'm using Daniel Taupin's recently announced test version. (Which documents \Upz and \Lpz, but doesn't implement them... :-( I wanted them for a whistled motif of my father's!) -- Robin Fairbairns, Senior Consultant, postmaster and general dogsbody Laser-Scan Ltd., Science Park, Milton Rd., Cambridge CB4 4FY, UK Email: robin@lsl.co.uk --or-- rf@cl.cam.ac.uk From deflorio@minsky.csata.it Wed Mar 25 05:21:23 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA01499; Wed, 25 Mar 92 05:21:23 CST Message-Id: <9203251121.AA01499@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA22759; Wed, 25 Mar 92 12:21:22 +0100 From: Vincenzo De Florio Subject: smus2tex To: mutex Date: Wed, 25 Mar 92 12:21:21 MET Cc: deflorio@minsky.csata.it Mailer: Elm [revision: 66.25] Dear Sirs, some time ago I read an e-mail from this group concerning the Smus2TeX package by Glenn Lewis. I was very interested, so I got a copy of the package and tried to run it on my PC. I was missing a header file (cdefs.h) and a source file (bcopy.c) that I easily found on the net (thanks Archie!). So I successfully compiled smus2tex, but I coudn't find any trace of the SMUS source code, enterteiner.smus, mentioned in the package. Then I contacted mr. Lewis, that was so kind to help me to understand better what SMUS and IFF standards are. He wasn't able to give me a copy of any smusfile, though, so I searched a bit for them. Now I've finally found one, and I've generated a syntactically corrected MusicTeX source code, that presents of course all the problems expectable in a non-manual encoding process, but it works. I got a better output changing all \NOTEs, \NOTes etc to \Notes. If any of you is interested I could post my result. Thanks, Glenn, and of course, thanks Daniel! - Vincenzo De Florio deflorio@minsky.csata.it From Rene.Quiniou@irisa.fr Fri Mar 27 08:23:06 1992 Return-Path: Received: from irisa.irisa.fr by stolaf.edu (4.1/SMI-4.1) id AA12088; Fri, 27 Mar 92 08:23:06 CST Received: from sunia.irisa.fr by irisa.irisa.fr; Fri, 27 Mar 1992 15:23:06 +0100 (5.65c8/92-03-17) Message-Id: <199203271423.AA15817@irisa.irisa.fr> To: mutex Cc: mutex@stolaf.edu Subject: Re: smus2tex Date: Fri, 27 Mar 92 15:23:21 +0100 From: Rene.Quiniou@irisa.fr In his mail, dated Wed, 25 Mar 92 12:21:21 +0700, Vincenzo De Florio wrote: > > > > If any of you is interested I could post my result. > > Thanks, Glenn, and of course, thanks Daniel! > > > - Vincenzo De Florio > deflorio@minsky.csata.it > I am interested. Please post your results! =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= QUINIOU Rene quiniou@irisa.fr INRIA / IRISA Phone : +33 99 84 73 19 Campus Universitaire de Beaulieu Fax : 99 38 38 32 35042 RENNES CEDEX - FRANCE Telex : UNIRISA 950 473F =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= From KUYKENS@AMC.UVA.NL Fri Apr 3 09:47:47 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17105; Fri, 3 Apr 92 09:47:47 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 09:51 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 17:52 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:45 MET Date: Fri, 3 Apr 92 17:43 MET From: KUYKENS@AMC.UVA.NL Subject: Midi2TeX translator To: mutex mutex@stolaf.edu Message-Id: <77018573F8FD001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From KUYKENS@AMC.UVA.NL Fri Apr 3 10:00:42 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17548; Fri, 3 Apr 92 10:00:42 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 10:04 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 18:05 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:56 MET Date: Fri, 3 Apr 92 17:50 MET From: KUYKENS@AMC.UVA.NL Subject: MidiTeX translator To: mutex mutex@stolaf.edu Message-Id: <7700963BA1FF001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From ger@cv.ruu.nl Fri Apr 10 14:01:46 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA09074; Fri, 10 Apr 92 14:01:46 CDT Received: from prisma.cv.ruu.nl by infix.cs.ruu.nl with SMTP id AA21888 (5.65c/IDA-1.4.4 for ); Fri, 10 Apr 1992 21:01:47 +0200 Received: from triton.cv.ruu.nl.cv.ruu.nl (triton.cv.ruu.nl) by prisma.cv.ruu.nl with SMTP id AA21767 (5.65c/IDA-1.4.4 for ); Fri, 10 Apr 1992 21:00:21 +0200 Message-Id: <199204101900.AA21767@prisma.cv.ruu.nl> Received: by triton.cv.ruu.nl; Fri, 10 Apr 1992 21:00:20 +0200 From: ger@cv.ruu.nl Subject: FAQ ? problem To: mutex Date: Fri, 10 Apr 92 21:00:20 METDST X-Mailer: ELM [version 2.3 PL11] Hello there, How do I set up a working musictex environment ? We do have mf. The problem is that I can run tex on notice.tex, but the music fonts cannot be found. Do I have to set TEXFONTS and/or DVIFONTS ? And I want to convert the resulting dvi file to PostScript with dvi2ps, is this possible ? Sorry, if this is a FAQ. -- =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = Ger Timmens, Univesity Hospital Utrecht, 3D Comp.Vision = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = _TT /| |~ Keep = = >====ttt===< | O| |~ on = = {_|||_} \| O| Blowing = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= =I'd rather hear Chet miss a note, than Wynton make a thousand= =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= = Tel.: 030-506711 @-mail: ger@cv.ruu.nl = =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= From piet@cs.ruu.nl Sat Apr 11 10:54:23 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA16528; Sat, 11 Apr 92 10:54:23 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA02090 (5.65c/IDA-1.4.4 for ); Sat, 11 Apr 1992 17:54:23 +0200 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA10552; Sat, 11 Apr 92 17:54:21 +0200 Date: Sat, 11 Apr 92 17:54:21 +0200 From: Piet van Oostrum Message-Id: <9204111554.AA10552@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: FAQ ? problem References: <199204101900.AA21767@prisma.cv.ruu.nl> >>>>> ger@cv.ruu.nl (GT) writes: GT> How do I set up a working musictex environment ? GT> We do have mf. GT> The problem is that I can run tex on notice.tex, but the music GT> fonts cannot be found. GT> Do I have to set TEXFONTS and/or DVIFONTS ? And I want to GT> convert the resulting dvi file to PostScript with dvi2ps, is GT> this possible ? You must move (or copy) the tfm files to a directory in TEXFONTS (e.g. the standard one), and the pk files to a directory where your dvi driver expects them (and possibly rename them to fit the naming scheme). If you can't move the pk files to the standard directory, the directory where you put them must be named in TEXFONTS, TEXPKS or something similar (see the doc on the dvi2ps version you have. In some cases you must run metafont, e.g if you don't have a write-black 300dpi laser printer. Piet van Oostrum From piet@cs.ruu.nl Sat Apr 11 11:03:30 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA16806; Sat, 11 Apr 92 11:03:30 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA02117 (5.65c/IDA-1.4.4 for ); Sat, 11 Apr 1992 18:03:27 +0200 Received: by alchemy.cs.ruu.nl (16.6/15.6) id AA10554; Sat, 11 Apr 92 18:03:26 +0200 Date: Sat, 11 Apr 92 18:03:26 +0200 From: Piet van Oostrum Message-Id: <9204111603.AA10554@alchemy.cs.ruu.nl> To: mutex Subject: A few suggestions I have a few suggestions for changes to musictex and its doc: I guess Daniel is reading this list. First Karl Berry introduced a change to suppress the printing of bar numbers with a conditional \ifprintbarnumbers. Moreover he had a \ifverbose to suppress the messages on the screen (which I find not essential). Both changes are very simple. The musical rests (soupir and pause) are not documented. An index in the documentation would be very useful, maybe together wih a finer section numbering scheme. I find it very hard to find a specific feature in the doc. I had a peculiar problem last night where the notes got separated from the staff. I traced it down to a blank line within the score. I think it would be useful to disable \par within a score (e.g. by \def\par{}). I think this should be done in \debutmorceau and \reprmorceau and reset in \finmorceau and \(z)suspmorceau. I don't know if this would give any problems. By the way, I am willing to do some coding for the above, especially the easy pieces :=) I don't want to make nonstandard versions, however, so I do it only if Daniel agrees to put the in the official version. Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From piet@cs.ruu.nl Sun Apr 26 08:24:36 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA15626; Sun, 26 Apr 92 08:24:36 CDT Received: by infix.cs.ruu.nl id AA07239 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Sun, 26 Apr 1992 15:24:39 +0200 Date: Sun, 26 Apr 1992 15:24:39 +0200 From: Piet van Oostrum Message-Id: <199204261324.AA07239@infix.cs.ruu.nl> To: mutex Subject: some bugs The definition of \w@hppp is wrong (it says \def w@hpp). The doc says that on \ibl n n should be 0-6. This must be 0-5. For 6 you need musicadd. there are no pointed versions for \cc.. (e.g. \ccup) Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From KUYKENS@AMC.UVA.NL Tue Apr 28 15:37:14 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA20750; Tue, 28 Apr 92 15:37:14 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 28 Apr 92 15:38 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 28 Apr 92 22:41 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 28 Apr 1992 22:40 MET Date: Tue, 28 Apr 92 22:35 MET From: KUYKENS@AMC.UVA.NL Subject: Help on \autolines and \Notes wanted To: mutex Message-Id: <63339AADCA19001450@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, Can somebody explain me what the commands : \notes ...\NOTES exactly do ? Do they determine the distance between the notes within the column starting with the command or do they determine the distance between the columns ? I find the manual not very clear on this point. I am using \autolines{12}45 to get line breaking automatic. But when measures with lots of notes appear the last measure on a line spills over the paper's margin with lots of rubbish at the end of the line. How do the commands \notes and \autoline relate to each other ? If I know the number of notes in a measure in any of the staffs, is there a rule which always combines a correct setting of \autolines parameters and \notes (\Notes... etc.) in each of the staffs so that I don't end up with spilling measure over the margins of the paper ? I am currently working on a new version of MIDI2TeX and I would like to see if there is a solution to this problem which I can build into the program. thanks in advance and greetings : Hans Kuykens From jco@daimi.aau.dk Wed Apr 29 01:54:35 1992 Return-Path: Received: from daimi.aau.dk by stolaf.edu (4.1/SMI-4.1) id AA05282; Wed, 29 Apr 92 01:54:35 CDT Received: from torun.daimi.aau.dk by daimi.aau.dk with SMTP (5.61++/IDA-1.2.8) id AA03674; Wed, 29 Apr 92 08:54:00 +0200 Received: by torun.daimi.aau.dk (5.64/1.34) id AA21634; Tue, 28 Apr 92 19:37:54 +0200 Date: Tue, 28 Apr 92 19:37:54 +0200 From: jco@daimi.aau.dk Message-Id: <9204281737.AA21634@torun.daimi.aau.dk> To: mutex Subject: Problem with MuTeX' boxes. I have recently obtained the MuTeX and the MusicTeX packages from rsovax.ups.circe.fr. Since I haven't managed to get the MusicTeX run proberly I am now trying out the MuTeX. Everything works fine, except one: The \1{note(s)}\2{note(s)}\* asdescribed by F.Jalbert in the MuTeX User's Guide v1.1 is not working. When the 1. box starts at the beginning of a line, the notelines are missing on the whole staff-line. The same thing happends when the two boxed are split over 2 staff-lines. In the latter case, the clef is also missing on the staff-line containing the 2. box ( got that ? ). I code something like: ... % \1\v{2}\group{\\{....}}\ubeam{1}{2}[ ... \v{2}% \2\v{2} ... \v{2}\*% ... I have o (ups) allready done the patches suggested by F.Jalbert in the guide. Since I am planning to code a SMUS-to-MuTeX converter I would be very greatefull to receive help from someone - maybe if someone is familiar with the MuTeX-packages he will help me later on in the project when other problems pop up. (They will, I know by experience :-< ). Thanks ! From hartley@maths.uwa.oz.au Mon May 18 04:21:16 1992 Return-Path: Received: from madvax.maths.uwa.oz.au ([130.95.16.1]) by stolaf.edu (4.1/SMI-4.1) id AA03976; Mon, 18 May 92 04:21:16 CDT Message-Id: <9205180921.AA03976@stolaf.edu> Received: by madvax.maths.uwa.oz.au (5.61+IDA+MU) id AA00472; Mon, 18 May 1992 17:21:20 +0800 From: hartley@maths.uwa.oz.au (Mike Hartley) Subject: MuTeX on the PS2 To: mutex Date: Mon, 18 May 92 17:21:19 WST X-Mailer: ELM [version 2.3 PL0] G'Day from WA! That's Western Australia, not Washington. I'm new to the mailing list - Craig @stolaf suggested I join it so that I can throw this question to an open audience: Does anyone know where I can get MuTeX or MusicTeX with the appropriate fonts to run on an IBM (PS/2)? Yours, Madvax Mike From KUYKENS@AMC.UVA.NL Tue May 19 04:36:33 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA07403; Tue, 19 May 92 04:36:33 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 19 May 92 04:38 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 19 May 92 11:41 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 19 May 1992 10:57 MET Date: Tue, 19 May 92 10:51 MET From: KUYKENS@AMC.UVA.NL Subject: new version of MIDI2TeX V0.3 To: mutex Message-Id: <53157677186D003173@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF To all MusicTeX/MIDI users, MIDI2TeX translates type 1 standard MIDI files into MusicTeX code. Some weeks ago I distributed an alfa test version to people who have shown interest in the program. Some of them have send bug reports which have lead to the present new version of the program (V 0.3). I already have send the new version of the program to those who received the previous version(s). If you are interested in the program and have not received it before please notify and I will send it. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring and beaming of notes * selection of measure segmentation * debugging info to screen/file/printer * selection of document size If you are interested please tell me so by e-mail. Don't forget to specify for which computer. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens From @ai.leeds.ac.uk,@dcs.leeds.ac.uk:kia@dcs.leeds.ac.uk Tue May 19 16:47:25 1992 Return-Path: <@ai.leeds.ac.uk,@dcs.leeds.ac.uk:kia@dcs.leeds.ac.uk> Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA19675; Tue, 19 May 92 16:47:25 CDT Via: ai.leeds.ac.uk; Tue, 19 May 1992 22:47:05 +0100 Via: dcs.leeds.ac.uk (csvax1.ARPA); Tue, 19 May 92 22:47:09 GMT From: K C Ng Date: Tue, 19 May 92 22:43:09 GMT Message-Id: <8658.9205192243@dcs.leeds.ac.uk> Received: from dcs.leeds.ac.uk by dcs.leeds.ac.uk; Tue, 19 May 92 22:43:09 GMT To: mutex Subject: Re: new version of MIDI2TeX V0.3 Cc: kia@dcs.leeds.ac.uk Hi, This is great stuff ! Well safe all of us here from lerning musicTeX :) Thank you very much. Well, in fact, I am using MusicTeX on a unix machine, SGI (silicon graghics iris indigo) and there are Laser printers connected over the net, thus it would be easier for me if you have a version for Unix ? Anyway, we have Atari and PC as well. May I have both version ( PC and Atari ) ? Thanks. My email address is :: kia@uk.ac.leeds.dcs Thank you very much kia From KUYKENS@AMC.UVA.NL Fri May 22 04:21:02 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17550; Fri, 22 May 92 04:21:02 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 22 May 92 04:22 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 22 May 92 11:26 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Fri, 22 May 1992 11:25 MET Date: Fri, 22 May 92 11:19 MET From: KUYKENS@AMC.UVA.NL Subject: How do I omit gaps in slurs ?? To: mutex Message-Id: <50B5FA8F77C90042BC@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, Can somebody explain me how to get rid of the gaps in slurs between notes in two different measures ? I thought that placing \temps in front of the measure part (i.e. \notes \enotes pair) would glue the lines together (as mentioned in the manual) but that does not work. greetings : Hans Kuykens From LVENEMA@KVI.nl Fri May 22 05:37:29 1992 Return-Path: Received: from KVIEXP.KVI.NL by stolaf.edu (4.1/SMI-4.1) id AA18700; Fri, 22 May 92 05:37:29 CDT Received: from KVI.nl by KVI.nl (PMDF #12302) id <01GKB9754LR4ATL47T@KVI.nl>; Fri, 22 May 1992 12:37 WET-DST Date: Fri, 22 May 1992 12:37 WET-DST From: "LARS VENEMA, KVI, ZERNIKELAAN 25, 9747 AA GRONINGEN, THE NETHERLANDS" Subject: gaps in slurs ?? To: mutex Message-Id: <01GKB9754LR4ATL47T@KVI.nl> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" Hello MusicTeX-users, It is nice that the question of slurs popped up as this caused me also lots of work. The workaround I found is very bad and it is my feeling that this problem has to be solved in the MusicTeX definition itself. Is there indeed someone who did this? The problems got worse when I had my slurs over bar where the measure was changed. Somehow, MusicTeX misses some horizontal spacing in calculating the slurlength. greetings: Lars Venema From daemon@tools.de Fri May 22 07:28:31 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA20144; Fri, 22 May 92 07:28:31 CDT Received: from [192.76.135.70] by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA13651; Fri, 22 May 92 14:28:26 +0200 Received: by kurt.tools.de (4.1/TooLs-3.0) id AA07421; Fri, 22 May 92 14:26:25 +0200 To: mutex Path: tools!daemon From: "LARS VENEMA, KVI, ZERNIKELAAN 25, 9747 AA GRONINGEN, THE NETHERLANDS"" -a Newsgroups: tools.mutex Subject: gaps in slurs ?? Message-Id: <6238@kurt.tools.de> Date: 22 May 92 12:26:24 GMT Sender: daemon@tools.de Lines: 10 Hello MusicTeX-users, It is nice that the question of slurs popped up as this caused me also lots of work. The workaround I found is very bad and it is my feeling that this problem has to be solved in the MusicTeX definition itself. Is there indeed someone who did this? The problems got worse when I had my slurs over bar where the measure was changed. Somehow, MusicTeX misses some horizontal spacing in calculating the slurlength. greetings: Lars Venema From cdr@stolaf.edu Fri May 22 09:23:53 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA23014; Fri, 22 May 92 09:23:53 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA15058; Fri, 22 May 92 09:23:52 CDT Message-Id: <9205221423.AA15058@sachiko.acc.stolaf.edu> To: mutex Subject: Test/Problem Date: Fri, 22 May 92 09:23:51 -0500 From: cdr@stolaf.edu This is a test message. Please forgive. The last message posted to the mutex mailing list bounced horrendously, so we'll see if this one does any better. Sorry about the inconvenience. Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From icking@gmdzi.gmd.de Mon May 25 02:51:51 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13383; Mon, 25 May 92 02:51:51 CDT Received: by gmdzi.gmd.de id AA07426 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 May 1992 09:51:33 +0200 Date: Mon, 25 May 1992 09:51:33 +0200 From: Werner Icking Message-Id: <199205250751.AA07426@gmdzi.gmd.de> To: mutex Subject: Re: How do I omit gaps in slurs ?? First to say: sometimes there seems to be no way to get rid of the gaps in the slurs. But first you may play around with the spacing-definitions: \normal, \etroit, or \large. In addition you should use \raggedlinestrue. Then you may find those bars which are too much expanded during line-breaking with right margin justification. Changing \Notes to \NOtes (or similar) for these bars may help to avoid gaps within the slurs. I do not understand why MusicTeX isn't able to to fill the gaps but this advice of Daniel Taupin helped much. And you should always use the newest version of MusicTeX because I noticed that the solution for this problem was better from version to version. Let's hope for the best and expect the worst. Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From icking@gmdzi.gmd.de Mon May 25 02:52:13 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13427; Mon, 25 May 92 02:52:13 CDT Received: by gmdzi.gmd.de id AA07440 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 May 1992 09:52:00 +0200 Date: Mon, 25 May 1992 09:52:00 +0200 From: Werner Icking Message-Id: <199205250752.AA07440@gmdzi.gmd.de> To: mutex Subject: Re: gaps in slurs ?? First to say: sometimes there seems to be no way to get rid of the gaps in the slurs. But first you may play around with the spacing-definitions: \normal, \etroit, or \large. In addition you should use \raggedlinestrue. Then you may find those bars which are too much expanded during line-breaking with right margin justification. Changing \Notes to \NOtes (or similar) for these bars may help to avoid gaps within the slurs. I do not understand why MusicTeX isn't able to to fill the gaps but this advice of Daniel Taupin helped much. And you should always use the newest version of MusicTeX because I noticed that the solution for this problem was better from version to version. Let's hope for the best and expect the worst. Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From KUYKENS@AMC.UVA.NL Mon May 25 07:32:29 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17228; Mon, 25 May 92 07:32:29 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Mon, 25 May 92 07:34 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 25 May 92 14:37 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Mon, 25 May 1992 14:37 MET Date: Mon, 25 May 92 14:31 MET From: KUYKENS@AMC.UVA.NL Subject: An FTP site for MIDI2TeX To: mutex Message-Id: <4E3FB48CB55700461E@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, As some of you may know I recently released v 0.3 MIDI2TeX. I received many requests for a copy. So many that it takes me too much time sending it off personally. Therefore I would like to submit it to a FTP node. However, I do not have experience with uploading anything on an FTP site. Could somebody suggest an FTP site and could somebody explain or help me uploading it ? regards: Hans Kuykens From KUYKENS@AMC.UVA.NL Tue May 26 13:07:03 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA09218; Tue, 26 May 92 13:07:03 CDT Received: from HASARA5.BITNET by vx.acs.umn.edu; Tue, 26 May 92 02:26 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 26 May 92 9:30 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Tue, 26 May 1992 09:29 MET Date: Tue, 26 May 92 09:24 MET From: KUYKENS@AMC.UVA.NL Subject: Question about sizes in MusicTeX... To: mutex Message-Id: <4DA1835BFD79001C31@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Hello MusicTeX users, In the latest version of the MIDI2TeX program I inserted code to automatically generate \alaligne and \alapage commands. For that I use the spacing code embedded in MusicTeX (\Notes, \notes, \elemskip etc.). Lately I have been playing around with the \elemskip value to see what the effect was. After doing that I discovered that the way I implemented the line/page breaking stuff is not correct. All of this business is still quite mirky to me. Unfortunately I am not a TeX expert so that I cannot fully evaluate the code in musictex.tex. Particularly, I have the following questions: 1. With what physical size is \elemskip associated ? 2. With what physical size is \noteskip associated ? 3. Are \noteskip \elemskip related in any way, i.e. if the musicsize changes do both of them change ? 4. Is there a formula which gives me the horizontal length increment when one note is added (i.e. cumlength=1*\noteskip+0.5*\elemskip...) 5. Is there a simple way to see in the musictex source code how the horizontal and vertical increments are calculated ? 6. I have the impression that musictex does not create space for flat- and sharp signs, is that correct ? 7. Are there anymore parameters involved in the calculation of the horizontal increment ? 8. What is the physical length of one pt (i.e. \elemskip=10pt) ? I woule be grately helped if someone could supply me some answers on these questions. thanks in advance : Hans Kuykens From igor@charles.ucdavis.edu Tue May 26 18:01:39 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA16917; Tue, 26 May 92 18:01:39 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA21317; Tue, 26 May 92 15:54:48 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA09104; Tue, 26 May 92 15:56:09 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Tue, 26 May 92 15:56:09 PDT Message-Id: <9205262256.AA09104@charles.ucdavis.edu> To: mutex Subject: Re: An FTP site for MIDI2TeX From igor@charles.ucdavis.edu Tue May 26 18:10:06 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA17133; Tue, 26 May 92 18:10:06 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA21575; Tue, 26 May 92 16:03:36 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA09112; Tue, 26 May 92 16:04:57 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Tue, 26 May 92 16:04:57 PDT Message-Id: <9205262304.AA09112@charles.ucdavis.edu> To: mutex Subject: Re: An FTP site for MIDI2TeX I've put the 0.3 version of PC_M2TEX.ARC and your short description of the package on a writeable and readable directory at ftp.cse.ucsc.edu aka, 128.114.134.19 That machine has a very quick ftp connection with ours, and probably with the rest of the University of California campuses as well. If you mail me the Atari version I'd be happy to ftp it to that site as well. I'll let you announce the location(s) of the package on ftp sites when you're decided on which one(s) to use. BTW, I have no contact with the folks at ucsc, and have no idea how long it will stay on that machine without establishing a formal agreement with the administrators... you may wish to contact them about setting up a directory for it. I'd be happy to get you their e-mail address if you're unable to ftp to their site directly. Actually, though, I don't think the site features IBM, Atari, music, or TeX areas of interest, so maybe a more related site would be preferable. For now, though, you can let people to know to look for it there. Once again it's located at: ftp.cse.ucsc.edu in the directory /tmp/upload Thanks for your contribution to the public domain music typesetting community! From @pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET Mon Jun 1 10:16:31 1992 Return-Path: <@pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.Princeton.EDU by stolaf.edu (4.1/SMI-4.1) id AA16700; Mon, 1 Jun 92 10:16:31 CDT Message-Id: <9206011516.AA16700@stolaf.edu> Received: from FRUPS51.BITNET by pucc.Princeton.EDU (IBM VM SMTP V2R2) with BSMTP id 7939; Mon, 01 Jun 92 11:16:01 EDT Date: 1 JUN 92 16:42:21.23-GMT From: TAUPIN%FRUPS51.BITNET@pucc.Princeton.EDU Subject: MUSICTEX 4.52 To: mutex VERSION 4.52 OF MUSICTEX is presently available at ftp anonymous (rsovax.ups.circe.fr = 130.84.128.100). Directory [anonymous.musictex] From icking@gmdzi.gmd.de Mon Jun 1 11:06:51 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA23408; Mon, 1 Jun 92 11:06:51 CDT Received: by gmdzi.gmd.de id AA25821 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 1 Jun 1992 18:06:20 +0200 Date: Mon, 1 Jun 1992 18:06:20 +0200 From: Werner Icking Message-Id: <199206011606.AA25821@gmdzi.gmd.de> To: mutex Subject: Re: MUSICTEX 4.52 > >VERSION 4.52 OF MUSICTEX is presently available at ftp anonymous >(rsovax.ups.circe.fr = 130.84.128.100). Directory [anonymous.musictex] > and at ftp.gmd.de: music/musictex/musictex.zip and .../musicpk.zip [129.26.8.90] -rw-r--r-- 1 icking 286208 Jun 1 04:52 musicpk.zip -rw-r--r-- 1 icking 501760 Jun 1 04:52 musictex.zip Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From icking@gmdzi.gmd.de Tue Jun 2 02:56:04 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA16606; Tue, 2 Jun 92 02:56:04 CDT Received: by gmdzi.gmd.de id AA07412 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 09:55:45 +0200 Date: Tue, 2 Jun 1992 09:55:45 +0200 From: Werner Icking Message-Id: <199206020755.AA07412@gmdzi.gmd.de> To: mutex Subject: musicdoc.dvi of version 4.52 If you have difficulties when printing or viewing musicdoc.dvi because some fonts d... are not found and if you use one of the dvi-drivers of emTeX create a file musicdoc.ze with only one line: d* -> c* and call dvidrv (dvihplj, dviscr, ...) with the parameter: /ps=musicdoc.ze Hope this hilft -- Werner -- Werner Icking icking@gmd.de (+49 2241) 14-2443 __o GMD - Gesellschaft fuer Mathematik und Datenverarbeitung mbH _`\<,_ Schloss Birlinghoven, P.O.Box 1316, D-5205 Sankt Augustin, Germany (_)/ (_) "Der Dativ ist dem Genitiv sein Tod." ~~~~~~~~~~~ From piet@cs.ruu.nl Tue Jun 2 06:42:34 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA19204; Tue, 2 Jun 92 06:42:34 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA27884 (5.65c/IDA-1.4.4 for ); Tue, 2 Jun 1992 13:42:37 +0200 Received: by alchemy.cs.ruu.nl id AA16672 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 13:42:34 +0200 Date: Tue, 2 Jun 1992 13:42:34 +0200 From: Piet van Oostrum Message-Id: <199206021142.AA16672@alchemy.cs.ruu.nl> To: mutex Subject: Re: musicdoc.dvi of version 4.52 References: <199206020755.AA07412@gmdzi.gmd.de> I have tried to re-latex musicdoc.tex. There was a problem because musictex.sty is incomplete. It does not contain musicpos.tex. Moreover I think it is a waste to copy the various .tex files into musictex.sty. The following gives the same result: \input musicnft \input musictex \input musicvbm \input musicpos Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From piet@cs.ruu.nl Tue Jun 2 08:44:27 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA21152; Tue, 2 Jun 92 08:44:27 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA01020 (5.65c/IDA-1.4.4 for ); Tue, 2 Jun 1992 15:44:30 +0200 Received: by alchemy.cs.ruu.nl id AA19597 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 2 Jun 1992 15:44:26 +0200 Date: Tue, 2 Jun 1992 15:44:26 +0200 From: Piet van Oostrum Message-Id: <199206021344.AA19597@alchemy.cs.ruu.nl> To: mutex Subject: Re: musicdoc.dvi of version 4.52 References: <199206020755.AA07412@gmdzi.gmd.de> <199206021142.AA16672@alchemy.cs.ruu.nl> The musictex.sty file in musictex.zip appears to be different from the one that is standing in the musictex directory. Could this be the case for more files? Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From dgold@basso.actrix.gen.nz Fri Jun 5 00:23:24 1992 Return-Path: Received: from kaukau.comp.vuw.ac.nz by stolaf.edu (4.1/SMI-4.1) id AA22701; Fri, 5 Jun 92 00:23:24 CDT Received: from actrix.gen.nz by kaukau.comp.vuw.ac.nz id (5.65cVUW/4.71 for ) with SMTP; Fri, 5 Jun 1992 16:53:26 +1200 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 4 Jun 92 09:20:26 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00dxu; Thu, 4 Jun 92 21:12:01 PST Date: Thu, 4 Jun 92 21:12:01 PST Message-Id: <9206050512.AA00dxt@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.13) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: MUSICTEX 4.52 I've just ftp'd this from ftp.gmd.de [129.26.8.90]. Using grep, I've not been able to find any mention in any of the files of SORTINDX.EXE. From the .EXE I would assume that it's something for IBM computers, and that SORTINDX.FOR is in the same class. Can someone tell me what it's for? Daniel, I wonder why MusicTeX is distributed without any directory structure. I'm not aware of any computer that couldn't deal with an archive that contained a few directories, such as: pk, tfm, docs, demos, etc. I've had enough experience now to know where to put things on my system, but it must be very confusing for a new user to receive an archive with so many things jumbled together and not to know how to get started! I also wonder if it might be possible to give some indication of which files have been changed in a new release. Of course it's important to have the latest version available as a single file, but for old users, it could be useful to have a smaller archive available which only has the files which have been changed. Also, I see that \input genpctex has reappeared in TESTCHAR.TEX and AFFCONC.TEX it would be useful to have this included. I've been unable to find it anywhere. I hope I don't sound unhappy - thanks for the work, Daniel, I'm looking forward to enjoying the improvements! Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From hm308ba@unidui.uni-duisburg.de Fri Jun 5 01:08:16 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA23324; Fri, 5 Jun 92 01:08:16 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA03136; Fri, 5 Jun 92 08:09:14 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA03345; Fri, 5 Jun 92 08:07:21 +0200 Date: Fri, 5 Jun 92 08:07:21 +0200 Subject: From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9206050607.AA03345@unidui.uni-duisburg.de> To: mutex Please put me on your MuTex mailing list. Where can I *get* MuTex? Is there a Unix Version? Thanks! Mathias Bartsch hm308ba@unidui.uni-duisburg.de From hm308ba@unidui.uni-duisburg.de Wed Jun 17 11:36:37 1992 Return-Path: Received: from mail.Germany.EU.net ([192.76.144.65]) by stolaf.edu (4.1/SMI-4.1) id AA03561; Wed, 17 Jun 92 11:36:37 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA20295; Wed, 17 Jun 92 10:15:54 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA28369; Wed, 17 Jun 92 10:13:16 +0200 Date: Wed, 17 Jun 92 10:13:16 +0200 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9206170813.AA28369@unidui.uni-duisburg.de> To: mutex Subject: mutex installation problems Hi, being new to this list I would like to ask for help on the installation of MuTeX on a Unix system. The main problem seems to be that the new fonts that came along with the package are not recognized by the dvi drivers. (I thought keeping them under my home directory would be best.) How can I direct the dvi drivers to the fonts? Then I tried to build the fonts myself with metafont (as described in the MuTeX manual) but I failed. Is there a more useful description of metafont somewhere around (something like "metafont for beginners" ?!) What I have to create are the laserjet and epson(9pin) versions of the fonts. Thanks in advance! ------- Mathias Bartsch /Dept. of Physics/Technology / Uni -GH- Duisburg / FRG From @marvin.cdf.toronto.edu:g0gumby@cdf.toronto.edu Wed Jun 17 23:35:17 1992 Return-Path: <@marvin.cdf.toronto.edu:g0gumby@cdf.toronto.edu> Received: from marvin.cdf.utoronto.ca (marvin.cdf.toronto.edu) by stolaf.edu (4.1/SMI-4.1) id AA03943; Wed, 17 Jun 92 23:35:17 CDT Received: by marvin.cdf.toronto.edu id <30990>; Thu, 18 Jun 1992 00:35:20 -0400 From: Daniel Mayost To: mutex Subject: Advanced Beams Message-Id: <92Jun18.003520edt.30990@marvin.cdf.toronto.edu> Date: Thu, 18 Jun 1992 00:35:18 -0400 So I'm using MuTeX (the one currently available on ymir), and I have to typeset a group consisting of two eights notes connected by a beam followed by four sixteenths notes connected by another, wholly separate beam. Both beams have to be part of one group because there is a slur between the last note of the first beam and the first note of the second beam. Question: What is the appropriate \beamlist to use in this situation ? -- Daniel Mayost Stanford University From walt@GECKO.SLAC.Stanford.EDU Tue Jun 23 11:42:26 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA25313; Tue, 23 Jun 92 11:42:26 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Tue, 23 Jun 1992 09:42 PDT Received: by gecko.SLAC.Stanford.EDU (NeXT-1.0 (From Sendmail 5.52)/NeXT-2.0) id AA06868; Tue, 23 Jun 92 09:42:14 PDT Received: by NeXT Mailer (1.79.5.1.RR) Date: Tue, 23 Jun 92 09:42:14 PDT From: walt@GECKO.SLAC.Stanford.EDU (Walter Innes) Subject: bagpipe.tex available To: mutex Message-Id: <9206231642.AA06868@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have contributed bagpipe.tex version 1.0 to ftp.stolaf.edu. It can be found in /pub/mutex/contrib as a tarred compressed file. It contains the macro-package, a user quide, a quick reference, and a few examples. bagpipe.tex is a set of macros for use with MusicTeX (version 4.50 or 4.52). It takes advantage of the peculiarities and simplicities of music for the highland bagpipes to make make entry considerably simpler than using native MusicTeX. There are macros for all common and many not so common grace note sequences, the pitches are given their common names, and there are extensive macros for beamed note groups. Some minor mods have been made to MusicTeX macros to improve very compressed music ( I like to get four bars across an 8 1/2 in. page). From icking@gmdzi.gmd.de Wed Jun 24 09:04:14 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA19018; Wed, 24 Jun 92 09:04:14 CDT Received: by gmdzi.gmd.de id AA20234 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 24 Jun 1992 16:02:10 +0200 Date: Wed, 24 Jun 1992 16:02:10 +0200 From: Werner Icking Message-Id: <199206241402.AA20234@gmdzi.gmd.de> To: mutex Subject: Re: Advanced Beams >Message-Id: <92Jun18.003520edt.30990@marvin.cdf.toronto.edu> >Date: Thu, 18 Jun 1992 00:35:18 -0400 > >So I'm using MuTeX (the one currently available on ymir), and I have to >typeset a group consisting of two eights notes connected by a beam >followed by four sixteenths notes connected by another, wholly separate >beam. Both beams have to be part of one group because there is a slur >between the last note of the first beam and the first note of the >second beam. Question: What is the appropriate \beamlist to use in >this situation ? Where's the problem? After having NOT used MuTeX since february I composed following piece for you :-) \beginsong\vio\C\meter4/8% {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a3}\\{\a3}\\{\s3}\\{\s3}\\{\s3}\\{\s3}}% {\\3\\3\\3\\3\\3\\3}\ubeam16\lslur23\go}\|% % {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a0}\\{\a1}\\{\s2}\\{\s3}\\{\s4}\\{\s5}}% {\\0\\1\\2\\3\\4\\5}\ubeam16\lslur23\go}\|% % {\def\beamlist{\\{1-2,3-6,}\\{3-6,}}% \group{\\{\a5}\\{\a4}\\{\s3}\\{\s2}\\{\s1}\\{\s0}}% {\\5\\4\\3\\2\\1\\0}\ubeam16\lslur23\go}\|% % \^{\music\fermateup}{\h{-2}}% \=\endsong\bye Enjoy -- Werner From @pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET Sat Jun 27 04:25:54 1992 Return-Path: <@pucc.Princeton.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.Princeton.EDU by stolaf.edu (4.1/SMI-4.1) id AA15101; Sat, 27 Jun 92 04:25:54 CDT Message-Id: <9206270925.AA15101@stolaf.edu> Received: from FRUPS51.BITNET by pucc.Princeton.EDU (IBM VM SMTP V2R2) with BSMTP id 7934; Sat, 27 Jun 92 05:25:34 EDT Date: 27 JUN 92 11:27:57.53-GMT From: TAUPIN%FRUPS51.BITNET@pucc.Princeton.EDU Subject: MusicTeX / Latex compatibility To: mutex MusicTeX and Latex both use a register names \topmargin, and this may lead to strange layout problems. Therefore all occurences of \topmargin and \bottommargin in MusicTeX and examples given should be replaced by \stafftopmarg and \staffbotmarg This will be done in the next MusicTeX release, of course. Besides, it is wise to change the musicpos.tex file and say: \newenvironment¤music‡¤\catcodemusic, \parskip=\z@ \resetfacteurs‡¤‡ Also corrected in the next release (july 5 or 6th) Inbetween, have fun... From @mitvma.mit.edu:TAUPIN@FRUPS51.BITNET Sun Jul 5 11:56:17 1992 Return-Path: <@mitvma.mit.edu:TAUPIN@FRUPS51.BITNET> Received: from mitvma.mit.edu by stolaf.edu (4.1/SMI-4.1) id AA00430; Sun, 5 Jul 92 11:56:17 CDT Message-Id: <9207051656.AA00430@stolaf.edu> Received: from MITVMA.MIT.EDU by mitvma.mit.edu (IBM VM SMTP V2R2) with BSMTP id 6407; Sat, 04 Jul 92 19:37:43 EDT Received: from FRUPS51.BITNET (TAUPIN) by MITVMA.MIT.EDU (Mailer R2.08 R208004) with BSMTP id 2143; Sat, 04 Jul 92 19:37:42 EDT Date: 4 JUL 92 12:24:17.95-GMT From: TAUPIN%FRUPS51.BITNET@mitvma.mit.edu Subject: Acknowledgements To: mutex Since I cancelled the input message, I cannot retrieve the name/adress of the helpful person who send important contribution to enhance MusicTeX's handling of slurs (macros @uptenbox, etc..). If the authjor can help me finding his origin, he would be better acknowledged in MusicTeX papers... of course. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Jul 23 08:27:29 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20414; Thu, 23 Jul 92 08:27:29 CDT Message-Id: <9207231327.AA20414@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8214; Thu, 23 Jul 92 09:27:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 2036; Thu, 23 Jul 92 09:27:01 EDT Date: 23 JUL 92 15:29:36.50-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.7 To: mutex Version 4.7 of MusicTeX available et anonymous, ftp rsovax.ups.circe.fr (130.84.128.100) directory [anonymous.musictex] Changes: several NICER slur/ties available. Read MUSICDOC.TEX From @pucc.PRINCETON.EDU:UPSORSAY@FRUPS51.BITNET Thu Jul 23 11:49:58 1992 Return-Path: <@pucc.PRINCETON.EDU:UPSORSAY@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA28815; Thu, 23 Jul 92 11:49:58 CDT Message-Id: <9207231649.AA28815@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 9770; Thu, 23 Jul 92 12:49:23 EDT Received: from FRUPS51.BITNET (MAILPOOL) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 3377; Thu, 23 Jul 92 12:29:48 EDT Date: 23 JUL 92 18:32:24.88-GMT From: UPSORSAY%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: BITNET mail from UPSORSAY at FRUPS51 To: mutex Date: see below From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU 23-JUL-1992 18:31:34.36 To: mutex CC: Subj: MusicTeX 4.7 Message date : 23 JUL 92 15:29:36.50-GMT HELO CUNYVM.BITNET TICK 2988 MAIL FROM: RCPT TO: DATA Received: from CUNYVM by CUNYVM.BITNET (Mailer R2.08) with BSMTP id 2988; Thu, 23 Jul 92 12:28:55 EDT Received: from stolaf.edu by CUNYVM.CUNY.EDU (IBM VM SMTP V2R2) with TCP; Thu, 23 Jul 92 12:28:55 EDT Received: by stolaf.edu (4.1/SMI-4.1) id AA20487; Thu, 23 Jul 92 08:27:43 CDT Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20414; Thu, 23 Jul 92 08:27:29 CDT Message-Id: <9207231327.AA20414@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8214; Thu, 23 Jul 92 09:27:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 2036; Thu, 23 Jul 92 09:27:01 EDT Version 4.7 of MusicTeX available et anonymous, ftp rsovax.ups.circe.fr (130.84.128.100) directory [anonymous.musictex] Changes: several NICER slur/ties available. Read MUSICDOC.TEX From mwitten@hermes.chpc.utexas.edu Sat Jul 25 21:50:00 1992 Return-Path: Received: from hermes.chpc.utexas.edu by stolaf.edu (4.1/SMI-4.1) id AA28115; Sat, 25 Jul 92 21:50:00 CDT Received: from morpheus.chpc.utexas.edu by hermes.chpc.utexas.edu (5.64/SMI-3.2) id AA29806; Sat, 25 Jul 92 21:50:01 -0500 Received: by morpheus.chpc.utexas.edu (4.1/SMI-4.1) id AA02443; Sat, 25 Jul 92 21:50:02 CDT From: mwitten@hermes.chpc.utexas.edu Message-Id: <9207260250.AA02443@morpheus.chpc.utexas.edu> Subject: MUSICTEX 4.7 To: mutex Date: Sat, 25 Jul 92 21:50:01 CDT X-Mailer: ELM [version 2.3 PL11] I tried to ftp MUSICTEX 4.7 from rsovax.ups.circe.fr . Here is a transcription of my failed attempt. Any suggestions???? morpheus.chpc.utexas.edu 220% ftp rsovax.ups.circe.fr Connected to rsovax.ups.circe.fr. 220 CMC VAX/VMS FTP Server Version 3.2.1 Name (rsovax.ups.circe.fr:mwitten): anonymous 331 Enter password for login. Password: 230 User ANONYMOUS logged in. ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST caesar.dir dcfonts.dir engfr.dir freeinput.dir ftax.dir gut.dir mlhyphen.dir musictex.dir oztex14.dir powder.dir siebenmann.dir tmfonts.dir 226 Transfer complete 152 bytes received in 0.62 seconds (0.24 Kbytes/s) ftp> ls -laCF 200 PORT Command Accepted. 150 Data Connection Established: NLST -LACF %RMS-F-SYN, file specification syntax error 226 Transfer complete remote: -laCF 45 bytes received in 0.42 seconds (0.11 Kbytes/s) ftp> ls 200 PORT Command Accepted. 150 Data Connection Established: NLST caesar.dir dcfonts.dir engfr.dir freeinput.dir ftax.dir gut.dir mlhyphen.dir musictex.dir oztex14.dir powder.dir siebenmann.dir tmfonts.dir 226 Transfer complete 152 bytes received in 0.52 seconds (0.29 Kbytes/s) ftp> ls musictex 200 PORT Command Accepted. 150 Data Connection Established: NLST MUSICTEX musictex.dir 226 Transfer complete remote: musictex 14 bytes received in 0.13 seconds (0.1 Kbytes/s) ftp> binary 200 Type set to Image. ftp> binary 200 Type set to Image. ftp> mget musictex mget musictex.dir? y 200 PORT Command Accepted. 550 File is a Directory: RETR MUSICTEX.DIR ftp> cd musictex.dir 250 "$DISK2:[ANONYMOUS.MUSICTEX.DIR]" is current directory ftp> mget * mget %RMS-E-DNF, directory not found? n ftp> mget MUSICDOC.TEX mget %RMS-E-DNF, directory not found? cd .. 200 PORT Command Accepted. 550 File is Unavailable: RETR %RMS-E-DNF, DIRECTORY NOT FOUND ftp> cd .. 550 file specification syntax error ftp> quit 221 Terminating Connection morpheus.chpc.utexas.edu 221% Thanks ............ Matthew -- _____________________________________________________________________ Matthew Witten, Ph.D. MED Director, Applications Research & Development Associate Director, UT System Center For High Performance Computing Balcones Research Center, 1.154 CMS 10100 Burnet Road, Austin, TX 78758-4497 USA Phone: (512) 471-2472 FAX: (512) 471-2445 E-MAIL MWITTEN@CHPC.UTEXAS.EDU or MWITTEN@UTHERMES.BITNET "some intellectuals make their living by creating obscurities for the rest of us to puzzle over" _____________________________________________________________________ From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Sun Jul 26 12:05:23 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA10957; Sun, 26 Jul 92 12:05:23 CDT Message-Id: <9207261705.AA10957@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 0649; Sun, 26 Jul 92 13:04:53 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf034) with BSMTP id 3187; Sun, 26 Jul 92 13:04:53 EDT Date: 26 JUL 92 19:07:47.58-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex 4.7 To: mutex CAUTION: the slurn16 and slurn20 fonts have been changed. Thus you have either to recompile the new ones with metafont, or get the new slurn16.tfm and slurn16.pk (idem slurn20). From rf@cl.cam.ac.uk Mon Jul 27 05:43:12 1992 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA25476; Mon, 27 Jul 92 05:43:12 CDT Received: from haddon.cl.cam.ac.uk by swan.cl.cam.ac.uk with SMTP (PP-6.0) to cl id <17579-0@swan.cl.cam.ac.uk>; Mon, 27 Jul 1992 11:42:58 +0100 To: mutex Cc: mutex@stolaf.edu, rf@cl.cam.ac.uk Subject: Re: MUSICTEX 4.7 In-Reply-To: Your message of Sat, 25 Jul 92 21:50:01 -0500. <9207260250.AA02443@morpheus.chpc.utexas.edu> Date: Mon, 27 Jul 92 11:42:45 +0100 From: rf@cl.cam.ac.uk Message-Id: <"swan.cl.ca.582:27.06.92.10.43.02"@cl.cam.ac.uk> >I tried to ftp MUSICTEX 4.7 from rsovax.ups.circe.fr . Here is >a transcription of my failed attempt. Any suggestions???? I can but try... >220 CMC VAX/VMS FTP Server Version 3.2.1 ^^^^^^^ This is the point you're missing; since it's a VMS system, it needs special "treatment"... >[lots omitted] >ftp> ls -laCF >200 PORT Command Accepted. >150 Data Connection Established: NLST -LACF >%RMS-F-SYN, file specification syntax error Since it's a VMS system, "-laCF" gets uppercased and is an acceptable file title. RMS (of %RMS-F-SYN fame) is the file system front end; I don't know what it's complaining about - there's no syntax error... >ftp> ls musictex >200 PORT Command Accepted. >150 Data Connection Established: NLST MUSICTEX >musictex.dir >226 Transfer complete >remote: musictex This is standard VMS behaviour: "DIRECTORY X" is equivalent to "DIRECTORY X.*" >ftp> mget musictex >mget musictex.dir? y >200 PORT Command Accepted. >550 File is a Directory: RETR MUSICTEX.DIR RMS convention dictates that directories end ".DIR", so this is not surprising. >ftp> cd musictex.dir >250 "$DISK2:[ANONYMOUS.MUSICTEX.DIR]" is current directory >ftp> mget * >mget %RMS-E-DNF, directory not found? n You need simply to "cd musictex" - VMS directory structures are rather differently organised to U*x ones. In U*x terms, you've changed directory to /disk2/anonymous/musictex/dir, which is not what you intended. What was needed was ftp> cd musictex Once there, I would suggest that you don't try to transfer (i.e., mget) the whole directory as binary. VMS text files may have embedded record structure information which will give you an awful time on your U*x machine. Also avoid any files of the form *.bck, *.bak, etc, since they've been created with the VMS backup utility which won't be a lot of help to you. >Thanks ............ Matthew It's a pleasure. Robin Fairbairns Presently unemployed, and using the facilities of the U of Cambridge Computer Lab. From KUYKENS@AMC.UVA.NL Mon Jul 27 11:51:26 1992 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA05371; Mon, 27 Jul 92 11:51:26 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF #2574 ) id <01GMVEVIQ3BK9BVIQ9@vx.cis.umn.edu>; Mon, 27 Jul 1992 11:53:31 CDT Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 27 Jul 92 18:53 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Mon, 27 Jul 1992 18:53 MET Date: 27 Jul 1992 18:47 +0100 (MET) From: KUYKENS@AMC.UVA.NL Subject: MIDI2TeX FTP site wanted To: mutex Message-Id: <1C9A81914AD1004699@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Content-Transfer-Encoding: 7BIT Hello MusicTeX users, I have recently finished version 1.1 of MIDI2TeX I tried to upload it on an FTP site without success. Also, people whoi offered to do the uploading for me did not respond yet. So I am looking for somebody who can either point out a site to upload the pacakage and some (detailed) help how to do that or someone who is willing to that job for me. thanks : Hans From hm308ba@unidui.uni-duisburg.de Wed Jul 29 01:01:05 1992 Return-Path: Received: from mail.Germany.EU.net by stolaf.edu (4.1/SMI-4.1) id AA00806; Wed, 29 Jul 92 01:01:05 CDT Received: from unidui.uni-duisburg.de by mail.Germany.EU.net with SMTP (5.65+/UNIDO-2.1.0.b) via EUnet for stolaf.edu id AA27614; Wed, 29 Jul 92 08:01:15 +0200 Received: by unidui.uni-duisburg.de (16.6/SMI-3.2) id AA13219; Wed, 29 Jul 92 07:59:40 +0200 Date: Wed, 29 Jul 92 07:59:40 +0200 From: hm308ba@unidui.uni-duisburg.de (Mathias Bartsch) Message-Id: <9207290559.AA13219@unidui.uni-duisburg.de> To: mutex Subject: MusicTex 4.7 in tar or zip ?!?!? So, there is MusicTeX 4.7! I looked at rsovax.ups.circe.fr and discovered millions of *.tex, *.mf, *.tfm, *.pk, *.sty, even *.doc and *.com ... ... has anyone zip'ped or tar'ed it? ... or has anyone an idea how to retrieve that stuff from a VMS machine? ... does "mget *" work? Most files appear to be plain ascii, but some are binary, of course. Any help appreciated -Thanks in advance- Mathias Bartsch +----------------------------+-----------------------------------------+ | Mathias Bartsch | Laboratorium f. Festkoerperphysik | | Uni -GH- Duisburg (FB10) | phone : +49 203 379 3476 | | Lotharstr. 1-21 | Email : hm308ba@unidui.uni-duisburg.de | | W-4100 DUISBURG 1 | FAX : +49 203 379 3163 | +----------------------------+-----------------------------------------+ From atibm65l@vnet.ibm.com Thu Jul 30 07:55:40 1992 Return-Path: Received: from vnet.ibm.com by stolaf.edu (4.1/SMI-4.1) id AA18559; Thu, 30 Jul 92 07:55:40 CDT Message-Id: <9207301255.AA18559@stolaf.edu> Received: from VIEVMA by vnet.ibm.com (IBM VM SMTP V2R2) with BSMTP id 1606; Thu, 30 Jul 92 08:54:17 EDT Date: Thu, 30 Jul 92 14:52:27 CET From: "RUSCH, KLAUS JOHANNES" To: mutex Subject: Subscription Send subscription requests to mutex-request@stolaf.edu. From KUYKENS@AMC.UVA.NL Wed Aug 5 03:48:42 1992 Return-Path: Received: from VX.CIS.UMN.EDU by stolaf.edu (4.1/SMI-4.1) id AA11878; Wed, 5 Aug 92 03:48:42 CDT Received: from HASARA5.BITNET (MAILGATE@HASARA5) by vx.cis.umn.edu (PMDF #2574 ) id <01GN7IOEVOU89BVM3V@vx.cis.umn.edu>; Wed, 5 Aug 1992 03:51:10 CDT Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 5 Aug 92 10:54 MET Received: from AMC.UVA.NL by VAX1.SARA.NL with PMDF#10201; Wed, 5 Aug 1992 10:53 MET Date: 05 Aug 1992 10:47 +0100 (MET) From: KUYKENS@AMC.UVA.NL Subject: MIDI2TeX V.1.1 uploaded To: mutex Message-Id: <15CB10C9165B005D49@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: STOLAF Content-Transfer-Encoding: 7BIT Hello MIDI2TeX user, Recently I have finished version 1.1 of the MIDI2TeX translator. Instead of sending it by e-mail to all users I now have uploaded the complete package (PC and ST) on ftp site obelix.icce.rug.nl directory : pub/erikjan/MIDI2TeX Download st_m2t11.arc for the ST and pc_m2t11.exe for the PC. The file m2tex11.inf contains some general information about the package. I encourage everybody to transfer the package to other (more general) ftp sites. If you do, please inform me where you uploaded it and in what directory. For those of you who do not have ftp access I am still willing to send the new version by e-mail. Please e-mail your request. It may take one or two weeks before you receive the package by e-mail. Hans Kuykens From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Tue Aug 11 07:01:37 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA22537; Tue, 11 Aug 92 07:01:37 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 0276; Tue, 11 Aug 92 08:01:10 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 6613; Tue, 11 Aug 92 08:01:09 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 8288; Tue, 11 Aug 92 14:02:13 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA16462; Tue, 11 Aug 92 14:01:50 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA11437; Tue, 11 Aug 92 13:56:29 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208111156.AA11437@is1.vub.ac.be> Subject: installation problems : not finding files To: mutex Date: Tue, 11 Aug 92 13:56:29 MET X-Mailer: ELM [version 2.3 PL11] Hi all, I`am trying to install MusicTeX under UNIX. Unfortunately, some problems appear. Is there anybody who had the same problems or knows a solution to this : I installed MusicTeX in a subdirectory of my home-directory. All the subdirs of MusicTeX are as they should be according to the installation. In my .login I specified where TeX has to look for inputs and fonts. *setenv PKPATH ".:/u2/jqdoumen/MusicTeX/pk" *setenv TEXFONTS ".:/u2/jqdoumen/MusicTeX/tfm" *setenv TEXINPUTS ".:/u2/jqdoumen/MusicTeX/macros" This should do the job, I think. When I run TeX on hchoral.tex (as a test-file) I get a hchoral.dvi without problems. But when I run dvips hchoral.dvi -0 , he says he can't find some font files. This is dvips 5.47 Copyright 1986-91 Radical Eye Software ' TeX output 1992.08.11:1107' -> hchoral.ps - MakeTeXPK musicn20 300 300 magstep\(0.0\) mf \mode:=imagen; mag:=magstep(0.0); scrollmode; input musicn20 \ ...g:=magstep(0.0); scrollmode; input musicn20 Please type another input file name: ! Emergency stop. <*> ...g:=magstep(0.0); scrollmode; input musicn20 Transcript written on mfput.log. Metafont failed for some reason on musicn20.300gf dvips: Font musicn20.300pk not found, characters will be left blank. dvips: Font cmbx12.300pk at 360 not found; scaling 300 instead. dvips: Such scaling will generate extremely poor output. dvips: Font beamn20.300pk not found, characters will be left blank. . [1dvips: Unknown keyword (hp:) in \special will be ignor dvips: Unknown keyword (xy) in \special will be ignored dvips: Unknown keyword (12mm) in \special will be ignored dvips: Unknown keyword (18mm) in \special will be ignored dvips: No \special psfile was given; figure will be blank ] [2] [3] [4] [5] [6] [7] [8] I don't get the chance to do anything. The emergency stop is done by dvips itself. Can anybody please help ? Thanks in advance. DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From piet@cs.ruu.nl Thu Aug 13 02:22:45 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA03494; Thu, 13 Aug 92 02:22:45 CDT Received: from alchemy.cs.ruu.nl (gnu.cs.ruu.nl) by infix.cs.ruu.nl with SMTP id AA11699 (5.65c/IDA-1.4.4 for ); Thu, 13 Aug 1992 09:22:38 +0200 Received: by alchemy.cs.ruu.nl id AA27352 (5.65c/IDA-1.4.4); Thu, 13 Aug 1992 09:22:29 +0200 Date: Thu, 13 Aug 1992 09:22:29 +0200 From: Piet van Oostrum Message-Id: <199208130722.AA27352@alchemy.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: installation problems : not finding files References: <9208111156.AA11437@is1.vub.ac.be> >>>>> jqdoumen@vub.ac.be (Doumen Jan) (DJ) writes: DJ> I`am trying to install MusicTeX under UNIX. DJ> Unfortunately, some problems appear. Is there anybody DJ> who had the same problems or knows a solution to this : DJ> I installed MusicTeX in a subdirectory of my home-directory. DJ> All the subdirs of MusicTeX are as they should be according to DJ> the installation. DJ> In my .login I specified where TeX has to look for inputs and fonts. DJ> *setenv PKPATH ".:/u2/jqdoumen/MusicTeX/pk" This should set the TEXPKS variable rather than PKPATH. I discovered another problem: in musictex 4.7 in musicadd.tex the following lines should be added: \newcount\t@wvii \newcount\t@wviii \newcount\t@wix Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From ryanr@mozart.cs.colostate.edu Thu Aug 13 04:13:45 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA05643; Thu, 13 Aug 92 04:13:45 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA25499; Thu, 13 Aug 92 03:13:41 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA26193; Thu, 13 Aug 92 03:13:48 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208130913.AA26193@mozart.cs.colostate.edu> Subject: Finding version 4.7 in U.S.A. To: mutex Date: Thu, 13 Aug 92 3:13:47 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I've heard that version 4.7 is the most current version of MusicTeX. Could someone please tell me where I could get a copy of this from an American site so I'm not tying things up overseas? And if not, could someone tell me of a site elsewhere that wouldn't mind me getting from them overseas? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Thu Aug 13 08:57:13 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA13026; Thu, 13 Aug 92 08:57:13 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7062; Thu, 13 Aug 92 09:56:49 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 5216; Thu, 13 Aug 92 09:55:56 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 9642; Thu, 13 Aug 92 15:57:20 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA28342; Thu, 13 Aug 92 15:57:08 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA05636; Thu, 13 Aug 92 15:51:40 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208131351.AA05636@is1.vub.ac.be> Subject: Manual To: mutex Date: Thu, 13 Aug 92 15:51:39 MET X-Mailer: ELM [version 2.3 PL11] Does there excist a good detailed manual for MusicTeX. The musicdoc is not satisfactory in my opinion. If you look at the demos and try to find the definitions of the commands used in the musicdoc, you can only find 25 % of them. How do I start to learn this MusicTeX. Any good suggestions ? DeJean. - -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ ------- End of Forwarded Message -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From ryanr@mozart.cs.colostate.edu Fri Aug 14 03:43:52 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA10171; Fri, 14 Aug 92 03:43:52 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA28982; Fri, 14 Aug 92 02:43:48 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA10826; Fri, 14 Aug 92 02:43:53 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208140843.AA10826@mozart.cs.colostate.edu> Subject: getting started with musictex To: mutex Date: Fri, 14 Aug 92 2:43:52 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I've been trying to get started with musictex and finally was able to get a hold of one of the newer versions. My latest problem is probably best described with the included typescript of my session. Also, does anyone know the earliest acceptable version of TeX and LaTeX I should be able to use with the current version of MusicTeX? Is LaTeX what I use for MusicTeX now or do I just use TeX or plain TeX? Anyway here's the included typescript under this letter. Thanks, Richard. Script started on Fri Aug 14 02:22:36 1992 ryanr@{beethoven} 34 % latex This is TeX, C Version 3.0 LaTeX Version 2.09 <7 Dec 1989> *\input musicnft (/tmp/ryanr/music/package/musicnft.tex) *\input musictex (/tmp/ryanr/music/package/musictex.tex) *\input musicdoc (/tmp/ryanr/music/package/musicdoc.tex (/usr/local/lib/tex/inputs/report.sty Document Style `report' <13 Nov 89>. (/usr/local/lib/tex/inputs/rep11.sty) (/usr/local/lib/tex/inputs/titlepage.sty) ) (/tmp/ryanr/music/package/musictex.sty (/tmp/ryanr/music/package/musicpre.tex) (/tmp/ryanr/music/package/musicnft.tex ! No room for a new \dimen . \ch@ck ...\else \errmessage {No room for a new #3} \fi \alloc@ ...\advance \count 1#1by\@ne \ch@ck #1#4#2 \allocationnumber =\count ... l.85 \newdimen\wd@skip ^^M ? x No pages of output. Transcript written on texput.log. ryanr@{beethoven} 35 % exit script done on Fri Aug 14 02:23:56 1992 -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Fri Aug 14 04:54:49 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA11707; Fri, 14 Aug 92 04:54:49 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4304; Fri, 14 Aug 92 05:54:30 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 0993; Fri, 14 Aug 92 05:54:30 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 0082; Fri, 14 Aug 92 11:55:46 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA06113; Fri, 14 Aug 92 11:55:39 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA21780; Fri, 14 Aug 92 11:50:09 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208140950.AA21780@is1.vub.ac.be> Subject: Force two mesures on one line ? To: mutex Date: Fri, 14 Aug 92 11:50:08 MET X-Mailer: ELM [version 2.3 PL11] How can you force MusicTeX to put two mesures on one line. I've got a lot of 16th and 32th notes in the left hand of a piano-transcription. He automatically puts the next barre on the next line. This because the second mesure is only a few notes too long. Can you force him to put in anyway on the same line ? DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Aug 17 10:43:11 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20449; Mon, 17 Aug 92 10:43:11 CDT Message-Id: <9208171543.AA20449@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1647; Mon, 17 Aug 92 11:42:40 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 5652; Mon, 17 Aug 92 11:41:48 EDT Date: 17 AUG 92 17:45:12.78-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.72 To: mutex Encore qqs bugs corriges. Version 4.72 de MusicTeX disponible: Some more bugs corrected. Version 4.72 available: ftp anonymous: 130.84.128.100 (alias rsovax.ups.circe.fr) directory [anonymous.musictex] From ryanr@mozart.cs.colostate.edu Mon Aug 17 12:36:35 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA22847; Mon, 17 Aug 92 12:36:35 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA01308; Mon, 17 Aug 92 11:36:33 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA00611; Mon, 17 Aug 92 11:36:37 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208171736.AA00611@mozart.cs.colostate.edu> Subject: Question about public domain music for MusicTeX To: mutex Date: Mon, 17 Aug 92 11:36:36 MDT X-Mailer: ELM [version 2.3 PL8] Hi, Are there any MusicTeX documents available of music in the public domain? I was wondering if there might be any newsgroups or ftp sites that covered this. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From @pucc.PRINCETON.EDU:jqdoumen@vub.ac.be Tue Aug 18 01:47:56 1992 Return-Path: <@pucc.PRINCETON.EDU:jqdoumen@vub.ac.be> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA05636; Tue, 18 Aug 92 01:47:56 CDT Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7673; Tue, 18 Aug 92 02:47:32 EDT Received: from Ulbvm.fnrs-nfwo.ac.be by PUCC.PRINCETON.EDU (Mailer R2.08 ptf039) with BSMTP id 0239; Tue, 18 Aug 92 02:47:30 EDT Received: from BBRBFU60 (BSMTP) by Ulbvm.fnrs-nfwo.ac.be (Mailer R2.08) with BSMTP id 1158; Tue, 18 Aug 92 08:48:49 +0200 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-920629) id AA08153; Tue, 18 Aug 92 08:48:52 +0200 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA12994; Tue, 18 Aug 92 08:43:06 +0200 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9208180643.AA12994@is1.vub.ac.be> Subject: Public domain. To: mutex Date: Tue, 18 Aug 92 8:43:06 MET X-Mailer: ELM [version 2.3 PL11] # domain? I was wondering if there might be any newsgroups or ftp # sites that covered this. # It could be a good idea for the members of this list to start an ftp-site with transcriptions of their music as it could be interesting to see how certain problems have been solved by people. DeJean. -- /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure | | B - 1640 Sint-Genesius-Rode Internet : jqdoumen@vub.ac.be | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From cdr@stolaf.edu Wed Aug 19 07:39:06 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA24628; Wed, 19 Aug 92 07:39:06 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA02521; Wed, 19 Aug 92 07:39:05 CDT Message-Id: <9208191239.AA02521@sachiko.acc.stolaf.edu> To: mutex Subject: [cdr (Craig D Rice): mutex subscription] Date: Wed, 19 Aug 92 07:39:04 -0500 From: cdr@stolaf.edu Forwarded to mutex: ------- Forwarded Message Date: Tue, 18 Aug 92 22:31:12 EDT From: groak@BOURBAKI.MIT.EDU Message-Id: <9208190231.AA24016@kronecker> Subject: The MusicTEX Mailing list Dear Werner: I saw your message on comp.music regarding the MusicTeX mailing list and dutifully tried to send them a subscription request. Therefore, I'd like to ask a favor. Could you please send a request to them to have me placed on it? I realize that this is an unusual request, in that it certainly isn't your responsibility to do this for random people who write you letters, but my mail to them simply keeps bouncing. I'd really appreciate it. Thanks, Paul Gunnells groak@math.mit.edu ------- End of Forwarded Message From igor@charles.ucdavis.edu Thu Aug 20 21:28:45 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA24751; Thu, 20 Aug 92 21:28:45 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA05480; Thu, 20 Aug 92 19:28:43 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA14120; Thu, 20 Aug 92 19:30:14 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Thu, 20 Aug 92 19:30:14 PDT Message-Id: <9208210230.AA14120@charles.ucdavis.edu> To: mutex Subject: All these MusicTeX revisions being only availabe via overseas ftp Please, please, please won't someone offer to upload, hopefully in a one-file .tar or .ARJ format, the latest versions of MusicTex upon downloading from France? It seems most absurd that everyone in the states that wants it should have to ftp to Europe seperately. Of course, we just need an ftp site that could accomodate this... hopefully one that the uploader can get permission with to have it be an ongoing thing. I know there are many sites that have readable /incoming or /tmp directories, maybe someone keeping up on such things could offer possibilities. I believe ucsc has such an area, and they seem to have always been strong in the computer and music fields... perhaps someone who has it could put it there with a short note explaining its identity, and we could see what happens. From ryanr@mozart.cs.colostate.edu Sat Aug 22 02:38:13 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA00730; Sat, 22 Aug 92 02:38:13 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA18178; Sat, 22 Aug 92 01:38:15 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA17915; Sat, 22 Aug 92 01:38:18 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208220738.AA17915@mozart.cs.colostate.edu> Subject: getting dvips to recognize MusicTeX's _.pk fonts (Please help) To: mutex Date: Sat, 22 Aug 92 1:38:17 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I'm looking for help from some UNIX users who know who also use postscript printers. I'm trying to use dvips to convert _.dvi files to postscript files. For some reason dvips does not seem to recognize the _.pk files for MusicTeX. I've tried dvi2ps, also, but it seems to do much worse than dvips does. The following is the file I set the envornment with: setenv TEXINPUTS .:/tmp/ryanr/music/package:/usr/local/lib/tex/inputs setenv TEXFONTS /tmp/ryanr/musicpk:/tmp/ryanr/music/package:/tmp/ryanr/tfm:/usr/local/lib/tex/fonts setenv DVIFONTS /tmp/ryanr/music/package:/tmp/ryanr/musicpk:/tmp/ryanr/tfm:/usr/local/lib/tex/fonts setenv TEXPKS /tmp/ryanr/music/package/:tmp/ryanr/music300pk/:/tmp/ryanr/tfm/pk300:/usr/local/lib/tex/fonts/pk Next is the transcript of a session I where I use dvips: Script started on Fri Aug 21 11:11:37 1992 ryanr@{beethoven} 34 % source /tmp/ryanr/music/musictexenv.source ryanr@{beethoven} 35 % dvips -M -o musicdoc.ps musicdoc.dvi This is dvips 5.47 Copyright 1986-91 Radical Eye Software ' TeX output 1992.08.18:1213' -> musicdoc.ps dvips: Font musicn20.300pk not found, characters will be left blank. dvips: Font beamn20.300pk not found, characters will be left blank. dvips: Font slurn20.300pk not found, characters will be left blank. dvips: Font musicn13.300pk not found, characters will be left blank. dvips: Font beamn13.300pk not found, characters will be left blank. dvips: Font musicn16.300pk not found, characters will be left blank. . [0] [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [32] [33] [34] [35] [36] [37] [38] [39] [40] [41] [42] [43] [44] ryanr@{beethoven} 36 % exit ryanr@{beethoven} 37 % script done on Fri Aug 21 11:13:37 1992 I use the "-M" option because without it dvips looks for _.mk files for all the other fonts so then those fonts won't work. What do I need to do? I would really appreciate the help. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From ryanr@mozart.cs.colostate.edu Sat Aug 22 05:32:12 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA07116; Sat, 22 Aug 92 05:32:12 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA18470; Sat, 22 Aug 92 04:32:14 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA18340; Sat, 22 Aug 92 04:32:16 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208221032.AA18340@mozart.cs.colostate.edu> Subject: (The metafont files) I think I've got dvips working but ... To: mutex Date: Sat, 22 Aug 92 4:32:15 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I think I've got dvips working but I had a couple of problems. The first problem was that there was a -M at the end of each line that I had to edit out of each _.mf file. All the other MusicTeX files unzipped all right so I don't know how those got there. Also, I used a makefonts file that I doctored up to try to get it to work on these fonts. I didn't quite get it right so any corrections would be appreciated. I had to force it through the rough spots and if I had gotten everything right I shouldn't have had to do that. Here's the file I used: start of makefonts ------- #!/bin/sh # Bourne shell script to make all the fonts here. mode=localfont mf=mf fonts="beamd20 beamn11 beamn13 beamn16 beamn20 beamngen beamq20 beamt20 \ beamv20 modes musicd11 musicd13 musicd16 musicd20 musicdef musicg16 \ musicgen musicn11 musicn13 musicn16 musicn20 slur16 slurdd16 slurdu16 \ slurgen slurn16 slurn20 slurud16 sluruu16" for f in $fonts do mf \\mode:=$mode\; input $f gftopk $f.*gf done end of makefonts ---------------- Thanks for any help, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From ryanr@mozart.cs.colostate.edu Sat Aug 22 13:44:47 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA16476; Sat, 22 Aug 92 13:44:47 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA19362; Sat, 22 Aug 92 12:44:50 MDT Received: by mozart.cs.colostate.edu (5.57/Ultrix3.0-C) id AA19701; Sat, 22 Aug 92 12:44:52 -0600 From: ryanr@mozart.cs.colostate.edu (richard ryan) Message-Id: <9208221844.AA19701@mozart.cs.colostate.edu> Subject: \fhyph and \Interligne To: mutex Date: Sat, 22 Aug 92 12:44:51 MDT X-Mailer: ELM [version 2.3 PL8] Hi, My TeX here can't seem to find the definition of \fhyph and \Interligne. Could someone tell me where I can find these defined? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From tim@maths.tcd.ie Sat Aug 22 20:01:44 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA21009; Sat, 22 Aug 92 20:01:44 CDT From: Timothy Murphy Subject: Re: \fhyph and \Interligne To: mutex In-Reply-To: richard ryan's message of Sat, 22 Aug 92 12:44:51 MDT Date: Sun, 23 Aug 92 2:01:43 BST Sender: tim@maths.tcd.ie Message-Id: <9208230201.aa15228@salmon.maths.tcd.ie> > My TeX here can't seem to find the definition of \fhyph and \Interligne. > Could someone tell me where I can find these defined? \fhyph is defined in INRSTeX; but I was told by Taupin that it could be ignored without little or no loss; say \let\fhyph=\relax I haven't come across \Interligne in MusicTeX yet; it is not defined in INRSTeX. Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From piet@cs.ruu.nl Sun Aug 23 11:45:26 1992 Return-Path: Received: from infix.cs.ruu.nl by stolaf.edu (4.1/SMI-4.1) id AA04880; Sun, 23 Aug 92 11:45:26 CDT Received: by infix.cs.ruu.nl id AA24944 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Sun, 23 Aug 1992 18:45:20 +0200 Date: Sun, 23 Aug 1992 18:45:20 +0200 From: Piet van Oostrum Message-Id: <199208231645.AA24944@infix.cs.ruu.nl> To: mutex Cc: mutex@stolaf.edu Subject: Re: getting dvips to recognize MusicTeX's _.pk fonts (Please help) References: <9208220738.AA17915@mozart.cs.colostate.edu> >>>>> ryanr@mozart.cs.colostate.edu (richard ryan) (RR) writes: RR> I'm looking for help from some UNIX users who know who also use postscript RR> printers. I'm trying to use dvips to convert _.dvi files to postscript RR> files. For some reason dvips does not seem to recognize the _.pk files RR> for MusicTeX. I've tried dvi2ps, also, but it seems to do much worse than RR> dvips does. The following is the file I set the envornment with: You should rename all the .pk files too .300pk. RR> I think I've got dvips working but I had a couple of problems. The first RR> problem was that there was a -M at the end of each line that I had to RR> edit out of each _.mf file. All the other MusicTeX files unzipped all RR> right so I don't know how those got there. The Zip contains MS-DOS files which uses CR/LF (ie ^M/^J) for newlines whereas Unix uses only LF (^J). So you have to remove the ^M from all text files and sometimes also a trailing ^Z. Piet* van Oostrum, Dept of Computer Science, Utrecht University, Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands. Telephone: +31 30 531806 Uucp: uunet!mcsun!ruuinf!piet Telefax: +31 30 513791 Internet: piet@cs.ruu.nl (*`Pete') From walt@GECKO.SLAC.Stanford.EDU Tue Aug 25 15:47:41 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA22151; Tue, 25 Aug 92 15:47:41 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Tue, 25 Aug 1992 13:47 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67a/NX3.0S) id AA06601; Tue, 25 Aug 92 13:41:41 -0700 Received: by NeXT Mailer (1.82.RR) Date: Tue, 25 Aug 92 13:41:41 -0700 From: Walter Innes Subject: New versions of bagpipe.tex To: mutex Message-Id: <9208252041.AA06601@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have uploaded two new versions of bagpipe.tex. Here is the readme that goes with them: bagpipe.tex is a macro-package for use with MusicTeX to type set Scottish Highland Bagpipe music. Version 1.1 is for use with MusicTeX versions 4.50 and 4.52. Version 1.2 is for use with musicTeX versions 4.71 and 4.72. Version 1.1 adds many new grace note definitions to version 1.0. Version 1.2 adds a new scheme for specifying pitches which does not require \s before pitch specifiers. From griebl@fmi.uni-passau.de Wed Aug 26 03:52:16 1992 Return-Path: Received: from inn.fmi.uni-passau.de by stolaf.edu (4.1/SMI-4.1) id AA07588; Wed, 26 Aug 92 03:52:16 CDT Received: by inn.fmi.uni-passau.de id AA06290 (5.65c8/IDA-1.4.4 for mutex@stolaf.edu); Mon, 24 Aug 1992 17:53:32 +0200 From: Martin Griebl Message-Id: <199208241553.AA06290@inn.fmi.uni-passau.de> Subject: Re: getting dvips to recognize fonts To: mutex Date: Mon, 24 Aug 92 17:53:31 MET DST Return-Receipt-To: griebl@fmi.uni-passau.de X-Mailer: ELM [version 2.3 PL6] Hi Richard, hi all, in the last time there were several questions about UNIX environment variables for TeX and esp. for dvips. I had many troubles in that area, too. Now, I've found a solution which works fine. I'm not sure whether my solution is the best (and not even if it works everywhere) but I think it's worth posting it. For dvips the relevant variable is TEXPKS. But, in my version it is *not* enough to set it to the desired *PATH*. I have to set this variable to the FILENAMEs of the fonts (!!). For this purpose there exist three "wildcars": %f is the name of the fontfile %d is the resolution %p is the "extension" (normally pk) An example: "/tex/fonts/pk/%d/%f.%d%p" contains our standard fonts. If dvips is looking for cmr12 in the resolution of 300 dpi then it looks whether there exists "/tex/fonts/pk/300/cmr12.300pk" (simply replace %d, %f and %p in the rule whith the desired values 300, cmr12 and pk, respectively). Therefore my TEXPKS is set to "./%f.%d%p:/home/griebl/musictex/fonts/%f.%d%p:/tex/fonts/pk/%d/%f.%d%p:" for fist looking at the current directory (.), then at my own musictex-font- directory and then in the operators library /tex/fonts/pk for the needed fonts. If the font is not found after the operators library, dvips reads the final ':' in TEXPKS. This means that dvips should then look in the systems standard path (I think, it's /usr/lib/tex/fonts/pk or something like that). If you don't want this then only remove the ':' at the end of TEXPKS. I don't know if the described behavior for font-name-mathching instead of path-setting is a bug or not. I would be interested if anyone can work with dvips under UNIX without explictly describing the filenames (and using other directories than the standard-directories, of course). For Richard, only: Please tell me if you do have success with this help or not. Thanks. Ciao, Martin ***************************************************************************** * Martin Griebl, University of Passau, Germany, Phone: (49) (851) 509-710 * * E-Mail: griebl@fmi.uni-passau.de * ***************************************************************************** From griebl@fmi.uni-passau.de Wed Aug 26 04:00:35 1992 Return-Path: Received: from inn.fmi.uni-passau.de by stolaf.edu (4.1/SMI-4.1) id AA07851; Wed, 26 Aug 92 04:00:35 CDT Received: by inn.fmi.uni-passau.de id AA06290 (5.65c8/IDA-1.4.4 for mutex@stolaf.edu); Mon, 24 Aug 1992 17:53:32 +0200 From: Martin Griebl Message-Id: <199208241553.AA06290@inn.fmi.uni-passau.de> Subject: Re: getting dvips to recognize fonts To: mutex Date: Mon, 24 Aug 92 17:53:31 MET DST Return-Receipt-To: griebl@fmi.uni-passau.de X-Mailer: ELM [version 2.3 PL6] Hi Richard, hi all, in the last time there were several questions about UNIX environment variables for TeX and esp. for dvips. I had many troubles in that area, too. Now, I've found a solution which works fine. I'm not sure whether my solution is the best (and not even if it works everywhere) but I think it's worth posting it. For dvips the relevant variable is TEXPKS. But, in my version it is *not* enough to set it to the desired *PATH*. I have to set this variable to the FILENAMEs of the fonts (!!). For this purpose there exist three "wildcars": %f is the name of the fontfile %d is the resolution %p is the "extension" (normally pk) An example: "/tex/fonts/pk/%d/%f.%d%p" contains our standard fonts. If dvips is looking for cmr12 in the resolution of 300 dpi then it looks whether there exists "/tex/fonts/pk/300/cmr12.300pk" (simply replace %d, %f and %p in the rule whith the desired values 300, cmr12 and pk, respectively). Therefore my TEXPKS is set to "./%f.%d%p:/home/griebl/musictex/fonts/%f.%d%p:/tex/fonts/pk/%d/%f.%d%p:" for fist looking at the current directory (.), then at my own musictex-font- directory and then in the operators library /tex/fonts/pk for the needed fonts. If the font is not found after the operators library, dvips reads the final ':' in TEXPKS. This means that dvips should then look in the systems standard path (I think, it's /usr/lib/tex/fonts/pk or something like that). If you don't want this then only remove the ':' at the end of TEXPKS. I don't know if the described behavior for font-name-mathching instead of path-setting is a bug or not. I would be interested if anyone can work with dvips under UNIX without explictly describing the filenames (and using other directories than the standard-directories, of course). For Richard, only: Please tell me if you do have success with this help or not. Thanks. Ciao, Martin ***************************************************************************** * Martin Griebl, University of Passau, Germany, Phone: (49) (851) 509-710 * * E-Mail: griebl@fmi.uni-passau.de * ***************************************************************************** From walt@GECKO.SLAC.Stanford.EDU Wed Aug 26 09:56:37 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU ([134.79.16.14]) by stolaf.edu (4.1/SMI-4.1) id AA19222; Wed, 26 Aug 92 09:56:37 CDT Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Wed, 26 Aug 1992 07:56 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67a/NX3.0S) id AA12372; Wed, 26 Aug 92 07:47:01 -0700 Received: by NeXT Mailer (1.82.RR) Date: Wed, 26 Aug 92 07:47:01 -0700 From: Walter Innes Subject: Re: New versions of bagpipe.tex To: mutex Message-Id: <9208261447.AA12372@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu >Date: Wed, 26 Aug 1992 09:38:28 +0200 >From: Piet van Oostrum >Subject: Re: New versions of bagpipe.tex >To: Walter Innes >>>>> Walter Innes (WI) writes: >WI> I have uploaded two new versions of bagpipe.tex. Here is the >readme >WI> that goes with them: >Wouldn't it be nice to know WHERE you have uploaded them. >Piet* van Oostrum, Dept of Computer Science, Utrecht University, Yes it would! to ftp.stolaf.edu in directory pub/mutex/contrib . From bph@gel.ulaval.ca Thu Sep 3 15:35:39 1992 Return-Path: Received: from stlaurent.gel.ulaval.ca (gel-stlaurent.ulaval.ca) by stolaf.edu (4.1/SMI-4.1) id AA28348; Thu, 3 Sep 92 15:35:39 CDT Date: Thu, 3 Sep 92 16:36:47 EDT From: Beatrice Philibert Message-Id: <9209032036.AA27082@stlaurent.gel.ulaval.ca> To: mutex Subject: Looking for MusicTeX 4.72 Does anybody know where I can get MusicTeX 4.72 in Canada ? I have not been able to ftp it from France. Please, e-mail your answer. Ou puis-je obtenir MusicTeX 4.72 au Canada ? Je n'ai pas pu me connecter au serveur francais. Merci de vos reponses par e-mail. Beatrice Philibert ------------------------------------------------------------------------------- Dr Beatrice Philibert | Tel: 1-418-656-3019 Departement de Genie Electrique | Fax: 1-418-656-3159 Universite Laval | e-mail: bph@gel.ulaval.ca Sainte-Foy (Quebec) CANADA | Beatrice.Philibert@gel.ulaval.ca G1K 7P4 | ------------------------------------------------------------------------------- From pmcilroy@bt-sys.bt.co.uk Tue Sep 8 11:37:13 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA14464; Tue, 8 Sep 92 11:37:13 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <24430-0@zaphod.axion.bt.co.uk>; Mon, 7 Sep 1992 20:44:15 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA07419; Mon, 7 Sep 92 20:39:30 BST Message-Id: <9209071939.AA07419@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA14032; Mon, 7 Sep 92 20:43:40 +0100 Date: Mon, 7 Sep 92 20:43:40 +0100 From: Paul McIlroy To: mutex Subject: Scale_and_Rests.tex I have just started learning how to use Daniel Taupin's music setting package MusicTeX. As I had a bit of difficulty remembering the names of notes and rests I made myself a little table of 52 note pitches and their names, and another little table of all the rests and their names. Since the code is very short, and since I thought it might help other novices like myself I am posting the two tables here. The two tables fit easily on a single A4 page. I hope any TeX wizzards reading this will forgive the awful way I have coded this, but as I said I have just started learning. Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) _______________________________ CUT HERE _______________________________ \input musicnft % defines music fonts \input musictex % defines music macros & parameters \input musicsty % non musical procedures used in typesetting text \vsize=25.5cm \hsize=18.5cm \hoffset=-14mm % for LaserWriter \nopagenumbers \def\nbinstruments{1} \def\lbnt#1{\zcharnote{12}{#1}\wh{!#1}}\relax \def\musictex{Music\TeX}% \cleftoksi={{6}{}{}{}}% \parindent 0mm% \centerline{\enorme Note Pitches in \musictex} \bigskip \bigskip \bigskip \bottommargin=15\Interligne \def\wbarno{} \debutmorceau \autolines{24}{1}{4}% \temps\temps\temps\notes\lbnt {`A}\lbnt {`B}\lbnt {`C}\lbnt {`D}\lbnt {`E}\lbnt {`F}\lbnt {`G} \lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\lbnt H\lbnt I \lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\enotes \cleftoksi={{0}{}{}{}}% \def\lbnt#1{\zcharnote{-6}{#1}\wh{!#1}}\relax \alaligne\notes\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i \lbnt j\lbnt k\lbnt l\lbnt m\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r \lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\enotes \suspmorceau \bigskip \bigskip \bigskip \def\mcra#1{\zcharnote{16}{$\backslash$#1}}\relax % Displays a macro \def\mcrb#1#2{\zcharnote{16}{$\backslash$#1}% \zcharnote{12}{$\backslash$#2}}\relax % Displays 2 alternative macro names \def\mcrc#1#2#3{\zcharnote{20}{$\backslash$#1}\zcharnote{16}{$\backslash$#2}% \zcharnote{12}{$\backslash$#3}}\relax % Displays 3 alternative macro names \def\nbinstruments{1} % % extra rest definitions:- % \def\dq@soup{\musicnfont\char"41}% \def\dqs{\hbox to \noteskip{\dq@soup\hss}% \advance\locx@skip by \noteskip}% \def\qq@soup{\musicnfont\char"42}% \def\qqs{\hbox to \noteskip{\qq@soup\hss}% \advance\locx@skip by \noteskip}% % \cleftoksi={{0}{}{}{}}% \parindent 0mm% \centerline{\enorme Rests in \musictex} \bigskip \bigskip \bigskip \bottommargin=15\Interligne \def\wbarno{} \debutmorceau \autolines{15}{1}{4}% \Notes\temps\enotes \NOtes \mcra{qqs}\qqs% hemi-demi-semi-quaver rest \mcra{dqs}\dqs% demi-semi-quaver rest \mcrc{quartsoupir}{qsoupir}{qs}\qs% semi-quaver rest \mcrc{demisoupir}{dsoupir}{ds}\ds% quaver rest \mcrb{soupir}{qp}\qp% crotchet rest \mcra{hpause}\hpause% minim rest \mcra{pause}\pause% semibreve rest \enotes \suspmorceau\bye From mwitten@hermes.chpc.utexas.edu Tue Sep 8 12:40:02 1992 Return-Path: Received: from hermes.chpc.utexas.edu by stolaf.edu (4.1/SMI-4.1) id AA23519; Tue, 8 Sep 92 12:40:02 CDT Received: from morpheus.chpc.utexas.edu by hermes.chpc.utexas.edu (5.64/SMI-3.2) id AA24152; Tue, 8 Sep 92 12:40:24 -0500 Received: by morpheus.chpc.utexas.edu (4.1/SMI-4.1) id AA26093; Tue, 8 Sep 92 12:41:07 CDT From: mwitten@hermes.chpc.utexas.edu Message-Id: <9209081741.AA26093@morpheus.chpc.utexas.edu> Subject: MusicTex To: mutex Date: Tue, 8 Sep 92 12:41:06 CDT X-Mailer: ELM [version 2.3 PL11] I am trying to get the MusicTex system up and running here in the US. I am just about to release the whole thing to anonymous ftp. I will let the crowd know when it's available. I thought it might be useful to have people send MusicTex related programs to me for the ftp library. If I'm duplicating an effort, let me know. It's so hard to keep track of things these days. Matthew -- _____________________________________________________________________ Matthew Witten, Ph.D. MED Director, Applications Research & Development Associate Director, UT System Center For High Performance Computing Balcones Research Center, 1.154 CMS 10100 Burnet Road, Austin, TX 78758-4497 USA Phone: (512) 471-2472 FAX: (512) 471-2445 E-MAIL MWITTEN@CHPC.UTEXAS.EDU or MWITTEN@UTHERMES.BITNET "some intellectuals make their living by creating obscurities for the rest of us to puzzle over" _____________________________________________________________________ From barrett@astro.cs.umass.edu Tue Sep 8 13:27:14 1992 Return-Path: Received: from astro.cs.umass.edu by stolaf.edu (4.1/SMI-4.1) id AA25311; Tue, 8 Sep 92 13:27:14 CDT Received: by astro.cs.umass.edu (5.57/Ultrix3.0-C) id AA05395; Tue, 8 Sep 92 14:27:40 -0400 Date: Tue, 8 Sep 92 14:27:40 -0400 From: barrett@astro.cs.umass.edu (Daniel Barrett) Message-Id: <9209081827.AA05395@astro.cs.umass.edu> To: mutex Subject: SMF to MusicTeX converter being planned - ideas wanted Hi folks: I have just joined this mailing list. In the next few months, I will be planning and building a program to convert from Standard MIDI Files (SMF) to MusicTeX. The program will be freely distributable, perhaps with some optional shareware components. If anybody has any suggestions or tips, I would appreciate hearing them. Since this program is essentially a compiler, I plan first to write a generic SMF parser using bison (GNU yacc). If someone else has done this already, please let me know. I have seen other SMF translation programs, but none of them use any grammar-based tools like lex/yacc. Once the parser is built, I'll add the MusicTeX support. I will try to make the program independent of MusicTeX, so that other people can use it to generate other languages like MuTeX or whatever kind of scoring language is desired. Toward this end, I'll need to invent lots of MusicTeX macros for common notation. If you have any great macros that you'd like to share, I'd love to see them. Finally, there's the issue of quantization. For now, I plan to force the user to do the quantization using his/her sequencer (or other tool) before running my converter. However, eventually I'd like for the converter to have some of its own heuristics for grouping MIDI data into chords and guessing durations. Any ideas about this would be appreciated. A major goal of this work is that the program will be portable. Anybody with a C compiler and an implementation of bison (freely available on all major microcomputers and UNIX, I believe) should be able to port it quickly. I'll distribute the code already "bisoned" too, so you won't even need bison to compile the program. All user-interface code will be kept separate from the "engine." I don't intend for this program to have any kind of graphic front-end. This would take more time than I can afford to spend (I am a graduate student right now). Possibly, there will be some kind of machine-specific graphic interface for turning options on and off before converting to MusicTeX. When finished, the program will run under UNIX and the Amiga operating system. (But it should port pretty easily to other platforms.) Like I said, I'm interested in hearing any ideas you have. I will be spending a long time planning the project before doing any coding (gosh... software engineering! :-)), so please let me know what features you might find useful. Dan //////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ | Dan Barrett -- Dept of Computer Science, Lederle Graduate Research Center | | University of Massachusetts, Amherst, MA 01003 -- barrett@cs.umass.edu | \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\///////////////////////////////////// From pmcilroy@bt-sys.bt.co.uk Tue Sep 8 15:37:56 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA01219; Tue, 8 Sep 92 15:37:56 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <07331-0@zaphod.axion.bt.co.uk>; Tue, 8 Sep 1992 21:38:06 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA10005; Tue, 8 Sep 92 21:33:18 BST Message-Id: <9209082033.AA10005@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA15197; Tue, 8 Sep 92 21:37:26 +0100 Date: Tue, 8 Sep 92 21:37:26 +0100 From: Paul McIlroy To: mutex Subject: Re: SMF to MusicTeX converter being planned - ideas wanted Dan, have you seen the posting from KUYKENS@AMC.UVA.NL in the mutex archive (ftp.stolaf.edu:/pub/mutex/archive). Just in case you haven't seen it here it is:- ________________________________________________________________________________ >From KUYKENS@AMC.UVA.NL Fri Apr 3 09:47:47 1992 Return-Path: Received: from vx.acs.umn.edu by stolaf.edu (4.1/SMI-4.1) id AA17105; Fri, 3 Apr 92 09:47:47 CST Received: from HASARA5.BITNET by vx.acs.umn.edu; Fri, 3 Apr 92 09:51 CST Received: from VAX1.SARA.NL by SARA.NL for mutex@stolaf.edu; 3 Apr 92 17:52 MET Received: from AMC.UVA.NL by VAX1.SARA.NL; Fri, 3 Apr 92 17:45 MET Date: Fri, 3 Apr 92 17:43 MET >From: KUYKENS@AMC.UVA.NL Subject: Midi2TeX translator To: mutex mutex@stolaf.edu Message-Id: <77018573F8FD001663@AMC.UVA.NL> X-Envelope-To: mutex@stolaf.edu X-Vms-To: @SENDASK.GRP To all MusicTeX/MIDI users, In the past months I have been working on a translator program, MIDI2TEX which maps MIDI files to a MusicTeX file. Though not completely bug free the software could use some external input to test its proper function. Therefore, I would like to invite you to receive a test version of the software. The aim is that you try it on some of your MIDI files and report back your findings to me. The software is available for the Atari-ST and PC compatible. On the Atari the core program is of TTP type. I wrote a dedicated GEM shell which simplifies the use. Such a shell is not available for the PC version. Some features of MIDI2TEX are : * translation of notes into MusicTeX format * one or more MIDI tracks are supported * skip tracks * glue tracks into one (MusicTeX) instrument * selection of bass or violin cleff for any track * slurring of notes * selection of measure segmentation * debugging info to screen/file/printer If you are interested please tell me so by e-mail. I will then send you the software in ARC'ed and uuencoded format through e-mail. greetings : Hans Kuykens ________________________________________________________________________________ If you have not already done so you might want to check out Hans's program before writing your own. Regards, Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) P.S. Forgive me if I should be minding my own business, but I thought you might save yourself some work. From icking@gmdzi.gmd.de Wed Sep 9 12:16:26 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA04707; Wed, 9 Sep 92 12:16:26 CDT Received: by gmdzi.gmd.de id AA10432 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 9 Sep 1992 19:16:04 +0200 Date: Wed, 9 Sep 1992 19:16:04 +0200 From: Werner Icking Message-Id: <199209091716.AA10432@gmdzi.gmd.de> To: mutex Subject: Re: Scale_and_Rests.tex >Message-Id: <9209071939.AA07419@bt-sys.bt.co.uk> >Date: Mon, 7 Sep 92 20:43:40 +0100 Hi Paul >I have just started learning how to use Daniel Taupin's music setting >package MusicTeX. As I had a bit of difficulty remembering the names >of notes and rests I made myself a little table of 52 note pitches and >their names, and another little table of all the rests and their names. >Since the code is very short, and since I thought it might help other >novices like myself I am posting the two tables here. The two tables >fit easily on a single A4 page. Nice idea, because ... some time ago I had a similar idea :-) but forgot to make it public :-( So I take the chance to combine yours and mine. The result you may find at the end. Take it as if it were yours. > >I hope any TeX wizzards reading this will forgive the awful way I have >coded this, but as I said I have just started learning. Nothing to forgive. But some remarks which may help you. 1. you have an out-of-date version as I could see by(? with in at?) your usage of \bottommargin; it was conflicting with LaTeX so Daniel renamed it to \staffbotmarg. 2. if you use the transposition feature of Musictex you need not remember the names of the pitches but only (within \notes ... \enotes) the transpose-register: \notes\qu{cdef}\enotes\barre\notes\qu{g'ab}\ql c\enotes\relax \barre\notes\ql{'dedc}\enotes\barre\notes\qu{'ba`gf}\enotes\relax \barre\notes\qu{ed}\wh c\enotes\relax Werner PS: And here is the combined musicref.tex - waiting for improvements --------------------------------------------------------------------------- \input musicnft\input musictex\input musicsty \vsize=25.5cm\hsize=18.5cm\hoffset=-14mm % for LaserWriter \parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1} \def\musictex{Music\TeX}% \centerline{\enorme Notes and Pitches in \musictex}\bigskip \debutmorceau\cleftoksi={{6}{}{}{}}\autolines{26}{1}{12}\temps\notes\relax \def\lbnt#1{\zcharnote{14}{#1}\wh{!#1}}\relax \lbnt {`A}\lbnt {`B}\lbnt {`C}\lbnt {`D}\lbnt {`E}\lbnt {`F}\lbnt {`G}\relax \lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\lbnt H\lbnt I\relax \lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\relax \enotes\cleftoksi={{0}{}{}{}}\alaligne\notes \def\lbnt#1{\zcharnote{-8}{#1}\wh{!#1}}\relax \lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i\relax \lbnt j\lbnt k\lbnt l\lbnt m\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r\relax \lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\relax \enotes\suspmorceau \def\mcra#1{\zcharnote{M}{$\backslash$#1}}\relax % Displays a macro \bigskip\debutmorceau\temps\NOtes\relax \mcra{zbv}\zbv i\sk\mcra{zsb}\zsb i\sk\enotes\Notes\relax \mcra{wh}\wh i\relax \mcra{hu}\hu f\mcra{hl}\hl l\relax \mcra{qu}\qu f\mcra{ql}\ql l\relax \mcra{cu}\cu f\mcra{cl}\cl l\enotes\NOtes\relax \mcra{ccu}\ccu f\mcra{ccl}\ccl l\relax \mcra{cccu}\cccu f\mcra{cccl}\cccl l\relax \mcra{ccccu}\ccccu f\mcra{ccccl}\ccccl l\enotes\suspmorceau % % extra rest definitions:- % \def\dq@soup{\musicnfont\char"41}% \def\dqs{\hbox to \noteskip{\dq@soup\hss}\advance\locx@skip by \noteskip}% \def\qq@soup{\musicnfont\char"42}% \def\qqs{\hbox to \noteskip{\qq@soup\hss}\advance\locx@skip by \noteskip}% % \def\mcra#1{\zcharnote{16}{$\backslash$#1}}\relax % Displays a macro \def\mcrb#1#2{\zcharnote{16}{$\backslash$#1}% \zcharnote{12}{$\backslash$#2}}\relax % Displays 2 alternative macro names \def\mcrc#1#2#3{\zcharnote{20}{$\backslash$#1}\zcharnote{16}{$\backslash$#2}% \zcharnote{12}{$\backslash$#3}}\relax % Displays 3 alternative macro names % \bigskip\centerline{\enorme Rests in \musictex}\bigskip \debutmorceau\NOtes\sk\relax \mcra{qqs}\qqs% hemi-demi-semi-quaver rest \mcra{dqs}\dqs% demi-semi-quaver rest \mcrc{quartsoupir}{qsoupir}{qs}\qs\sk% semi-quaver rest \mcrc{demisoupir}{dsoupir}{ds}\ds\sk% quaver rest \mcrb{soupir}{qp}\qp% crotchet rest \mcra{hpause}\hpause% minim rest \mcra{pause}\pause% semibreve rest \mcra{PAuse}\PAuse% ? rest \mcra{PAUSe}\PAUSe% ?? rest \enotes\suspmorceau % \bigskip\centerline{\enorme Symbols in \musictex}\bigskip \def\mcra#1{\zcharnote{17}{$\backslash$#1}}\relax \debutmorceau\NOtes\sk\relax \mcra{nTrille}\nTrille{n}1\sk\mcra{ntrille}\ntrille{n}1\sk\sk\relax \mcra{pince}\pince{n}\sk\mcra{Pince}\Pince{n}\sk\relax \mcra{mordant}\mordant{n}\sk\sk\relax \mcra{turn}\turn{n}\sk\mcra{backturn}\backturn{n}\sk\sk\relax \mcra{coda}\coda{n}\sk\mcra{segno}\segno{n}\sk\relax \enotes\alaligne\NOtes\sk\relax \def\mcra#1{\zcharnote{10}{$\backslash$#1}}\relax \mcra{dimin}\zcharnote b{\dimin}\sk\relax \mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax \mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax \mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\sk\relax \enotes\alaligne\NOtes\sk\relax \mcra{cresc}\zcharnote b{\cresc}\sk\relax \mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax \mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax \mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\relax \enotes\alaligne\NOtes\sk\relax \def\mcra#1{\zcharnote{14}{$\backslash$#1}}\relax \mcra{pointdorgue}\pointdorgue{l}\wh k\sk\relax \mcra{pointdurgue}\pointdurgue{e}\wh f\sk\relax \mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax \enotes\suspmorceau\bye From mau@beatles.CSELT.STET.IT Thu Sep 10 07:00:34 1992 Return-Path: Received: from pol90a (pol90a.polito.it) by stolaf.edu (4.1/SMI-4.1) id AA16583; Thu, 10 Sep 92 07:00:34 CDT Received: from EI3500.CSELT.IT by POLITO.IT (PMDF #12666) id <01GOMBCLO3MO94FRF3@POLITO.IT>; Thu, 10 Sep 1992 12:32 GMT+1 Received: from beatles.uf.cselt (125.0.90.142) by EI3500.CSELT.STET.IT; Thu, 10 Sep 92 12:29 GMT +1 Received: by beatles.uf.cselt (4.1/SMI-4.1) id AA06586; Thu, 10 Sep 92 12:28:24 +0200 Date: Thu, 10 Sep 92 12:28:24 +0200 From: mau@beatles.CSELT.STET.IT Subject: Re: Scale_and_Rests.tex To: mutex Message-Id: <9209101028.AA06586@beatles.uf.cselt> X-Envelope-To: mutex@stolaf.edu > \debutmorceau\cleftoksi={{6}{}{}{}}\autolines{26}{1}{12}\temps\notes\relax I found that the first clef is still a G one, unless \cleftoksi={{6}{}{}{}} is put *before* \debutmorceau ... ciao! .mau. From cdr Thu Sep 10 08:44:04 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA18106; Thu, 10 Sep 92 08:44:04 CDT Date: Thu, 10 Sep 92 08:44:04 CDT From: cdr (Craig D Rice) Message-Id: <9209101344.AA18106@stolaf.edu> To: mutex Subject: test This is a test message... Please ignore this... Craig From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Sep 11 13:16:01 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA06732; Fri, 11 Sep 92 13:16:01 CDT Message-Id: <9209111816.AA06732@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2551; Fri, 11 Sep 92 14:15:30 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.09 ptf000) with BSMTP id 9796; Fri, 11 Sep 92 13:29:07 EDT Date: 11 SEP 92 19:33:07.91-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.76 To: mutex Version 4.76 posted at rsovax.ups.circe.fr = 130.84.128.100 Corrections: - some rests defined (1/32 and 1/64) - doc updated (slightly) - summary of pitches, notes and ornaments added in fine. From ryanr@mozart.CS.ColoState.EDU Sun Sep 13 19:10:23 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA18886; Sun, 13 Sep 92 19:10:23 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA12208; Sun, 13 Sep 92 18:10:40 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA10811; Sun, 13 Sep 92 18:10:21 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9209140010.AA10811@mozart.CS.ColoState.EDU> Subject: sortindx (req: versions in C, Bourne shell script and/or pseudocode) To: mutex Date: Sun, 13 Sep 92 18:10:20 MDT X-Mailer: ELM [version 2.3 PL8] Hi, I'm about to ask for an awful lot, but I think a posting of the answers might be beneficial to many. Please brace yourselves. I was wondering if someone could give me the general idea of what sortindx does. If it sorts into directories, please post a listing of the directories and what's in them. If it does any formatting or processing of files, please include what the formatting and processing is with the names of the resultant files and what they're used for, and what directories they belong in. If anyone knows how to represent the algorithm of sortindx in pseudocode or in any other way, I'd really appreciate it if you could post that. (My ForTran is on the rusty side, even though I like the language.) Maybe if someone has a C version of it for UNIX or a Bourne shell script version they could post it. If there are any C versions of sortindx for any other operating systems, please post that and please include the version of C used and the operating system it's written for. If we have that then maybe it can be adapted. I'm not that great of a programmer, but if I can come up with something or if I can find someone who can, I'll post whatever I can. Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From icking@gmdzi.gmd.de Tue Sep 15 09:26:24 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA27297; Tue, 15 Sep 92 09:26:24 CDT Received: by gmdzi.gmd.de id AA26558 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 15 Sep 1992 16:26:08 +0200 Date: Tue, 15 Sep 1992 16:26:08 +0200 From: Werner Icking Message-Id: <199209151426.AA26558@gmdzi.gmd.de> To: mutex Subject: MusicTeX 4.76 on ftp.gmd.de PLUS new musicref.tex Daniel Taupin writes: > >Version 4.76 posted at rsovax.ups.circe.fr = 130.84.128.100 > and as usual it is available for anonymous ftp from: ftp.gmd.de music/musictex.zip and in addition here is the (pre-)ultimate enhanced one-page musicref.tex: --------------------------------------------------------------------------- \input musicnft\input musictex\input musicsty \advance\voffset by -10mm\advance\vsize by 20mm\advance\hoffset by -5mm \parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1} \def\musictex{Music\TeX}\def\zch{\zcharnote}% \centerline{\enorme \musictex\ Reference}\bigskip \centerline{\moyen Pitches}\bigskip \def\LBNT#1#2{\zch{!g}{#1#2}\wh{!#1#2}}\relax \def\lbnt#1{\zch g{#1}\wh{#1}}\relax \def\lbnu#1#2{\zch g{#1}\zch B{\hbox{\kern -3pt '#2}}\wh{#1}}\relax \cleftoksi={6000}\debutmorceau\autolines{26}{1}{12}\temps\relax % Pitches \notes\LBNT `A\LBNT `B\LBNT `C\LBNT `D\LBNT `E\LBNT `F\LBNT `G\enotes\relax \notes\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\enotes\relax \notes\lbnu HA\lbnu IB\lbnu JC\lbnu KD\lbnu LE\lbnu MF\lbnu NG\enotes\relax \notes\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\enotes\relax \def\lbnu#1#2{\zch K{#1}\zch a{\hbox{\kern -3pt '#2}}\wh{#1}}\relax \def\lbnv#1#2{\zch K{#1}\zch a{\hbox{\kern -4pt ''#2}}\wh{#1}}\relax \def\lbnw#1#2{\zch K{#1}\zch a{\hbox{\kern -5pt '{'}'#2}}\wh{#1}}\relax \cleftoksi={0000}\def\lbnt#1{\zch K{#1}\wh{#1}}\alaligne\notes\relax \lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\relax \lbnu h a\lbnu i b\lbnu j c\lbnu k d\lbnu l e\lbnu m f\lbnu n g\relax \lbnv o a\lbnv p b\lbnv q c\lbnv r d\lbnv s e\lbnv t f\lbnv u g\relax \lbnw v a\lbnw w b\lbnw x c\lbnw y d\lbnw z e\enotes\suspmorceau % \bigskip\centerline{\moyen Notes, Accidentals, Accents, and Rests}\bigskip \def\mcra#1{\zch r{$\backslash$#1}}\relax \def\mcrx#1#2{\zch r{$\backslash$#1}\zch a{#2}}\relax % Notes & Accidentals \debutmorceau\temps\NOtes\relax \mcrx{zsb}{Accidentals:}\zsb i\sk\mcra{zbv}\zbv i\sk\enotes\Notes\relax \mcra{wh}\wh i\relax \mcrx{hu}{\tt>}\hu {>f}\mcra{hl}\hl l\relax \mcrx{qu}{\tt\^}\qu {^f}\mcra{ql}\ql l\relax \mcrx{cu}{\tt=}\cu {=f}\mcra{cl}\cl l\enotes\NOtes\relax \mcrx{ccu}{\tt\_}\ccu {_f}\mcra{ccl}\ccl l\relax \mcrx{cccu}{\tt<}\cccu { Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA01541; Mon, 21 Sep 92 13:47:05 CDT Message-Id: <9209211847.AA01541@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 5221; Mon, 21 Sep 92 14:46:04 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.09 ptf000) with BSMTP id 7080; Mon, 21 Sep 92 13:06:06 EDT Date: 21 SEP 92 19:09:50.02-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX version 4.77 To: mutex Version 4.77 available at 130.84.128.100 = rsovax.ups.circe.fr directory [anonymous.musictex] I suggest that ftp anonymous managers update if not done recently, since important changes were done in april/may 1992. From edf@minsky.csata.it Mon Sep 28 10:29:13 1992 Return-Path: Received: from minsky.csata.it by stolaf.edu (4.1/SMI-4.1) id AA13784; Mon, 28 Sep 92 10:29:13 CDT Message-Id: <9209281529.AA13784@stolaf.edu> Received: by minsky.csata.it (16.6/16.2) id AA22561; Mon, 28 Sep 92 16:30:34 +0100 From: Vincenzo De Florio Subject: changesignature macro To: mutex Date: Mon, 28 Sep 92 16:30:33 MET Mailer: Elm [revision: 66.25] Hi, in MusicTeX's Manual there's a reference to \changesignature. Coding that macro I always get the output: `undefined macro'. What can I do? My need is the following: I want that the signa- ture in my score changes at the end of a line and before the new one so that the music reader will notice the changing. Thank you very much for help and attenction, Vincenzo De Florio edf@minsky.csata.it deflorio@minsky.csata.it From ryanr@mozart.CS.ColoState.EDU Mon Sep 28 20:43:03 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA05968; Mon, 28 Sep 92 20:43:03 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA09242; Mon, 28 Sep 92 19:43:33 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA26218; Mon, 28 Sep 92 19:43:05 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9209290143.AA26218@mozart.CS.ColoState.EDU> Subject: Re: Question about public domain music for MusicTeX To: mutex Date: Mon, 28 Sep 92 19:43:04 MDT Cc: mutex@stolaf.edu (MusicTeX/MuTeX) In-Reply-To: <199209210745.AA00350@tardis43.ethz.ch>; from "Tobias Oetiker" at Sep 21, 92 9:45 am X-Mailer: ELM [version 2.3 PL8] Tobias Oetiker > > Hi I just read your request ... for PD Music Tex Docs ... > Did you get any respons ??? > I would be Interested Too ... Hi, I haven't gotten any responses yet. I think we just need a few people to get the ball rolling. If people typeset a few scores of their own or typeset a few older public domain scores, it might really add to the MusicTeX users who may in turn find interest in some of the newer music they found written in MusicTeX. It might be interesting. Maybe people could use MusicTeX and the net to give their music some exposure. Though their music might be freely distributed, maybe the composers could keep performance rights or something. They could always write not-so-freely distributed music later. As for me, I've only recently started the music thing, while anything I've got to add in the way of musical output may not be worth much, when I get the time I'll try something. Maybe people will feel sorry enough for me that they'll say, "hey, let's help this poor misguided fellow out." Seeya, Richard. From ryanr@mozart.CS.ColoState.EDU Fri Oct 2 01:48:20 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA18724; Fri, 2 Oct 92 01:48:20 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA04366; Fri, 2 Oct 92 00:48:42 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA22524; Fri, 2 Oct 92 00:48:22 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9210020648.AA22524@mozart.CS.ColoState.EDU> Subject: Re: Question about public domain music for MusicTeX To: mutex Date: Fri, 2 Oct 92 0:48:21 MDT Cc: mutex@stolaf.edu (MusicTeX/MuTeX) In-Reply-To: <01GPFVA1I61S000DBC@VAXA.CIS.UWOSH.EDU>; from "TRAVIS LISK" at Oct 1, 92 4:15 pm X-Mailer: ELM [version 2.3 PL8] TRAVIS LISK > > Date sent: 1-OCT-1992 16:14:07 > How does a subscriber either a) get scores or b) send scores > please reply!!!! > Travis A. Lisk > University of Wisconsin-Oshkosh > LISKT@OSHKOSHW.BITNET Hi, For a) some music comes with the MusicTeX package but outside of that, I haven't found any so I couldn't really tell you. For b) maybe someone could help me out here: would the mutex mail group be an all right place to start? It would probably take enough interested people to get some newsgroup started. Perhaps if there is a decent number of contributors here, someone might see their way clear to have a newsgroup to accommodate the composers, arrangers, transcribers, and of course, the typesetters here. Richard. From tim@maths.tcd.ie Fri Oct 2 06:08:26 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA27262; Fri, 2 Oct 92 06:08:26 CDT From: Timothy Murphy Subject: Re: Question about public domain music for MusicTeX To: mutex In-Reply-To: richard ryan's message of Fri, 2 Oct 92 0:48:21 MDT Date: Fri, 2 Oct 92 12:08:30 BST Sender: tim@maths.tcd.ie Message-Id: <9210021208.aa24203@salmon.maths.tcd.ie> > For b) maybe someone could help me out here: would the mutex mail group be > an all right place to start? It would probably take enough interested > people to get some newsgroup started. Perhaps if there is a decent > number of contributors here, someone might see their way clear to have a > newsgroup to accommodate the composers, arrangers, transcribers, and of > course, the typesetters here. A kind of musical Gutenberg project?! That would be great. But I've often wondered -- is there no standard way of entering music into the computer, as eg must be required for printing? Are there no SGML or SGML-like standards for music? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From Robin.Fairbairns@cl.cam.ac.uk Fri Oct 2 07:48:45 1992 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA28986; Fri, 2 Oct 92 07:48:45 CDT Received: from uk.ac.cam.cl.ely.cl.cam.ac.uk (actually rf@ely.cl.cam.ac.uk) by swan.cl.cam.ac.uk with SMTP (PP-6.2) to cl; Fri, 2 Oct 1992 13:48:15 +0100 To: mutex Cc: mutex@stolaf.edu, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: Question about public domain music for MusicTeX In-Reply-To: Your message of Fri, 02 Oct 92 12:08:30 -0000. <9210021208.aa24203@salmon.maths.tcd.ie> Date: Fri, 02 Oct 92 13:48:03 +0100 From: Robin.Fairbairns@cl.cam.ac.uk Message-Id: <"swan.cl.ca.363:02.09.92.12.48.22"@cl.cam.ac.uk> |> > For b) maybe someone could help me out here: would the mutex mail group be |> > an all right place to start? It would probably take enough interested |> > people to get some newsgroup started. Perhaps if there is a decent |> > number of contributors here, someone might see their way clear to have a |> > newsgroup to accommodate the composers, arrangers, transcribers, and of |> > course, the typesetters here. |> |> A kind of musical Gutenberg project?! |> That would be great. Hear hear! |> But I've often wondered -- |> is there no standard way of entering music into the computer, |> as eg must be required for printing? |> Are there no SGML or SGML-like standards for music? There is a thing called SMDL*, but I don't know anything about its contents (i.e., whether it's a MIDI-level thing or a MusicTeX-level thing, as it were). I know about SMDL because it was mentioned as a potential point of liaison between those standardising graphics for multimedia and people working on sound representations. I believe the work is being done in ISO/IEC JTC1/SC18 - anyone know any better? Robin * Standard Music Description Language (cf SPDL = s _page_ dl); at the social event of the ISO meeting where I learnt about the existence of this thing, there was a memorable skit which substituted Meeting for Music. From ryanr@mozart.CS.ColoState.EDU Sat Oct 3 22:59:23 1992 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA25480; Sat, 3 Oct 92 22:59:23 CDT Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA10036; Sat, 3 Oct 92 21:59:48 MDT Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA25219; Sat, 3 Oct 92 21:59:26 -0600 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9210040359.AA25219@mozart.CS.ColoState.EDU> Subject: metafont files for dmr8 and dmbx12 To: mutex Date: Sat, 3 Oct 92 21:59:25 MDT X-Mailer: ELM [version 2.3 PL8] Hi, When I was trying to do a dvips on the musicdoc.dvi and euromtex.dvi files that came with the musictex.zip, it complained about needing fonts dmr8 and dmbx12. Does anyone know where I can get the metafont files for these? Thanks, Richard. -- mailing address: home phone: 813 W. Mountain Ave. (303)498-0828 Ft. Collins, Co. 80521 From igor@charles.ucdavis.edu Sun Oct 4 20:19:52 1992 Return-Path: Received: from ucdavis.ucdavis.edu by stolaf.edu (4.1/SMI-4.1) id AA17610; Sun, 4 Oct 92 20:19:52 CDT Received: from charles.ucdavis.edu by ucdavis.ucdavis.edu (5.61/UCD2.04) id AA25351; Sun, 4 Oct 92 18:10:34 -0700 Received: by charles.ucdavis.edu (4.1/UCD2.03) id AA11487; Sun, 4 Oct 92 18:14:00 PDT From: igor@charles.ucdavis.edu (Frog's Experimental Account) Date: Sun, 4 Oct 92 18:14:00 PDT Message-Id: <9210050114.AA11487@charles.ucdavis.edu> To: mutex Subject: Music notating |> > people to get some newsgroup started. Perhaps if there is a decent |> > number of contributors here, someone might see their way clear to have a |> > newsgroup to accommodate the composers, arrangers, transcribers, and of |> > course, the typesetters here. |> |> A kind of musical Gutenberg project?! |> That would be great. >Hear hear! Newsgroups abound... I would think most folks on this list learned about it from comp.music, as have I. A new one that would likely be appropriate is rec.music.compose (or is it, .composers?) There's also rec.music.makers. Perhaps if someone is a regular on all these, they could summarize relevant discussions to our list here. What we _need_ is a repository in the form of an ftp site, where folks could post their contributions: compositions, macro ideas, and utility programs like Midi2Tex for example. I even remember a long while back someone on comp.music discussing the idea of a melody database, filed by attributes of melodies' qualities. Anyone know about such work? |> But I've often wondered -- |> is there no standard way of entering music into the computer, |> as eg must be required for printing? |> Are there no SGML or SGML-like standards for music? >There is a thing called SMDL*, but I don't know anything about its >contents (i.e., whether it's a MIDI-level thing or a MusicTeX-level >thing, as it were). SMDL finally came out after long having calls for contribution to its design, but it seems pretty technical for general purpose composition or sharing of pieces. It seems more suited to the technically oriented, "computer music" academia mindset. It's probably not unlike MAX and such high-powered sound design tools, but I know not much about either and would love hear from someone who has a working familiarity with these things. As for a standard way for entering scores into a computer... if you have access to it, try the SCOre Translator (SCOT) language that comes with Csound, out of MIT. I find it a most sensible, straightforward approach to mapping musical notes to sequences of keyboard strokes. It's still pretty slow going though, typing in significant works, so we're all probably better off using keyboard interfaces like MidiToTex and cleaning up any interpretation errors that kind of software might make. Too bad we can't all sightread 4part scores! In the interest of increased collective productivity, I'd like to hear from anyone else who's been entering scores in SCOT. I'd be very delighted to hear about any converting software projects, to/from SCOT. I'll see if I can find the SCOT manual online, and perhaps quote some descriptive passages. Also, I know the official SMDL document is in ftp land somewhere. Happy netting, everyone. From icking@gmdzi.gmd.de Mon Oct 5 03:43:33 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA24474; Mon, 5 Oct 92 03:43:33 CDT Received: by gmdzi.gmd.de id AA09389 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 5 Oct 1992 09:43:15 +0100 Date: Mon, 5 Oct 1992 09:43:15 +0100 From: Werner Icking Message-Id: <199210050843.AA09389@gmdzi.gmd.de> To: mutex Subject: Re: metafont files for dmr8 and dmbx12 use cmr8, cmbx12, ... instead. Daniel Taupin explained me that these are so-called virtual fonts, which consist of TFMs and construction rules to generate the wanted characters (e.g. accented letters) from existing fonts. These should look better than those "made" by TeX by e.g. moving some dots nearly above some "o". If you re-process musicdoc.tex by plain-TeX you get an dvi-file which can be "dvips"-ed without any trouble. Hi Daniel, I'm not the only one who has difficulties with this dirt(ual) fonts. Werner From groak@math.mit.edu Mon Oct 5 11:52:19 1992 Return-Path: Received: from math.mit.edu (WEYL.MIT.EDU) by stolaf.edu (4.1/SMI-4.1) id AA08672; Mon, 5 Oct 92 11:52:19 CDT Received: from riesz (RIESZ.MIT.EDU) by math.mit.edu (4.1/Math-2.0) id AA07534; Mon, 5 Oct 92 12:47:13 EDT Received: by riesz; Mon, 5 Oct 92 12:52:26 EDT Date: Mon, 5 Oct 92 12:52:26 EDT From: groak@math.mit.edu Message-Id: <9210051652.AA04513@riesz> To: mutex Subject: MidiToTeX Hello all. Does there exist a version of MidiToTex for SUN platforms, or is it only available for PCs? And, if it does exist for SUNs, can anyone tell me the structure of the file it expects to receive? I've really no idea what the standard MIDI file is supposed to look like. (I would be trying to upload such files from an Amiga to a SUN, thence to processed by the translator.) If this is an absurd question, then feel free to chastise me either publicly or through eMail. Thanks, Paul. From bebe@fuw.edu.pl Wed Oct 7 15:47:49 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA20115; Wed, 7 Oct 92 15:47:49 CDT Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA05101; Wed, 7 Oct 1992 21:47:03 +0100 Received: from cclan.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA18002; Wed, 7 Oct 92 21:45:45 +0100 Received: by cclan.fuw.edu.pl (4.1/SMI-4.1) id AA05500; Wed, 7 Oct 92 21:43:05 +0100 Date: Wed, 7 Oct 92 21:43:05 +0100 From: bebe@fuw.edu.pl Message-Id: <9210072043.AA05500@cclan.fuw.edu.pl> To: mutex Subject: MuTeX & X11 ? Dear Music TeXers ! Recently I had a look to archives of MuTeX mailing list and I found on very beginning: >Date: Tue, 26 Nov 91 21:11:06 -0800 >From: William Vera > > ... My eventual goal here is to >write an X-window front end for composing multi-part scores which will >output with MuTeX on a laser printer or previewer. I hear someone is >already working on extensions to increase the number of allowable staves. >... What happened with this very interesting project ? Any kind of information about it would be interesting. Thank you very much in advance Wojtek Bogusz e-mail: bebe@fuw.edu.pl From bebe@fuw.edu.pl Mon Oct 12 09:24:17 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA22124; Mon, 12 Oct 92 09:24:17 CDT Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA09197; Mon, 12 Oct 1992 15:23:44 +0100 Received: from cclan.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA17385; Mon, 12 Oct 92 13:08:04 +0100 Received: by cclan.fuw.edu.pl (4.1/SMI-4.1) id AA09023; Mon, 12 Oct 92 13:05:20 +0100 Date: Mon, 12 Oct 92 13:05:20 +0100 From: bebe@fuw.edu.pl Message-Id: <9210121205.AA09023@cclan.fuw.edu.pl> To: mutex Subject: Fit in to page After trying several examples and several ways to over come this I'd like to ask. How to shift text on the page up and left to make it fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm in musictex.tex and it help nothing). Thanks in advance Wojtek Bogusz e-mail:bebe@fuw.edu.pl From cdr@stolaf.edu Mon Oct 12 10:50:11 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA26996; Mon, 12 Oct 92 10:50:11 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA13987; Mon, 12 Oct 92 10:50:09 CDT Message-Id: <9210121550.AA13987@sachiko.acc.stolaf.edu> To: mutex Subject: The Rare MuTeX policy posting Date: Mon, 12 Oct 92 10:50:09 -0500 From: cdr@stolaf.edu Greetings all. Just a bit of administrivia coming your way: Craig ----- CUT HERE ----- Last Updated: 15-January-1992 Welcome to the MuTeX mailing list. The following is some administrivia: This list is NOT moderated! Every message that is sent to the list mutex@stolaf.edu will be passed on to every member of the list Requests to have addresses added or removed from the list should NOT be sent to the entire list. Instead, they should be mailed to: mutex-request@stolaf.edu The MuTeX mailing list is currently archived on "ftp.stolaf.edu" in /pub/mutex/archive. -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@acc.stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From tim@maths.tcd.ie Mon Oct 12 11:15:42 1992 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA29280; Mon, 12 Oct 92 11:15:42 CDT From: Timothy Murphy Subject: Re: Fit in to page To: mutex In-Reply-To: bebe@fuw.edu.pl's message of Mon, 12 Oct 92 13:05:20 +0100 Date: Mon, 12 Oct 92 17:15:42 BST Sender: tim@maths.tcd.ie Message-Id: <9210121715.aa20936@salmon.maths.tcd.ie> > After trying several examples and several ways to over come this > I'd like to ask. How to shift text on the page up and left to make it > fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm > in musictex.tex and it help nothing). I'd like to agree with this. It's a pity so much seems to be built in to MusicTeX. I really like the program. But wouldn't it be better if it were a LaTeX style, with page-size, type-size, margins, etc, choosable by the user? I imagine that would be quite difficult to implement, but it would increase the usability of the program enormously, IMHO. The reason given for making the page larger than a4 was that a4 is too small for music (as I recall). It seems to me that most people have access to photo-copiers that can enlarge the copy, so wouldn't it make sense to enable the music to be printed in a smaller size on an A4 sheet? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From @orchard.la.locus.com:vera@oolong.la.locus.com Mon Oct 12 12:11:58 1992 Return-Path: <@orchard.la.locus.com:vera@oolong.la.locus.com> Received: from lear.Bos.Locus.COM by stolaf.edu (4.1/SMI-4.1) id AA01577; Mon, 12 Oct 92 12:11:58 CDT Received: from orchard.la.locus.com by lear.Bos.Locus.COM id aa04872; 12 Oct 92 13:13 EDT Received: by orchard.la.locus.com (5.61-AIX-1.2/1.0) from lotto.la.locus.com with SMTP id AA12180 (for mutex@stolaf.edu, from vera@prodnet.la.locus.com/vera@prodnet.la.locus.com); Mon, 12 Oct 92 10:07:16 -0700 Received: by prodnet.la.locus.com (5.61-AIX-1.2/0.07d) id AA819301 for vera@locus.com; Mon, 12 Oct 92 10:13:19 -0700 Date: Mon, 12 Oct 92 10:13:19 -0700 From: William Vera Message-Id: <9210121713.AA819301@prodnet.la.locus.com> To: mutex Cc: vera@lear.Bos.Locus.COM Subject: Re: Fit in to page In-Reply-To: Message of Mon, 12 Oct 92 17:15:42 BST from "Timothy Murphy " <9210121715.aa20936@salmon.maths.tcd.ie> Fcc: ------- > > From: bebe@fuw.edu.pl > > > > After trying several examples and several ways to over come this > > I'd like to ask. How to shift text on the page up and left to make it > > fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm > > in musictex.tex and it help nothing). This subject came up last December. According to Werner Icking (27 Jan 1992): Comment out lines 18-19 from musictex.tex (as above) and RESET with the proper sizes to fit your printer paper. (Apparently bebe@fuw.edu.pl didn't redefine this). The same lines can be found in musictex.sty line 354. > The reason given for making the page larger than a4 > was that a4 is too small for music (as I recall). > It seems to me that most people have access to photo-copiers > that can enlarge the copy, > so wouldn't it make sense to enable the music to be printed in a smaller size > on an A4 sheet? Provided paper larger than A4 size can be fed into a copier (to produce the enlargement), the idea also sounds good to me. > Timothy Murphy > e-mail: tim@maths.tcd.ie > s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^|^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ William Vera | vera@locus.com | MuTeX and MusicTeX are NOT for Locus Computing Corp. | typesetting country music! :-) (310)337-5162 | ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ From pmcilroy@bt-sys.bt.co.uk Mon Oct 12 14:16:17 1992 Return-Path: Received: from zaphod.axion.bt.co.uk by stolaf.edu (4.1/SMI-4.1) id AA05705; Mon, 12 Oct 92 14:16:17 CDT Received: from roundabout.bt-sys.bt.co.uk by zaphod.axion.bt.co.uk with SMTP (PP) id <02816-0@zaphod.axion.bt.co.uk>; Mon, 12 Oct 1992 20:15:58 +0100 Received: from harpo.bt-sys.bt.co.uk by bt-sys.bt.co.uk (4.1/SMI-4.1) id AA11095; Mon, 12 Oct 92 20:10:47 BST Message-Id: <9210121910.AA11095@bt-sys.bt.co.uk> Received: by harpo (16.8/16.2) id AA11907; Mon, 12 Oct 92 20:14:47 +0100 Date: Mon, 12 Oct 92 20:14:47 +0100 From: Paul McIlroy To: mutex Subject: Re: Fit in to page Changing \hsize, \vize, \hoffset and \voffset seems to be a fairly simple way of fitting a document to the page - Typing \hoffset=-14mm % for LaserWriter \voffset=-14mm % for LaserWriter just after the \vsize and \hsize assignments (near the top after all the \input lines) worked for me. Offsets of 14mm seem OK for an Apple Laserwriter, but you may need to experiment for other printers. Regards, Paul McIlroy (pmcilroy@bt-sys.bt.co.uk) From icking@gmdzi.gmd.de Tue Oct 13 03:37:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA28426; Tue, 13 Oct 92 03:37:32 CDT Received: by gmdzi.gmd.de id AA10058 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 13 Oct 1992 09:36:12 +0100 Date: Tue, 13 Oct 1992 09:36:12 +0100 From: Werner Icking Message-Id: <199210130836.AA10058@gmdzi.gmd.de> To: mutex Subject: Re: Fit in to page >After trying several examples and several ways to over come this >I'd like to ask. How to shift text on the page up and left to make it >fit it to A4 page ? (I'd tryed to uncomment % **** \hsize 16cm \vsize 24cm >in musictex.tex and it help nothing). It's a simple TeX-problem. Either shift the page during printing or use \hoffset and \voffset in the (Music)TeX input. I tried to maximise the output page with respect to HP-Laserjet as output-device: \hoffset=-21.16666666mm \hsize=197,9506666666mm \voffset=-20.32mm \vsize=286.9353333333mm A more TeX-like solution would look like: \advance \hoffset by -21mm \advance \hsize by 42mm "Normal" TeX assumes an output frame of 6,5" * 9" on a physical page of 8,5" * 11" yielding in 1" margins. Maximising the output frame requires precise control of the dvi-driver. My input for EmTeXs dvihplj7 looks like: /h=286.935333333mm %/ta=5.08mm dvihplj knows it better /w=197.950666667mm /la=4.233333333333mm Hope this helps. Werner PS: Most TeX-installations have a TeX-input-file named testpage.tex which may be used for printer adjustment. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Tue Oct 13 15:22:33 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA04227; Tue, 13 Oct 92 15:22:33 CDT Message-Id: <9210132022.AA04227@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2803; Tue, 13 Oct 92 16:17:36 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf043) with BSMTP id 4323; Tue, 13 Oct 92 14:18:25 EDT Date: 13 OCT 92 20:23:05.66-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: To: mutex MusicTeX varsion 4.80 is available at anonymous ftp 130.84.128.100 (rsovax.ups.circe.fr). -- doc corrected for slight errors. -- in reply to a demand, quntuble beams are available. -- as suggested in prague, \fontdimen are used to save \newdimen registers, whose overloading could pose problems with LaTeX From icking@gmdzi.gmd.de Wed Oct 14 12:20:59 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA14069; Wed, 14 Oct 92 12:20:59 CDT Received: by gmdzi.gmd.de id AA02074 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 14 Oct 1992 18:20:46 +0100 Date: Wed, 14 Oct 1992 18:20:46 +0100 From: Werner Icking Message-Id: <199210141720.AA02074@gmdzi.gmd.de> To: mutex Subject: MusicTeX Version 4.80 at ftp.gmd.de Daniel Taupin writes: >MusicTeX version 4.80 is available at anonymous ftp 130.84.128.100 >(rsovax.ups.circe.fr). let me add: ... as usual available for anonymous ftp from ftp.gmd.de [129.26.8.90]: music/musictex/musictex.zip (ca. 500.000) musictex.477-480 (ca. 150.000) If you ftp the delta-file musictex.477-480 to a PC you may get a file musictex.477 which works with those unzippers I know, too. Werner From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Oct 21 09:33:27 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA14109; Wed, 21 Oct 92 09:33:27 CDT Message-Id: <9210211433.AA14109@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4139; Wed, 21 Oct 92 10:29:56 EDT Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf043) with BSMTP id 7687; Wed, 21 Oct 92 09:43:26 EDT Date: 21 OCT 92 14:46:17.40-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex. Bugs corrected. To: mutex While musictex.tex and musicnft.tex were updated to version 4.80, there was a bug introduced when using musicadd.tex (big scores). This is corrected and updated releases of musicnft.tex and musicadd.tex are available at 130.84.128.100 (rsovax.ups.circe.fr). If you already have 4.80, it is useless to get the *.zip and *.bck fikles, just the two files quoted (in ASCII). From icking@gmdzi.gmd.de Wed Oct 21 11:02:46 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA17267; Wed, 21 Oct 92 11:02:46 CDT Received: by gmdzi.gmd.de id AA05825 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 21 Oct 1992 17:02:31 +0100 Date: Wed, 21 Oct 1992 17:02:31 +0100 From: Werner Icking Message-Id: <199210211602.AA05825@gmdzi.gmd.de> To: mutex Subject: MusicTeX version 4.81: >Date: 21 OCT 92 14:46:17.40-GMT >From: TAUPIN@FRUPS51.BitNet > >While musictex.tex and musicnft.tex were updated to version 4.80, >there was a bug introduced when using musicadd.tex (big scores). > >This is corrected and updated releases of musicnft.tex and musicadd.tex >are available at 130.84.128.100 (rsovax.ups.circe.fr). If you already >have 4.80, it is useless to get the *.zip and *.bck fikles, just >the two files quoted (in ASCII). Or get from ftp.gmd.de: music/musictex/musictex.480-481.zip (6608 bytes) (BInary) which contains the updated files (1929+26609 bytes) If you put it onto your PC it's name may be musictex.480 which can be handled by most unzippers I know. Otherwise rename it before unzipping it. Werner PS: Did you ever look into ftp.gmd.de: music/classical/... ? It contains Dave Lampson's buying guide for Classical CDs as ASCII or PostScript files. From cdr@stolaf.edu Wed Oct 21 11:43:47 1992 Return-Path: Received: from sachiko.acc.stolaf.edu by stolaf.edu (4.1/SMI-4.1) id AA18475; Wed, 21 Oct 92 11:43:47 CDT Received: by sachiko.acc.stolaf.edu (4.1/SMI-4.1) id AA23253; Wed, 21 Oct 92 11:43:45 CDT Message-Id: <9210211643.AA23253@sachiko.acc.stolaf.edu> To: mutex Subject: musictex-4.81.tar.Z Date: Wed, 21 Oct 92 11:43:44 -0500 From: cdr@stolaf.edu For those musictex users that prefer the compress tar format distribution of musictex, you can find the most recent version (4.80 with the two patches for 4.81) in ftp.stolaf.edu:/pub/mutex/musictex-4.81.tar.Z FYI, Craig -- Craig D. Rice UNIX Systems Specialist/Network Analyst cdr@stolaf.edu Academic Computing Center, St. Olaf College +1 507 646-3631 1520 St. Olaf Avenue +1 507 646-3549 FAX Northfield, MN 55057-1098 USA From bebe@fuw.edu.pl Tue Oct 27 12:57:21 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA21567; Tue, 27 Oct 92 12:57:21 CST Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA07803; Tue, 27 Oct 1992 19:57:08 +0100 Received: from albert1.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA05277; Tue, 27 Oct 92 19:56:30 +0100 Received: by albert1.fuw.edu.pl (4.1/SMI-4.1) id AA02560; Tue, 27 Oct 92 19:55:55 +0100 Date: Tue, 27 Oct 92 19:55:55 +0100 From: bebe@fuw.edu.pl Message-Id: <9210271855.AA02560@albert1.fuw.edu.pl> To: mutex Subject: Note question Hello Music TeX Typesetters ! I would like ask, probably simple question: How can I do thing like this : _________ | | | O - half note head | | | .... @ - eighth note head O @ @ | | I was trying a bit to understand MusicTeX macros recently. But, well ... Maybe my TeX knowledge is steal not enought ... ( This for sure ) Any way it would be nice to have some more comments in side and particulary more in English. And one more think I thought (except leggato's/slurs witch are not looking to me nice when compared with one form notes book's) May be it would be nice to have some place where people would be able to put own designed macros with page of TeX description. May be if Daniel Tupin would find some of those sets interesting it would become a part of MuiscTeX sets of macros. Just like musicext.tex. Which is interesting but not described in manual. By description I understand one example and syntax of macro (I know that I can always look in side of file and try by me self to test things but ...). Regards Wojtek Bogusz Ps: I was asking time ago question about X11 & Mu/Music TeX. Thanks for reply. But I had some thing else in mind from that what was stated in hints I got. I thought about some kind of editor where one can set shape of score with mouse. Just like in paint programs. And after you get file in Mu...TeX format to correct only. But I think no body is working on thing like this, ???? Wojtek From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Oct 28 08:10:19 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20555; Wed, 28 Oct 92 08:10:19 CST Message-Id: <9210281410.AA20555@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1726; Wed, 28 Oct 92 09:07:22 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.08 ptf045) with BSMTP id 3528; Wed, 28 Oct 92 09:05:21 EST Date: 28 OCT 92 15:06:55.39-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex 4.82 To: mutex Minor corrections in MUSICTEX.DOC and oone bug corrected in MUSICTEX.TEX ftp anonymous: 130.84.128.100 (rsovax.ups.circe.fr) directory [anonymous.musictex] Only musictex.tex and musicdoc.tex need to be taken if you have 4.81 (sorry NOT musictex.doc BUT musicdoc.tex !!!) From bogusz@fuw.edu.pl Thu Oct 29 03:58:07 1992 Return-Path: Received: from sunic.sunet.se by stolaf.edu (4.1/SMI-4.1) id AA08459; Thu, 29 Oct 92 03:58:07 CST Received: from cocos.fuw.edu.pl by sunic.sunet.se (5.65c8/1.28) id AA00192; Thu, 29 Oct 1992 10:57:53 +0100 Received: from albert1.fuw.edu.pl by cocos.fuw.edu.pl (4.1/SMI-4.1) id AA17427; Thu, 29 Oct 92 10:57:17 +0100 Received: by albert1.fuw.edu.pl (4.1/SMI-4.1) id AA03901; Thu, 29 Oct 92 10:56:41 +0100 Date: Thu, 29 Oct 92 10:56:41 +0100 From: bogusz@fuw.edu.pl Message-Id: <9210290956.AA03901@albert1.fuw.edu.pl> To: mutex Subject: Back to barre Good morning ! Is it possible while typing interior of one barre to return to its beginning to type one more voice ? Is it correct to do it by placing first voice in \rlap{} ? Thanks Wojtek Bogusz From icking@gmdzi.gmd.de Thu Nov 5 17:43:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA07716; Thu, 5 Nov 92 17:43:32 CST Received: by gmdzi.gmd.de id AA14987 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Fri, 6 Nov 1992 00:42:45 +0100 Date: Fri, 6 Nov 1992 00:42:45 +0100 From: Werner Icking Message-Id: <199211052342.AA14987@gmdzi.gmd.de> To: mutex Subject: Re: Note question >Date: Tue, 27 Oct 92 19:55:55 +0100 >Message-Id: <9210271855.AA02560@albert1.fuw.edu.pl> > > How can I do thing like this : > > _________ > | | | O - half note head > | | | .... @ - eighth note head > O @ @ > | > | > by RTFM (musicdoc.dvi pg. 18): \def\nbinstruments{1}\generalmeter{\meterfrac 3 3}\debutextrait\relax \Notes\hl g\off{-1\noteskip}\ibu0g0\hh0 g\qh0 g\tqh0 g\enotes\finextrait\bye Werner From steiny!steiny@infoserv.com Mon Nov 9 13:02:59 1992 Return-Path: Received: from infoserv.com (infoserv.infoserv.COM) by stolaf.edu (4.1/SMI-4.1) id AA18975; Mon, 9 Nov 92 13:02:59 CST Received: by infoserv.com (SMAIL 3.1.25.1); Mon, 9 Nov 92 11:09 PST Message-Id: Subject: Dm fonts? To: mutex Date: Mon, 9 Nov 92 11:02:53 PST From: 0000-Admin(0000) X-Mailer: ELM [version 2.3 PL6] Content-Type: text Content-Length: 300 Hi, where do the dm fonts live? I got the MuTex distribution, but when I try and run the dvi files, I get a message that it can't find dm this or dm that. I have looked everywhere in the distribution and have even regotten then MuTexfonts tar, but I cannot find those fonts. Thanks. -don From icking@gmdzi.gmd.de Tue Nov 10 03:10:43 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13023; Tue, 10 Nov 92 03:10:43 CST Received: by gmdzi.gmd.de id AA12273 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Tue, 10 Nov 1992 10:10:27 +0100 Date: Tue, 10 Nov 1992 10:10:27 +0100 From: Werner Icking Message-Id: <199211100910.AA12273@gmdzi.gmd.de> To: mutex Subject: Re: Dm fonts? dm-Fonts are virtual fonts -- either you find a way to deal with virtual fonts (font's having a TFM for TeX and some hints how to make the chars out of real (cm-)fonts -- some dvidrv can handle these fonts; some dvi-converters can convert dvi-files to reflect real-fonts) or you get a newer musictex-version, because Daniel Taupin has dropped using virtual fonts in the distribution-zip. Newest version on: ftp.gmd.de music/musictex/musictex.zip plus musictex.481-482.zip. which contains some minor corrections. Werner From odie!CLARK@shannon.ee.wits.ac.za Wed Nov 11 03:44:09 1992 Return-Path: Received: from shannon.ee.wits.ac.za by stolaf.edu (4.1/SMI-4.1) id AA28309; Wed, 11 Nov 92 03:44:09 CST Received: by shannon.ee.wits.ac.za (/\==/\ Smail3.1.22.1 #22.3) id ; Wed, 11 Nov 92 11:43 EET Received: From WITS_EE2/WORKQUEUE by cerberus.ee.wits.ac.za via Charon-4.0-VROOM with IPX id 100.921111084347.400; 11 Nov 92 11:35:00 -200 Message-Id: To: mutex From: "Alan Robert Clark" Date: 11 Nov 92 08:43:46 SAT Subject: Dual ending "Boxes" X-Pmrqc: 1 Priority: normal X-Mailer: Pegasus Mail v2.3 (R4). I need help in constructing a dual end box a la page 14, section 4.5 of the mutex documentation. No matter how I construct it, it spits out errors. I would appreciate receiving email of a working dual ending - or any pointers you may have. Thanks Alan. ========================================= ______________________ ******** *** Alan Robert Clark, Pr Eng / Electromagnetics Lab \ * ** * * Dept of Elec Eng | Wits University | * ** * * P.O.Wits |"Bugs are later known | ************ * 2050 South Africa | as Features" | * ** * * Fax (+ 27 11) 403 - 1929 | Ps 111:10;Ps 37/150 | * ** * * Tel (+ 27 11) 716 - 5404 \______________________/ * ** * *** Internet: clark@odie.ee.wits.ac.za From icking@gmdzi.gmd.de Wed Nov 11 10:37:32 1992 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13296; Wed, 11 Nov 92 10:37:32 CST Received: by gmdzi.gmd.de id AA01133 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 11 Nov 1992 17:29:13 +0100 Date: Wed, 11 Nov 1992 17:29:13 +0100 From: Werner Icking Message-Id: <199211111629.AA01133@gmdzi.gmd.de> To: mutex Subject: Re: Dual ending "Boxes" >Message-Id: >Date: 11 Nov 92 08:43:46 SAT > >I need help in constructing a dual end box a la page 14, section 4.5 >of the mutex documentation. No matter how I construct it, it spits >out errors. [...] May be that we have different page numbers but after some private commu- nication I found the problem. It's section 4.5 of Francois Jalberts guide to MuTeX. In "Anhang C" (Appendix C) Francois reports some problems in context with \1{}\2{}\* and suggests some improvements. I modified my MTEX.TEX that way and following worked without any problems: \beginsong\vio\C\meter2/4% \v9\v9\|\v9\v9\1{\v9\v9}\2{\v9\v9}\*\|\v9\v9\|\v9\v9\=% \endsong\bye I got following dvi-file which shows that there are some spacing problems as Francois noted. section 1 of uuencode 5.14 of file tst.dvi by R.E.M. begin 644 tst.dvi M]P(!@Y+`'#L``````^@;(%1E6"!O=71P=70@,3DY,BXQ,2XQ,3HQ-S$SBP`` M``$```````````````````````````````````````````````#_____C9_R M``".H`*#,]J-H/V&S":?#```GRQ,S(V-C9$4``"?\```B0``)F8!P<%'I`0` M`(D``"9F`<'!1Z&)```F9@'!P4>AB0``)F8!P<%'H8D``"9F`<'!1XZ.C8V1 M%0``\S(*=AI_\``"$``8`````3,R?!```JS$NCHZ1 M2RUZA```)F8`'P46CHZ?'```C8V12RUZA``0)F8``$S,C8V-C9$%Z/.?_``` MA``.`````$S,D?]F:)_R``#=(8Z.CHZ-C8V-D1H1Y)_\``"$``X`````3,R1 M_V9HG_(``"&.CHZ.CHZ.C9_D``"-C9%J,I"$```F9@`1YF*-GPH``(V?_``` MA``&`````$S,CHZ.CI\<``"-C8V1>)CTG_9F:(0``,S0``#,S)'_,S2?!``` MA```S-```,S,CI%[S":$`!`F9@``3,R.CHZ-G^0``(V-C9\*``"-D7Y_6)_\ M``"$``8`````3,R?!```JS(NCHZ1?G]8A```)F8`(+A*CHZ?'```C8V1?G]8 MA``0)F8``@``C8V-C9$%Z/.?_```A``.`````$S,D?]F:)_R``#=(8Z.CHZ- MC8V-D1H1Y)_\``"$``X`````3,R1_V9HG_(``"&.CHZ.CHZ.D@"Z.."$`!`F M9@``3,R-C8V-D0K""Y_\``"$``X`````3,R1_V9HG_(``"&.CHZ.C8V-C9$K MA=:?_```A``.`````$S,D?]F:)_R```ACHZ.CI9++7J$`!`F9@``3,R-C8V- MD0K""Y_\``"$``X`````3,R1_V9HG_(``"&.CHZ.C8V-C9$KA=:?_```A``. M`````$S,D?]F:)_R```ACHZ.CI.$`!`F9@``3,R1`F9FA``0)F8``@``CI\P M Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA02123; Mon, 30 Nov 92 05:22:35 CST Received: by gmdzi.gmd.de id AA18008 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 30 Nov 1992 12:20:28 +0100 Date: Mon, 30 Nov 1992 12:20:28 +0100 From: Werner Icking Message-Id: <199211301120.AA18008@gmdzi.gmd.de> To: mutex Subject: Re: MusicTex Cc: mutex@stolaf.edu I hope I'm allowed to answer a private mail with a public answer: >Date: Fri, 27 Nov 92 14:18:31 GMT >Message-Id: <9211271418.AA28823@lewis.dcs.gla.ac.uk> > >I tried to get this, but it's in "zip" format, and we don't have any "zip" >programs here (or any MS-DOS stuff whatever). What we do have is the usual >Unix compression/archiving tools - "pack", "compress", "tar" - and Mac >things like BinHex 4, StuffIt, and Compactor. Any chance of getting a >version that some combination of these can decode? 1. There is a freeware UNZIP for nearly an platform from the ZIP-Info Group. ZIP has nothing to do with MS-DOS (in the meantime :-). 2. There are a lot of out-of-date MusicTeX-archives all over the world. 3. I found with archie a lot of such versions, but that may be ok: Host sol.cs.ruu.nl Location: /TEX/MUSIC FILE -rw-r--r-- 776949 Oct 28 16:08 musictex.tar.Z > >Incidentally, a separate text file giving an index to the material would >help. Which file has the manual? The manual is musicdoc.dvi -- you need a dvi-printer-driver and you have to install the font-files (PK-files). The source musicdoc.tex may be used for initial information, too. Hope this hilft -- Werner From crath@bnr.ca Tue Dec 1 06:19:57 1992 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA07322; Tue, 1 Dec 92 06:19:57 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 07:19:19 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 07:18:55 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Tue, 1 Dec 1992 02:18:00 -0500 Date: Tue, 1 Dec 1992 07:18:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.860:01.11.92.12.18.55] X400-Content-Type: P2-1984 (2) Content-Identifier: MIDI2TeX From: "Christopher (C.J.) Rath" Message-Id: <"18887 Tue Dec 1 07:19:07 1992"@bnr.ca> To: mutex Subject: MIDI2TeX Was Han's MIDI2TeX converter ever ported to the NeXT? Christopher --- Christopher Rath | crath@bnr.ca BNR Lab 5 | Ottawa, ON, Canada | "Hydrogen is a colourless, odourless gas which, given (613) 765-3141 | enough time, turns into people." -- Henry Hiebert From walt@GECKO.SLAC.Stanford.EDU Thu Dec 10 12:47:42 1992 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA21366; Thu, 10 Dec 92 12:47:42 CST Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Thu, 10 Dec 1992 10:47 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67c/NX3.0S) id AA22174; Thu, 10 Dec 92 10:47:26 -0800 Received: by NeXT.Mailer (1.87.1.RR) Received: by NeXT Mailer (1.87.1.RR) Date: Thu, 10 Dec 92 10:47:26 -0800 From: "Walter R. Innes" Subject: bagpipe.tex To: mutex Message-Id: <9212101847.AA22174@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu I have uploaded a new version of bagpipe.tex (1.21) to ftp.stolaf.edu /pub/mutex/contrib. This release fixes some minor bugs with little used grace note macros and adds a few new grace note macros. Bagpipe.tex is a macro-package for type setting Scottish Highland Bagpipe music. It requires Daniel Taupin's MusicTeX macro-package and the TeX technical type-setting program. The music is entered by typing the macro commands into an ascii file. The output produced by processing this file through the TeX program is of professional quality. I have just finished publishing a collection of 90 tunes plus several pages of exercises for my pipe band. With practise a complex four-part 6/8 march can be set, corrected, and adjusted in an hour. A simple two-part 3/4 retreat can be done ten minutes. If you use this package, please send me a brief e-mail notification (if you have not already done so). Thanks. From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Dec 10 15:23:54 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA26778; Thu, 10 Dec 92 15:23:54 CST Message-Id: <9212102123.AA26778@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4360; Thu, 10 Dec 92 16:11:39 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.10 ptf000) with BSMTP id 8878; Thu, 10 Dec 92 13:12:26 EST Date: 10 DEC 92 19:16:34.46-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Testing TeXting language command portability... To: mutex % Dear friends: % In order to have an idea of the portability or language dependent % TeX commands, please: % 1. run the following TeXt under your usual TeX. % 2. in case of errors or prompt, answer R to TeX's complaint % 3. Send me back the LOG (or *.LIS) of the execution. % (To me, not to the list... of course) % 4. THANKS % \catcode64=11\relax \show\language % \show\english \show\french \show\german % \show\ehyph \show\fhyph \show\ghyph % \show\GB \show\US \show\FR \show\DE % \show\l@english \show\l@USenglish \show\l@german \show\l@french % \showhyphens¤delegates‡ \csname french \endcsname \csname fhyph \endcsname \csname FR \endcsname \message¤\noexpand\language=\the\language ...‡ % \showhyphens¤vivisection‡ \showhyphens¤d\'el\'egations‡ \showhyphens¤d^^e9l^^e9gations‡ \bye From @pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Dec 11 03:46:15 1992 Return-Path: <@pucc.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA11930; Fri, 11 Dec 92 03:46:15 CST Message-Id: <9212110946.AA11930@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8744; Fri, 11 Dec 92 04:46:35 EST Received: from FRUPS51.BITNET (TAUPIN) by PUCC.PRINCETON.EDU (Mailer R2.10 ptf000) with BSMTP id 0808; Fri, 11 Dec 92 04:46:35 EST Date: 11 DEC 92 10:51:31.44-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Portability test. To: mutex I found that mutex list puts illegal characters when an opening brace is encountered. Please correct them before testing: The must be braces enclosing arguments of \message and \showhyphens... From TAUPIN@rsovax.ups.circe.fr Wed Jan 6 07:52:45 1993 Return-Path: Received: from lumiere.circe.fr by stolaf.edu (4.1/SMI-4.1) id AA12456; Wed, 6 Jan 93 07:52:45 CST Received: by lumiere.circe.fr (5.65/DEC-Ultrix/4.3) id AA23142; Wed, 6 Jan 1993 14:52:28 +0100 Message-Id: <9301061352.AA23142@lumiere.circe.fr> Date: 6-JAN-1993 14:57:18 GMT2 From: TAUPIN@rsovax.ups.circe.fr Subject: the good way of transferring MusicTeX To: mutex Especially for unix users, do not indulge in your usual way of transferring files BETWEEN two unix systems: note that the *.MF and *.TEX and *.STY files MUST be transferred in ASCII mode, not in binary. The reason is that the source is not necessarily ANOTHER unix, Use binary transfer only (and necessarily) for *.ZIP, *.DVI, *.PK, *.TFM. This will avoid control-M removing problems... From @cc1.kuleuven.ac.be:jqdoumen@vub.ac.be Wed Jan 6 09:55:49 1993 Return-Path: <@cc1.kuleuven.ac.be:jqdoumen@vub.ac.be> Received: from cc1.kuleuven.ac.be by stolaf.edu (4.1/SMI-4.1) id AA17637; Wed, 6 Jan 93 09:55:49 CST Received: from rc1.vub.ac.be by cc1.kuleuven.ac.be (IBM VM SMTP V2R1) with TCP; Wed, 06 Jan 93 16:54:40 +0100 Received: from is1.vub.ac.be (is1e) by rc1.vub.ac.be (4.1/RC1-921229) id AA12515; Wed, 6 Jan 93 16:55:14 +0100 Received: by is1.vub.ac.be (5.61/BFUCC-920211) id AA13895; Wed, 6 Jan 93 16:53:47 +0100 From: jqdoumen@vub.ac.be (Doumen Jan) Message-Id: <9301061553.AA13895@is1.vub.ac.be> Subject: ftp-site for music scores To: mutex Date: Wed, 6 Jan 93 16:53:46 MET In-Reply-To: <9301061352.AA23142@lumiere.circe.fr>; from "TAUPIN@rsovax.ups.circe.fr" at Jan 6, 93 3:36 pm X-Mailer: ELM [version 2.3 PL11] A few months back there was a small discussion about the opening of a ftp- site for dropping music-scores. (If we can read each others MusicTeX files we could learn a lot from each other !) On another music related discussion group Richard L. Byrd said that his site is open for dropping music-scores. Contact Richard L. Byrd : rbyrd@tbf.musicnet.ua.edu and ask him very politely if you can drop your scores their. -- DeJean. /=============================================================================\ | Doumen Jan Voice : 32 2 3590209 | | Vrije Universiteit Brussel Fax : 32 2 3590390 | | Instituut Voor Moleculaire Biologie | | Department For Ultra-structure Internet : jqdoumen@vub.ac.be | | B - 1640 Sint-Genesius-Rode | | Belgium EARN/BITNET : jqdoumen@BBRBFU60.BITNET | \=============================================================================/ From mark.janello@um.cc.umich.edu Wed Jan 6 11:19:21 1993 Return-Path: Received: from mailrus.cc.umich.edu by stolaf.edu (4.1/SMI-4.1) id AA06968; Wed, 6 Jan 93 11:19:21 CST Received: from him3.cc.umich.edu by mailrus.cc.umich.edu (5.65/1123-1.0) id AA00338; Wed, 6 Jan 93 12:18:28 -0500 Date: Wed, 6 Jan 93 12:17:44 EST From: mark.janello@um.cc.umich.edu To: mutex Message-Id: <18666818@um.cc.umich.edu> X-Mts-Userid: 7JK3 Subject: even distribution of extra space I would like to have the extra space in a line of music be distributed evenly between all the notes instead of only between \notes ... \enotes groups. Is there a way to find out (using \raggedlinestrue and something like \the\lastskip) how much excess space is left at the end of a line? Then I could compute some kind of space factor (for each line, of course) and rerun the file, producing an even-looking output. Any ideas on this would be greatly appreciated. --------- mark.janello@um.cc.umich.edu --------- Mark Janello University of Michigan School of Music --------- From dgold@basso.actrix.gen.nz Mon Jan 11 00:37:58 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA27274; Mon, 11 Jan 93 00:37:58 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 11 Jan 1993 19:28:11 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 11 Jan 1993 07:20:42 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00vrq; Mon, 11 Jan 93 19:06:53 PST Date: Mon, 11 Jan 93 19:06:53 PST Message-Id: <9301120306.AA00vrp@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga Frontend for MusicTeX Hi, Have we got any Amiga users here? If so, I could use some beta-testers and advisors. I've been working on a mouse-driven Arexx program for MusicTeX on the Amiga and it might nearly be time for it to see the light of day. The goal is to save typing and to avoid typing and syntax errors in order to quickly create a rough draft of a new composition. In time, it might be possible for a total novice to create a reasonable MusicTeX score without knowing anything about MusicTeX! (but I'm not sure how much time I would be able or willing to devote to that...) Before you get too excited, there are currently some limitations. At the moment, it needs WB2.0, and Wshell. With some minor changes, it should work in a standard AmigaShell, but since I haven't used one for years, I'm not sure yet what the problem is. In theory, it should work under WB1.3, but I haven't had a chance to test that yet. RexxArpLib 3.0 is needed, but that's not a problem. If anyone is interested in trying it, please email me, and I'll send you a copy. I'd be especially interested in hearing from someone *without* Wshell who is fluent in Arexx who would be willing to fix it to work in a standard shell. I guess it's best to send requests to me directly rather than to mutex@stolaf.edu... Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From rouben@math13.math.umbc.edu Sun Jan 17 17:24:05 1993 Return-Path: Received: from math13.math.umbc.edu by stolaf.edu (4.1/SMI-4.1) id AA21923; Sun, 17 Jan 93 17:24:05 CST Received: by math13.math.umbc.edu (5.57/Ultrix3.0-C) id AA11092; Sun, 17 Jan 93 18:24:12 -0500 Date: Sun, 17 Jan 93 18:24:12 -0500 From: rouben@math13.math.umbc.edu (Rouben Rostamian) Message-Id: <9301172324.AA11092@math13.math.umbc.edu> To: mutex Subject: How to typeset alternate measures I have encountered a problem with typesetting a piece of music with MusicTeX and I hope that someone will be able to help me with it. I would like to typeset the horizontal square brackets that one often sees above some measures at a conclusion of a piece, distinguishing music to be played on the first pass from that on the second pass (i.e., after returning from a repeat.) These brackets, whose technical names I do not know, usually have numbers like 1. or 2. attached to them, indicating measures corresponding to the first or the second pass. I did not find a mention of these in musicdoc.tex. I printed a few of the sample pieces that came with MusicTeX, but they did not have what I was looking for. I would appreciate any help in directing me to the right place to look for such a construction. -- Rouben Rostamian From assmann@karlsruhe.gmd.de Mon Jan 18 04:23:49 1993 Return-Path: Received: from ibiza.karlsruhe.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA04007; Mon, 18 Jan 93 04:23:49 CST Message-Id: <9301181023.AA00848@ruegen> To: mutex Subject: chords Date: Mon, 18 Jan 93 11:23:23 +0100 From: "Uwe Assmann" Here comes a FAQ, probably. Nevertheless: Is there a macro package for MusicTex out there which supplies simple writing of chords, e.g. in the style of MuTex? I know that MuTex only can make one staff. What I want to do is writing chorals with 4 voices, sopran,alt,tenor,bass. So I don't need too much, only relatively easy chord writing. Would be nice if it had something for D7, C4, G and so on, i.e. for commonly used chords. Best regards Uwe Assmann /\ Uwe Assmann /fi\ GMD Forschungsstelle an der Universitaet Karlsruhe /deli\ Vincenz-Priessnitz-Str. 1 / tas \ 7500 Karlsruhe GERMANY ---------- Email: assmann@karlsruhe.gmd.de Tel: 0721/662255 Fax: 0721/6622968 From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Tue Jan 19 11:43:23 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA23204; Tue, 19 Jan 93 11:43:23 CST Message-Id: <9301191743.AA23204@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 7365; Tue, 19 Jan 93 12:37:28 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 6050; Tue, 19 Jan 1993 11:35:03 -0500 Date: 19 JAN 93 17:39:43.06-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: New version of MusicTeX To: mutex Dear music (& MusicTeX) lovers : First I wish you a happy new year, full of nice and beautiful music and all that kind of things. Secondly, the version 4.90 of MusicTeX is available at ftp anonymous, at site 130.84.128.100 (rsovax.ups.circe.fr) in directory [anonymous.musictex]. Updated files are musicnft.tex, musictex.tex and musicdoc.tex (or musicdoc.dvi). New and updated examples: angesca*.tex and avemaria.tex (Gounod's Ave Maria). Updated zips : musictex.zip, musicexa.zip. New feature : you call have staffs of different spacings in the same system, especially to typeset piano/organ music with songs of soloist instruments typeset in a smaller size. See avemaria.tex and angescao.tex. Have fun ! From icking@gmdzi.gmd.de Wed Jan 20 07:01:10 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA29097; Wed, 20 Jan 93 07:01:10 CST Received: by gmdzi.gmd.de id AA27794 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 20 Jan 1993 14:00:46 +0100 Date: Wed, 20 Jan 1993 14:00:46 +0100 From: Werner Icking Message-Id: <199301201300.AA27794@gmdzi.gmd.de> To: mutex Subject: Version 4.90 of MusicTeX Daniel Taupin writes: > >Secondly, the version 4.90 of MusicTeX is available at ftp anonymous, at site >130.84.128.100 (rsovax.ups.circe.fr) in directory [anonymous.musictex]. and as usual here, too -- and zip's with the modified files only and .tar.Z: ftp.gmd.de [129.26.8.90] music/musictex/ ... 365056 Jan 19 17:23 musictex.zip 162304 Jan 19 17:23 musicexa.zip 74545 Jan 19 17:23 musictex.482-490.zip 33032 Jan 19 17:23 musicexa.482-490.zip 512123 Jan 19 17:23 musictex-490.tar.Z 196059 Jan 19 17:23 musicexa-490.tar.Z ... musicXXX.482-490.zip contain the modified files only *but* *not* musicdoc.dvi because that can be produced easily by those who have version 4.82 already. >New feature : you can have staffs of different spacings in the same >system, especially to typeset piano/organ music with songs of soloist >instruments typeset in a smaller size. See avemaria.tex and angescao.tex. That's what I was already waiting for since a long time ... and what I never dared to ask for :-) (singing on my violin ;-) Daniel, thank you -- Werner From griffin@egr.msu.edu Sun Jan 24 13:47:35 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA18141; Sun, 24 Jan 93 13:47:35 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA20386; Sun, 24 Jan 93 14:47:46 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA21052; Sun, 24 Jan 93 14:47:45 -0500 Date: Sun, 24 Jan 93 14:47:45 -0500 From: griffin@egr.msu.edu Message-Id: <9301241947.AA21052@eecae.ee.msu.edu> To: mutex Subject: \fhyph errors Greetings All I have just installed, for the first time, MusicTeX v4.90. I am having problems with the example score files that use the directive `\fhyph' (e.g. HPRELUDE.TEX). \fhyh is unknown, and if I comment it out I get a lot of errors when trying to process the file through TeX. (errors follow). I am using PasTeX on an Amiga. What is \fhyph, and what can I do about it? Thank you. Dan griffin@egr.msu.edu ---------------- begin error log -------------------- This is a PD-Version of Pas-TeX (made Aug 29 1991 [br]/[hes]) This is TeX, C Version 3.14 (hprelude.TEX (musicnft.tex) (musictex.tex) (musicsty.tex) ! Undefined control sequence. \nbinstruments ->\undefined \body ->\ifnum \noinstrument <\nbinstruments \relax \n@advance \selectinstr ... \iterate ->\body \let \next \iterate \else \let \next \relax \fi \next \computewidths ...cing \Internote \fi \fi \repeat \fi \ifdim \nullthick <\p@... l.13 \computewidths ? ----------------------- end --------------------------- From griffin@egr.msu.edu Sun Jan 24 13:49:04 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA18575; Sun, 24 Jan 93 13:49:04 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA20390; Sun, 24 Jan 93 14:49:15 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA21057; Sun, 24 Jan 93 14:49:15 -0500 Date: Sun, 24 Jan 93 14:49:15 -0500 From: griffin@egr.msu.edu Message-Id: <9301241949.AA21057@eecae.ee.msu.edu> To: mutex Subject: MusicTeX, Amiga, and SpecialHost Greetings again! For those using MusicTeX on an Amiga, I'd like to ask you what is going on with regards to SpecialHost? The only \special commands I see in the MusicTeX v4.90 example scores are of the form: \special{hp: xy 10mm 15mm} Several `pictures' get loaded during dvi processing, but SpecialHost produces major Enforcer hits then, too. I suspect that \special for whatever platform it is intended for here (MS-DOS?) does something entirely different (like set the x and y page positions for an HP laserjet maybe) and thus should be eliminated in favor of the DVIprint x,y offsets. Dan griffin@egr.msu.edu From davisonj@ecn.purdue.edu Sun Jan 24 21:22:58 1993 Return-Path: Received: from en.ecn.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA27451; Sun, 24 Jan 93 21:22:58 CST Received: by en.ecn.purdue.edu (5.65/1.32jrs) id AA01510; Sun, 24 Jan 93 22:23:02 -0500 From: davisonj@ecn.purdue.edu (John M Davison) Message-Id: <9301250323.AA01510@en.ecn.purdue.edu> Subject: I would like to get started with a TeX-based notation program To: mutex Date: Sun, 24 Jan 93 22:23:01 EST X-Mailer: ELM [version 2.3 PL11] Would someone please give me some information regarding the variety and availability of public-domain TeX-based musical notation software? The only programs of which I am currently aware are Glenn Lewis' (glewis@fws204.intel.com, glewis@pcocd2.intel.com) SMUS2TeX program and Daniel Taupin's (Laboratoire de Physique des Solides) MusicTeX, and I haven't had any experience with either. Help! -- John Davison davisonj@ecn.purdue.edu From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Jan 25 04:38:02 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA06176; Mon, 25 Jan 93 04:38:02 CST Message-Id: <9301251038.AA06176@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 2286; Mon, 25 Jan 93 05:36:47 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 4879; Mon, 25 Jan 1993 05:36:47 -0500 Date: 25 JAN 93 11:43:04.76-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.91 To: mutex Small but annoying errors have been corrected. Version 4.91 of musicTeX available as usual at 130.84.128.100 (rsovax.ups.circe.fr), directory [anonymous.musictex] From icking@gmdzi.gmd.de Mon Jan 25 07:49:45 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA13683; Mon, 25 Jan 93 07:49:45 CST Received: by gmdzi.gmd.de id AA26316 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Mon, 25 Jan 1993 14:49:18 +0100 Date: Mon, 25 Jan 1993 14:49:18 +0100 From: Werner Icking Message-Id: <199301251349.AA26316@gmdzi.gmd.de> To: mutex Subject: Re: MusicTeX 4.91 (tar- & delta-files on ftp.gmd.de) ... Daniel Taupin's version 4.91 of MusicTeX (musictex.zip, musicexa.zip) is now available for anonymous ftp from ftp.gmd.de [129.26.8.90] too. As usual I've added musictex-491.tar.Z musicexa-491.tar.Z and the delta-files musictex.490-491.zip (17117 bytes) musicexa.490-491.zip ( 4708 bytes) Is this service of any help for anyone? please answer by private mail and **not** to the list. Werner From dgold@basso.actrix.gen.nz Mon Jan 25 22:44:04 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA17693; Mon, 25 Jan 93 22:44:04 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 25 Jan 1993 20:20:29 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 25 Jan 1993 08:25:48 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00x87; Mon, 25 Jan 93 20:27:33 PST Date: Mon, 25 Jan 93 20:27:33 PST Message-Id: <9301260427.AA00x86@basso.actrix.gen.nz> In-Reply-To: <9301241949.AA21057@eecae.ee.msu.edu> (from griffin@egr.msu.edu) (at Sun, 24 Jan 93 14:49:15 -0500) X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: MusicTeX, Amiga, and SpecialHost > For those using MusicTeX on an Amiga, I'd like to ask you what is going > on with regards to SpecialHost? The only \special commands I see in > the MusicTeX v4.90 example scores are of the form: > > \special{hp: xy 10mm 15mm} You shouldn't need SpecialHost for anything to do with MusicTeX. \special commands tend to be a bit machine-specific and I've always just commented them out to process stuff on my Amiga. You might have to fiddle with some PasTeX settings, but I doubt it... Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Mon Jan 25 22:47:25 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA18162; Mon, 25 Jan 93 22:47:25 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Mon, 25 Jan 1993 20:20:35 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Mon, 25 Jan 1993 08:25:34 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00x7x; Mon, 25 Jan 93 20:17:13 PST Date: Mon, 25 Jan 93 20:17:13 PST Message-Id: <9301260417.AA00x7w@basso.actrix.gen.nz> In-Reply-To: <9301250323.AA01510@en.ecn.purdue.edu> (from davisonj@ecn.purdue.edu (John M Davison)) (at Sun, 24 Jan 93 22:23:01 EST) X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: I would like to get started with a TeX-based notation program Hi, John Davison asked: > Would someone please give me some information regarding the variety and >availability of public-domain TeX-based musical notation software? The only >programs of which I am currently aware are Glenn Lewis' >SMUS2TeX program and Daniel Taupin's MusicTeX, and I haven't had any >experience with either. Help! Well, you've found the right place to get help with MusicTeX! Glenn has gone on to other things and isn't terribly interested in supporting SMUS2TeX any more, although he was very helpful in some discussions I had with him last year. SMUS2TeX converts SMUS files (which are usually created by Deluxe Music on an Amiga) to MusicTeX code. It worked for Glenn, and not very well for me because we were working with different types of music - I think that chords were a major problem, and none of the old Deluxe Music files I tried it on resulted in anything very useful. Since SMUS2TeX is pretty old, the things it does do well are not up to current MusicTeX standards. However, C source code is available, and it's a project that would be well worth pursuing by someone with the know-how. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Jan 28 00:47:38 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA29195; Thu, 28 Jan 93 00:47:38 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Thu, 28 Jan 1993 19:32:42 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 28 Jan 1993 07:28:41 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00xkk; Thu, 28 Jan 93 19:23:20 PST Date: Thu, 28 Jan 93 19:23:20 PST Message-Id: <9301290323.AA00xkj@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga front end for MusicTeX, again Hi, I've sent this to all the people who requested it, but there have been some problems with outgoing email here and I don't know if it worked. If anyone who received it could let me know it would be one less thing to worry about. I tried to mail A4422DAE@VM.UNIVIE.AC.AT at both addresses you gave, and they seemed to fail at your end... sorry. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From dgold@basso.actrix.gen.nz Thu Jan 28 05:19:00 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA04150; Thu, 28 Jan 93 05:19:00 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Fri, 29 Jan 1993 00:04:08 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 28 Jan 1993 11:54:16 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00xmp; Thu, 28 Jan 93 23:56:13 PST Date: Thu, 28 Jan 93 23:56:13 PST Message-Id: <9301290756.AA00xmo@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: MusicTeX 4.91 I just installed this yesterday from the musictex.490-491.zip archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is failing on the simplest files: This is TeX, Amiga Version 3.14 (1.tex ! TeX capacity exceeded, sorry [input stack size=200]. etc, etc, Any \Ib type entries seem to cause this, and a simple: \notes\qu c\qu d\qu e\enotes \barre results in all the notes and the barline being stacked on top of each other. version 4.90 works fine. ??? Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Thu Jan 28 07:11:16 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA11594; Thu, 28 Jan 93 07:11:16 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa20767; 28 Jan 93 14:08 MET Subject: Re: MusicTeX 4.91 To: mutex Date: Thu, 28 Jan 93 14:10:26 MET From: "Klaus Knopper [ET]" Cc: mutex@stolaf.edu In-Reply-To: <9301290756.AA00xmo@basso.actrix.gen.nz>; from "Dale Gold" at Jan 28, 93 11:56 pm X-Mailer: ELM [version 2.3 PL11] Message-Id: <9301281410.aa07297@sun.rhrk.uni-kl.de> > > I just installed this yesterday from the musictex.490-491.zip > archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is > failing on the simplest files: > > This is TeX, Amiga Version 3.14 > (1.tex > ! TeX capacity exceeded, sorry [input stack size=200]. > etc, etc, > > Any \Ib type entries seem to cause this, and a simple: > > \notes\qu c\qu d\qu e\enotes > \barre > > results in all the notes and the barline being stacked on top > of each other. version 4.90 works fine. > > ??? > Dale > > - dgold@basso.actrix.gen.nz > - Korokoro, New Zealand I believe that you use the commercial AmigaTeX. I dont know if you can change the memory config parameters with this TeX, but maybe you should try the PasTex from Georg Hessmann (forwiss.uni-passau.de). I think its the BEST TeX for Amiga you can get, with full Arexx Support (You can use it like from TexShell in EmTeX), a good Previewer and an EXCELLENT DVIPrint, AND, which is more, you can configure ALL TeX-Memory parameters yourself (for example the input stacksize, which seems to cause the problem here.) There is also a BigTeX version available in PasTeX, which i recommend for big scores with no \autolines. I worked with PasTeX and the MusicTex 4.4 macro package for a long time, and never got problems using it with the BigTeX (I use 80000 words of page memory, but there is almost no limit). ( Let's see if it will work with 4.91 ) -Klaus // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From griffin@egr.msu.edu Thu Jan 28 08:30:59 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA13544; Thu, 28 Jan 93 08:30:59 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA27690; Thu, 28 Jan 93 09:31:08 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA09034; Thu, 28 Jan 93 09:31:08 -0500 Date: Thu, 28 Jan 93 09:31:08 -0500 From: griffin@egr.msu.edu Message-Id: <9301281431.AA09034@eecae.ee.msu.edu> To: mutex Subject: MusicTeX 4.91 dgold@basso.actrix.gen.nz (Dale Gold) writes: I just installed this yesterday from the musictex.490-491.zip archive at ftp.gmd.de [129.26.8.90] (hello Werner!) and it is failing on the simplest files: I also installed the 4.91 fixes, and it fixed the errors that 4.90 was giving me, but it still doesn't print out many sample files. To use the same examples as before, the prelude and fugue (HPRELFUG.TEX), I get the first page, and then nothing on page 2 or 3, then maybe I'll get page 4, 6, and 15. I can tell that the blank pages are supposed to contain only three bars by the bar numbering. I am fairly new to TeX, and very new to MusicTeX, but I suspect that I am having a page positioning problem and the staves are being `printed' off the page. Looking at the log I see things like: Overfull \vbox (29720.84679pt too high) detected at line 158 \vbox(751.15276+4.0)x526.37598 .\glue(\topskip) 0.0 plus 60.0 .\hbox(10527.19963+19948.79991)x526.37598, glue set 0.1644 ..\hbox(140.2+0.0)x0.0 ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -15.0 [] ...\hbox(65.4+1.00009)x0.0, glue set - 7.5fil, shifted -60.0 [] ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -60.0 [] ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -105.0 [] ...\hbox(110.2+0.2)x0.0, glue set - 0.4fil, shifted -15.0 [] ...etc. ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -15.0 ...\hbox(20.3125+0.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -60.0 ...\hbox(20.3125+0.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\hbox(30.0+10.0)x0.0, glue set - 15.99998fil, shifted -105.0 ...\hbox(30.0+10.0)x15.99998 [] ...\glue 0.0 plus 1.0fil minus 1.0fil ..\kern 15.99998 ..etc. Um...it looks like some large sizes there! (Overfull vbox of 29000 [412 inches]??) MusicDoc prints out fine, as well as some of the scores (Praetorius, Angels We Have Heard On High, Pacifique are okay). Dan From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Jan 29 06:09:05 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA20790; Fri, 29 Jan 93 06:09:05 CST Message-Id: <9301291209.AA20790@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8179; Fri, 29 Jan 93 07:07:51 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 7788; Fri, 29 Jan 1993 07:07:51 -0500 Date: 29 JAN 93 13:13:58.50-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Correction to musicnft.tex 4.91 --> 4.92 (\Ib... problems) To: mutex % Important correction to musicnft.tex % \def\computespecifics¤\ifnum\musicsize=0\relax\musicsize=20\relax\fi \ifnum\musicsize=20\relax \def\ppff¤\ppfftwenty‡% \def\beamnorfont¤\beamtwenty‡\def\musicnorfont¤\musictwenty‡% \def\beamsmallfont¤\beamsixteen‡\def\musicsmallfont¤\musicsixteen‡% \def\beamtinyfont¤\beamthirteen‡\def\musictinyfont¤\musicthirteen‡% \def\meternorfont¤\cmbx‡\def\metersmallfont¤\cmbxsmall‡% \def\metertinyfont¤\cmbxtiny‡\def\slurnorfont¤\slurntwenty‡% \def\meterbigfont¤\cmbxbig‡% \else \def\ppff¤\ppffsixteen‡% \def\beamnorfont¤\beamsixteen‡\def\musicnorfont¤\musicsixteen‡% \def\beamsmallfont¤\beamthirteen‡\def\musicsmallfont¤\musicthirteen‡% \def\beamtinyfont¤\beameleven‡\def\musictinyfont¤\musiceleven‡% \def\meternorfont¤\cmbxsmall‡\def\metersmallfont¤\cmbxtiny‡% \def\metertinyfont¤\cmbxmicro‡\def\slurnorfont¤\slurnsixteen‡% \def\meterbigfont¤\cmbx‡% \fi \Interligne=\musicsize pt\divide\Interligne by 4\relax % This (below) was the missing line \Internote=0.5\Interligne % End of correction \interbeam=\i@nterbeam \setbox\ch@box=\hbox¤\w@h‡\wn@width=\wd\ch@box \setbox\ch@box=\hbox¤\s@bv‡\sb@width=\wd\ch@box \setbox\ch@box=\hbox¤\b@rv‡\bv@width=\wd\ch@box \setbox\ch@box=\hbox¤\h@a‡\hn@width=\wd\ch@box \setbox\ch@box=\hbox¤\q@u‡\qn@width=\wd\ch@box \qd@skip=\qn@width\advance\qd@skip by -\hlthick \hd@skip=\hn@width\advance\hd@skip by -\hlthick \wd@skip=\wn@width\advance\wd@skip by -\hlthick ‡% From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Fri Jan 29 06:25:52 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA22039; Fri, 29 Jan 93 06:25:52 CST Message-Id: <9301291225.AA22039@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 8402; Fri, 29 Jan 93 07:24:38 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1b/1.7e) with BSMTP id 8048; Fri, 29 Jan 1993 07:24:38 -0500 Date: 29 JAN 93 13:30:53.89-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: MusicTeX 4.92 To: mutex Due to some minor corrections but a big problem, version 4.92 is available at rsovax.ups.circe.fr as usual. Changes files: musictex.zip, musicexa.zip, musicnft.tex, marcellx.tex Note that some errors cause stack overflows. More friendly reaction is studied... From Robin.Fairbairns@cl.cam.ac.uk Fri Jan 29 06:58:44 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA23620; Fri, 29 Jan 93 06:58:44 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Fri, 29 Jan 1993 12:58:35 +0000 To: mutex Cc: mutex@stolaf.edu, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: Correction to musicnft.tex 4.91 --> 4.92 (\Ib... problems) Date: Fri, 29 Jan 93 12:58:30 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.022:29.01.93.12.58.38"@cl.cam.ac.uk> Daniel writes: |> % Important correction to musicnft.tex |> % |> \def\computespecifics \ifnum\musicsize=0\relax\musicsize=20\relax\fi And so on throughout the message. Obviously the victim of Bitnet-> Internet code mistranslation. What is the (looking like a small circle with horns sticking out NE, SE, SW and NW) _supposed_ to be? Robin Fairbairns From JACYK@kcgl1.eng.ohio-state.edu Fri Jan 29 09:57:37 1993 Return-Path: Received: from kcgl1 (kcgl1.eng.ohio-state.edu) by stolaf.edu (4.1/SMI-4.1) id AA29664; Fri, 29 Jan 93 09:57:37 CST Received: from kcgl1.eng.ohio-state.edu by kcgl1.eng.ohio-state.edu (PMDF #12133) id <01GU375AYN8WD437DM@kcgl1.eng.ohio-state.edu>; Fri, 29 Jan 1993 10:57 EST Date: Fri, 29 Jan 1993 10:57 EST From: PAUL JACYK Subject: Please take me off the mailing list. To: mutex Message-Id: <01GU375AYN8WD437DM@kcgl1.eng.ohio-state.edu> X-Envelope-To: mutex@stolaf.edu X-Vms-To: IN%"mutex@stolaf.edu" I'm am sorry in advance if this message goes to everyone receiving the mutex mail. But, could I please be taken off the mutex mail list. thanks!!! From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Fri Jan 29 11:22:29 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA08725; Fri, 29 Jan 93 11:22:29 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa22908; 29 Jan 93 18:20 MET Subject: Re: MusicTeX 4.91 To: mutex Date: Fri, 29 Jan 93 18:22:14 MET From: "Klaus Knopper [ET]" Cc: mutex@stolaf.edu In-Reply-To: <9301281431.AA09034@eecae.ee.msu.edu>; from "griffin@egr.msu.edu" at Jan 28, 93 9:31 am X-Mailer: ELM [version 2.3 PL11] Message-Id: <9301291822.aa14022@sun.rhrk.uni-kl.de> > I also installed the 4.91 fixes, and it fixed the errors that 4.90 > was giving me, but it still doesn't print out many sample files. > To use the same examples as before, the prelude and fugue (HPRELFUG.TEX), > I get the first page, and then nothing on page 2 or 3, then maybe I'll > get page 4, 6, and 15. I can tell that the blank pages are supposed to > contain only three bars by the bar numbering. > > I am fairly new to TeX, and very new to MusicTeX, but I suspect that > I am having a page positioning problem and the staves are being > `printed' off the page. Looking at the log I see things like: > > Overfull \vbox (29720.84679pt too high) detected at line 158 > > \vbox(751.15276+4.0)x526.37598 > .\glue(\topskip) 0.0 plus 60.0 > .\hbox(10527.19963+19948.79991)x526.37598, glue set 0.1644 > ..\hbox(140.2+0.0)x0.0 > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -15.0 [] > ...\hbox(65.4+1.00009)x0.0, glue set - 7.5fil, shifted -60.0 [] > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -60.0 [] > ...\hbox(0.0+0.0)x0.0, glue set - 526.37598fil, shifted -105.0 [] > ...\hbox(110.2+0.2)x0.0, glue set - 0.4fil, shifted -15.0 [] > ...etc. > ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -15.0 > ...\hbox(20.3125+0.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\hbox(20.3125+0.0)x0.0, glue set - 15.99998fil, shifted -60.0 > ...\hbox(20.3125+0.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\hbox(30.0+10.0)x0.0, glue set - 15.99998fil, shifted -105.0 > ...\hbox(30.0+10.0)x15.99998 [] > ...\glue 0.0 plus 1.0fil minus 1.0fil > ..\kern 15.99998 > ..etc. > > Um...it looks like some large sizes there! (Overfull vbox of 29000 > [412 inches]??) > > MusicDoc prints out fine, as well as some of the scores (Praetorius, > Angels We Have Heard On High, Pacifique are okay). > > Dan Thats looks quite what i've got from the "small" version of PasTex. Some lines were completely missing (especially at the bottom of the page) and sometimes empty pages were generated in the middle of the scores. This always happened with "overfull vbox" messages. I think its a bug in the TeX Compiler, getting confused with too many box'es. Since i'm using the BigTex version of PasTex, these problems with the overfull vbox'es (which simply don't exist), never occured again. All scores are set perfectly now. I already contacted Georg Hessmann (the creator of PasTeX) and told him about this effect in the "small" TeX version. Bye and good luck. // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From griffin@egr.msu.edu Sat Jan 30 11:50:51 1993 Return-Path: Received: from egr.msu.edu (kira.egr.msu.edu) by stolaf.edu (4.1/SMI-4.1) id AA09820; Sat, 30 Jan 93 11:50:51 CST Received: from eecae.ee.msu.edu by egr.msu.edu (5.61/1.34) id AA04485; Sat, 30 Jan 93 12:51:01 -0500 Received: by eecae.ee.msu.edu (5.61/SMI-4.0) id AA20658; Sat, 30 Jan 93 12:51:01 -0500 Date: Sat, 30 Jan 93 12:51:01 -0500 From: griffin@egr.msu.edu Message-Id: <9301301751.AA20658@eecae.ee.msu.edu> To: mutex Subject: MusicTeX & Amigas Cc: griffin@egr.msu.edu I have recently installed MusicTeX for use on an Amiga, but was having several problems with printing out some of the sample scores. The 4.91 and 4.92 revisions have eliminated some of those problems, and I'd like to thank Daniel Taupin for MusicTeX and his help. I'd also like to thank Klaus Knopper (knopper@rhrk.uni-kl.de) for his suggestion to use bigTeX to eliminate the overfull box problem, and Dale Gold (dgold@basso.actrix.gen.nz) for his assistance. Now, only one problem remains: again, refering to the HPRELFUG score, it appears that there are supposed to be five staves per page, but due to the smaller USA paper size (11in x 8.5in) only four will fit on a page (without starting higher on the page). I have redefined \vsize smaller in both HPRELFUG and PRELUDE, and the \outmorc{\shipout\vbox to be smaller also, but the fifth line always comes out on a separate page all by itself. I do not see anything in the music that would define end-of-page or call for an eject in the mus\ic between bars 27 & 28, 42 & 43, etc. How do I redefine the page length so every page is full and has 4 staves? Dan From davisonj@ecn.purdue.edu Mon Feb 1 18:47:10 1993 Return-Path: Received: from en.ecn.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA21805; Mon, 1 Feb 93 18:47:10 CST Received: by en.ecn.purdue.edu (5.65/1.32jrs) id AA28479; Mon, 1 Feb 93 19:47:18 -0500 From: davisonj@ecn.purdue.edu (John M Davison) Message-Id: <9302020047.AA28479@en.ecn.purdue.edu> Subject: Problem encountered setting up MusicTeX on en.ecn.purdue.edu To: mutex Date: Mon, 1 Feb 93 19:47:17 EST X-Mailer: ELM [version 2.3 PL11] Today I attempted to install the latest freshly FTPed MusicTeX on en.ecn.purdue.edu (a UNIX machine running 4.3BSD-Tahoe), but the results were less than functional. An attempt to process the file "hadagim.tex" resulted in the following output: ------------------------------------------------------------------------------- Script started on Mon Feb 1 19:36:06 1993 [#11] en:[/hogs/davisonj/pub/MusicTeX]: tex /hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex This is TeX, C Version 3.14 (/hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex (/hogs/davisonj/pub/MusicTeX/inputs/musicnft.tex Version 4.92 -- January 29th, 1993 ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. \relax l.16 \font\cmmi=cmmi10 scaled \magstep1 ? ! Emergency stop. \relax l.16 \font\cmmi=cmmi10 scaled \magstep1 No pages of output. Transcript written on hadagim.log. [#12] en:[/hogs/davisonj/pub/MusicTeX]: script done on Mon Feb 1 19:36:27 1993 ------------------------------------------------------------------------------- I cannot figure out why it can't find this font. Can anyone out there tell me why? Arrrrrrrgh! I'm not exactly a TeX jockey, so please be forgiving if I missed something obvious. Here is some pertinent information that may illuminate matters: TEXINPUTS = "/usr/unsup/lib/tex/inputs:/hogs/davisonj/pub/MusicTeX/inputs:." TEXFONTS = "/usr/unsup/lib/tex/fonts:/hogs/davisonj/pub/MusicTeX/fonts:/hogs/davisonj/pub/MusicTeX/fonts/gf:/hogs/davisonj/pub/MusicTeX/fonts/pk:/hogs/davisonj/pub/MusicTeX/fonts/pxl:/hogs/davisonj/pub/MusicTeX/fonts/tfm:/hogs/davisonj/pub/MusicTeX/fonts/vf:." TEXFORMATS = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." TEXPOOL = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." This is a listing of my directory tree "/hogs/davisonj/pub/MusicTeX", which is where I have my MusicTeX stuff. I am too naive to tell if something has been put in the wrong place...suggestions for better organization are welcome, as all I did was model my directory structure after the TeX directory structure ("/usr/unsup/tex") that resides on en.ecn.purdue.edu. ------------------------------------------------------------------------------- Script started on Mon Feb 1 19:26:24 1993 [#11] en:[/hogs/davisonj/pub/MusicTeX]: ls -R EN_README beamt20.mf musicd16.mf musicg16.mf slurdu16.mf aa_readme.text beamv20.mf musicd20.mf musicgen.mf slurgen.mf beamd20.mf euromtex.aux musicdef.mf musicn11.mf slurn16.mf beamn11.mf euromtex.dvi musicdoc.aux musicn13.mf slurn20.mf beamn13.mf fonts musicdoc.bat musicn16.mf slurud16.mf beamn16.mf inputs musicdoc.dvi musicn20.mf sluruu16.mf beamn20.mf modes.mf musicdoc.idx musicref.dvi sortindx.for beamngen.mf musicd11.mf musicdoc.inx recueil.dvi beamq20.mf musicd13.mf musicdoc.toc slurdd16.mf fonts: gf pk pxl tfm vf fonts/gf: fonts/pk: beamn11.pk circlew1.pk dpi300 musicn20.pk slurn20.pk beamn13.pk dpi100 musicn11.pk slurdd16.pk slurud16.pk beamn16.pk dpi118 musicn13.pk slurdu16.pk sluruu16.pk beamn20.pk dpi240 musicn16.pk slurn16.pk fonts/pk/dpi100: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi118: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi240: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pk/dpi300: beamn11.pk beamn20.pk musicn16.pk slurdd16.pk slurn20.pk beamn13.pk musicn11.pk musicn20.pk slurdu16.pk slurud16.pk beamn16.pk musicn13.pk slur16.pk slurn16.pk sluruu16.pk fonts/pxl: fonts/tfm: beamn11.tfm circlew1.tfm musicn16.tfm slurn16.tfm beamn13.tfm circlew10.tfm musicn20.tfm slurn20.tfm beamn16.tfm musicn11.tfm slurdd16.tfm slurud16.tfm beamn20.tfm musicn13.tfm slurdu16.tfm sluruu16.tfm fonts/vf: dmb10.vf dmcsc10.vf dmr6.vf dmss12.vf dmssi9.vf dmtt12.vf dmbx10.vf dmdunh10.vf dmr7.vf dmss17.vf dmssq8.vf dmtt8.vf dmbx12.vf dmff10.vf dmr8.vf dmss8.vf dmssqi8.vf dmtt9.vf dmbx5.vf dmfi10.vf dmr9.vf dmss9.vf dmtcsc10.vf dmu10.vf dmbx6.vf dmfib8.vf dmsl10.vf dmssbx10.vf dmti10.vf dmvtt10.vf dmbx7.vf dmitt10.vf dmsl12.vf dmssdc10.vf dmti12.vf dmbx8.vf dmr10.vf dmsl8.vf dmssi10.vf dmti7.vf dmbx9.vf dmr12.vf dmsl9.vf dmssi12.vf dmti8.vf dmbxsl10.vf dmr17.vf dmsltt10.vf dmssi17.vf dmti9.vf dmbxti10.vf dmr5.vf dmss10.vf dmssi8.vf dmtt10.vf inputs: a4report.sty dblecols.sty hcreatim.tex musicdoc.tex ostinato.tex accordeo.tex enhyph.tex hcreatio.tex musicext.tex pacifiqb.tex accordex.tex enhyphex.tex hfantais.tex musicnft.tex pacifiqn.tex adagio.tex euro92.sty hfugue.tex musicpln.tex pacifiqp.tex amourspe.tex euro92.tex hostinat.tex musicpos.tex praetori.tex amourspx.tex euromtex.tex howtoget.tex musicpre.tex praetorr.tex angescam.tex extras.tex hprelfug.tex musicref.tex praetorx.tex angescao.tex fantaisi.tex hprelude.tex musicsty.tex prelude.tex angescax.tex footnote.tex hrecit.tex musictex.sty purcell.tex aria.tex frhyph.tex hreves.tex musictex.tex purcellx.tex avemaria.tex fugue.tex hwidor.tex musictrp.sty recit.tex bigmusic.sty geslides.tex hymnepas.tex musictrp.tex recueil.tex campra.tex gloriab.tex ibmiso1.tex musicvbm.sty reves.tex carillon.tex glorias.tex lines.tex musicvbm.tex screatim.tex choral.tex hadagim.tex marcello.tex nlslides.tex souvenir.tex chorala.tex hadagio.tex marcellx.tex notreper.tex souvenix.tex choralb.tex haria.tex musicacc.tex notrepex.tex tierce.tex creation.tex hchoral.tex musicadd.tex nwidor.tex widor.tex [#12] en:[/hogs/davisonj/pub/MusicTeX]: script done on Mon Feb 1 19:26:36 1993 ------------------------------------------------------------------------------- -- John Davison davisonj@ecn.purdue.edu From @sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de Tue Feb 2 05:47:41 1993 Return-Path: <@sun.rhrk.uni-kl.de:knopper@rhrk.uni-kl.de> Received: from uni-kl.de (stepsun.uni-kl.de) by stolaf.edu (4.1/SMI-4.1) id AA03558; Tue, 2 Feb 93 05:47:41 CST Received: from sun.rhrk.uni-kl.de by stepsun.uni-kl.de id aa21432; 2 Feb 93 12:45 MET Subject: Re: Problem encoun To: mutex Date: Tue, 2 Feb 93 12:47:39 MET From: "Klaus Knopper [ET]" Cc: "Klaus Knopper [ET]" , mutex@stolaf.edu In-Reply-To: <9302020047.AA28479@en.ecn.purdue.edu>; from "John M Davison" at Feb 1, 93 7:47 pm X-Mailer: ELM [version 2.3 PL11] Message-Id: <9302021247.aa12222@sun.rhrk.uni-kl.de> > > Today I attempted to install the latest freshly FTPed MusicTeX on > en.ecn.purdue.edu (a UNIX machine running 4.3BSD-Tahoe), but the results were > less than functional. An attempt to process the file "hadagim.tex" resulted in > the following output: > > ------------------------------------------------------------------------------- > Script started on Mon Feb 1 19:36:06 1993 > [#11] en:[/hogs/davisonj/pub/MusicTeX]: tex /hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex > This is TeX, C Version 3.14 > (/hogs/davisonj/pub/MusicTeX/inputs/hadagim.tex > (/hogs/davisonj/pub/MusicTeX/inputs/musicnft.tex > Version 4.92 -- January 29th, 1993 > ! Font \cmmi=cmmi10 scaled 1200 not loadable: Metric (TFM) file not found. > > \relax > l.16 \font\cmmi=cmmi10 scaled \magstep1 > ? > ! Emergency stop. > > \relax > l.16 \font\cmmi=cmmi10 scaled \magstep1 > No pages of output. > Transcript written on hadagim.log. > [#12] en:[/hogs/davisonj/pub/MusicTeX]: > script done on Mon Feb 1 19:36:27 1993 > ------------------------------------------------------------------------------- > > I cannot figure out why it can't find this font. Can anyone out there > tell me why? Arrrrrrrgh! I'm not exactly a TeX jockey, so please be forgiving > if I missed something obvious. > > Here is some pertinent information that may illuminate matters: > > TEXINPUTS = "/usr/unsup/lib/tex/inputs:/hogs/davisonj/pub/MusicTeX/inputs:." > > TEXFONTS = "/usr/unsup/lib/tex/fonts:/hogs/davisonj/pub/MusicTeX/fonts:/hogs/davisonj/pub/MusicTeX/fonts/gf:/hogs/davisonj/pub/MusicTeX/fonts/pk:/hogs/davisonj/pub/MusicTeX/fonts/pxl:/hogs/davisonj/pub/MusicTeX/fonts/tfm:/hogs/davisonj/pub/MusicTeX/fonts/> vf:." > > TEXFORMATS = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." > > TEXPOOL = "/usr/unsup/lib/tex:/hogs/davisonj/pub/MusicTeX:." > > This is a listing of my directory tree "/hogs/davisonj/pub/MusicTeX", > which is where I have my MusicTeX stuff. I am too naive to tell if something > has been put in the wrong place...suggestions for better organization are > welcome, as all I did was model my directory structure after the TeX directory > structure ("/usr/unsup/tex") that resides on en.ecn.purdue.edu. > [... stuff deleted] > -- > John Davison > davisonj@ecn.purdue.edu Your problem is the absence of the tfm font descriptions for the cmmi fonts. This is a standard (math italics) TeX-Font, and not included in the MusicTeX Package. Even if this font is not used in your score, it is needed for the predefined font commands in musicTeX. So you have to generate at least the TFM file with the 'Metafont' Font generating program. If you use this fonts in your score, you also have to generate the Pixel (.pk) fonts with Metafont. How to do this is strongly machine-specific (ask your local TeX guru). On my machine (Amiga) i just have to start an Arexx-Script to generate missing fonts. The metafont Font-Descriptions for this case are in a file which should have the name "cmmi10.mf". I think that this font is used for the numbers at the top of each bar. I hope this may help you a bit (maybe some manpages for MF ?) .... // Klaus Knopper // (knopper@rhrk.uni-kl.de) \\ // \X/ From dgold@basso.actrix.gen.nz Tue Feb 9 17:37:52 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA28655; Tue, 9 Feb 93 17:37:52 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Wed, 10 Feb 1993 12:38:56 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Wed, 10 Feb 1993 00:15:40 GMT Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00ysf; Wed, 10 Feb 93 12:06:38 PST Date: Wed, 10 Feb 93 12:06:38 PST Message-Id: <9302102006.AA00yse@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Amiga Graphical Interface Hi, I've got an improved version of this ready, and it can be ftp'd from: rata.vuw.ac.nz and the file is called: guitex1_1.lha I assume that it will be in the \pub directory, but I'm not putting it up myself, so you might have to look around for it. If you don't see it, try again in a day or two. PLEASE, PLEASE don't browse around or download anything else. The University is doing this as a favour to me, and the system can't handle a lot of overseas traffic. About GUITeX: A mouse-driven interface which tries to do quick and error-free creation of a rough draft of a MusicTeX score. It tries to do a few things for you like automatic bar-numbering, and hopefully will make beams, ties and slurs easier to handle. Beam numbers are incremented automatically, and should always getting your notes hanging or sitting on the beams correctly. REQUIREMENTS: MusicTeX, and an Amiga. Of course. AmigaTeX, PasTeX, or some other version of TeX. ArpRexxLib.library 3.0. This only works with WB2.0 at the moment but theory should work under 1.3 when I get around to putting in some code for the ARP requesters. RexxArpLib is available via ftp from: Host wuarchive.wustl.edu (128.252.135.4) Location: /mirrors4/amiga.physik.unizh.ch/amiga/util/rexx FILE r--r--r-- 54272 Oct 11 04:40 RexxArpLib3_0.lzh And probably also directly from amiga.physik.unizh.ch. If you haven't got ftp access, let me know and I'll be happy to mail a copy to anyone who is willing to do a bit of testing. Cheers, Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From crath@bnr.ca Wed Feb 10 07:56:39 1993 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA21409; Wed, 10 Feb 93 07:56:39 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 08:55:39 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 08:54:24 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Wed, 10 Feb 1993 03:54:00 -0500 Date: Wed, 10 Feb 1993 08:54:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.221:10.01.93.13.54.24] X400-Content-Type: P2-1984 (2) Content-Identifier: Lead sheet pr... From: "Christopher (C.J.) Rath" Message-Id: <"16338 Wed Feb 10 08:55:13 1993"@bnr.ca> To: mutex Subject: Lead sheet production. I have been asked to look into producing a lead sheet, for a tape that's being produced locally. I've installed MusicTeX, and it certainly looks like it will do the job. However, it also looks like I've got a bit of a learning curve to climb. In this vein I have a couple of questions: Definition: Lead Sheet... By this I mean single staff melody line, with chords above the music and words below. 1) Does anyone have an example lead sheet (in MusicTeX source) that they would be willing to send me (or point me to an ftp site with an example)? 2) Is there any software out there to convert a midifile into MusicTeX source? It must compile or run on a NeXTstation. Thanks, Christopher --- Christopher Rath | crath@bnr.ca BNR Lab 5 | Ottawa, ON, Canada | "Hydrogen is a colourless, odourless gas which, given (613) 765-3141 | enough time, turns into people." -- Henry Hiebert From p.abbott@aston.ac.uk Fri Feb 12 14:14:14 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AB03311; Fri, 12 Feb 93 14:14:14 CST Message-Id: <9302122014.AB03311@stolaf.edu> Via: uk.ac.aston; Fri, 12 Feb 1993 19:14:34 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <07496-0@email.aston.ac.uk>; Fri, 12 Feb 1993 12:25:52 +0000 To: mutex Cc: spqr@minster.york.ac.uk Subject: A number of questions Date: Fri, 12 Feb 93 12:25:24 +0000 From: Peter Abbott I have just unpacked musictex-492.tar.Z and musicexa-492.tar.Z I have tried some of the examples and the first major problem is that they are set up for paper sizes to which I do not have access. My laserprinter takes A4 paper and whilst I can edit each example file so that the appearance is acceptable, would it not be possible to provide a file which hsize and vsize which is included in each eample. This means that when trying out the software it is easy to tailor to fit the paper sizes available. My version was installed by an expert who understand my Sun, UNIX and TeX so I assume that the errors quoted here are not of our making. PACIFIQN TeX runs OK /work2/music/examples$ dvips pacifiqn -o This is dvips 5.495 Copyright 1986, 1992 Radical Eye Software ' TeX output 1993.02.12:1206' -> pacifiqn.ps . [1dvips: Unknown keyword (xy) in \special will be ignored dvips: Unknown keyword (12mm) in \special will be ignored dvips: Unknown keyword (18mm) in \special will be ignored dvips: Couldn't find figure file hp:; continuing ] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] PACIFIQB TeX runs OK dvips gives same error HADAGIO TeX error /work2/music/examples$ tex hadagio This is TeX, C Version 3.141 (hadagio.tex (/sys/tex/lib/styles/musicnft.tex Version 4.92 -- January 29th, 1993) (/sys/tex/lib/styles/musictex.tex Version 4.91 -- January 21th, 1993) ! Undefined control sequence. l.4 \fhyph CARILLON TeX run OK dvips same error PRAETORI TeX runs OK dvips same error ANGESCAO TeX run OK dvips same error HPRELFUG TeX runs OK dvips runs ok no error MARCELLO TeX runs OK dvips same error RECUEIL /work2/music/examples$ tex recueil This is TeX, C Version 3.141 (recueil.tex (/sys/tex/lib/styles/musicnft.tex Version 4.92 -- January 29th, 1993) (/sys/tex/lib/styles/musictex.tex Version 4.91 -- January 21th, 1993) (/sys/tex/lib/styles/musicvbm.tex) (/sys/tex/lib/styles/musicsty.tex) ! Missing number, treated as zero. \relax l.12 \font \geant=\fonthdg mbx12 scaled \magstep6 HWIDOR TeX runs OK dvips same error NWIDOR TeX runs OK dvips same error AVEMARIA TeX runs OK dvips no error I looked at the FAQ and 02 Where can I get MuTeX and MusicTeX? Most up to date version of musictex: rsovax.ups.circe.fr directory [anonymous.musictex] so Connected to rsovax.ups.circe.fr. but this simply gives a list of files do I have no idea if they are more uptodate than the ones I already have. Can anyone tell me how to avoid the errors? Will anyone update the examples to cope with a papersize file containing vsize and hsize? How can I tell I have the latest version? Thanks Peter From Robin.Fairbairns@cl.cam.ac.uk Fri Feb 12 14:42:55 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA05545; Fri, 12 Feb 93 14:42:55 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Fri, 12 Feb 1993 20:42:47 +0000 To: mutex Cc: mutex@stolaf.edu, spqr@minster.york.ac.uk, Robin.Fairbairns@cl.cam.ac.uk Subject: Re: A number of questions In-Reply-To: Your message of Fri, 12 Feb 93 12:25:24 +0000. <9302122014.AB03311@stolaf.edu> Date: Fri, 12 Feb 93 20:42:42 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.126:12.02.93.20.43.00"@cl.cam.ac.uk> Daniel typically stuffs maximum amounts onto the page (in a very Phil Taylor-ish way). I've found that offsetting his stuff by -0.75" in each axis (w.r.t. the usual {1",1"} origin that TeX uses), I get acceptable results. I've had no problems with TeXing or printing the examples (apart from the offset) on my emTeX system. So I would presume that the \specials are emTeX ones. Since I'm not at home just now, I can't investigate further - perhaps you have an emTeX to hand? Sebastian's stuff uploaded to Aston _is_ the latest thing. That's not your problem. Robin -- Robin (Keep Radio 3 != Classic FM) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK From tim@maths.tcd.ie Fri Feb 12 15:07:37 1993 Return-Path: Received: from salmon.maths.tcd.ie by stolaf.edu (4.1/SMI-4.1) id AA07472; Fri, 12 Feb 93 15:07:37 CST From: Timothy Murphy Subject: Re: A number of questions To: mutex In-Reply-To: Peter Abbott's message of Fri, 12 Feb 93 12:25:24 +0000 Date: Fri, 12 Feb 93 21:07:39 GMT Sender: tim@maths.tcd.ie Message-Id: <9302122107.aa25423@salmon.maths.tcd.ie> > Will anyone update the examples to cope with a papersize file containing > vsize and hsize? I'd like to support Peter's plea. MusicTeX seems like a really nice package to me, but it also seems unnecessarily rigid, eg over paper size. Maybe what is needed is a MusicLaTeX?? Timothy Murphy e-mail: tim@maths.tcd.ie tel: +353-1-2842366 (home/office) +353-1-7021507 (university) fax: +353-1-2842295 s-mail: School of Mathematics, Trinity College, Dublin 2, Ireland From spqr@minster.york.ac.uk Sat Feb 13 06:50:48 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA02619; Sat, 13 Feb 93 06:50:48 CST From: spqr@minster.york.ac.uk Date: Sat, 13 Feb 93 12:48:57 Message-Id: To: mutex Cc: mutex@stolaf.edu Subject: Re: A number of questions Peter Abbott writes: > > ' TeX output 1993.02.12:1206' -> pacifiqn.ps > . [1dvips: Unknown keyword (xy) in \special > will be ignored dvips: Unknown keyword (12mm) in \special will be > ignored dvips: Unknown keyword (18mm) in \special will be ignored > dvips: Couldn't find figure file hp:; continuing ] [2] [3] [4] [5] i dont think Daniel ever promised that MusicTeX would run with all drivers; as Robin notes, these are *emTeX* specials. i dont think we can expect Daniel to cope with more than this > ! Undefined control sequence. > l.4 \fhyph french hyphenation patterns requested. well, Daniel *is* French... > /work2/music/examples$ tex recueil .... > ! Missing number, treated as zero. > > \relax > l.12 \font \geant=\fonthdg mbx12 scaled \magstep6 curious. now sure how Daniel gets \magstep6 to work. change it to some other smaller number - its presumably only the headings > > How can I tell I have the latest version? > you trust the Comprehensive TeX Archive Network, of which Aston is a node, to function properly; we have a (weekly, I think) mirror of a German site which tracks Daniel closely. sebastian From p.abbott@aston.ac.uk Tue Feb 16 03:35:22 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA14982; Tue, 16 Feb 93 03:35:22 CST Message-Id: <9302160935.AA14982@stolaf.edu> Via: uk.ac.aston; Tue, 16 Feb 1993 09:35:01 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <29462-0@email.aston.ac.uk>; Tue, 16 Feb 1993 09:30:56 +0000 To: mutex Cc: mutex@stolaf.edu, spqr@minster.york.ac.uk Subject: Re: A number of questions In-Reply-To: Your message of Fri, 12 Feb 93 20:42:42 +0000. <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> Date: Tue, 16 Feb 93 09:30:55 +0000 From: Peter Abbott <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> >Daniel typically stuffs maximum amounts onto the page (in a very >Phil Taylor-ish way). I've found that offsetting his stuff by -0.75" >in each axis (w.r.t. the usual {1",1"} origin that TeX uses), I get >acceptable results. OK I can do that but some users may not be able to change the offset easily. I still think that a separate file with hsize and vsize would be a boon. >I've had no problems with TeXing or printing the examples (apart from >the offset) on my emTeX system. So I would presume that the \specials >are emTeX ones. Since I'm not at home just now, I can't investigate >further - perhaps you have an emTeX to hand? As it happens I do not have emtex to hand, and neither will some other users. I choose to ignore the error but would suggest that the readme be amended to say the error will appear on non emtex dvips and can be ignored. >Sebastian's stuff uploaded to Aston _is_ the latest thing. That's not >your problem. I had assumed that but again the readme refers to a site which then does not give the details of the latest version, merely copies of the files. Please do not think that I am simply finding fault. I am just trying to ensure that access to software is as simple as possible, with minimum problems when used on platforms different to the originator. Peter From dgold@basso.actrix.gen.nz Wed Feb 17 16:22:08 1993 Return-Path: Received: from blit386.actrix.gen.nz by stolaf.edu (4.1/SMI-4.1) id AA23668; Wed, 17 Feb 93 16:22:08 CST Received: from actrix.gen.nz by blit386.actrix.gen.nz id ; Thu, 18 Feb 1993 11:22:18 +1300 Received: from basso.UUCP by actrix.gen.nz id ; Thu, 18 Feb 1993 11:15:12 +1200 Received: by basso.actrix.gen.nz (V1.16/Amiga) id AA00zew; Thu, 18 Feb 93 11:06:00 PST Date: Thu, 18 Feb 93 11:06:00 PST Message-Id: <9302181906.AA00zev@basso.actrix.gen.nz> X-Mailer: //\\miga Electronic Mail (AmiElm 1.17) Organization: New Zealand Symphony Orchestra Reply-To: dgold@basso.actrix.gen.nz From: dgold@basso.actrix.gen.nz (Dale Gold) To: mutex Subject: Re: A number of questions Hi, on Feb 16 you wrote: > <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> >>Daniel typically stuffs maximum amounts onto the page (in a very >>Phil Taylor-ish way). I think that that is in the nature of music printing rather than Daniel's style. Getting more information on the page means that there will be less page turns to worry the performers. Music is often printed on slightly larger paper than the size that most of us can use on our printers as well. > Please do not think that I am simply finding fault. I am just trying to ensure > that access to software is as simple as possible, with minimum problems > when used on platforms different to the originator. That would be a big help, although it seems difficult for a composer with a laser printer to have any idea what the requirements of an Epson would be, or vice versa. Perhaps if enough people send in their local 'fixes' for the demos to the mailing list, a help file about printing could be compiled from them some day. Dale - dgold@basso.actrix.gen.nz - Korokoro, New Zealand From Robin.Fairbairns@cl.cam.ac.uk Thu Feb 18 05:17:59 1993 Return-Path: Received: from swan.cl.cam.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA17852; Thu, 18 Feb 93 05:17:59 CST Received: from lelaps.cl.cam.ac.uk (user rf (rfc931)) by swan.cl.cam.ac.uk with SMTP (PP-6.4) to cl; Thu, 18 Feb 1993 11:16:48 +0000 To: mutex Cc: Robin.Fairbairns@cl.cam.ac.uk, mutex@stolaf.edu Subject: Re: A number of questions In-Reply-To: Your message of Thu, 18 Feb 93 11:06:00 -0800. <9302181906.AA00zev@basso.actrix.gen.nz> Date: Thu, 18 Feb 93 11:16:44 +0000 From: Robin Fairbairns Message-Id: <"swan.cl.ca.608:18.02.93.11.16.57"@cl.cam.ac.uk> Dale Gold wrote: |> Hi, on Feb 16 you wrote: |> |> > <"swan.cl.ca.120:12.02.93.20.42.51"@cl.cam.ac.uk> |> >>Daniel typically stuffs maximum amounts onto the page (in a very |> >>Phil Taylor-ish way). (That _was_ me) |> I think that that is in the nature of music printing rather than |> Daniel's style. Getting more information on the page means that |> there will be less page turns to worry the performers. Music is |> often printed on slightly larger paper than the size that most of |> us can use on our printers as well. Indeed. There is, in fact, a fundamental problem of standard vs American sizes here too. My reference to Phil was to do with an argument just completed within the UK TeX Users' Group committee, which Peter would have recognised; however, I believe that the difficulty of adjusting to strange (e.g., the various American) paper sizes is a fundamental TeX issue. Everyone who wants to do anything that stretches what was originally thought `useful' tends to hit up against this problem. Music has it in spades. |> > Please do not think that I am simply finding fault. I am just trying to ensure |> > that access to software is as simple as possible, with minimum problems |> > when used on platforms different to the originator. |> |> That would be a big help, although it seems difficult for a composer with |> a laser printer to have any idea what the requirements of an Epson would |> be, or vice versa. Perhaps if enough people send in their local 'fixes' |> for the demos to the mailing list, a help file about printing could be |> compiled from them some day. I've said in private mail to Peter Abbott (who was the originator of the text Dale quotes here) that there is a general problem of MusicTeX documentation in any case. I tend to regard the contents of MusicTeX as the archetypal black arts (I once tried to mend the tie/slur bug that was present in early version); having formed this opinion, I once thought of offering to work on the user documentation, but decided I couldn't commit to anything so far-reaching. A set of recipes for people to adapt scores to their local conditions would be a valuable addition to the documentation, however. I'm not the one to do it, since the only `other' person's scores I use are Daniel's, and he uses the same setup as I do, as far as I can tell... Robin -- Robin (Keep Radio 3 != Classic FM) Fairbairns rf@cl.cam.ac.uk U of Cambridge Computer Lab, Pembroke St, Cambridge CB2 3QG, UK From crath@bnr.ca Thu Feb 18 14:25:34 1993 Return-Path: Received: from bcars520 (x400gate.bnr.ca) by stolaf.edu (4.1/SMI-4.1) id AA12397; Thu, 18 Feb 93 14:25:34 CST X400-Received: by mta bcars520 in /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 15:25:00 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 15:23:41 -0500 X400-Received: by /PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/; Relayed; Thu, 18 Feb 1993 10:23:00 -0500 Date: Thu, 18 Feb 1993 15:23:00 +0000 X400-Originator: /DD.ID=CNT29168/G=Christopher/I=CJ/S=Rath/@bnr.ca X400-Mts-Identifier: [/PRMD=BNR/ADMD=TELECOM.CANADA/C=CA/;bcars520.b.991:18.01.93.20.23.41] X400-Content-Type: P2-1984 (2) Content-Identifier: Lead sheet (i... From: "Christopher (C.J.) Rath" Sender: "Christopher (C.J.) Rath" Message-Id: <"6032 Thu Feb 18 15:24:06 1993"@bnr.ca> To: mutex Subject: Lead sheet (ie. melody line, words & chords) production I've posted messages several places regarding the production of lead sheets, and I have yet to hear from ANYONE who has actually produced a lead sheet. I did one using MuTeX. That was a lot of work: About 25 hours for a one page lead sheet, including the initial MuTeX learning curve. However, the end product was very nice. I estimate additional lead sheets would take 5 to 8 hours each, now that I know how to use MuTeX. I have looked at using MusicTeX, since it is supposed to be more powerful than MuTeX. But, I am unwilling to climb its learning curve. Has no one used any of the tools I keep reading about to create a lead sheet? A lead sheet boiler-plate (template) for MusicTeX might convince me to try that tool...however, I thought there were easier to use tools for my NeXTstation than MusicTeX. I am willing to purchase commercial software. However, first I want to hear first-hand from someone who has used such software. Signed, Disappointed. (Christopher) == Christopher Rath === crath@jetform.com === (613) 594-3026 == Jetform Corporation | "Hydrogen is a colourless, odourless 560 Rochester St. #400 | gas which, given enough time, turns Ottawa, Canada K1S 5K2 | into people." -- Henry Hiebert From p.abbott@aston.ac.uk Fri Feb 19 04:25:47 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA10335; Fri, 19 Feb 93 04:25:47 CST Message-Id: <9302191025.AA10335@stolaf.edu> Via: uk.ac.aston; Fri, 19 Feb 1993 10:21:41 +0000 Received: from localhost by email.aston.ac.uk with SMTP (PP) id <03760-0@email.aston.ac.uk>; Fri, 19 Feb 1993 10:09:41 +0000 To: mutex Cc: mutex@stolaf.edu Subject: Re: A number of questions In-Reply-To: Your message of Thu, 18 Feb 93 11:06:00 -0800. <9302181906.AA00zev@basso.actrix.gen.nz> Date: Fri, 19 Feb 93 10:09:40 +0000 From: Peter Abbott Dale >That would be a big help, although it seems difficult for a composer with >a laser printer to have any idea what the requirements of an Epson would >be, or vice versa. Perhaps if enough people send in their local 'fixes' >for the demos to the mailing list, a help file about printing could be >compiled from them some day. Rather than reinventing the wheel every time, if hsize and vsize were stuffed in a seperate file then the help on printing could simply say. Change the values of hsize and vsize for the paper size available to you. It could even offer suggestions as to the values for standard paper sizes. Peter From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Mon Feb 22 02:44:09 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA12296; Mon, 22 Feb 93 02:44:09 CST Message-Id: <9302220844.AA12296@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 6654; Mon, 22 Feb 93 03:43:54 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1c/1.7e) with BSMTP id 5481; Mon, 22 Feb 1993 03:43:54 -0500 Date: 22 FEB 93 09:50:11.44-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: To solve \magstep problems in mnusictex examples ! To: mutex \def\magstep#1¤\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or 2488\or 2986\or 3583\or 4300\or 5160\fi\relax‡ From ryanr@mozart.CS.ColoState.EDU Tue Feb 23 13:36:36 1993 Return-Path: Received: from ccncsu.ColoState.EDU by stolaf.edu (4.1/SMI-4.1) id AA22260; Tue, 23 Feb 93 13:36:36 CST Received: from mozart.cs.colostate.edu by ccncsu.ColoState.EDU (5.59/Ultrix2.0-B) id AA29338; Tue, 23 Feb 93 12:38:22 MST Received: by mozart.CS.ColoState.EDU (5.57/Ultrix3.0-C) id AA27358; Tue, 23 Feb 93 12:36:29 -0700 From: ryanr@cs.colostate.edu (richard ryan) Message-Id: <9302231936.AA27358@mozart.CS.ColoState.EDU> Subject: chord question To: mutex Date: Tue, 23 Feb 93 12:36:28 MST X-Mailer: ELM [version 2.3 PL8] Hi, I'm trying to notate a guitar chord with \notes\uppz q\zql q\zql n\zql l\cl c\ds\soupir\enotes% The vertical line doesn't reach all the way to the bottom note. Is there any way to make it do that? Also, how would I get the coda and the segno symbols for something like "D.C. al " or "to " Thanks, Richard. From robz@runxtsa.runx.oz.au Mon Mar 1 09:07:49 1993 Return-Path: Received: from ipso.ips.oz.au by stolaf.edu (4.1/SMI-4.1) id AA01325; Mon, 1 Mar 93 09:07:49 CST Received: from runxtsa.runx.oz by ipso.ips.oz.au with SunIV 5.65c/IDA-1.4.4/IPS-1.3; id AA07004; Tue, 2 Mar 1993 02:07:50 +1100 (from robz@runxtsa.runx.oz.au for mutex%stolaf.edu) Received: by runxtsa.runx.oz.au (5.65b/IDA-1.4.3) id AA11093; Mon, 1 Mar 93 12:34:59 +1100 (from robz@runx.oz.au for mutex%stolaf.edu@ips.oz.au) From: Robert Zurynski Message-Id: <9303010134.AA11093@runxtsa.runx.oz.au> Subject: Unsubscription procedures To: mutex Date: Mon, 1 Mar 93 12:34:55 AESST X-Mailer: ELM [version 2.3 PL6] I recently unsubscribed to this mailing group due to a pending change of email address. I wasn't sure of how to do it properly, but I took a punt, and it seems to have worked, but I did get two bits of mail indicating that others have reservations on how to go about it, unless I got it all wrong and they're just sarcastic jibes 8->. ~(headers deleted ) >> >> I'll be getting a different address soon, so please unsubscribe from >> this group. >> Regards >> >> Robert Zurynski >> >> >Robert, >I don't remember the method to unsubscribe..Could you tell me? >Tom > >~(headers deleted ) > >Hello Robert, > > How do I go about unsubscribing ? > >.. matt .. > > and the reply I received from stolaf was: > >From cdr@stolaf.edu Tue Feb 23 02:14:26 1993 >Received: from stolaf.edu (via ipso.ips.oz) by runxtsa.runx.oz.au with SunIV (5.65b/IDA-1.4.3) > id AA27883; Tue, 23 Feb 93 02:14:25 +1100 > (from cdr@stolaf.edu for robz) >Received: from stolaf.edu (nic.stolaf.edu) by metro.ucc.su.OZ.AU with SMTP id AA18538 > (5.65c/IDA-1.4.4 for ); Tue, 23 Feb 1993 01:58:03 +1100 >Received: by stolaf.edu (4.1/SMI-4.1) > id AA23746; Mon, 22 Feb 93 08:57:35 CST >Date: Mon, 22 Feb 93 08:57:35 CST >From: cdr@stolaf.edu (Craig D. Rice, St. Olaf College) >Message-Id: <9302221457.AA23746@stolaf.edu> >To: robz@runxtsa.runx.oz.au >Subject: Unsubscribed from mutex@stolaf.edu >Status: RO > > >You are no longer subscribed to the mutex mailing list. > >mutex-request@stolaf.edu > Regards Robert ( ripple@sydney.dialix.oz.au ) From muzzle@cs.uq.oz.au Tue Mar 2 20:37:35 1993 Return-Path: Received: from uqcspe.cs.uq.oz.au by stolaf.edu (4.1/SMI-4.1) id AA05692; Tue, 2 Mar 93 20:37:35 CST Received: from raglan.cs.uq.oz.au by uqcspe.cs.uq.oz.au id ; Wed, 3 Mar 93 12:37:38 +1000 Date: Wed, 3 Mar 93 12:37:37 +1000 From: muzzle@cs.uq.oz.au Message-Id: <9303030237.AA00553@client> To: mutex Subject: Problem: spaces before barlines Hi there I have a problem with MusicTeX inserting too much space before a bar line. Any ideas on what I'm going wrong? Thanks, Murray From icking@gmdzi.gmd.de Wed Mar 3 10:56:50 1993 Return-Path: Received: from gmdzi.gmd.de by stolaf.edu (4.1/SMI-4.1) id AA20425; Wed, 3 Mar 93 10:56:50 CST Received: by gmdzi.gmd.de id AA28572 (5.65c/IDA-1.4.4 for mutex@stolaf.edu); Wed, 3 Mar 1993 17:55:22 +0100 Date: Wed, 3 Mar 1993 17:55:22 +0100 From: Werner Icking Message-Id: <199303031655.AA28572@gmdzi.gmd.de> To: mutex Subject: Re: Problem: spaces before barlines >Date: Wed, 3 Mar 93 12:37:37 +1000 >From: muzzle@cs.uq.oz.au >Message-Id: <9303030237.AA00553@client> > >I have a problem with MusicTeX inserting too much space before a bar line. >Any ideas on what I'm going wrong? That's neither a problem nor a bug, it's a feature :-( MusicTeX seems to collect the glue or space esp. just before a bar. But that shows why typesetting of music is a bigger problem than typesetting plain text. Music normally has only a few "words" (bars, notes, beams) in a line and nearly no hyphenation. What you can do is: finish your masterpiece using \raggedlinestrue At the very end do some handtuning: try to use \normal, \etroit, \large. If all lines have to much space reduce \hsize. Sometimes you have to insert "hyphenaion" (bars may be split from one line to the next using e.g. \zbarre in the middle of a bar). At least you have to optimize single lines. Start from the top go to the end. If a lines has too much space change some or all of the bars from \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do this iteratively :-) When this type of work was done manually (Notenstecher) only craftsmen with a very high skill were able to "typeset" well-looking music. They need a lot of years of experience because the "Aufteilung" (division) of the complete piece into page was (and IS) so complicated. Hope this hilft -- Werner From walt@GECKO.SLAC.Stanford.EDU Wed Mar 3 11:44:08 1993 Return-Path: Received: from SCS.SLAC.STANFORD.EDU by stolaf.edu (4.1/SMI-4.1) id AA23375; Wed, 3 Mar 93 11:44:08 CST Received: from GECKO.SLAC.Stanford.EDU by SCS.SLAC.STANFORD.EDU with PMDF#10283; Wed, 3 Mar 1993 09:43 PDT Received: by gecko.SLAC.Stanford.EDU (NX5.67c/NX3.0S) id AA12498; Wed, 3 Mar 93 09:42:28 -0800 Received: by NeXT.Mailer (1.87.1.RR) Received: by NeXT Mailer (1.87.1.RR) Date: Wed, 3 Mar 93 09:42:28 -0800 From: "Walter R. Innes" Subject: To: mutex Message-Id: <9303031742.AA12498@gecko.SLAC.Stanford.EDU> X-Envelope-To: mutex@stolaf.edu > >Date: Wed, 3 Mar 93 12:37:37 +1000 > >From: muzzle@cs.uq.oz.au > >Message-Id: <9303030237.AA00553@client> > > > >I have a problem with MusicTeX inserting too much space before a bar line. > >Any ideas on what I'm going wrong? > > That's neither a problem nor a bug, it's a feature :-( > > MusicTeX seems to collect the glue or space esp. just before a bar. > But that shows why typesetting of music is a bigger problem than > typesetting plain text. Music normally has only a few "words" (bars, > notes, beams) in a line and nearly no hyphenation. > > What you can do is: finish your masterpiece using \raggedlinestrue > > At the very end do some handtuning: try to use \normal, \etroit, \large. > > If all lines have to much space reduce \hsize. > > Sometimes you have to insert "hyphenaion" (bars may be split from one > line to the next using e.g. \zbarre in the middle of a bar). > > At least you have to optimize single lines. Start from the top go to the > end. If a lines has too much space change some or all of the bars from > \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do > this iteratively :-) > > Hope this hilft -- Werner > Inserting some \temps within the bars puts glue at places other than before the bar line thus spreading the space more evenly. \autolines provides a convenient way to do the same thing as using notes, Notes, NOtes etc. Happy music setting, Walt From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Wed Mar 3 12:26:50 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA26229; Wed, 3 Mar 93 12:26:50 CST Message-Id: <9303031826.AA26229@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 1116; Wed, 03 Mar 93 13:19:18 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1d/1.7f) with BSMTP id 2550; Wed, 3 Mar 1993 13:10:15 -0500 Date: 3 MAR 93 19:17:02.33-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Glue in MusicTeX To: mutex "Werner.Icking@gmd.de" says : > >Date: Wed, 3 Mar 93 12:37:37 +1000 > >From: muzzle@cs.uq.oz.au > >Message-Id: <9303030237.AA00553@client> > > > >I have a problem with MusicTeX inserting too much space before a bar line. > >Any ideas on what I'm going wrong? > > That's neither a problem nor a bug, it's a feature :-( > > MusicTeX seems to collect the glue or space esp. just before a bar. > But that shows why typesetting of music is a bigger problem than > typesetting plain text. Music normally has only a few "words" (bars, > notes, beams) in a line and nearly no hyphenation. > > What you can do is: finish your masterpiece using \raggedlinestrue > > At the very end do some handtuning: try to use \normal, \etroit, \large. > > If all lines have to much space reduce \hsize. > > Sometimes you have to insert "hyphenaion" (bars may be split from one > line to the next using e.g. \zbarre in the middle of a bar). > > At least you have to optimize single lines. Start from the top go to the > end. If a lines has too much space change some or all of the bars from > \notes to \Notes, from \Notes to \NOtes, ... Maybe that you have to do > this iteratively :-) > > When this type of work was done manually (Notenstecher) only craftsmen > with a very high skill were able to "typeset" well-looking music. They > need a lot of years of experience because the "Aufteilung" (division) of > the complete piece into page was (and IS) so complicated. > > Hope this hilft -- Werner You can also spread the glue in the middle of the bars, using the macro \temps. Only when no beam is pending. From muzzle@cs.uq.oz.au Wed Mar 3 17:49:07 1993 Return-Path: Received: from uqcspe.cs.uq.oz.au by stolaf.edu (4.1/SMI-4.1) id AA15010; Wed, 3 Mar 93 17:49:07 CST Received: from erebus.cs.uq.oz.au by uqcspe.cs.uq.oz.au id ; Thu, 4 Mar 93 09:49:14 +1000 Date: Thu, 4 Mar 93 09:49:14 +1000 From: muzzle@cs.uq.oz.au Message-Id: <9303032349.AA05526@client> To: mutex Subject: Space before barline: thanks! Hi there The best solution that I have been given is to use \raggedlinestrue, which seems to shuffle the bars in a nice way. The only drawback is that the staff continues to the side of the page after the double bar line at the end of the music. Thanks! Murray From @PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET Thu Mar 4 08:58:27 1993 Return-Path: <@PUCC.PRINCETON.EDU:TAUPIN@FRUPS51.BITNET> Received: from pucc.PRINCETON.EDU by stolaf.edu (4.1/SMI-4.1) id AA28738; Thu, 4 Mar 93 08:58:27 CST Message-Id: <9303041458.AA28738@stolaf.edu> Received: from PUCC.PRINCETON.EDU by pucc.PRINCETON.EDU (IBM VM SMTP V2R2) with BSMTP id 4364; Thu, 04 Mar 93 09:50:14 EST Received: from FRUPS51.BITNET (NJE origin TAUPIN@FRUPS51) by PUCC.PRINCETON.EDU (LMail V1.1d/1.7f) with BSMTP id 8537; Thu, 4 Mar 1993 09:35:40 -0500 Date: 4 MAR 93 15:42:47.66-GMT From: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU Subject: Musictex DOC To: mutex MUSICDOC updated (together with MUSICTEX.ZIP and MUSICYEX.BCK) at rsovax.ups.circe.fr, directory [anonymous.musictex] From smoliar@iss.nus.sg Thu Mar 4 18:32:23 1993 Return-Path: Received: from nuscc.nus.sg by stolaf.edu (4.1/SMI-4.1) id AA13882; Thu, 4 Mar 93 18:32:23 CST Received: from bochap.iss.nus.sg by nuscc.nus.sg (5.65/1.34) id AA29632; Fri, 5 Mar 93 08:32:31 +0800 Received: from mongoose.iss.nus.sg by iss.nus.sg (4.1/SMI-4.1) id AA29074; Fri, 5 Mar 93 08:35:35+080 Date: Fri, 5 Mar 93 08:35:35+080 From: smoliar@iss.nus.sg (Stephen Smoliar) Message-Id: <9303050035.AA29074@iss.nus.sg> Received: by mongoose.iss.nus.sg (4.1/SMI-4.1) id AA11229; Fri, 5 Mar 93 08:35:28 SST To: mutex Cc: mutex@stolaf.edu In-Reply-To: TAUPIN%FRUPS51.BitNet@pucc.PRINCETON.EDU's message of 4 MAR 93 15:42:47.66-GMT <9303041458.AA28738@stolaf.edu> Subject: Musictex DOC Daniel, May I make a small suggestion? Those of us with limited disk space often tend to work with some minimal functioning subset of MusicTeX. This makes it awkward to try to port over the "whole ball of wax" bundled in a single ZIP file. When you issue a new release, would it be too much trouble to announce which files have been updated? As far as I was able to determine, musictex.tex was the only file I had to change to upgrade to 4.93. Would you be so kind as to let me know if I missed anything? Steve From mark.janello@um.cc.umich.edu Thu Mar 4 21:06:21 1993 Return-Path: Received: from mailrus.cc.umich.edu by stolaf.edu (4.1/SMI-4.1) id AA21646; Thu, 4 Mar 93 21:06:21 CST Received: from him3.cc.umich.edu by mailrus.cc.umich.edu (5.65/1123-1.0) id AA11654; Thu, 4 Mar 93 22:05:31 -0500 Date: Thu, 4 Mar 93 21:08:20 EST From: mark.janello@um.cc.umich.edu To: mutex Message-Id: <20581360@um.cc.umich.edu> X-Mts-Userid: 7JK3 Subject: even spacing of lines of music Regarding the question of too much space before barlines, etc., I have come up with a system to spread the spacing out just enough to fill lines evenly. After having examined many well-engraved scores (I highly recommend the old Bach-Gesellschaft editions) I distilled the following rules: 1. there are two main "spacings" at any one time: close spacing (for the fastest notes, for example sixteenths), and open spacing, for the next and all levels above. Given the rhythm eighth sixteenth sixteenth, there would be a medium space between the first two notes, and a small space between the last two, and between the last one and the next group. 2. In the close spacing, there is not enough room for an accidental so an extra-small "accidental" skip is needed. This can be left out if there is room, e.g., if there is a rest before the accidental, or the altered note follows a wide enough interval that the accidental sign will not hit the first note, or, importantly, if the spacing of the whole line needs to be expanded so much that there actually room for the accidentals without a skip. I have made some macros to automate the use of these principals as much as possible. What I have done is to define the three spacings (close, open, and accidental (I call them \M (for Measurespacing), \m, and \ask)) using the general MusicTeX macro \vnotes, with an \mset macro as follows: \newskip\Mskip% \newskip\mskip% \newskip\mmmskip% % \def\mset M=#1,m=#2,ask=#3{\elemskip=4\Internote% \def\Mfact{#1}\def\mfact{#2}% \def\ask{\off{#3 pt}}% \Mskip=\Mfact\elemskip% \mskip=\mfact\elemskip% \mmmskip=\Mfact\elemskip% \advance\mmmskip by -\mfact\elemskip}% \def\M{\vnotes\Mfact\elemskip}% \def\m{\vnotes\mfact\elemskip}% The first three lines set up the skipsizes to be used. The usage of \mset is as follows: before the music to be spaced (I usually find that one setting per line is enough, but in complicated music with extreme changes in magnitude of rhythm (for instance, from thirtysecond notes to a series of whole notes) more than one setting per line is better), "set" the spacing as follows: \mset M=1.44,m=1.1,ask=3% the values of M, m, and ask are abitrary here, but these are good settings to start with. Note that the \ask is in points. This is like setting \Notes and \notes, but then instead of those, you use \M and \m to start off blocks of music, ending them normally with \enotes. The good thing is this, you set the values to some pretty compact spacing, then using \raggedlinestrue see how many measures will fit in a line, then you fiddle with \mset until the spacing is just enough to fill the line (a few points left over is OK, just comment out \raggedlines true and the space will spread out and be unnoticeable). Use \alaligne to break lines. The only time-consuming thing is trying out different values of \M and \m to make it work, though one gets pretty good at it. I usually get it perfectly after 2 or 3 tries. A few other macros that I use: \def\mtoM{\off{\mmmskip}}% turns m into M \def\Mtom{\off{-1\mmmskip}}% turns M in m These introduce skips that turn M into m spacing, etc. Sometimes it is just too tedious to always be switching from \M to \m, and with these skips available one can set the eighth sixteenth sixteenth rhythm mentioned above with: \m% small spacing \cu c\mtoM\ccu {de}% \enotes% I admit that this method can be tedious, because each line needs to be manually adjusted, and care needs to be taken that \ask is inserted in all parts to make everything line up, but the results are spectacular, comparable to the finest engraving. I have used several other, well-regarded music typesetting systems, but they all fail miserably at providing attractive spacing. A practical tip: set the first line, then put it in a separate file; set each separate line and append it to the first. This means you don't have to wait for TeX to process stuff you have already done to get to the stuff you are working on. I have also written some METAFONT programs to make slurs. I use TeX to dump information into a file, which is then read to make a "font" containing slurs. These also look fabulous, and can be infinitely variable in shape and size. I am still fine-tuning these programs but if anyone is interested I would be glad to send my METAFONT code and the MusicTeX macros that I have written. If anyone tries out the \mset system please tell me how you like it and how you modify to your own ends. Sorry for the long post. Mark Janello Composition Dept. University of Michigan School of Music Ann Arbor, MI, USA From @relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu Fri Mar 5 08:33:20 1993 Return-Path: <@relay.cs.toronto.edu,@ark.vis.toronto.edu:jservice@vis.toronto.edu> Received: from relay.cs.toronto.edu by stolaf.edu (4.1/SMI-4.1) id AA24488; Fri, 5 Mar 93 08:33:20 CST Received: from ark.vis.toronto.edu ([128.100.3.88]) by relay.cs.toronto.edu with SMTP id <150192>; Fri, 5 Mar 1993 09:33:08 -0500 Received: by ark.vis.toronto.edu id <91538>; Fri, 5 Mar 1993 09:32:46 -0500 From: "James R. R. Service" To: mutex Subject: \interinstrument does not seem to work for my application Reply-To: jservice@rd.hydro.on.ca Message-Id: <93Mar5.093246est.91538@ark.vis.toronto.edu> Date: Fri, 5 Mar 1993 09:32:35 -0500 Most of my work with MusicTeX to date has been to typeset music for voice and piano. I use \interfacteur to set the spacing between staves. But, if I try and use \interstrumenti=5pt, for example, to add additional spacing between the piano accompaniment and the voice part to make room for text, the upper staff is moved upwards but the notes remain in the same place as when then \interstrumenti code is not there. Is there some particular order to using these vertical spacing adjustments? Could someone post an extract of how this might be done properly? Thanks -- James (Jim) R.R. Service Internet: jservice@rd.hydro.on.ca Ontario Hydro jservice@vis.toronto.edu 800 Kipling Ave. - Room KR132 FAX: (416) 207-6384 Toronto, Ontario, CANADA M8Z 5S4 voice: (416) 207-6946 From dmnhieu@math.purdue.edu Fri Mar 5 11:41:37 1993 Return-Path: Received: from euclid.math.purdue.edu by stolaf.edu (4.1/SMI-4.1) id AA07137; Fri, 5 Mar 93 11:41:37 CST Received: by euclid.math.purdue.edu (4.1/Purdue_Math_1.0) id AA00215; Fri, 5 Mar 93 12:41:46 EST Date: Fri, 5 Mar 93 12:41:46 EST From: dmnhieu@math.purdue.edu (Duy-Minh NHIEU) Message-Id: <9303051741.AA00215@euclid.math.purdue.edu> To: mutex Subject: musictex output in dvi format requested... Hi, I have limited (disk space/knowledge) access to the computer system. So to install musictex and enter some music myself is difficult at the moment. However, I would like to see how musictex's output are like. If someone already have any example of output of musictex in .dvi format (ie, I can just lpr it), would you please send me one copy (probably you have to uuencode it first) so that I can see how the output is like? I am currently using SongWright V to restore some very old music and I am not quite satisfied with the look! From prw-b@minster.york.ac.uk Fri Mar 5 12:00:14 1993 Return-Path: Received: from minster.york.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA08483; Fri, 5 Mar 93 12:00:14 CST From: prw-b@minster.york.ac.uk Date: Fri, 5 Mar 93 17:55:49 Subject: Message-Id: To: mutex Having only been using MusicTeX for a few days now, and not really knowing TeX all that well anyway, I have run into a few problems. I have a few questions :- [1] I am having problems using \autolinesx. I don't fully understand the explanation in the manual, and TeX gives me a 'underfull \hbox' error. Could somebody explain any pre-requsits and conditions for this command to work. [2] What is the difference between :- \debutextrait and \debutmorcea and how (if at all) does it affect \autolines. [3] How do I print my masterpeice onto A4 paper (Lasered), what values to which variables, and do I need any additional '\input's. ---------- Help would be appriciated, as I am totally stumped on these points. I will reply to any questions asked about my system. Thanks in advance, Peter Wainwright. From M.R.Smith@open.ac.uk Sat Mar 6 09:21:55 1993 Return-Path: Received: from sun2.nsfnet-relay.ac.uk by stolaf.edu (4.1/SMI-4.1) id AA19698; Sat, 6 Mar 93 09:21:55 CST Via: uk.ac.open; Sat, 6 Mar 1993 15:21:29 +0000 Received: from bean.open.ac.uk by mercury.open.ac.uk with SMTP (PP) id <00128-0@mercury.open.ac.uk>; Sat, 6 Mar 1993 15:21:27 +0000 Received: from [137.108.5.22] (M22.MATHEMATICS-17.open.ac.uk) by bean.open.ac.uk (4.1/SMI-4.1) id AA14683; Sat, 6 Mar 93 15:18:37 GMT Date: Sat, 6 Mar 93 15:18:36 GMT Message-Id: <9303061518.AA14683@bean.open.ac.uk> To: mutex From: M.R.Smith@open.ac.uk (Matt Smith) Subject: announcement of AI/Music/ workshop Sender: M.R.Smith@open.ac.uk Although this announcement is not about MuTeX, I thought that it would be of interest to subscribers. .. matt .. >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< >>>>>>>>>>>>>>> call for participation <<<<<<<<<<<<<<<< >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< ***************************************************************** * Music Education : An Artificial Intelligence Perspective * ***************************************************************** A half-day workshop to be held on the afternoon of Wednesday 25th August, 1993. (probably in the Department of Music, University of Edinburgh) A part of AI-ED 93, the World Conference on Artificial Intelligence in Education, 23rd-27th August, 1993, Edinburgh, Scotland, UK. Organizing Committee: Matt Smith (Chair), Department of Computing, The Open University Eduardo Miranda (Local Chair), Dept. of Music, University of Edinburgh Simon Holland, Department of Computing, The Open Un